Trivia: A former University of Illinois sociology major, ash-blonde leading lady Barbara Bain studied for a theatrical career at New York's Actors Studio and Neighborhood Playhouse. While attending an actor's workshop in 1956, Barbara made the acquaintance of an intense young performer named Martin Landau. It was love at first sight, and they married in 1957. Landau and Bain strove to maintain separate careers, and while her husband tended to work more often than she did, Barbara was well-represented with guest appearances on such series as Richard Diamond, Private Detective, Get Smart and The Dick Van Dyke Show. In 1964, the Landaus worked together for the first time on an episode of The Greatest Show on Earth. They didn't care much for the experience, and vowed not to co-star again -- at least, not until producer Bruce Geller made them an offer they couldn't refuse with the weekly TV suspenser Mission: Impossible. Cast as silken espionage agent Cinammon Carter, Bain won three consecutive Emmies for her work on the series (if you're wondering why Cinammon never adopted elaborate disguises, as did practically everyone else on the program, it is because Bain suffered from claustrophobia, and could not abide being hemmed in by heavy makeup). Then, after three seasons' worth of Mission: Impossible, the Landaus quit the series in 1969, citing poor scripts and insufficient creative challenges. In later years, Bain would comment ruefully that leaving the show ruined her career. The record doesn't quite bear this out: indeed, during the early 1970s she racked up an impressive list of TV movie appearances, and was offered a great deal of money to reteam with Landau in the syndicated sci-fi TV series Space: 1999 (1975-77). In 1989, Bain appeared in her very first theatrical feature, Trust Me (1989), playing a truculent, dishonest art collector. Though long-divorced from Martin Landau, Barbara Bain did not express an aversion to the possibility of playing a cameo alongside her ex-husband in the 1996 film version of Mission: Impossible, should either one of them be asked to do so (alas, they weren't).

Trivia: Only a handful of American actors can lay claim to A-list popularity on the big and small screen in multiple decades, and even fewer have matched the good-natured, easygoing charm of John Forsythe. In lead or supporting roles, playing his standard everyman protagonist, or occasionally cutting against type to portray nasty villains, Forsythe is one to whom generations of viewers naturally gravitated, like a reliable old friend.The oldest son of a factory worker, John Lincoln Freund was born into inauspicious circumstances, in the middle-class community of Penns Grove, NJ, on January 29, 1918. Raised in Brooklyn, NY, while his father did business on Wall Street during the Great Depression, John graduated from high school two years earlier than most, at age 16, and attended the University of North Carolina at Chapel Hill, graduating two years later. A longtime worshiper of baseball, he almost immediately landed a highly coveted job as the Dodgers announcer at Ebbets Field after leaving UNC, but his father noticed his eldest's dramatic abilities and encouraged the boy to branch out into acting. Freund followed suit, making his Broadway bow in 1942 and latching on to a hit when cast in Moss Hart's 1943 production Winged Victory. He later moved to sunny Southern California, where he took the stage name John Forsythe, became a bit player for Warners, and landed supporting roles in several movies, including the heavily lauded WWII vehicle Destination Tokyo (1943) and the same year's Northern Pursuit. Meanwhile, he met and married actress Parker McCormick, by whom he had a son, Dall. Their troubled union lasted only a year.Around the time of the divorce, Forsythe put his career on the shelf and headed off to military service in Europe, where he worked as a speech pathologist in a hospital, helping to recuperate wounded soldiers who were having difficulty with articulation. Before the end of 1943, Forsythe's enlistment wrapped. That same year, Forsythe met stage actress Julie Warren, who became his second wife; the couple raised two daughters. He helped found The Actors Studio in the early '50s, at the time a hotbed of exciting young screen talent that included Marlon Brando, Paul Newman, Richard Egan, and a 14-year-old prodigy from Great Britain named Joan Collins, with whom Forsythe would team up years later on Dynasty. Meanwhile, he appeared in two high-profile Broadway productions, Teahouse of the August Moon and Mister Roberts, both well on their way to becoming A-budget Hollywood films.The late '50s were an exciting period for Forsythe; he landed one of his most prominent big-screen spots -- as artist Sam Marlowe in Alfred Hitchcock's eccentric cult comedy The Trouble with Harry (1955) -- and, two years later, reeled in one of the most enduring small-screen roles of his career, as the titular uncle Bentley Gregg on the CBS/NBC/ABC series Bachelor Father. The cast included Noreen Corcoran, Sammee Tong, and Bernadette Withers; the ratings shot up and gave the series a five-year run. Scattered movie roles followed throughout the '60s, including Kitten with a Whip (1964) and In Cold Blood (1967), as well as the television series The John Forsythe Show (1965-1966) and To Rome with Love (1969-1971), but it would be another decade or so before Forsythe fully re-entered the public eye. In the early '70s, Forsythe began a periodic association with TV mogul Aaron Spelling, which yielded multiple telemovies (Cry Panic [1974], Cruise into Terror [1978]), and the two series for which the actor is best known. For the first, Spelling cast Forsythe in a prominent voice-only role -- that of Charlie Townsend, the reclusive head of a female detective agency, in Charlie's Angels (1976-1981). With sex symbols Jaclyn Smith, Kate Jackson, and especially Farrah Fawcett-Majors as the leads, the program invented "jiggle TV" and became a ratings smash. Spelling didn't forget the favor that Forsythe had done for him; seven months before Angels ended, he spun around and made the actor one of the three stars (alongside Joan Collins and Linda Evans) of Dynasty, a prime-time ABC soaper about oil zillionaire Blake Carrington (Forsythe), his ennui-ridden current wife, Krystle (Evans), and his shameless, ever-scheming ex-wife, Alexis (Joan Collins). Ratings shot through the roof and turned Dynasty into a Wednesday-night American institution.Meanwhile, Forsythe continued intermittent film appearances. He shocked just about everybody with his blackly comic portrayal of a judge with the morals of an alley cat in Norman Jewison's blithe satire ...And Justice for All, and contributed a memorably disgusting cameo to Richard Donner's overbaked Scrooged (1988). In the early 2000s, director McG brought him back for the two big-screen versions of Charlie's Angels, for which he reportedly received five million dollars.Hollywood insiders regarded Forsythe himself as one of Hollywood's few genuine "nice guys." A dedicated worker who respected his craft, he always refused to take himself too seriously, issuing such self-deprecating statements as "Being a 64-year-old sex symbol is a hell of a weight to carry." Forsythe entered semi-retirement following the death of his second wife, Julie, in 1994. He married for the third time, to Nicole Carter, in 2002. Following a year-long struggle with cancer, Forsythe died of pneumonia at age 92 in early April 2010.

Trivia: Richard Kiley trained for a theatrical career at the Barnum Dramatic School. Just before his World War II service, Kiley played small roles in several Chicago-based radio programs. He relocated to New York in 1947, making his Broadway debut in a 1953 revival of Shaw's Misalliance (which earned him a Theatre World Award). He spent the next two decades alternating in "straight" plays and musicals: his credits in the latter category include Kismet, Redhead, No Strings and, of course, his Tony-winning dual performance as Cervantes and Quixote in Man of La Mancha. In films from 1950, Kiley was often cast as a menace, never more so than in 1953's Pickup on South Street, in which he commits the heinously antisocial act of murdering Thelma Ritter. He was more sympathetic as the alcoholic teacher in The Blackboard Jungle (1955), whose faith in his abilities is irreparably damaged when his juvenile delinquent students wantonly destroy his valuable record collection. On television, Kiley starred in the original 1956 staging of Rod Serlings Patterns and was Emmy-nominated for his work in The Thorn Birds (1983), Do You Remember Love? (1988), Separate But Equal (1990),and his own starring series A Year in the Life (1989). He finally won the Emmy for a 1994 guest appearance in Picket Fences. Ironically, the most successful film endeavor with which Richard Kiley was associated was one in which only his voice is heard; he's the fellow who explains the cloning process in the opening animated sequences of Jurassic Park (1993).

Trivia: Actor Joseph Campanella's father, a Sicilian immigrant, was an early member of the American Federation of Musicians; perhaps as a result, the younger Campanella remained active in liberal "underdog" political causes all his life. At eighteen, Campanella became one of the youngest-ever skippers in the wartime navy. He went on to attend Columbia University, then began his acting career on the New York stage and in TV soap operas. Over the next three decades he would portray Joe Turino on The Guiding Light, Alec Fielding on The Doctors, Dr. Ted Steffen on the nighttime TV serial The Doctors and the Nurses and Senator Harper Devereaux on Days of Our Lives. Additional TV assignments for Campanella included the role of Mike Connors' boss on the first season (1967-68) of Mannix; attorney Brian Darrell on four seasons (1969-73) of The Bold Ones; and Hutch Corrigan on the 1985-86 season of The Colbys. He also narrated several National Geographic Specials, and was host of the syndicated 1983 revival of This is Your Life. A steadfast film supporting player, Campanella was finally awarded a lead in 1972's "rampaging rat" thriller Ben, only to find that his was the second name above the title: "Leave it to me," Campanella remarked with his usual self-deprecation, "to get second billing to a rat in my first big starring movie." Recent credits include a "guest voice" role as Dr. Thorne on the Fox Network's Batman: The Animated Series. Joseph Campanella is the brother of Frank Campanella, a character actor usually cast as uniformed big-city cops.

Trivia: Formidable American character actress Reta Shaw was the daughter of a New England orchestra leader. Educated in virtually all forms of the arts except acting, Shaw took a series of musical and "civilian" jobs before appearing in her first play, the 1946 dud It Takes Two. She went on to character roles in such major Broadway musicals as Annie Get Your Gun and Gentlemen Prefer Blondes. Shaw was one of the few members of the original Broadway cast of Picnic to be invited to appear in the 1956 film version. The hefty Ms. Shaw was subsequently shown to good advantage as a pajama factory employee in the 1957 film musical The Pajama Game (again repeating her stage role), and in dozens of smaller but still showy roles, such as Mrs. Brill the maid in 1964's Mary Poppins. From 1968 through 1970, Reta Shaw was seen on a weekly basis as housekeeper Martha Grant on the TV sitcom version of The Ghost and Mrs. Muir.

Trivia: Stage actor Wendell Burton's movie career began on a high note with 1969's The Sterile Cuckoo, when he co-starred with another newcomer to films, Liza Minnelli. In the searing 1970 prison drama Fortune and Men's Eyes (1970), Burton was cast as a young naif who, arrested on a marijuana-possession charge, is clapped into a Québéc prison exclusively populated by sexual degenerates. Thereafter, he was largely confined to below-the-title character roles. On television, Wendell Burton co-starred in the 1971 sitcom The New Dick Van Dyke Show and the 1981 miniseries East of Eden, and played the title role in a 1973 adaptation of Broadway's You're a Good Man, Charlie Brown. Burton died in 2017, at age 69.