Trivia: Born August 10th, 1972, Texan model-turned-actress Angie Harmon's private life (and concomitant rise to fame) bear closer correlation to a fairy tale than to a factual account. Born Angela Michelle Harmon in the Dallas suburb of Highland Park in the late summer of 1972, Harmon never sought out celebrity; it beckoned to her. An "accidental" discovery by the esteemed Kim Dawson Modeling Agency and a win of Seventeen Magazine's cover-girl contest (at age 15) launched Harmon on the path to modeling, but once she reached Manhattan, Harmon discovered a deep-seated love of drama. Harmon then survived a series of not-so-prestigious early roles (including a very brief stint on the exploitationer Baywatch Nights and a turn as a dysfunctional suburbanite in John Duigan's ugly allegory Lawn Dogs), to establish herself as a respected and esteemed actress.Harmon first garnered national attention in the late '90s, as Abbie Carmichael, an assistant district attorney on the hit prime-time drama Law & Order -- a role she maintained for multiple seasons. Beginning in 2003, the actress segued from television into cinematic roles, with generally promising results. Her highest-profile turns include contributions to the family-oriented spy comedy Agent Cody Banks (2003), the action thriller End Game (2005), and the Jim Carrey/Téa Leoni comedy Fun With Dick and Jane (2005).Harmon made coast-to-coast headlines in March 2000 when she received a marriage proposal from then-boyfriend Jason Sehorn, a running back for the New York Giants, on The Tonight Show with Jay Leno. Sehorn popped the question in front of Elton John and a nationwide TV audience. Harmon immediately accepted on the air, and the two wed a short time later, parenting children in successive years before annoucing their split in 2014. In her private life, Harmon is also an outspoken born-again Christian and an advocate of conservative political causes. She and Sehorn co-hosted the Lifetime special Together: Stop Violence Against Women (2003) to spread awareness and prevention of domestic abuse. In fall 2007, Harmon took on a lead role in the ABC detective series Women's Murder Club as Lindsay Boxer, one of four women who band together to solve crimes in the city of San Francisco; the series was an instant success. In 2010, Harmon begun work on Rizzoli & Isles in the leading role of Detective Jane Rizzoli, a hard-working law enforcer entrusted with solving some of Boston's toughest cases.

Trivia: Los Angeles native Sasha Alexander honed her interest in acting with roles in school plays, but soon graduated to a professional career with roles on shortlived series like the drama Wasteland and the wild comedy Greg the Bunny, on which she shared an on-screen kiss with comedian Sarah Silverman. In 2003, Alexander took on the role of Agent Caitlin Todd on the series NCIS. She would play the role for many seasons to come, in addition to roles in movies like Yes Man and Love Happens, and other TV shows, like Rizzoli & Isles.

Trivia: Born October 2, 1954, it's no surprise that Lorraine Bracco, with her thick Brooklyn accent, was raised in a working-class neighborhood in New York City, but her twenties were not as predictable. Relocating to Europe, she spent several years living in France as a fashion model and working in radio, TV commercials, and films. She appeared in the Lina Wertmuller crime thriller Un Complicato Intrigo Di Donne, Vicoli E Delitti along with American actor Harvey Keitel, to whom she would be married for ten years. Moving back to New York to study acting with Stella Adler and the Actor's Studio, she made her U.S. debut as a hooker in The Pick-Up Artist (also with Keitel) and later starred as a Queens housewife in Ridley Scott's Someone to Watch Over Me. After a couple roles in Sing and The Dream Team, she received an Oscar nomination for her work as mobster Henry Hill's wife in Martin Scorsese's Goodfellas, making her a full-blown movie star overnight. She continued working in features for the remainder of the '90s, most notably opposite Sean Connery in Medicine Man, as the whip-cracking Delores Del Rio in Even Cowgirls Get the Blues, and as Leonardo DiCaprio's long-suffering mother in The Basketball Diaries.Then in 1999, when Bracco got the stellar role of Dr. Jennifer Melfi on the hit HBO series The Sopranos. Bracco stayed with the series until 2007, playing the understated psychiatrist of mob boss Tony Soprano, and picking up several Emmy, Golden Globe, and Screen Actors Guild awards over the years. The show kept her busy, but the actress continued to pursue other projects, playing a nervous mother in Penny Marshall's Riding in Cars With Boys , and taking on a recurring role on the series Lipstick Jungle. In 2010 Bracco co-starred in the comedy Son of Morning, and directed the ensemble drama Love and Distrust (starring Robert Downey, Jr., James Franco, and Amy Adams) the same year. Bracco took on a recurring role as Angela Rizzoli in the television series Rizzoli & Isles (2010-2012), and continues to work in film and television.

Trivia: At age 8, he attended local festivals and community events telling traditional Carolinas folk tales. At 10, he portrayed Martin Luther King Jr. in a community-theater production of A Night of Stars and Dreams. Appeared in commercials for McDonald's and Robitussin cough medicine. Wrote a 2000 episode for the Disney series The Famous Jett Jackson, in which he played the title role. Was in the 2009 video for Sugarbabes' "About a Girl."

Trivia: Husky American actor Bruce McGill made his film debut in Citizen's Band (1978), but it was his next film role, frat-brat "D Day" in National Lampoon's Animal House, that gained him a following. McGill repeated his D-Day characterization in the spin-off TV series Delta House (1979), then co-starred with David Hasselhoff in the 1980 weekly-TV version of the 1977 theatrical football comedy Semi-Tough. He went on to play a string of brusque authority types in films (Cliffhangers) and television (MacGiver, Live Shot). Fans of the fantasy series Quantum Leap (1989-93) may recall McGill's occasional guest shots, which ranged from mildly eccentric to truly weird. In 1987, Bruce McGill enjoyed one of his few feature-film leading roles in Waiting for the Moon. But it wasn't until the 1990s that casting directors really began to utilize McGill's unique range, and though he never won any awards, he shifted between film (A Perfect World, Timecop, The Insider) and television (Babylon 5, Star Trek: Voyager) with the skill of a seasoned pro. Any genre was fair game, and all were tackled with equal aplomb. At the dawn of the 2000s McGill seemed to shift his focus toward feature films, with roles in Ali, The Sum of All Fears, and Collateral helping to make him both a Michael Mann regular, and one of those welcomed faces that seems to turn up everywhere. Still TV just seemed to be in McGill's blood and after lending his voice to both Family Guy and The Cleveland Show he could be seen as a regular on the TNT detective series Rizzoli and Isles.

Trivia: Son of Beau Bridges, is a native Californian. Young Bridges began making his way into the family business at the tender age of nine with a supporting role in the 1982 made-for-television feature The Kid From Nowhere. Throughout the remainder of the decade, as well as the majority of the 1990s, one could always count on spotting Jordan in father Beau's many made-for-TV movies. Climbing the credits from The Thanksgiving Promise (1986) to The Defenders: Taking the First, it wasn't until 1999's Macbeth in Manhattan that young Bridges finally began to carve his own path in show business. He would play supporting roles in movies like Drive Me Crazy, Frequency, New Suit and Mona Lisa Smile. Bridges would go on to appear in movies like J. Edgar, as well as star on TV shows like Rizzoli & Isles and Conviction.

Trivia: Raven-haired screen heartthrob Billy Burke traces his career back to the early '90s, but made his first substantial impression in 1998. The role in question that brought him serious public recognition was, ironically, a truly wacky one: he played Joey Cortino, the "psychotic" son of nutty godfather Vincenzo Cortino (the late Lloyd Bridges) in Mafia!, the Zucker-Abrahams-Zucker team's gag-filled spoof of American gangster pictures. After a string of smaller parts in features of lesser attention, Burke demonstrated his aptitude for the thriller genre with a small turn as Ben Devine in the Morgan Freeman headliner Along Came a Spider (2001). He made several guest appearances on Gilmore Girls and landed a small role in season two of the massive-hit series 24. Burke also delivered a stellar performances as firefighter Dennis Gauquin in the uneven melodrama Ladder 49 (2004), but he achieved his greatest coup in 2007, with four high-billed roles in Hollywood A-listers. These included -- among others -- the part of David in Robert Benton's ensemble drama Feast of Love and that of a detective in the Anthony Hopkins psychological thriller Fracture. Burke would go on to spend the next several years appearing in a number of films like New Moon, Drive Angry, and Highland Park, as well as TV series like Rizzoli & Isles and My Boys.

Trivia: Born Jacqueline Fraser, in Weybridge, England, onetime model Jacqueline Bisset was vaulted into stardom on the strength of two 1967 films: In the over-produced spy spoof Casino Royale, she attracted attention as the alluring Giovanni Goodthighs; even more impressive (so far as critics were concerned) was her near-microscopic role in Stanley Donen's Two for the Road, in which Bisset plays the vacationing British schoolgirl whose sudden case of the measles makes the rest of the plot possible. (She reprised and expanded upon this bit in a film-within-a-film in François Truffaut's Day for Night in 1973.) First cast on the basis of her looks alone, Bisset later developed into a top-notch actress, as evidenced by her performances in The Grasshopper (1969) and The Thief Who Came to Dinner (1972). She came to so despise her earlier sexpot image that she insisted that no still photos of her wet T-shirt scenes in The Deep (1977) be reproduced for publication. That year, Newsweek magazine voted her "the most beautiful film actress of all time." In 1978, she played another famous Jackie (although not so named) in The Greek Tycoon, an à clef version of the Aristotle Onassis saga. A more mature but no less dazzlingly beautiful Bisset was later seen in a kinky secondary role in Zalman King's Wild Orchid (1990). The actress received critical acclaim in 2001 for her portrayal of a dying woman's search for the daughter she never knew in Christopher Munch's drama The Sleepy Time Gal. She continued to work steadily in a variety of projects including playing Jacqueline Kennedy in American's Prince: The John F. Kennedy Jr. Story, Domino, Death in Love, and An Old Fashioned Thanksgiving, as well as appearing on the TV series Nip/Tuck.

Trivia: Was recruited to the University of Pennsylvania as a football player. Served in the Vietnam war. Moved to New York from Philadelphia in 1961 to work in advertising. Began acting at 46. Appeared in the 2008 LAByrinth off-Broadway production of Unconditional, opposite Anna Chlumsky. Provided a voice-over for a series of commercials for the Philadelphia Eagles in 2013.

Trivia: Anointed as one of New Hollywood's golden boys with his neo-classical homages to John Ford and Howard Hawks, Peter Bogdanovich's personal and professional lives crashed and burned in the late '70s. Though he was redeemed somewhat with Mask (1985), his directorial career never fully recovered. By the late '90s, however, Bogdanovich returned to his original training as an actor and found success as a supporting player in films and on HBO's acclaimed series The Sopranos.Raised in Manhattan, the precocious Bogdanovich began studying acting with Stella Adler at age 15 and spent his teens at the movies, developing a devotion to Hollywood. Though he acted in and directed several off-Broadway plays, Bogdanovich decided movies were his calling. While working as a film programmer in his early twenties, Bogdanovich began writing about cinema, publishing articles in Esquire and monographs on Orson Welles, Howard Hawks, and Alfred Hitchcock; he married aspiring production designer Polly Platt in 1962. Inspired by the French critics-turned-New Wave directors, Bogdanovich headed to Hollywood in 1964, where he and Platt met both their graying heroes and a generation of unruly newcomers. Like fellow gatecrashers Martin Scorsese and Francis Ford Coppola, Bogdanovich's directorial career was jump-started by B-movie giant Roger Corman. Familiar with his Esquire writing, Corman hired Bogdanovich to work on his Peter Fonda motorcycle flick The Wild Angels (1966). Bogdanovich's experience encompassed rewrites, second unit direction, editing, and dubbing; Corman also cast Bogdanovich alongside Fonda and Dennis Hopper in The Trip (1967). Corman subsequently gave Bogdanovich a cheapie feature to write and direct, with the stipulation that he use Boris Karloff. With an assist from Platt, Bogdanovich came up with Targets (1968), a skillful thriller about an aging star and a nihilistic assassin. Cross-cutting between the two stories on the way to a suspenseful drive-in climax, Targets proved that Bogdanovich could make a movie as well as worship them, even if the assassination-weary 1968 audience stayed away. While he got his movie-making career off the ground, Bogdanovich continued to write, publishing books on John Ford and Fritz Lang. After Targets, Bogdanovich spent several weeks locking horns with producer Sergio Leone on pre-production for Duck, You Sucker! (1971) in Rome before pulling out and returning to the states. Back in Hollywood, Bogdanovich put together the lauded AFI documentary Directed by John Ford (1971) and wrote a book on Allen Dwan. Bogdanovich's second fiction feature came together when BBS Films (home of Fonda and Hopper's Easy Rider [1969]) enlisted Bogdanovich to write and direct a project of his choice. On Platt's advice, Bogdanovich adapted Larry McMurtrey's coming-of-age novel The Last Picture Show. Working closely with Platt, Bogdanovich crafted The Last Picture Show (1971) as a nostalgic look back to 1950s small town America and Hollywood tradition combined with a more clear-eyed, "European" view of the period's sexual mores and personal weaknesses. Starring Ford stalwart Ben Johnson as the town patriarch alongside newcomers Jeff Bridges, Timothy Bottoms, and Cybill Shepherd as the troubled youth, and shot in crisp Ford-ian deep focus black-and-white, The Last Picture Show was hailed as one of the best films by a neophyte since Citizen Kane (1941) and earned eight Oscar nominations, including Best Picture and Director. A popular success as well, The Last Picture Show was still playing when Bogdanovich's next film, What's Up, Doc?, opened in 1972. An update of Howard Hawks' screwball classic Bringing Up Baby (1938), starring Barbra Streisand as the dizzy dame and Ryan O'Neal as the uptight, bespectacled object of her affection, What's Up Doc? was a funny enough facsimile of Hawks to become one of the year's top hits. An A-list phenom, Bogdanovich signed on to form the creatively autonomous (and potentially lucrative) Directors Company with fellow wunderkind Coppola and William Friedkin. His first film for the company, Paper Moon (1973), lived up to the hype. A Depression-era story about a grifter and his foul-mouthed daughter shot once again in Ford-esque monochrome, Paper Moon earned an Oscar for child actress Tatum O'Neal's performance opposite her father Ryan O'Neal, as well as big box office. Bogdanovich's personal life, however, began to intrude on his professional fortunes after Paper Moon. Though he left her for Shepherd in 1970, Platt had continued to work with Bogdanovich on What's Up Doc? and Paper Moon; after Platt severed their professional relationship, Bogdanovich's work floundered.That relationship with Shepherd dealt a more visible blow to Bogdanovich's career when he decided to showcase her in his next two films. While she had been ideally cast as Picture Show's thoughtless beauty, the meticulous period design and strong supporting cast couldn't disguise Shepherd's failings in the title role of Bogdanovich's adaptation of Henry James' Daisy Miller (1974). Bogdanovich's homage to lavish 1930s musicals, At Long Last Love (1975), was a disaster; Shepherd's companion record, unfortunately titled Cybill Does It to Cole Porter, didn't help. The Directors Company (and his relationship with Shepherd) dissolved shortly thereafter. Bogdanovich's stylish silent movie tribute, Nickelodeon (1976), became his third consecutive flop.Though Saint Jack (1979) was a succès d'estime, the troubled history of They All Laughed (1981) sent Bogdanovich into a tailspin. Reeling after one of the movie's stars and his new girlfriend, Dorothy Stratten, were murdered by her estranged husband, Bogdanovich then went bankrupt when he had to distribute the movie himself and it flopped. Retreating from Hollywood, Bogdanovich spent the early '80s revising his early books and writing a biography of Stratten; he raised eyebrows when he married Stratten's younger sister, Louise, in 1988. They split in 2001.Working as a director for hire, Bogdanovich returned to favor with Mask (1985). A compelling study of a disfigured teen and his forceful mother, Mask won Cher Cannes' Best Actress prize and sterling reviews. The wretched comedy Illegally Yours (1988) and the poorly received Picture Show sequel Texasville (1990) squandered the professional goodwill; the barely released The Thing Called Love (1993) was better known as one of River Phoenix's last movies. Relegated to directing TV-movies, straight-to-videos, and contributing to documentaries, Bogdanovich declared bankruptcy again in the 1990s. He remained visible, though, as an actor in such films as Mr. Jealousy (1997). By 2000, Bogdanovich landed a part on the award-winning series The Sopranos as Lorraine Bracco's quizzical psychiatrist and returned to subjects close to his heart with the independent feature The Cat's Meow (2001), about the mystery surrounding Hollywood pioneer Thomas Ince's death.

Trivia: Character actor Brian Goodman's unmistakably tough, rough-hewn exterior seemed to pigeonhole him, automatically lending him to portrayals of cops, army majors, guards, lieutenants, prisoners, and other figures with an aura of menacing imposition. Features that enlisted Goodman spanned a broad spectrum of genres, from prison drama (The Last Castle, 2001) to chase movie (Catch Me If You Can, 2002), to action yarn (The Fast and the Furious: Tokyo Drift, 2006); the Best Picture nominee Munich (2005) (in which Goodman played a Belligerent American) reteamed the actor with Catch director Steven Spielberg. In 2008, Goodman dramatically expanded his ambitions by co-scripting, directing, and starring in the drama What Doesn't Kill You; an overtly autobiographical piece, it told of two friends (Ethan Hawke and Mark Ruffalo) who grow up together in a rough neighborhood and find themselves sucked into a whirlpool of crime and violence and rapidly drawing the attentions of a die-hard police detective (Donnie Wahlberg).