Trivia: A graduate of the University of Dubuque, Tony Danza was busy with a profitable if not spectacular career as a boxer when he began tentatively moving into acting. His first important TV role was, appropriately, as erstwhile boxer Tony Banta on the popular sitcom Taxi. During his Taxi years, Danza built up the screen image of the pugnacious, not overly bright lug with a golden heart. In 1984, Danza was cast as Tony Micelli, the widowed housekeeper of divorced career woman Angela Bower (Judith Light), on the weekly domestic comedy Who's the Boss? enjoying a popular eight-season run. Danza's first starring film role in She's Out of Control (1988), as the overprotective father of teenager Ami Dolenz, was more or less an extension of his TV work; the actor demonstrated a wider range in the supporting role of a dying baseball player in the 1994 remake of Angels in the Outfield. He executive produced The Jerky Boys movie, and continued to appear in projects such as the remake of 12 Angry Men, Glam, and The Garbage-Picking, Field Goal-Killing, Philadelphia Phenome. At the start of the next century he made a handful of appearances as himself on animated shows like Family Guy and King of the Hill, and he appeared in the made-for-TV holiday film Stealing Christmas.

Trivia: Though she is normally recognized as Angela Bower, the prissy, executive counterpart to Tony Danza's rough-hewn Italian nanny on the long-running television series Who's the Boss?, Judith Light considers her crowning achievement to be her activism in the fight against AIDS and gender discrimination. Born in Trenton, NJ, Light discovered her passion for the performing arts at a Pennsylvania summer camp at 12 years old. Light's high school drama teacher later encouraged her to attend the prestigious Carnegie Mellon University, and the young actress found herself with a role in a Broadway production of A Doll's House by the mid-'70s. Despite her initial success, however, Light still found herself extraordinarily poor, at one point living on only ten dollars per week. Rather than holding her back, though, poverty not only increased Light's determination to act, but to use it as a tool in the fight against all forms of bigotry.Light's big break came in the form of One Life to Live, the Emmy-winning soap opera, which offered the aspiring actress a role that brought with it a steady paycheck until the inception of Who's the Boss? in 1983. In addition to her sitcom performances, Light starred with great success in The Ryan White Story, a docudrama concerning the real-life fight of a hemophiliac who contracted the AIDS virus through a blood transfusion. In addition to having established herself as one of the first celebrity activists in the battle against HIV and AIDS, Light also became a passionate volunteer for a variety of charitable organizations including Heart Strings and Project Angel Food.In 1998, after a long, successful stint in the television-movie world, Light flexed her comedy muscles again for The Simple Life, a short-lived television series featuring Light as a big-shot businesswoman whose move to the country is far from what she had expected. A year later, Light immersed herself in Wit, the Pulitzer Prize-winning play revolving around a brash, no-nonsense cancer victim's slow acceptance of her own mortality. In 2004, Light starred in The Stones, a CBS television series. She would go on to star on Ugly Betty and Law & Order: Special Victim's Unit as Judge Elizabeth Donnelly.

Trivia: American actress Katherine Helmond spent nearly thirty years becoming an overnight success. Working fitfully in New York and regional theatre throughout the '50s and '60s, Helmond made ends meet by working as a drama teacher. Her first fleeting film appearances were in the Manhattan-based Believe in Me and The Hospital, both shot in 1971. She received a sizeable role in 1975's The Hindenburg, which utilized local repertory actors from throughout the midwest; she also worked with Hitchcock in 1976's Family Plot. In 1977, Katherine was cast as Jessica Tate, the scatterbrained, hedonistic matriarch on the TV sitcom Soap. She remained with the series until its cancellation in 1981; Soap left poor Jessica Tate facing a firing squad, and didn't reveal her fate until Helmond's guest appearance on the Soap spinoff Benson, wherein she played Jessica's ghost. In 1983, Katherine enrolled in the American Film Institute's Directing Workshop; she helmed the short subject Bankrupt and also several episodes of TV's Who's the Boss, in which she played Mona Robinson from 1984 through 1990. Keeping her hand in films, Katherine Helmond became a favorite of ex-Monty Python director Terry Gilliam, who cast the actress as a vain matron undergoing a really radical facelift in 1984's Brazil.

Trivia: Born and raised in Brooklyn to Italian-American parents, actress Alyssa Milano started acting on the stage in a national tour of Annie at the age of eight. She rose to teen stardom as the tomboyish Samantha Micelli on the ABC sitcom Who's the Boss, which ran from 1984-1992. Never really making the transition to feature films, she appeared in sleazy made-for-TV movies, provocative ad campaigns, and nude photographs. In one of her more prominent TV performances, she portrayed Amy Fisher in Casualties of Love: The "Long Island Lolita" Story on CBS in 1993. Her few feature film credits include the quirky romantic comedy Hugo Pool and the thriller Below Utopia, starring Ice-T. She joined the cast of Melrose Place on FOX for the 1997-1998 season before moving over to the WB for Charmed, co-starring Shannen Doherty and Holly Marie Combs. In the late '90s, she released several pop/rock albums, which did quite well in Japan. Since the popularity of Charmed, she's appeared in major television ad campaigns and the comedies Kiss the Bride, Buying the Cow, and Dickie Roberts: Former Child Star. She would go on to enjoy TV runs on My Name is Earl and Romantically Challenged, and movies like Hall Pass and New Year's Eve. In 2013, she returned to being a series regular on TV in the primetime soap Mistresses. After winning several legal battles involving her nude images on the Internet, Milano helped to launch the index safesearching.com.

Trivia: Actor Danny Pintauro first made an impression with audiences as the terrified little boy in the 1983 horror film Cujo. The wide-eyed, blond-haired boy next found his niche on the popular sitcom Who's the Boss?, on which he played the role of Jonathan. After the series ended in 1992, Pintauro initially had trouble finding roles as an adult actor, but after taking time off to study English and theater at Middlesex County College in Edison, NJ, and Stanford University, he found a successful career on the stage, starring in productions such as The Velocity of Gary.

Trivia: Alan Oppenheimer is one of the busiest of that breed of character actors who so expertly blend into the roles they're playing that they don't seem to be acting at all. Generally cast in "management" roles in films (the chief supervisor in 1973's Westworld, for example), Oppenheimer has also been a regular or semi-regular on several TV series. He was Dr. Rudy Wells during the first season of The Six Million Dollar Man (1974-75) ex-gangster Sheldon Leonard's brother Jessie on Big Eddie (1975), Captain Finnerty on Eischeid (1979-83) and Ben Brookstone on Home Free (1993), and was seen on an occasional basis as Dr. Raymond Auerbach on Murder She Wrote and network president Eugene Kinsella on Murphy Brown. Alan Oppenheimer's most lasting legacy rests in his innumerable cartoon voiceovers for Hanna-Barbera, Filmation, Disney and other studios: He was heard as Ming the Merciless on New Adventures of Flash Gordon (1979), Sidney Merciless in the "Shake Rattle and Roll" component of CB Bears (1977), Mighty Mouse in The New Adventures of Mighty Mouse and Heckle and Jeckle (1979 Filmation version), Big D on The Drak Pack (1980), Tawky Tawney and Uncle Dudley in Kid Super Power Hour with Shazam (1981), Vanity on The Smurfs (1981-90), Sheriff Pudge on The Trollkins (1981), Skeletor in He-Man and the Masters of the Universe (1983), the King of Gummadon in Disney's Adventures of the Gummi Bears (1985), Colonel Trautman in Rambo (1986), Pa Kent on Superman (1988 Ruby-Spears version), Merlin in The Legend of Prince Valiant (1991), and so many others.

Trivia: A burly, heavyset character player whose presence suggested both paternal warmth and authority, Cliff Bemis originally grew up on a family owned dairy farm in Elyria, OH, then (later) Lorain, OH, after his father's ailing health prevented him from continuing on as a farm laborer and prompted him to move into the floral business. Following high school graduation, Cliff attended Baldwin-Wallace College in Berea, Ohio, where he discovered an intense love of drama and began to pursue professional acting work alongside his studies. He subsequently became involved in Cleveland-area theater and film on multiple levels (including numerous musical theater roles and opera roles, voiceover and jingle-singing assignments, and industrial film appearances), but for many years limited himself to Cleveland-area work. That all changed in 1987 when Bemis' path happened to criss-cross with that of husband and wife actors Robby Benson and Karla de Vito (Modern Love); the pair encouraged Bemis to relocate to Los Angeles, secure an agent, and begin signing for film and television roles. Some of the features in which Bemis appeared include Pink Cadillac (1989), Jack the Bear (1993), Nancy Drew (2007), and Billy: The Early Years (directed by Benson) as a charismatic religious leader. Over the years, Bemis also signed for innumerable television guest roles on series including Quantum Leap, Cheers, Married... With Children, and Dallas. He is also known as one of the chief television spokespeople for the International House of Pancakes (IHOP) restaurants.