Trivia: Rocketing from obscure bit player to TV's resident über-sex god thanks to his role as FBI agent Fox Mulder on The X-Files, David Duchovny can claim to have had one of the 1990s' more remarkable career metamorphoses. Although his initial attempts to translate his TV stardom into celluloid success proved less than memorable, the tall, classically handsome actor has continued to enjoy a great deal of popularity, evidenced in particular by the countless estrogen-drenched internet shrines erected in his honor.Born in Manhattan on August 7, 1960, to a Jewish father and a Scottish mother, Duchovny did his undergraduate work at Princeton and then went on to pursue a Master's degree in English Literature at Yale. While working toward his degree, he began commuting to New York to study acting, and he was soon appearing in a few off-Broadway plays. His interest in acting ultimately eclipsed his dedication toward earning his degree, and Duchovny dropped out of Yale to pursue a career as a performer. He got his first break starring in a beer commercial, and in 1988, he made his film debut with a breathtakingly abbreviated appearance as a party guest in Mike Nichols's Working Girl. Work in a number of diverse and usually obscure films, including starring roles in Julia Has Two Lovers (1991), The Rapture (1991), and Kalifornia (1993), followed, but the actor was able to command a more steady paycheck from his TV work. Before The X-Files debuted in 1993, Duchovny was best-known to TV viewers as Dennis/Denise, Twin Peaks' resident transvestite detective. As The X-Files steadily grew from cult favorite to mainstream success, becoming recognized as one of the most groundbreaking shows of the decade, Duchovny also began to enjoy both industry respect and huge audience popularity. Dubbed as the latest in a long line of thinking women's sex symbols, he would also appear in films like Playing God and Return to Me.Duchovny would The X-Files during the show's seventh season, much to fans' dismay, returning only for the series finaly. Post X-files, Duchovny would continue to act on screen, most notably in films like Trust the Man and another X-Files movie, The X-Files: I Want to Believe, as well as on the debaucherous TV series Californication.

Trivia: When actress Gillian Anderson landed the role of Agent Scully for the Fox television series X-Files (1993- ) she could not have foreseen that within two years she would become an internationally known cult phenomenon. She was born in Chicago, but moved to London at age two and remained there until she was in her early teens. She and her family then moved to Grand Rapids, MI, where she rebelliously got heavily into the punk rock scene complete with spiky, brilliantly colored hair and body piercings with safety pins. When she was 14, she became romantically involved with a 20-year-old punk singer and occasionally sang in his band. Her punk period lasted through high school. Following graduation, she got involved in local theater and from there studied fine arts at the Goodman Theater School of Drama at Chicago's DePaul University. Following graduation, she moved to New York where she waited tables and appeared in off-Broadway plays, most notably in Absent Friends, in which she had a starring role that won her a Theater World Award. Anderson made her film debut in 1992 with the low-budget drama The Turning. She then appeared in a theatrical production of The Philanthropist and after that moved to Los Angeles. Though she was frequently courted for television roles, Anderson disdained the medium until the X-Files audition came along. Though the producers were looking for a brainy version of a Baywatch girl, the beautiful but more natural looking (having long passed her outrageous days) Anderson got the role thanks to the insistence of the show's creator Chris Carter. The show became a smash hit within two seasons and Anderson found herself an international star, as did her co-star David Duchovny, the subject of numerous pages on the Internet, and the recipient of such awards as a Golden Globe, an Emmy, and a Screen Actors Guild Award. In addition to continuing work on the X-Files, Anderson hosted a couple of television specials, including More Secrets of the X-Files and the BBC documentary series Future Fantastic. She also lent her voice as a documentary narrator on Spies Above and as animated characters on shows like The Simpsons and Reboot and films like the English version of Princess Mononoke.Anderson would spend the next several years working extensively in British television, starring in series like Bleak House, Any Human Heart, Moby Dick, and The Fall, as well as appearing in numerous UK films, like The Last King of Scotland and Shadow Dancer.

Trivia: A few character actors make such an indelible impression with one role that they find it consistently impossible to outgrow that image. Anthony Perkins had it with Norman Bates, M. Emmet Walsh has it with Visser (from Blood Simple), and R. Lee Ermey will forever be associated with the sadomasochistic verbal rapist of a drill instructor, Gunnery Sgt. Hartman, from Stanley Kubrick's Vietnam opus, Full Metal Jacket (1987). Though Ermey never again quite matched the intensity of this role (or the gutter-bucket poetic invention of its obscene dialogue), it was enough to give him permanent recognition as a character actor among filmgoers, and to typecast him in a series of variants on that role, again and again, throughout his life.Born on March 24, 1944, in Emporia, KS, Ermey enlisted in the armed forces as a young man and hightailed it to Vietnam on a non-commissioned basis, but injuries forced him to retire from active duty. He received full disability pay and moved to Manila in the early '70s, where he managed to ably support himself on his USAF allotment (thanks to the lower cost of living) while studying for a degree in criminology. Each morning, Ermey visited the coffee shop at the Manila Hilton -- well-reputed as the haunt of American filmmakers shooting on-location in the Philippines -- until one of the directors happened to notice Ermey and asked him to pose for a series of blue jeans ads. This experience led to his film debut, a role as a retired soldier in a local production. By 1976, Ermey had appeared in several Filipino films. He broke into Hollywood films that year, when he slipped onto the set for Francis Ford Coppola's Apocalypse Now and convinced Coppola to hire him as a helicopter pilot. Indeed, the ex-officer's Vietnam experience came in handy and Coppola utilized him as a technical advisor. Ermey made his American cinematic debut -- and held to the military-man typecasting -- in Sidney J. Furie's comedy drama The Boys in Company C (1978), and the director's follow-up, Purple Hearts (1984). But his biggest break came shortly thereafter, when Stanley Kubrick -- a notorious tyrant himself -- tapped him to portray Gunnery Sgt. Hartman in Full Metal Jacket (1987). Ermey's evocation of the satanically profane, vile, and sadistic Hartman, laden with the thankless, brutal job of toughening up raw recruits before sending them to Vietnam (who eventually gets blown away by one of his trainees) dominates the film's first 45 minutes and provides an unforgettably realistic, disturbing portrait of military training. Thanks to his unique countenance and authoritative voice, Ermey maintained his image as a rough-hewn, tough-as-nails SOB onscreen.Neither Company C or Purple Hearts received substantial critical and public recognition (or a very wide release); in contrast, the broader exposure of Full Metal Jacket (it received an Academy Award nomination for Best Adapted Screenplay and a National Board of Review nomination for Best Picture) boosted Ermey's prominence -- immeasurably so. He followed it up with spots in such well-received pictures as Alan Parker's racial drama Mississippi Burning (1988) and Abel Ferrara's Body Snatchers (1993). In 1995, Ermey spoofed himself to great effect as the voice of the leader of the little green soldiers in Toy Story, and doubled it up with a turn as the vengeful father of a homicide victim in Tim Robbins' capital punishment drama Dead Man Walking. A third role in that same year -- as the boss of Morgan Freeman and Brad Pitt in David Fincher's seminal work Seven -- elicited a positive (if limited) critical and public response for Ermey's portrayal.During the early 2000s, Ermey once again drew on his military expertise and background, albeit in a much different fashion, as host of the small-screen program Mail Call. Episodes featured him answering a series of viewer questions about various aspects of military life and history. In 2003, he returned to his dramatic roots (and managed to top the despicability of Sgt. Hartman) in Marcus Nispel's Tobe Hooper remake, The Texas Chainsaw Massacre. Ermey plays Sheriff Hoyt, the deviant backwater law officer -- in cahoots with the family of slaughter-happy cannibals -- who refuses to listen the cries and wails of Jessica Biel's Erin. (In fact, Nispel invented Ermey's role for the remake). After a comic turn as yet another tough-nosed authority figure, Captain Nichols, in the 2005 Tommy Lee Jones vehicle Man of the House, Ermey reprised the Hoyt role for the sequel to the Chainsaw remake, Texas Chainsaw Massacre: The Beginning (2006). In that picture, Hoyt precipitates the central crisis by happening upon another group of teens, murdering one in cold blood, and dragging the others back to the house where maniac Leatherface and his cronies reside. R. Lee Ermey married his wife, Nila Ermey, in 1975. They have four children.

Trivia: The Canadian child actor-turned-young heartthrob Kevin Zegers inevitably recalls an early Tom Cruise, with his high-gloss and surreal handsomeness. These photogenic, audience-pleasing qualities helped to carry Zegers through his adolescent screen career, with a steady series of roles in family-friendly films. Zegers then proved himself capable of sustaining more mature, adult-oriented Hollywood turns, signified by his fine contribution to the pansexual comedy drama Transamerica (2005). Born September 19, 1984, into a blue-collar family (his dad worked in a lime quarry), Zegers attended Holy Family French immersion school in his hometown of Woodstock, Ontario, and received an invitation at eight years old to participate in a London fashion show as a child model. Zegers did a few of these events, then talked his parents into letting him audition for a Toronto-based talent agent; not long after, Zegers landed his first screen role, as a younger version of Michael J. Fox's character in James Lapine's uneven comedy drama Life with Mikey (1993), and spent the preponderance of the next ten years starring in innumerable animal-oriented comedies -- everything from Air Bud and its sequels to Virginia's Run to Nico the Unicorn and MVP: Most Valuable Primate. Lest he be typecast, however, Zegers demonstrated his versatility throughout this period with occasional turns in dark horror outings and telemovies as well.Zegers later recalled how, throughout this period, he honed his ability to size up the fundamental strengths and weaknesses of a script, and by his early twenties, he placed a high premium on this instinct, often rejecting screenplays on the basis of poor quality. Transamerica (which Zegers reportedly read and then fell in love with at first glance) marked the actor's first dramatic leap away from child and adolescent-oriented roles. He later told interviewer Selma Blair that he refused to be turned down for the part, and stalked director Duncan Tucker for weeks on end after an initial rejection from the film, until Tucker recanted. In that well-received picture, Zegers plays Toby, the long-estranged juvenile-delinquent son of pre-operative transsexual Bree (christened Stanley and portrayed by Felicity Huffman). Toby reconnects with his father for a road trip -- just as Bree is about to undergo a permanent sex-change operation. Together, they set off for Los Angeles -- Bree to have her procedure and Toby to make it as a porn star. Zegers proved himself thoroughly worthy of the role; few critics who praised the film failed to single out the actor's performance.Unfortunately, Zegers followed this with an ill-advised retread of his career origins -- first in the critically reviled, Tim Allen-starring family comedy Zoom, then in the Nick Hurran-directed teen film It's a Boy Girl Thing (both 2006) -- leading many of the actor's fans to grow impatient for additional Zegers work on the level of Transamerica. Not long after, he signed for a small role in more substantial fare: the eagerly anticipated, female-driven ensemble drama The Jane Austen Book Club (2007), directed by Robin Swicord and starring Amy Brenneman, Maria Bello, and Jimmy Smits. Beginning in 2009, Zegers took on a recurring role in the CW's teen drama Gossip Girl, playing the entitled son of a foreign ambassador. His growing career gradually led Zegers to starring roles, playing one of the leads in the 2010 horror film Frozen, opposite Shawn Ashmore and Emma Bell, and the lead in the Encore miniseries Titantic: Blood and Steel (2012).