Trivia: American actor Ward Bond was a football player at the University of Southern California when, together with teammate and lifelong chum John Wayne, he was hired for extra work in the silent film Salute (1928), directed by John Ford. Both Bond and Wayne continued in films, but it was Wayne who ascended to stardom, while Bond would have to be content with bit roles and character parts throughout the 1930s. Mostly playing traffic cops, bus drivers and western heavies, Bond began getting better breaks after a showy role as the murderous Cass in John Ford's Young Mr. Lincoln (1939). Ford cast Bond in important roles all through the 1940s, usually contriving to include at least one scene per picture in which the camera would favor Bond's rather sizable posterior; it was an "inside" joke which delighted everyone on the set but Bond. A starring role in Ford's Wagonmaster (1950) led, somewhat indirectly, to Bond's most lasting professional achievement: His continuing part as trailmaster Seth Adams on the extremely popular NBC TV western, Wagon Train. No longer supporting anyone, Bond exerted considerable creative control over the series from its 1957 debut onward, even seeing to it that his old mentor John Ford would direct one episode in which John Wayne had a bit role, billed under his real name, Marion Michael Morrison. Finally achieving the wide popularity that had eluded him during his screen career, Bond stayed with Wagon Train for three years, during which time he became as famous for his offscreen clashes with his supporting cast and his ultra-conservative politics as he was for his acting. Wagon Train was still NBC's Number One series when, in November of 1960, Bond unexpectedly suffered a heart attack and died while taking a shower.

Trivia: Redheaded leading man Robert Horton attended UCLA, served in the Coast Guard during World War II, and acted in California-based stage productions before making his entree into films in 1951. Horton's television career started off on a high note in 1955, when he was cast in the weekly-TV version of King's Row as Drake McHugh (the role essayed by Ronald Reagan in the 1942 film version). The series barely lasted three months, but better things were on the horizon: in 1957, Horton was hired to play frontier scout Flint McCullough in Wagon Train, which became the highest-rated western on TV. Horton remained with Wagon Train until 1962. He then did some more stage work before embarking on his third series, 1965's The Man Called Shenandoah. When this one-season wonder ran its course, Horton toured the dinner-theatre circuit, then in 1982 accepted a major role on the popular daytime soap opera As the World Turns. Horton continued acting until the late 1980s. He died in 2016, at age 91.

Trivia: While still a teenager Farley Granger appeared in a Los Angeles little theater production, where he was spotted by a scout. Sam Goldwyn signed him to a film contract and he debuted onscreen as a Russian youth in The North Star (1943). Typecast as a troubled pretty boy or a vulnerable, sensitive, soulful young hero, Granger appeared in one more film and then served in World War II. After the war, he returned to the screen as an intellectual thrill-killer in Alfred Hitchcock's Rope (1948) Early predictions that Granger would become a major star failed to come true, however; his career was mismanaged and he never lived up to his potential. After making a series of minor Hollywood films, he moved to Italy in the mid '50s and made one film there, then returned to Hollywood for two more movies before giving up his screen career in favor of work on stage, doing repertory theatre and Broadway productions like The Seagull and The Glass Menagerie. In the late '60s Granger returned to Italy and began living there for much of the year, appearing onscreen in little-known Italian productions, and returning to America less frequently to participate in American projects. He eventually played a psychiatrist and head of a family on the TV soap opera One Life to Live, but mainly specialize in horror films and thrillers as the following decades unfolded, appearing in movies like 1974's Death Will Have Your Eyes and 1985's Deathmask. The actor enjoyed a state of semi-retirement as the years went on, however, stepping in front of the camera in the '90s and 2000s mostly as a participant in documentaries about Hollywood and Alfred Hitchcock, like 1995's The Celluloid Closet and 2001's Goldwyn: The Man and His Movies. Granger passed away in March of 2011 at the age of 85.

Trivia: In the light of today's tinderbox racial tensions, it is hardly likely that a white actress would be cast as a light-skinned black girl. But that's just what happened in 1959, when actress Susan Kohner played the troubled Sara Jane in the Ross Hunter-produced remake of Imitation of Life -- and nobody thought ill of the members of the Academy of Motion Picture Arts and Sciences when they nominated Kohner for an Oscar. The daughter of American producer Paul Kohner and Mexican actress Lupita Tovar, Susan began her seven-year film career when she was signed by Universal in 1955. She retired from acting in 1962, after playing Martha Freud opposite Montgomery Clift in John Huston's Freud; two years later, she married fashion designer John Weitz. Susan Kohner's activities in the 1990s include serving on the board of directors of the Juilliard School of Music, and hosting a weekly radio program for the blind.

Trivia: Chuck Connors attended Seton Hall University before embarking on a career in professional sports. He first played basketball with the Boston Celtics, then baseball with the Brooklyn Dodgers and Chicago Cubs. Hardly a spectacular player -- while with the Cubbies, he hit .233 in 70 games -- Connors was eventually shipped off to Chicago's Pacific Coast League farm team, the L.A. Angels. Here his reputation rested more on his cut-up antics than his ball-playing prowess. While going through his usual routine of performing cartwheels while rounding the bases, Connors was spotted by a Hollywood director, who arranged for Connors to play a one-line bit as a highway patrolman in the 1952 Tracy-Hepburn vehicle Pat and Mike. Finding acting an agreeable and comparatively less strenuous way to make a living, Connors gave up baseball for films and television. One of his first roles of consequence was as a comic hillbilly on the memorable Superman TV episode "Flight to the North." In films, Connors played a variety of heavies, including raspy-voiced gangster Johnny O in Designing Woman (1957) and swaggering bully Buck Hannassy in The Big Country (1958). He switched to the Good Guys in 1958, when he was cast as frontiersman-family man Lucas McCain on the popular TV Western series The Rifleman. During the series' five-year run, he managed to make several worthwhile starring appearances in films: he was seen in the title role of Geronimo (1962), which also featured his second wife, Kamala Devi, and originated the role of Porter Ricks in the 1963 film version of Flipper. After Rifleman folded, Connors co-starred with Ben Gazzara in the one-season dramatic series Arrest and Trial (1963), a 90-minute precursor to Law and Order. He enjoyed a longer run as Jason McCord, an ex-Army officer falsely accused of cowardice on the weekly Branded (1965-1966). His next TV project, Cowboy in Africa, never got past 13 episodes. In 1972, Connors acted as host/narrator of Thrill Seekers, a 52-week syndicated TV documentary. Then followed a great many TV guest-star roles and B-pictures of the Tourist Trap (1980) variety. He was never more delightfully over the top than as the curiously accented 2,000-year-old lycanthrope Janos Skorzeny in the Fox Network's Werewolf (1987). Shortly before his death from lung cancer at age 71, Chuck Connors revived his Rifleman character Lucas McCain for the star-studded made-for-TV Western The Gambler Returns: The Luck of the Draw (1993).

Trivia: A former pro baseball player, Bing Russell eased into acting in the 1950s, appearing mostly in westerns. Russell could be seen in such bonafide classics as The Horse Soldiers (1959) and The Magnificent Seven (1960), and not a few bow-wows like Billy the Kid vs. Dracula (1966). From 1961 through 1973, Russell played the semiregular role of Deputy Clem on the marathon TV western series Bonanza. When time permitted, he also dabbled in screenwriting. The father of film star Kurt Russell, Bing Russell has acted with his son on several occasions, most memorably in the role of Vernon Presley in the 1979 TV-movie hit Elvis.

Trivia: Greco-American actor Nico Minardos inaugurated his film career in 1955. Many of his earlier assignments were unstressed minor roles like "Ali" in the Errol Flynn starrer Istanbul (1956). His larger parts include Carlos, potential "Latin Lover" to tourists Jill St. John and Carol Lynley, in Holiday For Lovers (1959), and hard-bitten westerner DeLeon in Day of the Evil Gun (1968). Nico Minardo's last film was 1975's Assault on Agathan, which he also produced.

Trivia: Born Henry Kleinbach, the name under which he appeared until 1936, Brandon was a tall man with black curly hair; he occasionally played the handsome lead but was more often typecast to play villains. As the latter, he appeared as white, Indian, German, and Asian men. Brandon's film career began with Babes in Toyland (1934) and went on to span fifty years. He played villains whom the audiences loved to hate in serials in the '30s and '40s, such as the Cobra in Jungle Jim, the mastermind criminal Blackstone in Secret Agent X-9, Captain Lasca in Buck Rogers Conquers the Universe (1939), and a sinister Oriental in Drums of Fu Manchu. Brandon played Indian chiefs no fewer than 26 times, notably in two John Ford westerns. He had occasional leading roles on New York stage, such as in a 1949 revival of Medea in which he played a virile Jason opposite Judith Anderson.

Trivia: Robert Fuller spent his first decade in show business trying his best to avoid performing. After his film debut in 1952's Above and Beyond, Fuller studied acting with Sanford Meisner at New York's Neighborhood Playhouse but never exhibited any real dedication. He tried to become a dancer but gave that up as well, determining that dancing was "sissified." Fuller rose to nominal stardom fairly rapidly in the role of Jess Harper on the popular TV western Laramie (1959-63). Once he found his niche in cowboy attire, he stuck at it in another series, Wagon Train, turning down virtually all offers for "contemporary" roles. When westerns began dying out on television in the late 1960s, Fuller worked as a voiceover actor in commercials, earning some $65,000 per year (a tidy sum in 1969). On the strength of his performance in the Burt Topper-directed motorcycle flick The Hard Ride, Fuller was cast by producer Jack Webb as chief paramedic Kelly Brackett on the weekly TVer Emergency, which ran from 1972 through 1977. In 1994, Robert Fuller was one of several former TV western stars who showed up in cameo roles in the Mel Gibson movie vehicle Maverick.