Trivia: American actor James Arness had an unremarkable Minneapolis childhood, but his wartime experiences shattered that normality - literally. During the battle of Anzio, Arness' right leg was peppered with machine gun bullets, and when the bones were set they didn't mend properly, leaving him with a slight but permanent limp. The trauma of the experience mellowed into aimlessness after the war. Arness became a "beach bum," lived out of his car, and worked intermittently as a salesman and carpenter. Acting was treated equally lackadaisically, but by 1947 Arness had managed to break into Hollywood on the basis of his rugged good looks and his 6'6" frame. Few of his screen roles were memorable, though one has become an object of cult worship: Arness was cast as the menacingly glowing space alien, described by one character as "an intellectual carrot," in The Thing (1951). For a time it looked as though Arness would continue to flounder in supporting roles, while his younger brother, actor Peter Graves, seemed destined for stardom. John Wayne took a liking to Arness when the latter was cast in Wayne's Big Jim McLain (1953). Wayne took it upon himself to line up work for Arness, becoming one of the withdrawn young actor's few friends. In 1955, Wayne was offered the role of Matt Dillon in the TV version of the popular radio series Gunsmoke. Wayne turned it down but recommended that Arness be cast and even went so far as to introduce him to the nation's viewers in a specially filmed prologue to the first Gunsmoke episode. Truth be told, Arness wasn't any keener than Wayne to be tied down to a weekly series, and as each season ended he'd make noises indicating he planned to leave. This game went on for each of the 20 seasons that Gunsmoke was on the air, the annual result being a bigger salary for Arness, more creative control over the program (it was being produced by his own company within a few years) and a sizeable chunk of the profits and residuals. When Gunsmoke finally left the air in 1975, Arness was the only one of the original four principals (including Amanda Blake, Milburn Stone and Dennis Weaver) still appearing on the series. Arness made plans to take it easy after his two-decade Gunsmoke hitch, but was lured back to the tube for a one-shot TV movie, The Macahans (1976). This evolved into the six-hour miniseries How the West Was Won (1977) which in turn led to a single-season weekly series in 1978. All these incarnations starred Arness, back in the saddle as Zeb Macahan. The actor tried to alter his sagebrush image in a 1981 modern-day cop series, McClain's Law -- which being set in the southwest permitted Arness to ride a horse or two. It appeared, however that James Arness would always be Matt Dillon in the hearts and minds of fans, thus Arness obliged his still-faithful public with three Gunsmoke TV movies, the last one (Gunsmoke: The Last Apache) released in 1992. In between these assignments, James Arness starred in a 1988 TV-movie remake of the 1948 western film classic Red River, in which he filled the role previously played by his friend and mentor John Wayne.

Trivia: A tough-looking hombre who briefly made life miserable for such stalwart serial stars as Reed Hadley and Donald Barry, Ernest Sarracino spent nearly six decades in front of the camera and hardly ever received on-screen credits. A regular performer in Republic serials of the early 1940s, usually cast as ethnic villains, Sarracino later played numerous bits in television shows ranging from The Adventures of Rin-Tin-Tin to Charlie's Angels. His final credited performance came in the Stephen King prison drama The Hudsucker Proxy (1994), in which he was Luigi, the tailor.

Trivia: In films, American supporting actor Warren Vanders was typically cast as a villain. He is primarily known as a stage actor, but has also appeared in over 100 television episodes. Before becoming an actor, Vanders was a regional Golden Gloves boxing champion and a varsity football player.

Trivia: Character actor Natividad Vacio played small roles on television and in feature films from the late '40s through the late '80s. He was, what one might call a working-class actor, those capable performers who attract little notice, but are indispensable parts of the movie industry, and he specialized in playing average types.

Trivia: Disdaining the "surfer" mentality of his California boyhood friends, Anthony Zerbe chose to head to New York to become an actor. He studied with Stella Adler and worked off-Broadway before achieving success in the mid-'60s. He made his film debut in 1967's Will Penny, after which he settled into a series of sharkish, saturnine villainous portrayals. An adherent of EST training, Zerbe preferred to work with people who allowed him "space" to develop a characterization; one such person was David Janssen, with whom Zerbe appeared on the mid-'70s TV series Harry O (in which he won an Emmy award for his portrayal of Lieutenant Trench). Active on-stage and in films and television into the 1990s, Anthony Zerbe has contributed some unforgettable acting moments to the big screen, notably as the shadow-enshrouded leper in 1971's Papillon and the "blowed up real good" secondary villain in the 1989 James Bond opus License to Kill.

Trivia: Lithe, dark-haired Fred Coby (born Frederick G. Beckner Jr.) turned into freakish Rondo Hatton in the 1946 horror melodrama The Brute Man, a chiller so tasteless and badly made that Universal sold it outright to Poverty Row company PRC. Coby stayed with PRC for Don Ricardo Returns (1946), a Zorro rip-off written by actor Duncan Renaldo and based on Johnston McCulley, the creator of the original. Although handsome -- Coby's slight resemblance to Tyrone Power may have won him the role in the first place -- Don Ricardo was too cheaply made to have any impact on the moviegoing audience. He spent the remainder of his career as a stunt performer and bit player.

Trivia: Milburn Stone got his start in vaudeville as one-half of the song 'n' snappy patter team of Stone and Strain. He worked with several touring theatrical troupes before settling down in Hollywood in 1935, where he played everything from bits to full leads in the B-picture product ground out by such studios as Mascot and Monogram. One of his few appearances in an A-picture was his uncredited but memorable turn as Stephen A. Douglas in John Ford's Young Mr. Lincoln. During this period, he was also a regular in the low-budget but popular Tailspin Tommy series. He spent the 1940s at Universal in a vast array of character parts, at one point being cast in a leading role only because he physically matched the actor in the film's stock-footage scenes! Full stardom would elude Stone until 1955, when he was cast as the irascible Doc Adams in Gunsmoke. Milburn Stone went on to win an Emmy for this colorful characterization, retiring from the series in 1972 due to ill health.

Trivia: Following her training in regional theatre and radio, red-headed actress Amanda Blake was signed by MGM in 1949, where she was briefly groomed for stardom. Among her MGM assignments was 1950's Stars in My Crown, in which she was cast for the first time opposite James Arness. Film fame eluded Amanda, especially after her sizeable role in the 1954 version of A Star is Born was almost completely excised from the release print. By 1955, she had to make do with appearances in such epics as the Bowery Boys' High Society. Amanda's fortunes took a turn for the better later in 1955, when she won the role of Miss Kitty, the euphemistically yclept "hostess" of the Long Branch Saloon on the TV western Gunsmoke, which starred James Arness as Marshal Matt Dillon. She remained with Gunsmoke until its next-to-last season in 1974. After Gunsmoke, Amanda went into semi-retirement save for a handful of film projects like the made-for-TV Betrayal (1974), the theatrical releases The Boost (1988) and B.O.R.N (1989), and the 1987 reunion project Gunsmoke: Return to Dodge. Amanda Blake died in 1989 at the age of sixty.