Trivia: Leading man and sex symbol, Selleck has a gentle, humorous manner. He attended college on an athletic scholarship, majoring in business. A drama coach suggested he become an actor; soon he began making the rounds of auditions. He won a part in the disastrous film Myra Breckinridge (1970), his screen debut, then appeared in small roles in a handful of films during the '70s. Meanwhile, Selleck was signed to a seven-year contract with Fox, leading to a great many TV roles, including appearances as a recurring character on the TV series "The Rockford Files." Eventually he was chosen as the lead for the TV series "Magnum P.I.;" the show became a hit, staying on the air from 1980-88, and he became a star and sex symbol, winning an Emmy, a Golden Globe award, and a star on Hollywood Boulevard. He suffered a serious career setback in 1981, when he was chosen to star in the Lucas-Spielberg blockbuster Raiders of the Lost Ark, but couldn't get released from his TV responsibilities. Beginning in 1983 he tried to break back into films, finally landing a major hit in a co-starring role in Three Men and a Baby (1987); although he appeared in a dozen films after 1983 he never firmly established himself as a screen star. He has also been active as a TV producer. He is married to English dancer Jillie Mack.

Trivia: Natty, mellifluous character actor John Hillerman may have spoken on screen with a pure Mayfair accent, but he hailed from Denison, Texas. Hillerman first gained notice for his fleeting appearances in the films of Peter Bogdanovich: The Last Picture Show (1971), What's Up Doc (1973), At Long Last Love (1975). He was also a semi-regular for director Mel Brooks, prominently cast in Blazing Saddles (1975) and History of the World, Part I (1981). A veteran of dozens of television series, John Hillerman was cast as the insufferable criminologist Simon Brimmer on Ellery Queen (1975), the star's director (and ex-husband) in The Betty White Show (1975), and most memorably as the ultra-correct Jonathan Quayle Higgins II, major domo to never-seen mystery writer Robin Masters, on Magnum PI (1980-88).

Trivia: In another era, American actor Eugene Roche might have been a perfect next-door neighbor on Ozzie and Harriet; balding, slightly paunchy, with an open, jovial Midwestern face. Following theatrical work, Roche made a name for himself in a project which gave him no on-screen billing: the friendly kitchen employee who sang the brief "Ajax for dishes" ditty in a series of detergent commercials. Roche's breakthrough film was Slaughterhouse Five (1971), in which he played the likeable POW Edgar Derby, whose fascination with war souvenirs results in his perfunctory execution at the hands of his German captors. Not all of Roche's film roles were this benign: in Foul Play (1978), he is a professional assassin who impersonates his murdered archbishop brother, the better to draw a bead on the Pope during an American visit. A reassuringly familiar presence on TV, Eugene Roche also had regular roles on several series, including The Corner Bar (1972), Good Time Harry (1980), Webster (1984), Take Five (1987) and Lenny (1990).

Trivia: Fans of American actress Melora Hardin who associate her exclusively with her characterization of Jan Levinson-Gould -- Michael Scott's stone-faced manager and sometimes lover, on the smash NBC series The Office -- may be surprised and delighted to discover several exciting facts about the history of her career. First, her work stretches back many decades, into her primary school years, encompassing everything from Disney movies to prime-time series dramas of the '80s, '90s, and 2000s to commercials to acclaimed feature films; she directs and edits films as well. Second, Hardin moonlights as an accomplished and gifted singer/songwriter -- a nightclub chanteuse known for sultry cabaret-style numbers, who has issued a number of acclaimed albums of her own material, including Meloradrama and Purr. And finally, this comedian's wit extends far beyond her crack-comic onscreen timing. A parodist who loves to play with her own image, Hardin runs her own website, with a series of funny-sexy (yet inexplicit) cheesecake photos that serve as throwbacks to the peek-a-boo erotica days of the mid-'50s while subtly parodying and calling attention to those setups.Given both of her parents' long tenures in film and television (her father is character actor Jerry Hardin and her mother is acting coach Diane Hill Hardin), drama came preternaturally for Hardin, and she commenced work as a child star at age six. One of her earliest assignments involved plugging Peak Toothpaste on a television commercial; she later joined the ensemble cast of a live-action children's program on NBC (circa 1977, at age ten) called Cliffwood Avenue Kids, which (as late-Gen X television babies may recall) typically aired during early weekday evenings after The Flintstones. A series of failed pilots ensued for Hardin, beginning with the late-'70s drama Thunder and encompassing over a dozen others over the next two decades.Hardin debuted cinematically at age 11, with a high-profile role in the goofball Disney comedy The North Avenue Irregulars, opposite Susan Clark and Cloris Leachman and directed by Hogan's Heroes vet Bruce Bilson. She followed this up with many additional roles in A- and B-list features throughout the '80s and '90s, but while her work shone, the films themselves often failed to catch fire; her resumé includes such forgettable fare as Iron Eagle (1985) and Soul Man (1986). A number of pictures, however, marked happy exceptions: Hardin contributed a small onscreen singing role to the fine Disney period adventure The Rocketeer (1991), and several of her songs highlighted the film's soundtrack. She also appeared in Clint Eastwood's enormously underrated, oft-humorous 1997 crime thriller Absolute Power (as Christy Sullivan, the homicide victim of Gene Hackman's lecherous president), and made a solid contribution to the satire Thank You for Smoking, opposite Aaron Eckhart.Hardin fared particularly well on television, with single- and dual-episode appearances over the years in such dramas as Little House on the Prairie, Quincy, M.E., and Murder, She Wrote. The Office, of course, represented a watershed moment for Hardin. Adapted skillfully by Greg Daniels from the British series of the same name by Ricky Gervais and Stephen Merchant, the NBC sitcom follows the colorful employees of the Dunder Mifflin Paper Company's Scranton branch -- led by one Michael Scott (Steve Carell), a sweet-natured but desperately lonely and outrageously uncouth manager. Low-key, iconoclastic, and unconventional, the program eschewed a laugh track and underplayed (to the nth degree) every one of its gags, relying on a bevy of character eccentricities to procure laughs. The episodes had Hardin (as Michael's manager) typically playing straight man to Carell's goofball, and saw the unlikeliest of employer-employee romances blossoming between them over the course of the first two seasons. Thanks to an extraordinary cast and crew, The Office instantly shot up to qualify as one of NBC's highest rated new series after its March 2005 debut; many proclaimed it as the funniest American sitcom since Seinfeld.Meanwhile, Hardin continued to hone her craft in other arenas. She first helmed the regional theatrical production of friend Adria Tennor's one-woman show Strip Search. Tagged as "Love and a 12-Foot Pole," and authored by and starring Tennor, this colorful yet surprisingly touching seriocomedy recounts the tale of a woman who undertakes a journey of self-discovery and ultimately finds her dying passion in strip dancing classes. Hardin then directed and edited an independent film entitled You that husband Gildart Jackson scripted. The motion picture stars Jackson and both of Hardin's parents, as well as Joely Fisher and The Office's Kate Flannery.In 2006, Hardin returned to big-screen work, signing with Fox Atomic and Tapestry Films to co-star in the Tom Brady-directed sports comedy The Comebacks. The film relays the story of a football coach (David Koechner) commissioned to whip a down-and-out football team into shape. In 2007, she joined the cast of The Dukes, which follows a group of down-and-out musicians attempting an ill-fated heist.