Trivia: Onstage, on television, in the movies or in a serious interview, listening to and watching comedian/actor Robin Williams was an extraordinary experience. An improvisational master with a style comparable to Danny Kaye, his words rushed forth in a gush of manic energy. They punctuated even the most basic story with sudden subject detours that often dissolved into flights of comic fancy, bawdy repartee, and unpredictable celebrity impressions before returning earthward with some pithy comment or dead-on observation.Born in Chicago on July 21st, 1951, Williams was raised as an only child and had much time alone with which to develop his imagination, often by memorizing Jonathan Winters' comedy records. After high school, Williams studied political science at Claremont Men's College, as well as drama at Marin College in California and then at Juilliard. His first real break came when he was cast as a crazy space alien on a fanciful episode of Happy Days. William's portrayal of Mork from Ork delighted audiences and generated so great a response that producer Garry Marshall gave Williams his own sitcom, Mork and Mindy, which ran from 1978 to 1982. The show was a hit and established Williams as one of the most popular comedians (along with Richard Pryor and Billy Crystal) of the '70s and '80s.Williams made his big screen debut in the title role of Robert Altman's elaborate but financially disastrous comic fantasy Popeye (1980). His next films included the modestly successful The World According to Garp, The Survivors, Moscow on the Hudson, Club Paradise, The Best of Times. Then in 1987, writer-director Barry Levinson drew from both sides of Williams - the manic shtickmeister and the studied Juliard thesp - for Good Morning, Vietnam, in which the comedian-cum-actor portrayed real-life deejay Adrian Cronauer, stationed in Saigon during the late sixties. Levinson shot the film strategically, by encouraging often outrageous, behind-the-mike improvisatory comedy routines for the scenes of Cronauer's broadcasts but evoking more sober dramatizations for Williams's scenes outside of the radio station. Thanks in no small part to this strategy, Williams received a much-deserved Oscar nomination for the role, but lost to Michael Douglas in Wall Street.Williams subsequently tackled a restrained performance as an introverted scientist trying to help a catatonic Robert De Niro in Awakenings (1990). He also earned accolades for playing an inspirational English teacher in the comedy/drama Dead Poets Society (1989) -- a role that earned him his second Oscar nomination. Williams's tragi-comic portrayal of a mad, homeless man in search of salvation and the Holy Grail in The Fisher King (1991) earned him a third nomination. In 1993, he lent his voice to two popular animated movies, Ferngully: The Last Rain Forest and most notably Aladdin, in which he played a rollicking genie and was allowed to go all out with ad-libs, improvs, and scads of celebrity improvisations.Further successes came in 1993 with Mrs. Doubtfire, in which he played a recently divorced father who masquerades as a Scottish nanny to be close to his kids. He had another hit in 1995 playing a rather staid homosexual club owner opposite a hilariously fey Nathan Lane in The Birdcage. In 1997, Williams turned in one of his best dramatic performances in Good Will Hunting, a performance for which he was rewarded with an Oscar for Best Supporting Actor.Williams kept up his dramatic endeavors with both of his 1998 films: the comedy Patch Adams and What Dreams May Come, a vibrantly colored exploration of the afterlife. He next had starring roles in both Bicentennial Man and Jakob the Liar, playing a robot-turned-human in the former and a prisoner of the Warsaw ghetto in the latter. Though it was obvious to all that Williams' waning film career needed an invigorating breath of fresh air, many may not have expected the dark 180-degree turn he attempted in 2002 with roles in Death to Smoochy, Insomnia and One Hour Photo. Catching audiences off-guard with his portrayal of three deeply disturbed and tortured souls, the roles pointed to a new stage in Williams' career in which he would substitute the sap for more sinister motivations.Absent from the big-screen in 2003, Williams continued his vacation from comedy in 2004, starring in the little-seen thriller The Final Cut and in the David Duchovny-directed melodrama The House of D. After appearing in the comic documentary The Aristocrats and lending his voice to a character in the animated adventure Robots in 2005, he finally returned full-time in 2006 with roles in the vacation laugher RV and the crime comedy Man of the Year. His next project, The Night Listener, was a tense and erosive tale of literary trickery fueled by such serious issues as child abuse and AIDS.Williams wasn't finished with comedy, however. He lent his voice to the cast of the family feature Happy Feet and Happy Feet 2, played a late night talk show host who accidentally wins a presidential election in Man of the Year, portrayed an enthusiastic minister in License to Wed, and played a statue of Teddy Roosevelt that comes to life in Night at the Museum and its sequel Night at the Museum: Battle of the Smithsonian. He would also enjoy family-friendly comedic turns in World's Greatest Dad, Shrink, and Old Dogs.In 2013, he returned to television, playing the head of an advertising agency in The Crazy Ones; the show did well in the ratings, but was canceled after only one season. He also played yet another president, Dwight Eisenhower, in Lee Daniel's The Butler. Williams died in 2014 at age 63.

Trivia: Pam Dawber grew up in Detroit, where her father was a commercial artist and her mother ran a stock-photo agency. Blessed with a four-octave soprano voice, Dawber prepared for a singing career while attending Oakland Community College. After suffering the traditional setbacks, she began working as a model in New York. This led to a string of commercials, including one of the early "Tupperware Lady" musical ads. In 1977, she made her first film appearance in Robert Altman's A Wedding, making an unforgettable entrance on horseback. The following year, she was cast as Mindy McConnell on the weekly Robin Williams sitcom Mork & Mindy. Though Dawber was generally relegated to straight woman and sounding board for Mork's zany antics, Williams did his utmost to see that his co-star was given a few isolated moments to shine. After Mork & Mindy ended its four-year run, Williams went on to theatrical features, while Dawber busied herself in made-for-TV movies. In 1986, she was top-billed in another successful TV comedy, My Sister Sam, which came to an abrupt end in 1988 when her co-star, Rebecca Schaeffer, was murdered by a crazed fan who was stalking her. Since that time, Dawber has appeared on-stage and in a handful of films, including the much-delayed fantasy Stay Tuned (1992), in which, courtesy of animation director Chuck Jones, she was briefly glimpsed in cartoon form. She has also been active as national spokesperson for Big Brothers and Big Sisters of America. Pam Dawber is married to actor Mark Harmon.

Trivia: A New York-based radio actor from childhood, Conrad Janis was 16 when he made his first Broadway appearance in Junior Miss. Janis went on to star in the 1945 film comedy Snafu then played supporting roles in such 20th Century-Fox productions as Margie (1946) and The Brasher Doubloon (1947, as a teenaged murderer). His subsequent Broadway credits include The Brass Ring (for which he won a Theatre World Award), Time Out for Ginger and Visit to a Small Planet. Premature baldness compelled him to switch from leading-man assignments to character roles. A veteran of some 350 TV appearances, Janis was seen on a regular weekly basis as Otto Palindrome on the 1978 sci-fi spoof Quark, and as Mindy McConnell's dad Fred on the Robin Williams sitcom Mork and Mindy. Dropped from M & M after the 1978-79 season when the producers decided to retool the program, Janis was rehired in 1980, this time at a much heftier salary. Though justifiably proud of his acting accomplishments, Janis reportedly is prouder still of his activities as a jazz musician, fronting such prestigious musical aggregations as The Tailgaters and the Beverly Hills Unlisted Jazz Band (this latter group served as the subject of a lively PBS documentary). In addition, Janis is the owner operator of a prominent avant-garde art gallery, and is in charge of his own production company, MiraCom. In 1994, Conrad Janis made his film directorial bow with The Feminine Touch.

Trivia: "Pound for pound, Jonathan Winters is the funniest man on earth." These words, spoken by talk show host Jack Paar in the early '60s, were not chosen lightly. After war service and graduation from Kenyon College, Winters began his career on a radio station in his hometown of Dayton, OH. The rotund comedian was supposed to merely introduce the records and announce the temperature, but ever so gradually his irrepressible ad-libs and improvisations took over the show. His TV career began on CBS's daytime The Garry Moore Show, where he introduced such imperishable characters as freewheeling senior citizen Maude Frickert and doltish Elwood P. Suggins. He was a regular on the 1955 summer series And Here's the Show, and in 1956 landed his own 15-minute NBC series (the first network program to be regularly videotaped). Though never less than side-splittingly funny on camera, Winters was plagued by severe emotional problems in real life, not the least of which was his reliance on what he called "the sauce." After a highly publicized sanitarium stay, a clean and sober Winters returned to TV, though it would be 1967 before any network would take a chance on his headlining a regular weekly show (during the 1964-1965 season, he starred in a group of well-received specials, and was also a frequent guest on The Tonight Show, The Jack Paar Program, and The Andy Williams Show). During the early '60s, Winters' recorded bits began frequently popping up on the NBC radio series Monitor, and in 1963, he made his movie debut in the all-star It's a Mad, Mad, Mad, Mad World (1963). In answer to critics who felt that Winters was tied down by scripted material, the comedian starred in the two-season syndicated weekly The Wacky World of Jonathan Winters (1972-1973), which was completely ad-libbed. Many young comics of the 1970s and 1980s have declared that Winters was a prime influence in their choice of career. No comedian was more vocal in his praise of Winters than Robin Williams, who in 1981 arranged for Winters to be cast as overgrown baby Mearth on Williams' popular sitcom Mork and Mindy. Jonathan Winters remained as funny and active as ever into the 1990s, making uproarious appearances on Jay Leno's Tonight Show and co-starring in such big-budget theatrical films as The Shadow (1994). He played multiple parts in the 2000 big-screen version of The Adventures of Rocky and Bullwinkle, and in 2007 he was the center of Certifiably Jonathan. In 2011 he was tapped to provide the voice of Papa Smurf in the big-screen adaptation of the popular '80s animated show The Smurfs. He reprised his role in the 2013 sequel, but passed away at age 87 in April of that year, before the movie was released.