Trivia: See "Three Stooges"

Trivia: The "middle stooge" in the various incarnations of the Three Stooges, Larry Fine was most recognizable across his four decades in show business by his eccentric frizzed out hair. He occupied the awkward and often ill-defined position of "middle man," his presence necessary to give a gag body and a boost of action, and to keep it going to its conclusion. As an actor in the group's sketches, he was most often characterized as the wide-eyed nebbish, often nearly as surprised as any by-stander character by the physical comedy (and mayhem) taking place. His most memorable catch-phrases included "Moe, I didn't mean it" (usually followed by a slap from Moe), and "I'm a victim of circumstance" (which was used by Curly on occasion as well).And "victim of circumstance" might define his whole entre to the world of performing. He was born Louis Feinberg in Philadelphia, the son of a jeweler. One day while at his father's shop, an accident took place that resulted in his forearm being badly burned with aqua regia, the acid used to test the purity of gold. The doctor who treated him warned his parents that he would have to do something to strengthen the arm or he would lose it. That led to his taking up the violin, an instrument at which he became so proficient that the family considered sending him to Europe for advanced study, a plan that fell apart with the advent of the First World War He began playing the violin in vaudeville under the name Larry Fine, developing a routine in which he would play from a nearly sitting, knees-bent position, kicking his legs alternately. In 1925, he crossed paths with Moe Howard, who was already working, in tandem with his brother Shemp Howard as part of a comedy act with Ted Healy. He became part of the act and remained when Shemp left, to be replaced by another Howard brother, Curly (aka Jerome). The trio eventually left Healy's employ and struck out on their own as the Three Stooges. Over the course of 25 years and 190 short films at Columbia Pictures, they became one of the longest running movie comedy acts (if not always the most respected or beloved, especially by women) in history. Larry Fine's contribution was a mix of violin virtuosity (on display at various times across their history, from Punch Drunks, Disorder In The Court, and "Violent Is The Word For Curly" in the early/middle 1930s to Sweet And Hot in the late 1950s) and zany cluelessness, mixed with an occasional out-of-left-field ad-lib. Larry usually played the wide-eyed middle-stooge, but occasionally the plots of the trio's movies would allow him some variation on this characterization. In "Sweet And Hot," he plays a small-town boy who has made good as a stage producer, and whose intervention sets the plot (focused on characters played by Muriel Landers and Joe Besser) in motion; and in Rockin' In The Rockies, a full-length feature, as a result of a plot that split Moe Howard's character off from the trio, Larry plays the aggressive "head stooge," and is surprisingly good at it. But he was best known as the clueless middle stooge, often referred to by Moe as "porcupine" because of his hair-style. He kept on with the Stooges into the 1960s, but was forced to retire as his health -- damaged by a series of strokes -- deteriorated later in the decade. He passed away in 1975. He was so familiar, that in 1980, five years after his death, his name still turned up in popular culture. In episode two of the sitcom Bosom Buddies, when women's hotel manager Lucille Benson finds Tom Hanks' Kip Wilson in a female tenant's room, she pulls him by the ear down the hall, causing him to exclaim, "Who am I -- Larry Fine?" And in 1983, SCTV presented "Give 'Em Hell, Larry," a short bit (done as a TV promo spot) in which Joe Flaherty portrays James Whitmore (who had previously enjoyed major success playing President Harry Truman in the one-man show "Give 'Em Hell, Harry") performing the one-man show as Larry Fine -- it was among the funniest 60 seconds of television that season.

Trivia: Diminutive Irish-American character actor Walter Burke kicked off his film career in 1948. Burke's weaselly, cigarette-dangling-from-lips characterization of political flunky Sugar Boy in the Oscar-winning All the King's Men (1949) set the tone for most of his later roles. Though often afforded meaty roles on television -- he was one of several actors who subbed for William Talman during the 1960-1961 season of Perry Mason -- Burke had no objection to accepting tiny but memorable bits, such as the cockney who warns Eliza Doolittle, "There's a bloke be'ind that pillar, takin' down every word that you're sayin'!" in the opening scene of My Fair Lady (1964). In another unbilled assignment, Burke convincingly voice-doubled for narrator Walter Winchell in a handful of early-'60s episodes of The Untouchables. Closing out his film career in the early '70s, Walter Burke moved to Pennsylvania, where he became an acting teacher.

Trivia: Where does one go after one has played The Devil Himself in one's very first film? Richard Devon, who indeed portrayed Satan in 1957's The Undead, was consigned to ordinary "mortal" parts for the remainder of his film career. Usually he played Latino types in such films as The Comancheros (1961), Kid Galahad (the 1962 Elvis Presley version) and Magnum Force (1973). More recently, Richard Devon has cast aside his horns and cloven hooves from The Undead to play a Cardinal in Seventh Sinner (1988).

Trivia: Supporting actor Murray Alper's earliest screen credit was 1930's The Royal Family of Broadway. For the next 35 years, Alper was an inescapable movie presence, playing dozens of cab drivers, bookies, cops and GIs. One of his few credited appearances in an "A" picture was in The Maltese Falcon; he plays the friendly cabbie who drives Sam Spade (Humphrey Bogart) on a mid-film wild goose chase. Frequently seen in comedies, Alper showed up in eight Bowery Boys farces of the 1940s and 1950s, and was prominently featured in the Three Stooges' Trick Dicks (1953) and The Outlaws is Coming (1965, as Chief Crazy Horse!). One of Murray Alper's least characteristic roles was the judo instructor in Jerry Lewis' The Nutty Professor (1963).

Trivia: American actor Emil Sitka had a long career as a character actor. He spent many years as a comic foil in the Three Stooges comedy shorts of the '40s and '50s.

Trivia: A real-life British military officer, the dignified-looking, often mustachioed Ramsay Hill (real name Cyril Seys Ramsay-Hill) popped up in countless Hollywood films and television shows from 1934-1966, almost always playing, well, military officers. Between acting jobs, Hill functioned as technical advisor on a number of productions dealing with the British Empire including The Sun Never Sets (1939) and the 3-D Bwana Devil (1952).

Trivia: Of the many movie-industryites bearing the name "Colin Campbell," the best known was the Scots-born silent film director listed below. Emigrating to the U.S. at the turn of the century, Campbell barnstormed as a stage actor and director before settling at the Selig studios in 1911. The best-remembered of his Selig directorial efforts was 1914's The Spoilers, a crude but ruggedly realistic Alaskan adventure film climaxed by a brutal fistfight. It was during his Selig years that Campbell helped to nurture the talents of future western star Tom Mix. Considered an "old-timer" and has-been by the early 1920s, Colin Campbell ended his career with such plodding time-fillers as Pagan Passions (1924) and The Bowery Bishop (1924).

Trivia: Australian actor Michael St. Clair played supporting roles in feature films and on television. A former middleweight boxing champion and acrobat, he also worked as a ventriloquist and comedy host.

Trivia: Joe DeRita, sometimes known as "Curly Joe DeRita," was the last of the six members of the Three Stooges to join that august comedic trio. Born Joseph Wardell in Philadelphia in 1909, he came from a show business family, his mother a dancer and his father a stage hand. DeRita accompanied his parents on tour from the age of seven, and he soon had a dancing act with his sister. He continued working as a single after she married and their parents had retired, and his comedic specialty involved lots of dancing, which would serve him in good stead when he later joined the Three Stooges. He worked in burlesque comedian from the early '20s until 1942, when he went out to California to headline a show. He got a film contract out of the trip, and in 1944 made his screen debut at Warner Bros. in The Doughgirls starring Ann Sheridan. In 1946, following appearances in two more comedy features, DeRita jumped to Columbia Pictures for a series of comedy shorts. He also entertained the troops during World War II, touring with Randolph Scott, a good friend with whom he did a comedy act. After World War II, DeRita returned to the stage and also began working on radio. In 1958, he made his return to movies in his only non-comedic acting role, playing the phony, murderous hangman in Henry King's Western chase-drama The Bravados. He also began showing up on television occasionally in comedy roles on series such as Bachelor Father. That same year, fate would take a hand in his career with the crisis affecting the Three Stooges -- the 30-year-old comedy team had reached an impasse with the decision by Joe Besser, the fat "third" stooge who'd come in to succeed Shemp Howard following the latter's death in 1955, to leave the act. Partners Moe Howard and Larry Fine needed a new partner with none in sight, and that was when Fine happened to go to Las Vegas and caught DeRita's act in a revue called Minsky's Follies of 1958. He was impressed and duly informed Moe Howard, who was similarly enthusiastic after meeting DeRita and testing him in performances at different nightclubs. In October of 1958, Joe DeRita -- christened "Curly Joe" because of his resemblance to the group's most famous member, Curly Howard -- made his debut as a member of the trio. DeRita may have missed the trio's busiest years, but he got in on their most profitable era, appearing as the comically goofy member of the trio in six full-length feature film in which they starred, as well as two more movies, It's a Mad, Mad, Mad, Mad World and Four for Texas, in which the group had bit parts. Beyond that, however, were innumerable personal appearances, lots of merchandising, and television work by the trio, all of which was enough to keep DeRita busy and solvent for the rest of his life. With his goofy physiognomy and dancer's agility, DeRita was the sparkplug for much of the trio's physical comedy during this period, as well as some of its zaniest moments; he had an acrobat's grace, reminiscent of Curly Howard, but also a childlike innocence and good-nature that made younger audience members love him as well as laugh at him -- this was especially true in Have Rocket, Will Travel, the all-important 1959 feature that established the trio in full-length movies. He remained with the Three Stooges until Moe Howard's retirement in the mid-'70s. Such was his relationship with Howard that the oldest surviving Stooge, who controlled the group's name, broke precedent and gave DeRita permission to put together a new, very short-lived group of Three Stooges. That project didn't last, however, and DeRita retired in the 1970s. The youngest of the Three Stooges, he passed away after all of the others, in 1993.