Trivia: Angela Lansbury received an Oscar nomination for her first film, Gaslight, in 1944, and has been winning acting awards and audience favor ever since. Born in London to a family that included both politicians and performers, Lansbury came to the U.S. during World War II. She made notable early film appearances as the snooty sister in National Velvet (1944); the pathetic singer in The Picture of Dorian Gray (1945), which garnered her another Academy nomination; and the madam-with-a-heart-of-gold saloon singer in The Harvey Girls (1946). She turned evil as the manipulative publisher in State of the Union (1948), but was just as convincing as the good queen in The Three Musketeers (1948) and the petulant daughter in The Court Jester (1956). She received another Oscar nomination for her chilling performance as Laurence Harvey's scheming mother in The Manchurian Candidate (1962) and appeared as the addled witch in Bedknobs and Broomsticks (1971), among other later films. On Broadway, she won Tony awards for the musicals Mame (1966), Dear World (1969), the revival of Gypsy (1975), Sweeney Todd (1979) and, at age 82, for the play Blithe Spirit (2009). Despite a season in the '50s on the game show Pantomime Quiz, she came to series television late, starring in 1984-1996 as Jessica Fletcher in Murder, She Wrote; she took over as producer of the show in the '90s. She returned to the Disney studios to record the voice of Mrs. Potts in Beauty and the Beast (1991) and to sing the title song and later reprised the role in the direct-to-video sequel, The Enchanted Christmas (1997). Lansbury is the sister of TV producer Bruce Lansbury.

Trivia: British actor Stewart Granger, born James Stewart, studied acting at the Webber-Douglas School of Dramatic Art and began getting work as an extra in British films in 1933. In the late '30s he adopted his professional name to avoid confusion with recent star James Stewart. He worked with various stage companies before getting his first lead role onscreen in So This Is London (1939). In the '40s Granger was one of British films' two top romantic leading men (along with James Mason) and a steady box-office draw, attracting the interest of Hollywood. He signed with MGM in 1950, and for the next seven years played a variety of virile "he-man" types such as romantic swashbucklers and white hunters. After becoming a U.S. citizen in 1956, Granger began free-lancing, appearing again in British films as well as in international productions in the following decade. He began accepting starring roles on TV in the early '70s. From 1950-60 Stewart Granger was married to actress Jean Simmons, the second of his three wives.

Trivia: Born in New York City to parents of Cuban extraction, American actor Cesar Romero studied for his craft at Collegiate and Riverdale Country schools. After a brief career as a ballroom dancer, the tall, sleekly handsome Romero made his Broadway debut in the 1927 production Lady Do. He received several Hollywood offers after his appearance in the Preston Sturges play Strictly Dishonorable, but didn't step before the cameras until 1933 for his first film The Shadow Laughs (later biographies would claim that Romero's movie bow was in The Thin Man [1934], in which he was typecast as a callow gigolo). Long associated with 20th Century-Fox, Romero occasionally cashed in on his heritage to play Latin Lover types, but was more at home with characters of indeterminate nationalities, usually playing breezily comic second leads (whenever Romero received third billing, chances were he wasn't going to get the girl). Cheerfully plunging into the Hollywood social scene, Romero became one of the community's most eligible bachelors; while linked romantically with many top female stars, he chose never to marry, insisting to his dying day that he had no regrets over his confirmed bachelorhood. While he played a variety of film roles, Romero is best remembered as "The Cisco Kid" in a brief series of Fox programmers filmed between 1939 and 1940, though in truth his was a surprisingly humorless, sullen Cisco, with little of the rogueish charm that Duncan Renaldo brought to the role on television. The actor's favorite movie role, and indeed one of his best performances, was as Cortez in the 1947 20th Century-Fox spectacular The Captain From Castile. When his Fox contract ended in 1950, Romero was wealthy enough to retire, but the acting bug had never left his system; he continued to star throughout the 1950s in cheap B pictures, always giving his best no matter how seedy his surroundings. In 1953 Romero starred in a 39-week TV espionage series "Passport to Danger," which he cheerfully admitted to taking on because of a fat profits-percentage deal. TV fans of the 1960s most closely associate Romero with the role of the white-faced "Joker" on the "Batman" series. While Romero was willing to shed his inhibitions in this villainous characterization, he refused to shave his trademark moustache, compelling the makeup folks to slap the clown white over the 'stache as well (you can still see the outline in the closeups). As elegant and affluent-looking as ever, Romero signed on for the recurring role of Peter Stavros in the late-1980s nighttime soap opera "Falcon Crest." In the early 1990s, he showed up as host of a series of classic 1940s romantic films on cable's American Movie Classics. Romero died of a blood clot on New Year's Day, 1994, at the age of 86.

Trivia: Smirking, wiry-nosed British character actor Ron Moody matriculated from standup comic to one of the most delightfully despicable "professional villains" in show business. The son of a plasterer, Moody didn't embark on his acting career until he was 29; before that, he'd planned to become either an economist or sociologist. After plenty of stage and TV work as an improvisational humorist, Moody made his film debut in 1957; he attained stardom in 1959 when he was selected to head the cast of the London company of Leonard Bernstein's Candide. He was best known to American audiences of the 1960s through his tongue-in-cheek villainous portrayals on such British TV series as The Avengers. Moody went on to earn an Academy Award nomination for his bravura performance as Fagin (a character that he'd played for years on the London stage) in Oliver! (1968); two years later, he gave an equally good showing as Uriah Heep in the all-star British TV production of David Copperfield. In 1980, Moody starred in the American TV series Nobody's Perfect as bumbling Clouseau-like detective Roger Hart. He continued to act well into older age, appearing in films like A Kid in King Arthur's Court and had a run on the British soap Eastenders. Despite his frequent on-screen perfidy, Ron Moody remained a comedian at heart -- as well as a staunch advocate of lessening the violence quotient in action films. Moody also continued to associate with the role that earned him his most acclaim, appearing at reunions and in documentaries for Oliver!, including 2004 appearance for a British series, where, at age 80, he performed a dance from the film. Moody died in 2015, at age 91.

Trivia: Robert Goulet was raised in Edmonton, Alberta and trained at the Royal Conservatory of Music in Toronto. After several years' worth of straw-hat musical appearances on both sides of the border--as well as a stint as a Canadian kiddie-show host named "Timber Tom"--Goulet made his triumphant Broadway debut in 1959 as Lancelot in Lerner and Loewe'sCamelot. His signature tune in that show was "If Ever I Would Leave You," which proved an even bigger hit as a record single. On the strength of this song and others like "What Kind of Fool Am I," Goulet earned a Grammy award in 1962. Two years later, his album My Love Forgive Me went gold, and in 1965, he won a Tony for his performance in the Broadway musical The Happy Time. Goulet's bid for film stardom in 1964 yielded the disappointing Honeymoon Hotel; he fared better on television, starring in the 1966 espionage series Blue Light and headlining TV adaptations of Brigadoon, Carousel and Kiss Me Kate. He returned to films in the early 1980s, essaying campy character roles in Beetlejuice (1988) and Naked Gun 2 1/2 (1990); most often, as in Atlantic City (1980) and Scrooged (1988), he has guest-starred as "himself." Having recently survived a life-threatening bout with colon cancer, Goulet recovered sufficiently to perform in a multi-city tour of Camelot, this time in the leading role of King Arthur. Married three times, Robert Goulet's second wife was actress/singer Carol Lawrence. He died of pulmonary fibrosis in 2007.

Trivia: While growing up in Chicago, Tom Bosley dreamed of becoming the star left-fielder for the Cubs. As it turned out, the closest Bosley got to organized athletics was a sportscasting class at DePauw University. After additional training at the Radio Institute of Chicago and two years' practical experience in various dramatic radio programs and stock companies, he left for New York in 1950. Five years of odd jobs and summer-theater stints later, he landed his first off-Broadway role, playing Dupont-Dufort in Jean Anouilh's Thieves' Carnival. Steadier work followed at the Arena Theatre in Washington, D.C.; then in 1959, Bosley landed the starring role in the Broadway musical Fiorello!, picking up a Tony Award, an ANTA Award, and the New York Drama Critics Award in the bargain. In 1963, he made his film bow as Natalie Wood's "safe and secure" suitor Anthony Colombo in Love With the Proper Stranger. Occasionally cast as two-bit criminals or pathetic losers (he sold his eyes to blind millionairess Joan Crawford in the Spielberg-directed Night Gallery TV movie), Bosley was most often seen as a harried suburban father. After recurring roles on such TV series as That Was the Week That Was, The Debbie Reynolds Show, and The Sandy Duncan Show, Bosley was hired by Hanna-Barbera to provide the voice of flustered patriarch Howard Boyle on the animated sitcom Wait Til Your Father Gets Home (1972-1973). This served as a dry run of sorts for his most famous series-TV assignment: Howard Cunningham, aka "Mr. C," on the immensely popular Happy Days (1974-1983). The warm, familial ambience of the Happy Days set enabled Bosley to weather the tragic death of his first wife, former dancer Jean Elliot, in 1978. In addition to his Happy Days duties, Bosley was narrator of the syndicated documentary That's Hollywood (1977-1981). From 1989 to 1991, he starred on the weekly series The Father Dowling Mysteries, and thereafter was seen on an occasional basis as down-to-earth Cabot Cove sheriff Amos Tupper on Murder, She Wrote. Reportedly as kind, generous, and giving as his Happy Days character, Tom Bosley has over the last 20 years received numerous honors for his many civic and charitable activities.

Trivia: Trained for an acting career from childhood, Judy Geeson was a busy juvenile player on television before making her screen debut at 18 in To Sir, With Love. She spent the early stages of her film career playing "jail bait" teenagers, then moved on to more conservative leading-lady assignments. In 1979, Geeson was a regular on the BBC serial Danger UXB, which aired in America on PBS' Masterpiece Theatre. More recently, she has specialized in elegant, landed-gentry roles. Once married to actor Kristoffer Tabori, Judy Geeson is also the sister of actress Sally Geeson, best known for her work on the TV series Star Maidens and Bless This House.

Trivia: Manila-born leading lady Cristina Raines began showing up in American movies and TV programs in the early 1970s. Raines was seen in the small part of Maria in Robert Altman's Nashville (1975), and was confined to flashbacks as the "late" Kate Hayden in the 1973 TV movie Sunshine. Her most memorable movie role was Alison Parker, unwilling gatekeeper of Hades, in the 1977 horrorama The Sentinel. From 1980 through 1981, Cristina Raines played casino singer Lane Ballou on the prime time TV soaper Flamingo Road.

Trivia: Mexican actor-singer whose work before the '80s was exclusively in Mexican films.

Trivia: Born to a middle-class French family, Capucine (pronounced Ka-poo-cheen) was a top Parisian fashion model by her mid-teens. She made her first film, Jacques Becker's Rendezvous De Julliet (1949), when she was sixteen, but international stardom would not come for another ten years, until producer Charles K. Feldman "discovered" her for the role of Princess Carolyne in the 1960 Franz Liszt biopic Song Without End. During her Hollywood stay, Capucine studied acting with Gregory Ratoff, and achieved a measure of notoriety for her portrayal of a lesbian hooker in 1962's A Walk on the Wild Side Capucine co-starred with William Holden in The Lion (1962) and The Seventh Dawn (1964). She was given a chance to display her comic know-how in the original 1964 The Pink Panther, and 20 years later was engaged to recreate her role for one of the post-Peter Sellers Panther sequels. She also worked with Joseph L. Mankiewicz (The Honey Pot [1969]) and Federico Fellini (Fellini Satyricon [1970]). Except for a final appearance in a 1989 TV movie, Capucine spent her last decade in seclusion in Switzerland, and in 1990 she committed suicide by leaping from her 8th-floor Swiss apartment.

Trivia: Most of actor Steven Keats' earliest film appearances were in such New York-based productions as 1974's Death Wish (in which he played Jack Toby). It was in one such film, director Joan Micklin Silver's Hester Street (1975), that Keats was top-billed as Jake, the young progressive Jewish-immigrant husband of traditional old-world bride Carol Kane. Other films to Keats' credit include the memorable The Gambler (1974) and such forgettables as Turk 182 and Eternity. Steven Keats was also seen in the leading role of garment czar Jay Blackman on the 1977 TV miniseries Seventh Avenue.

Trivia: American actor Pepe Hern played character roles in about 50 films and was frequently on television. He was typically cast as a Spaniard or Latino. His brother Tom Hernandez is also an actor.