Trivia: Angela Lansbury received an Oscar nomination for her first film, Gaslight, in 1944, and has been winning acting awards and audience favor ever since. Born in London to a family that included both politicians and performers, Lansbury came to the U.S. during World War II. She made notable early film appearances as the snooty sister in National Velvet (1944); the pathetic singer in The Picture of Dorian Gray (1945), which garnered her another Academy nomination; and the madam-with-a-heart-of-gold saloon singer in The Harvey Girls (1946). She turned evil as the manipulative publisher in State of the Union (1948), but was just as convincing as the good queen in The Three Musketeers (1948) and the petulant daughter in The Court Jester (1956). She received another Oscar nomination for her chilling performance as Laurence Harvey's scheming mother in The Manchurian Candidate (1962) and appeared as the addled witch in Bedknobs and Broomsticks (1971), among other later films. On Broadway, she won Tony awards for the musicals Mame (1966), Dear World (1969), the revival of Gypsy (1975), Sweeney Todd (1979) and, at age 82, for the play Blithe Spirit (2009). Despite a season in the '50s on the game show Pantomime Quiz, she came to series television late, starring in 1984-1996 as Jessica Fletcher in Murder, She Wrote; she took over as producer of the show in the '90s. She returned to the Disney studios to record the voice of Mrs. Potts in Beauty and the Beast (1991) and to sing the title song and later reprised the role in the direct-to-video sequel, The Enchanted Christmas (1997). Lansbury is the sister of TV producer Bruce Lansbury.

Trivia: The great-grandson of a famous and influential 19th century Minnesota senator, actor William Windom was born in New York, briefly raised in Virginia, and attended prep school in Connecticut. During World War II, Windom was drafted into the army, which acknowledged his above-the-norm intelligence by bankrolling his adult education at several colleges. It was during his military career that Windom developed a taste for the theater, acting in an all-serviceman production of Richard III directed by Richard Whorf. Windom went on to appear in 18 Broadway plays before making his film debut as the prosecuting attorney in To Kill a Mockingbird. He gained TV fame as the co-star of the popular 1960s sitcom The Farmer's Daughter and as the James Thurber-ish lead of the weekly 1969 series My World and Welcome to It. Though often cast in conservative, mild-mannered roles, Windom's offscreen persona was that of a much-married, Hemingway-esque adventurer. William Windom was seen in the recurring role of crusty Dr. Seth Haslett on the Angela Lansbury TV series Murder She Wrote.

Trivia: Often introduced as "one of America's most familiar faces," it's likely that you've caught a glimpse of Ron Masak either in one of his over 300 appearances in various television shows, on that commercial that lingers in the back of your memory somewhere (he was once blessed with the moniker "king of commercials" and was the voice of the Vlassic Pickle Stork for 15 years), or maybe in one of his 15 feature film appearances. Whatever you might recognize him from, if you don't remember his name, he's the guy that you know you've seen somewhere before, but just might not be able to place where. A native of Chicago, IL (he was once offered a contract with the Chicago White Sox by Hall-of-Famer Rogers Hornsby), Masak was classically trained as an actor at the Windy City's own CCC. A tireless performer, Masak found an initial platform for his talents in the Army, where he toured the world entertaining in an all-Army show in which he served as writer, performer, and director. Masak became well-known not only for his acting abilities, but for the fact that he was a dedicated performer who never missed a show. Proving himself adept at roles ranging from Shakespeare to his almost decade-long stint as the sheriff on Murder She Wrote, Masak thrived in theater and in commercial work around Chicago in the late '50s and early '60s.After a few minor roles in such television series as Bewitched, I Dream of Jeannie, The Monkees, and The Flying Nun (not to mention what many consider to be one of the earliest Elvis impersonations on the Spade Cooley Show in 1958), Masak was spotted by producer Harry Ackerman early in his career and went to California to audition for a lead in a pilot. Though that particular prospect fell through, Masak was introduced to John Sturges, a meeting which resulted in his feature debut in the cold-war thriller Ice Station Zebra (1968). Masak's work as an emcee is another testament to his universal appeal and versatile likeability; he has served as host for some of the biggest names in show business, including such talents as Kenny Rogers and Billy Crystal. Masak also starred in four of the most successful sales motivational videos of all time, including Second Effort with Vince Lombardi and Ya Gotta Believe with Tommy Lasorda (which Masak also wrote and directed). The first recipient of MDA's Humanitarian of the Year Award, Masak's work as field announcer for the Special Olympics and his eight-year stint as host of The Jerry Lewis Telethon represents only a fraction of his remarkable work as a compassionate philanthropist, and though Masak's film work may not be as prolific or as frequent as his extensive television work, his roles in such films as Tora! Tora! Tora! (1970) are always memorable and constantly ring true with an appeal that often leaves a lasting impression, even though his screen time may be brief and his characters secondary.

Trivia: A veteran soap opera actress, Judith Chapman has enjoyed starring roles on As the World Turns, Ryan's Hope, General Hospital, One Life to Live, Days of Our Lives, and The Young and the Restless. In addition to her impressive list of soap roles, Chapman has also appeared in numerous movies over the years, such as Dead Space and 28 Days.

Trivia: A former secretary, Julie Adams inaugurated her film career in a series of slapped-together westerns starring James Ellison and Russell Hayden. She billed herself under her real name of Betty Adams until she was signed by Universal in 1949; she then became Julia Adams, which was modified to Julie by the early 1950s. Fans of the 1953 horror film Creature From the Black Lagoon tend to believe that Julie became a leading lady on the strength of her role in this film as the imperiled--and fetchingly underclad--heroine. In fact, she had been cast in good parts as early as 1950, notably the wealthy fiancee of newly blinded GI Arthur Kennedy in Bright Victory (1951). Curiously, some of her largest roles of the 1950s, in films like The Private War of Major Benson (1955) and Away All Boats (1956), were her least interesting. She cut down on her film appearances in the early 1960s to concentrate on television, a medium that permitted her to hold out for meatier acting assignments. Though she still tended to be cast in such negligible roles as the star's wife in The Jimmy Stewart Show (1971), Julie was proud of her many powerful guest-star appearances on dramatic programs: she was particularly fond of her performance as a middle-aged pregnant woman on a 1969 installment of Marcus Welby MD. Julie Adams was at one time married to actor/director Ray Danton.

Trivia: The son of British actor Wilfred Hyde-White, Alex Hyde-White began his own career in his teens, appearing briefly in Captain America (1979). Hyde-White's later film characterizations include Young Henry in Indiana Jones and the Last Crusade (1990) and David Morse in Pretty Woman (1990). What might have been his breakthrough role in Roger Corman's Fantastic Four (1994) fizzled when, for legal reasons, the film was completely withdrawn from view. Alex Hyde-White was at one time married to Karen Dotrice, herself a second-generation British performer (her father was Roy Dotrice).

Trivia: Dancer/actor Tony Fields launched his career as a charter member of the Solid Gold Dancers that wowed audiences during the early '80s on the television music hits show Solid Gold. He went on to dance in music videos, like Thriller, for Michael Jackson. He occasionally appeared in feature films such as Body Heat (1981), A Chorus Line (1985), and The Doctor. He also made a few guest appearances on television series like Murder, She Wrote, L.A. Law, and Santa Barbara.

Trivia: A veteran of both stage and film, Boyd Gaines made his big-screen debut, quite appropriately, in the 1980 showbiz movie Fame. In 1982 he played Coach Brackett in the sex comedy Porky's, and in 1985 he was cast as Valerie Bertinelli's love interest and later husband Mark on the series One Day at a Time. Gaines would stay with the series until 1984, and several TV guest appearances followed on shows like L.A. Law and Murder, She Wrote. Additionally, Gaines nurtured a successful career on Broadway, eventually wracking up four Tony nominations.

Trivia: As a youngster, wanted to be a stuntman after watching Steve McQueen in Bullitt (1968). Realized acting was more up his alley after appearing in a Baton Rouge stage production of N. Richard Nash's The Rainmaker in 1981. In 2004, founded production company Ransack Films, which produced The Season Before Spring (2008), a full-length documentary about the first post-Hurricane Katrina Mardi Gras in New Orleans. Launched the Web site www.locationtalent.com, an online directory for cast, crew and entertainment-industry workers listed by geographical location, in 2007. Was honored by self-improvement magazine Exceptional People in 2010 for his career and humanitarian work.

Trivia: While growing up in Chicago, Tom Bosley dreamed of becoming the star left-fielder for the Cubs. As it turned out, the closest Bosley got to organized athletics was a sportscasting class at DePauw University. After additional training at the Radio Institute of Chicago and two years' practical experience in various dramatic radio programs and stock companies, he left for New York in 1950. Five years of odd jobs and summer-theater stints later, he landed his first off-Broadway role, playing Dupont-Dufort in Jean Anouilh's Thieves' Carnival. Steadier work followed at the Arena Theatre in Washington, D.C.; then in 1959, Bosley landed the starring role in the Broadway musical Fiorello!, picking up a Tony Award, an ANTA Award, and the New York Drama Critics Award in the bargain. In 1963, he made his film bow as Natalie Wood's "safe and secure" suitor Anthony Colombo in Love With the Proper Stranger. Occasionally cast as two-bit criminals or pathetic losers (he sold his eyes to blind millionairess Joan Crawford in the Spielberg-directed Night Gallery TV movie), Bosley was most often seen as a harried suburban father. After recurring roles on such TV series as That Was the Week That Was, The Debbie Reynolds Show, and The Sandy Duncan Show, Bosley was hired by Hanna-Barbera to provide the voice of flustered patriarch Howard Boyle on the animated sitcom Wait Til Your Father Gets Home (1972-1973). This served as a dry run of sorts for his most famous series-TV assignment: Howard Cunningham, aka "Mr. C," on the immensely popular Happy Days (1974-1983). The warm, familial ambience of the Happy Days set enabled Bosley to weather the tragic death of his first wife, former dancer Jean Elliot, in 1978. In addition to his Happy Days duties, Bosley was narrator of the syndicated documentary That's Hollywood (1977-1981). From 1989 to 1991, he starred on the weekly series The Father Dowling Mysteries, and thereafter was seen on an occasional basis as down-to-earth Cabot Cove sheriff Amos Tupper on Murder, She Wrote. Reportedly as kind, generous, and giving as his Happy Days character, Tom Bosley has over the last 20 years received numerous honors for his many civic and charitable activities.

Trivia: Actress/model Susan Blakely, the daughter of a U.S. Army colonel, was born in Germany and raised in ports of call ranging from Korea to Hawaii to Texas. After a year at the University of Texas, Blakely struck out for New York, where she studied acting at the Neighborhood Playhouse while pursuing a modeling career. By 1972, she was pulling down 100,000 dollars a year for her appearances on magazine covers and TV advertisements; she also began showing up in bit parts in films like Savages (1972) and The Way We Were (1973). Larger roles came her way in The Lords of Flatbush (1974), Report to the Commissioner (1974), The Towering Inferno (1974), and Shampoo (1975). It was a television production that brought her full-fledged stardom: in 1977, Blakely appeared as Julie Prescott in the ratings-busting miniseries Rich Man Poor Man. She continued to flourish in TV movies into the 1990s, sinking her dazzling teeth into such meaty roles as Eva Braun in The Bunker (1981), Frances Farmer in Will There Really Be a Morning? (1982), and attorney Leslie Abramson in Honor Thy Father and Mother: The True Story of the Menendez Brothers (1994). Susan Blakely has been married to screenwriter Todd Merer and producer Steve Jaffe.

Trivia: In films from 1970, George DiCenzo is best known for his portrayals of scowling urban authority types. DiCenzo's TV and movie characterizations have included Vincent Bugliosi in Helter Skelter (1976), Major Benchley in Close Encounters of the Third Kind (1978), Arnold Rothstein in The Gangster Chronicles (1981), and Sam Baines in Back to the Future (1984). Numbering among his series-TV assignments are McClain's Law (1981; as Lt. Edward DeNisco), Dynasty (1984-1985 season; as Charles), Equal Justice (1990, top-billed as Pittsburgh D.A. Arnold Bach), and Joe's Life (1993; as Stan Gennaro). George DiCenzo has also kept busy behind the scenes as an associate producer.

Trivia: Wiry character actor Paul Gleason attended Florida State University before making his first off-Broadway appearance in a 1973 revival of One Flew Over the Cuckoo's Nest. Gleason's inaugural movie role was Long Tom in Doc Savage (1975), after which he worked extensively in Roger Corman productions. He is best known for his scowling, obstreperous portrayals of minor authority figures: the principal in The Breakfast Club (1985), the police chief in Die Hard (1988), and so on. He was at his most abrasive--and his funniest--as FBI agent Clarence Beeks in Trading Places (1982). A familiar TV presence since his days as David Thornton on the ABC serial All My Children, Paul Gleason has had recurring roles on such nighttimers as Spooner, Supercarrier and One West Waikiki. Throughout the '90s Gleason continued to work steadily as a character actor appearing in films as diverse as National Lampoon's Loaded Weapon 1, Running Cool, Maniac Cop 3, and Nothing to Lose. Like his Breakfast Club co-star Molly Ringwald, Gleason willingly spoofed his most iconic performance in the 2001 comedy Not Another Teen Movie. In May of 2006, at the age of 67, Gleason perished from mesothelioma, a type of lung cancer often suffered by people exposed to asbestos.

Trivia: A graduate of the Pratt Institute, actor/playwright Harvey Fierstein made his off-Broadway debut in something called Pork. Outspokenly homosexual, Fierstein has successfully smashed previous "gay" stereotypes with his deep, ratchety voice and his engaging "You got a problem with that?" belligerence. In 1982, Fierstein wrote and starred in the stage play Torch Song Trilogy, a bittersweet three-part comedy concerning the homosexual experience in the AIDS era; the play won two Tony Awards and became one of the longest-running Broadway productions in history, toting up 1,222 performances. Fierstein repeated his stage characterization of Arnold Beckoff for the heavily rewritten and severely shortened 1988 movie version of Torch Song Trilogy. The actor's crossover performances in mainstream roles have often been quite successful, notably his appearance as the likable cosmetician brother of Robin Williams in Mrs. Doubtfire (1993). In 1994, Fierstein co-starred in the short-lived TV series Daddies' Girls, unfortunately lapsing into some of the clichéd gay mannerisms which he had so successfully avoided in his previous work. He was part of the ensemble in Woody Allen's Bullets Over Broadway, and had a part in the smash sci-fi action spectacle Independence Day. He went on to be in the drubbed Death to Smoochy, Duplex, and a series of animated projects that include Mulan II and Foodfight!

Trivia: Attended a boys' preparatory school where his father was a faculty member. Graduated from Wesleyan University in just three years. Joined the cast of All My Children in 1983. Won Daytime Emmy Awards in 1986, 1987 and 2001. Appeared in the independent film Hungry Years (2009). Made a guest appearance on the sitcom Hot in Cleveland in 2011.

Trivia: While attending Air Force Academy Prep School, actor Miles O'Keeffe transferred to Mississippi State so he could play football, but a hand injury put an end to his gridiron activities. He then studied at the University of the South, where he earned a BA in psychology; this led to a job as counselor at Pennsylvania State Prison. When he heard that movie producer/director John Derek was planning to put together a new Tarzan film, the 6'3" O'Keeffe sent his photo to Derek. As a result, O'Keeffe was teamed with Bo Derek in 1981's Tarzan the Ape Man, a universally panned production that nearly ended the aspiring actor's career before it began. He managed, however, to survive this experience, going on to carve a niche for himself in such sword-and-sorcery efforts as Ator (1984) and Sword of the Valiant (1984). Still working in films into the 1990s, Miles O'Keeffe starred as John Smith in the direct-to-video Pocahontas: The Legend (1995).

Trivia: Beltran is a supporting actor onscreen from the '80s.

Trivia: University of Oklahoma alumnus Lonny Chapman inaugurated his professional acting career in 1948. While co-starring in the Broadway production of Come Back Little Sheba, Chapman arranged for his college chum Dennis Weaver to understudy for him. Weaver went on to TV fame as Chester on the Western series Gunsmoke, while Chapman prospered as a film character actor, playing such roles as Roy in East of Eden (1955), Rock in Baby Doll (1957), and Deke Carter in Hitchcock's The Birds (1963). On TV, Lonny Chapman starred as private eye Jeff Prior in the 1958 summer-replacement series The Investigator, and was featured as another detective, Frank Malloy, in the 1965 courtroom weekly For the People (1965).

Trivia: Street-smart leading actor Harry Guardino entered films in 1952 after several years of knocking around the New York stages. The best of his early film roles was Cary Grant's comic handyman in 1958's Houseboat. Guardino worked extensively in European productions in the 1960s, playing such parts as Barabbas in 1961's King of Kings. Among Harry Guardino's many TV assignments were the title role in the 1964 New York-based series The Reporter and the "Bogart/Bond" hero on the syndicated 1971 weekly Monty Nash. He made his final film appearance in Fist of Honor (1991).

Trivia: Bitten by the acting bug in high school, statuesque leading lady Sally Kellerman studied with Jeff Corey and at Actors Studio West before making her film debut in Reform School Girl (1959). In the 1960s, she built up her reputation with offbeat guest spots on such TV series as Bob Hope Chrysler Theatre, Slattery's People and It Takes a Thief. She also essayed small but attention-grabbing parts in films like The Boston Strangler (1968, as the only surviving victim) and The April Fools (1969). Her breakthrough role was her Oscar-nominated turn as Major "Hot-Lips" Houlihan in MASH--a role she very nearly talked herself out of. Upon reading the script, she angrily confronted director Robert Altman, raging over the insulting and humiliating aspects of the part. She was then mollified by Altman, who declared that her unbridled outrage was just what he wanted from "Hot Lips." Though MASH opened up better film opportunities for Kellerman, she continued playing more oddball character roles than traditional "star" assignments. From time to time, she has spelled her film activities with nightclub singing appearances. Previously married to director Rick Edelstein, Sally Kellerman is currently wed to Jonathan Kane, who has produced many of her more recent films.

Trivia: Angular Anglo-Latino actor Gregory Sierra began showing up on screen in 1971 in such films as The Wrath of God. Sierra quickly familiarized himself with TV viewers via his continuing role as Julio Fuentes in the weekly sitcom Sanford and Son. He left Sanford in January of 1975 to accept the part of detective sergeant Chano Amenguale on Barney Miller, a role he held down until the fall of 1976. Next up, Sierra starred as Dr. Tony Menzies on A.E.S. Hudson Street, a 1978 TV comedy that folded after six weeks despite positive critical comment. Two years later, he was cast as South American revolutionary "El Puerco" on the nighttime serial spoof Soap, figuring prominently in the series' up-in-the-air final episode in 1981. Gregory Sierra's more recent television roles have included Lt. Victor Maldonado on the NBC sci-fier Something is Out There (1988), and the ill-fated Lt. Lou Rodriguez on the trendy 1980's cop show Miami Vice.

Trivia: The daughter of a mining engineer, Canadian actress Margot Kidder spent her first two-and-a-half years living in a caboose. While attending the University of British Columbia, Kidder was talked into appearing in a college stage production of Take Me Along; she was hooked, though she later learned there was more to acting than crying on cue and partying. In her first professional years with the Canadian Broadcasting Corporation headquarters in Vancouver, Kidder played everything from simpering ingenues to an unhinged murderess. She made her first film in 1969, an American production titled Gaily Gaily, then worked with Gene Wilder in the British-made Quackser Fortune Has a Cousin in the Bronx (1970). Kidder disliked the seamier side of the movie business and retreated to Canada in hopes of learning how to become a film editor, but was brought back to the U.S. in 1971 for a continuing role in the James Garner TV series Nichols. She liked Garner but not the hassles of making a weekly series, and for the next decade concentrated on film work, plunging headfirst into a kinky Brian DePalma chiller titled Sisters (1972). Kidder's best-known work in the '70s and '80s was as Lois Lane in the Superman films starring Christopher Reeve. Other movie roles and a stint on 1987 TV series Shell Game followed. She continued to work steadily in a variety of projects including 1988's Body of Evidence, White Room, and Hanry & Verlin, however she earned the most press she had in quite some time after a bizarre incident in 1996 where she went missing for a few days and was found dazed and confused outside a stranger's home in Glendale, California. She recovered and went back to work in numerous films and TV series including Touched By an Angel and Tribulation. She was a major figure in Peter Biskind's book about '70s cinema, Easy Riders, Raging Bulls, and figured prominently in the documentary made from that book. In 2007 she appeared on the reality program Who Do You Think You Are, and went on to act in Rob Zombie's remake of Halloween II.Kidder married and divorced writer Tom McGuane and actor John Heard (their union lasted six days!) and remains a vocal activist for political and ecological causes.

Trivia: The son of a Chicago minister, actor David Soul actually launched his career as a folk singer. Born David Richard Solbert on August 28, 1943 in Chicago, Illinois, David moved to Mexico during his youth, when his father took a lengthy assignment as diplomatic advisor for the U.S. State Department. The experience (and the Mexican environment) engendered in young Solberg a permanent love of indigenous folk music. For the remainder of his youth, the whole world was Soul's backyard as his father was transferred from post to post during the 1950s and early 1960s. The blossoming performer could never quite shake either his inbred wanderlust (he attended Augustana College in South Dakota, the University of the Americas in New Mexico, and the University of Minnesota at Minneapolis) or his musical inclinations. After impulsively deciding to become a stage performer, and studying with the legendary Uta Hagen in New York, Soul definitively opted to embark upon a singing career. From 1966 to 1967, the performer turned up as the hooded "mystery singer" on the syndicated television talkfest The Merv Griffin Show. At about the same time, Soul also landed gigs opening for musical acts including Frank Zappa, The Lovin' Spoonful and The Byrds. The singer's decision, not long after, to finally remove his "mask" on television and reveal himself to the public backfired; it took away the novelty, and made it eminently more difficult for Soul to book concerts. Taking this as a cue, the actor returned to television, and was cast as Joshua Bolt on the 1968 TV adventure series Here Come the Brides, co-starring with another promising vocalist, Bobby Sherman. While Sherman became an instant teen idol, Soul would not truly hit it big until 1976, when he was cast as urban cop David Starsky and teamed with Paul Michael Glaser on the cop series Starsky and Hutch (1975-79). During the series and immediately following its cancellation, Soul attempted to trade off of his tube success by revitalizing his recording career, but did so with intermittent success; his syrupy ballad "Don't Give Up on Us" (parodied by Owen Wilson years later during a scene in the 2004 big-screen movie Starsky & Hutch) peaked at #1 in 1977 and became an FM and then AM radio staple for decades, but his albums charted much lower and did little to further his musical success.The actor went on to star in the TV weeklies Casablanca (1983, in the Bogart role!), The Yellow Rose (1983-84), Unsub (1989), and the telemovie adventure Pentathalon (1994). He also made a cameo alongside Glaser at the conclusion of the aforementioned Starsky & Hutch movie. Married several times, Soul's ex-wives include Karen Carlson, Lynn Marta, and Julia Nickson.

Trivia: Born in Indiana, Chad Everett attended high school in Dearborn, Michigan, where he played quarterback on the school football team. During his junior year at Wayne State University, Everett landed an acting role with a Michigan repertory company, accompanying the troupe on a State Department-sponsored tour of India. He headed to Hollywood in 1960, got nowhere fast, relocated to New York, did some modelling and TV commercials, then was signed to a $250-per week contract with Warner Bros. He made his film debut in Warners' Claudelle Inglish (1961), and co-starred in the studio's 1963 TV western series The Dakotas. Everett then signed with MGM, where he was featured in such films as Made in Paris (1964) and The Singing Nun (1965). In 1969, MGM's TV division cast Everett in his signature role as Dr. Joe Gannon in Medical Center, a popular weekly which ran until 1976. After Medical Center, Everett continued appearing in theatrical and made-for-TV movies, and also starred in three weekly series: Hagen (1980, as Paul Hagen), The Rousters (1983, as Wyatt Earp III) and McKenna (1994, as Jack McKenna). Chad Everett also wrote, directed and performed in several TV commercials and industrial films, and was the author of a self-published book of romantic poetry, written for and dedicated to his wife, actress Shelby Grant. He died of lung cancer in July 2012.

Trivia: The daughter of show folk, Hope Lange was 12 when she appeared in her first Broadway play, Sidney Kingsley's The Patriots. Fourteen years later, with dozens of plays and TV programs to her credit, Lange made her screen debut in Bus Stop (1956), managing to garner critical and audience attention despite her omnipresent co-star Marilyn Monroe (Lange's first husband was Bus Stop leading man Don Murray). Signed to a 20th Century Fox contract, Lange was Oscar nominated for her performance in Peyton Place (1957) and was equally impressive in such films as The Young Lions (1957) and The Best of Everything (1959). In the early 1960s, Lange was briefly linked romantically with Glenn Ford, who insisted that she co-star with him in Pocketful of Miracles, a fact that inspired a stream of published invective from the film's director, Frank Capra, who'd wanted Shirley Jones for the part. Despite Capra's reservations in regards to her acting ability, Lange continued to prosper as a film actress until turning to TV in 1968 as star of the weekly The Ghost and Mrs. Muir, a project that would earn her two Emmys. She then spent three years in a thankless "supportive housewife" part in The New Dick Van Dyke Show. In 1974, Lange received some of her best reviews in years for her work in Death Wish -- in which she spent most of her time in a coma before expiring in Reel Two! Subsequent projects in which Lange was involved included the 1977 play Same Time Next Year and the first of the Nightmare on Elm Street films. Hope Lange was first married to Don Murray, then producer/director Alan J. Pakula.

Trivia: Blonde-dreadlocked actress and filmmaker Kasi Lemmons was born in Missouri but raised in Massachusetts after her parents divorced. She performed in Boston Children's Theatre as a kid before studying at N.Y.U. and U.C.L.A. Starting at the tender age of 18, she acted professionally throughout the '80s in television and films, including a small role in Spike Lee's School Daze. With an interest in making documentaries, she went to film school at the New School for Social Research in N.Y.C. and made her first film, Fall From Grace, a short documentary about homelessness. Though she continued to develop her writing, she kept acting in order to pay the bills with supporting roles in The Silence of the Lambs, Candyman, Hard Target, and Fear of a Black Hat. Frustrated with her acting career and the lack of good roles for black women in Hollywood, she went to work on her screenplay for Eve's Bayou, a Southern Gothic drama about a girl growing up in Louisiana. In 1997, she appeared in Gridlock'd, the debut feature film by her husband, actor/director Vondie Curtis-Hall. That same year she became pregnant with her first child and made the short film Dr. Hugo -- based on a segment of her script and starring her husband in the lead role -- in order to convince the studios that she could direct Eve's Bayou herself. By the time shooting began, her son Henry Hunter Hall was just three months old. With Samuel L. Jackson as co-producer, Eve's Bayou was a critical success, winning Lemmons an Independent Spirit Award for Best First Feature. In 2001, she teamed with Samuel L. Jackson again for the psychological thriller The Caveman's Valentine, adapted from a novel by George Dawes Green.

Trivia: Supporting actor, onscreen from the late '80s.

Trivia: Though Jeff Conaway achieved TV fame by playing an actor who couldn't find work, he had in fact been a busy professional since childhood. At age ten, Conaway made his first Broadway appearance in All the Way Home. Eleven years later, after completing his education at N.Y.U., Conaway was seen in his first film, Jennifer on My Mind (1971). He played Kenicke in the New York staging of Grease, then repeated the role for the 1978 film adaptation. Also in 1978, he began a three-year run on the TV sitcom Taxi, in the role of Bobby Wheeler, an incredibly luckless aspiring actor who made ends meet by driving a hack. Conaway then delved into the realm of "fantastic television," appearing as Prince Erick Greystone in Wizards and Warriors (1983) and (occasionally) as Zack Allen on Babylon 5 (1992). Active in the direct-to-video market, Jeff Conaway both directed and acted in Bikini Summer 2 (1992). His problems with substance escalated in later years, and after appearing on several intervention-style reality shows, Conaway succumbed to various health problems and died on May 27, 2011.

Trivia: Evocatively-named British model Vanessa Angel made a career change when John Landis cast her as a Russian spy in Spies Like Us (1985). Born in London, Angel began modeling at 16 when she signed up with Eileen Ford and relocated to New York. After taking on a Russian accent for Landis' goofy Chevy Chase-Dan Aykroyd comedy, Angel studied the craft further at the Actors Studio. Angel combined her past and present professions playing a model in a guest appearance on TV's Melrose Place and starring in USA's TV movie The Cover Girl Murders (1993). Along with TV, Angel worked in feature films throughout the 1990s, mostly expanding upon her first experience with movie comedy. After landing bit parts in Abel Ferrara's crime noir King of New York (1990) and the ill-received Sylvester Stallone comedy Stop, or My Mom Will Shoot (1992), Angel next appeared as part of the ensemble cast in the independent romantic comedy Sleep With Me (1994) and starred as objects of affection in Kingpin (1996) and Kissing a Fool (1998). Angel returned to gangster films with a role in the made-for-cable Made Men (1999).

Trivia: Blonde actress/model Tippi Hedren lists the year of her birth as 1935, which means that she would have been 14 or 15 when she appeared fleetingly in her first film, The Petty Girl (1950). Hedren did not resurface on the movie scene again until 1963, when she was "discovered" by Alfred Hitchcock. The official story is that Hitchcock wanted to mold Hedren into a new Grace Kelly; rumors persist that his interest in the actress went way beyond professional, and that he made a few clumsy advances towards her on the set. Whatever the case, Hedren starred in Hitchcock's The Birds (1963) and Marnie (1964). She was criticized for being too impassive in the former film and too expressive in the latter, though it isn't fair to pick on her for the shortcomings of the script and direction. Hedren was under contract not to Hitchcock but to his home studio of Universal; thus, she was obliged to appear in a 1963 Kraft Suspense Theatre episode and in director Charlie Chaplin's A Countess from Hong Kong (1967), acquitting herself nicely in both instances. She curtailed her film appearances in the late 1960s when she married her second husband, Noel Marshall. The Marshalls then proceeded to pour 11 years' work (and $17 million!) into Roar (1981), a film based on their own real-life efforts on behalf of the African wildlife preservation movement. Even three decades after the fact, Hedren can't quite shake her earlier relationship with Alfred Hitchcock: she played a murder victim in the 1990 TV remake of Hitchcock's Shadow of a Doubt, and starred in the made-for-cable The Birds II: Land's End (1994). Hedren remained active in small film and television roles throughout the 2000s, and appeared in the well-received documentaries The Elephant in the Living Room and Carol Channing: Larger Than Life in 2011. Hedren co-starred with Jess Weixler and Jesse Eisenberg in Free Samples (2012), an independent comedy following a cynical law-student whose brief stint driving an ice cream truck marks a very important transition in her life. Tippi Hedren is the mother of actress Melanie Griffith.

Trivia: Educated in Switzerland and England, Irish actress Fionnula Flanagan studied for her trade at Dublin's Abbey Theatre. With her portrayal of Gerty McDowell in the 1967 film version of Ulysses, Flanagan established herself as one of the foremost interpreters of James Joyce. She made her 1968 Broadway bow in Brian Friel's Lovers then appeared in such Joycean theatrical projects as Ulysses in Nighttown and James Joyce's Women (1977). The last-named project earned her "Critic's Circle" awards in Los Angeles and San Francisco; it was subsequently committed to film in 1988, with Flanagan repeating her portrayal of Harriet Shaw Weaver. A familiar presence in American television, Flanagan has appeared in several made-for-TV movies, among them The Legend of Lizzie Borden (1975), Mary White (1977), The Ewok Adventure (1984) and A Winner Never Quits (1986). She won an Emmy for her work as Clothilde in the 1976 network miniseries Rich Man, Poor Man. Fionnula Flanagan's weekly-series stints have included Aunt Molly Culhane in How the West Was Won (1977), which earned her a second Emmy nomination; Lt. Guyla Cook in Hard Copy (1987) and Kathleen Meacham, wife of police chief John Mahoney (another transplant from the British Isles) in Help (1990).

Trivia: The years of struggle and near-starvation for actor Wings Hauser began paying off when, in 1977, he was cast as Greg Foster on the daytime drama The Young and the Restless. Fans of the series may remember that, at the time, the actor billed himself as J.D. Hauser. In the 1982 movie melodrama Vice Squad, Hauser forever sealed his cinematic future by playing the most scurrilous, hate-inducing bad guy this side of Richard Widmark. While he'd occasionally show up in a sympathetic role, Hauser spent most of his time "down and dirty" in "B" actioners and direct-to-video flicks. A much pleasanter chap in his TV appearances, Hauser has been seen on two TV sitcoms, 1986's The Last Precinct (as Lt. Hobbs) and the long-running Roseanne (as the Conners' off-and-on next-door neighbor).

Trivia: After a flurry of stage activity, Brooklyn-born leading man Michael Brandon settled into a leading-man career before the cameras. Brandon's first film appearance was as Mike Vecchio in Lovers and Other Strangers (1970). Perhaps the most notable of his many TV-movie stints was as real-life biographer/confidant William Bast in the 1976 biopic James Dean. Six years later, he showed up as David Marquette, deranged kidnapper of Maud Evans in the never-resolved cliffhanger that closed out the weekly TV series Emerald Point NAS. He was seen to better advantage as Serpico-like Lt. Dempsey in the Anglo-British adventure weekly Dempsey and Makepeace (1985), co-starring with his second wife, Glynis Barber (wife number one was Bionic Woman star Lindsay Wagner). He also played overly sensitive yuppie patriarch Teddy Kramer in the 1992 sitcom Home Fires. Michael Brandon should not be confused with the 1940s utility player of the same name, who, as Archie Twitchell, played the alpaca-coat salesman in Sunset Boulevard (1950).

Trivia: John Saxon never intentionally set out to be a Brando clone, but his resemblance to Marlon Brando was something he was born with, so what was there to do? A student of Stella Adler at the Actor's Studio, Saxon's first film was Running Wild (1955). Thanks to "hunk" assignments in films like The Restless Years (1957), The Reluctant Debutante (1958), and Summer Youth (1958), Saxon was briefly the object of many a teenage crush. He shed himself of his heartthrob image in the early '60s with a string of unsympathetic roles, making a leading man comeback of sorts as Bruce Lee's co-star in the immensely popular Enter the Dragon (1973). Fans could watch Saxon's expertise as an actor increase (and his hairline recede) during his three-year (1969-1972) stint as Dr. Ted Stuart on the NBC television series The Bold Ones. He later appeared as a semiregular on the prime-time TV soaper Dallas. In 1988, John Saxon made his directorial debut with the low-budget feature Death House.

Trivia: Of Franco-Spanish descent, American actor Reni Santoni began his show business career as a comedy writer. Santoni's big film break came when director Carl Reiner cast him in the leading role of aspiring thespian David Kolowitz (Reiner's blatantly obvious alter ego) in Enter Laughing (1967). Thereafter, Santoni could be seen in supporting parts in such films as Dead Men Don't Wear Plaid (1982, again directed by Carl Reiner), Brewster's Millions (1985), and Cobra (1986). He has also provided voice-over characterizations for crowd scenes in Rain Man (1988), Bright Lights, Big City (1988), and other films. Reni Santoni's weekly TV credits include the roles of lawyer Danny Paterno in Owen Marshall, Counselor at Law (1973-1974 season only) and police captain Nick Rivera in Manimal (1983).

Trivia: Judith Hoag may be most well known for playing April O'Neil in the Teenage Mutant Ninja Turtles movie in 1990, but the adventurous actress wracked up long list of appearances in countless other projects both before and after that role, pursuing her interest in performing, rather than in fame. Hoag was raised in Massachusetts, where she got involved in local and school theater when she was just 13. By the time she was out of high school, she was ready to move to New York and start her career. She began playing guest roles on TV shows and in commercials, and this would prove to be the kind of work that would sustain her career for years to come. In addition to her memorable role in the Ninja Turtles movie, Hoag would go on to appear in one or two episodes of Roseanne, Murder, She Wrote, Mad About You, Melrose Place, The X-Files, ER, Carnivàle, Big Love, and many, many more. In addition to her many TV appearances, Hoag continued to act in commercials, selling everything from restaurants to copy machines.

Trivia: As the son of broadcast journalist Nick Clooney and the nephew of chanteuse Rosemary Clooney, George Clooney entered the world with show business coursing through his veins. Born May 6, 1961 in Lexington, Kentucky, the future E.R. headliner appeared at the tender age of five on his father's Cincinnati talk program, The Nick Clooney Show. In his youth, Clooney honed a sharp interest in sports - particularly baseball - but by adulthood, Clooney launched himself as an onscreen presence, seemingly without effort. Beginning with a string of television commercials, then signed with Warner Brothers Entertainment as a supporting player. By the time Clooney had paid his dues, he'd appeared in single episodes of The Golden Girls, Riptide, Crazy Like a Fox, Street Hawk and Hunter.After regular gigs on TV shows like The Facts of Life, Roseanne, and Sisters, Clooney scored a role on the NBC medical drama E.R., which proved his breakthrough to superstardom. When that program shot up to #1 in prime time ratings, Clooney carried it (much more, in fact, than a first-billed Anthony Edwards) - his inborn appeal to women and his onscreen grace and charm massive contributing factors. This appeal increased as his character - initially something of a callous womanizer - matured with the show, eventually evolving into a kind and thoroughly decent, if somewhat hotheaded, human being.The performer's newfound star power led to big screen opportunities, like an acid-mouthed, rifle-wielding antihero (one of the Gecko Brothers, alongside Quentin Tarantino) in the Robert Rodriguez-directed, Tarantino-scripted horror comedy From Dusk Till Dawn (1995). Not long after, Clooney shifted gears altogether, co-headlining (with Michelle Pfeiffer) in the charming romcom One Fine Day (1996). Though he would notoriously misstep in accepting the role of Bruce Wayne in the 1997 attempted Batman reboot Batman & Robin, Clooney's honesty about the part being a bad fit was refreshing to audiences, and he took little flack for the movie, moving on to critically acclaimed movies like the action-laced crime comedy Out of Sight, and Terrence Malick's adaptation of The Thin Red Line. Out of Sight represented a massive watershed moment for Clooney: the first of his numerous collaborations with director Steven Soderbergh. In 1999 -- following his much-talked-about departure from E.R. - Clooney continued to work on a number of high-profile projects. He would star alongside Mark Wahlberg and Ice Cube as an American soldier reclaiming Kuwaiti treasure from Saddam Hussein in David O. Russell's Three Kings, and eventually win a 2000 Golden Globe for his portrayal of a pomade-obsessed escaped convict in the Coen brothers' Odyssey update O Brother Where Art Thou?. It was around this time that Clooney, now an established actor equally as comfortable on the big screen as the small, began to branch out as the Executive Producer of such made-for-TV efforts as Killroy (1999) and Fail Safe (2000). Soon producing such features as Rock Star (2001) and Insomnia (2002), Clooney next re-teamed with Soderbergh for a modern take on a classic Rat Pack comedy with Ocean's Eleven (2001). After the dynamic film duo stuck together for yet another remake, the deep-space psychological science-fiction drama Solaris (2002), busy Clooney both produced and appeared in Welcome to Collinwood and Confessions of a Dangerous Mind later the same year.Confessions marked Clooney's behind-the-camera debut, and one of the most promising actor-turned-director outings in memory. Adapted by Charlie Kaufman from Gong Show host Chuck Barris's possibly fictionalized memoir, the picture exhibited Clooney's triple fascinations with politics, media and celebrity; critics did not respond to it with unanimous enthusiasm, but it did show Clooney's promise as a director. He went on to star alongside Catherine Zeta-Jones in the Coen Brothers movie Intolerable Cruelty. The small film was a major sleeper hit among the lucky few who got to see it, and it proved to be a great showcase for Clooney's abilities as a comedian. He moved on to team up with Zeta-Jones again, along with almost the entire cast of Ocean's Eleven, for the sequel, Oceans Twelve, which earned mixed critical reviews, but (like its predecessor) grossed dollar one at the box office. By 2005, Clooney achieved his piece-de-resistance by writing, directing, and acting a sophomore outing: the tense period drama Good Night, and Good Luck.. Shot in black-and-white by ace cinematographer Robert Elswit, the picture followed the epic decision of 1950's television journalist Edward R. Murrow (played by David Strathairn) to confront Senator Joseph McCarthy about his Communist witch hunt. The picture drew raves from critics and received nominations for Best Picture and Best Director.Clooney next appeared in the harshly explicit and openly critical Syriana. He took the lead in this ensemble political thriller about the oil industry, directed by Stephen Gaghan of Traffic and heralded by critics as a disturbingly real look at a hopelessly flawed and corrupt system. Clooney won an Oscar for Best Supporting Actor for his role as a veteran CIA officer. Never one to rest for very long, Clooney then joined the cast of The Good German. Directed by longtime collaborator Steven Soderbergh, German unfolds in post-WWII Berlin, where Clooney plays a war correspondent who helps an ex-lover (Cate Blanchett) search for her missing husband. The actor-director team would pair up again the following year for the third installment in the Ocean's saga, Ocean's Thirteen. Next turning towards a more intimate, individualized project, Clooney earned yet more acclaim playing the title role in Tony Gilroy's Michael Clayton, where his portrayal of a morally compromised legal "fixer" earned him strong reviews and an Oscar nomination for Best Actor.Complications during the pre-production of the period comedy Leatherheads led to Clooney rewriting the script, as well as starring in and directing the picture. Though the movie made few ripples with audiences or critics, Clooney's adeptness continued to impress. In 2009, he gave voice to the lead character in Wes Anderson's thoroughly charming stop-motion animation feature Fantastic Mr. Fox, played a soldier with ESP in the comedy The Men Who Stare at Goats, and earned arguably the best notices of his career as corporate hatchet man Ryan Bingham in Jason Reitman's Up in the Air. His work in that well-reviewed comedy/drama earned him nominations from the Screen Actors Guild, the Golden Globes, and the Academy. In the midst of awards season, Clooney again produced a successful telethon, this time to help earthquake victims in Haiti.In 2011 Clooney would, for the second time in his already impressive career, score Oscar nominations for writing and acting in two different films. His leading role in Alexander Payne's The Descendants earned him a wave of critical praise, as well as Best Actor nods from the Screen Actors Guild and the Academy, as well as capturing the Best Actor award from the Golden Globes. The film he co-wrote and directed that year, the political drama The Ides of March garnered the heartthrob a Best Adapted Screenplay nomination from BAFTA, the Academy, and the Golden Globes. In 2012 he earned his second Oscar as one of the producers of that year's Best Picture winner, the Ben Affleck-directed political thriller/Hollywood satire Argo. The following year, he appeared in the critically-acclaimed, box office smash Gravity, and also produced August: Osage County. In 2014, he co-wrote and co-produced (with Grant Heslov) and starred in The Monuments Men, but the film was delayed from a late-2013 release and didn't score well with critics or at the box office.

Trivia: American actor George Furth attended Northwestern University, a cradle of American acting talent. After getting his master's degree at Columbia, Furth sought out stage work: his first part was in the 1961 play A Cook for Mr. General. Most often cast in films as a bespectacled, nerdish, ineffectual type, Furth appeared in such films as The Best Man (1964) and Myra Breckenridge (1970). His most celebrated movie role was as Woodcock, the by-the-book railroad guard robbed twice by Paul Newman and Robert Redford in Butch Cassidy and the Sundance Kid (1969). On TV, Furth was seen regularly on Broadside, Tammy, The Good Guys and The Dumplings--situation comedies all. Broadway regulars will recognize the name George Furth less for his acting than for his considerable accomplishments as a playwright; in 1970, Furth wrote the book for Stephen Sondheim's Tony-winning musical Company.

Trivia: American actress Pat Crowley was the daughter of a coal mine foreman. Pat' s older sister Ann took the plunge into acting first, and it was during Ann's appearance in a Chicago musical production that ten-year-old Pat was given a walk-on. Ann introduced her sister to a stock company producer, and from then on Pat was one of the busiest ingenues in New England, finally making her Broadway bow in Southern Exposure; Crowley was still only 16. Two years later, following a run on the live TV series A Date With Judy, Crowley was hired for a major role in Forever Female (1953), in which she and Ginger Rogers vied for the affections of William Holden. After becoming the center of much publicity at that time, Crowley then experienced a long spell of unemployment. When jobs became plentiful again, Crowley worked on both the stage and on TV, usually in one-shot guest roles; she had the distinction of being Robert Vaughn's first "leading lady" on the premiere episode of Man From U.N.C.L.E. in 1964. One year later, Crowley was cast as an unorthodox housewife on the NBC sitcom Please Don't Eat the Daisies. After two years of Daisies, Crowley's work load subsided; she did more supporting work until 1974, when she received a sizeable role on the Lloyd Bridges cop show Joe Forrester. Since that time, Patricia Crowley has confined her activities to TV character roles, notably a season's worth of appearances as Emily Falmont on the '80s nighttime serial Dynasty.

Trivia: The son of a Brooklyn upholsterer, baby-faced comic actor Buddy Hackett always claimed he was "born to be funny." Hackett was the boy who invariably blew his lines in the Holiday pageants and the overweight teen who accidentally stuck his foot in a water bucket during his first game with the high school football team. It was while serving in the Army that Hackett met the double-talking Chinese waiter who inspired him to create the most famous of his early nightclub routines. Hackett's first stand-up gig in Brooklyn led to additional work on the New York supper club Catskill resort circuits; he also guested on a very early (1945) TV program, Laff Time. His film debut was as the voice of a talking camel in the otherwise straightforward Arabian nights programmer Slave Girl (1947). He was signed to a Universal Pictures contract in 1953, then starred for two years in Broadway comedy Lunatics and Lovers. He played the title role in 1956 TV sitcom Stanley, which served to introduce Carol Burnett to America's televiewers; two years later, he became a regular on Jackie Gleason's Saturday night variety series. Hackett was most active in films during the years 1958 through 1968, appearing primarily in nitwit comedy-relief roles, but also delivering a solid dramatic performance in God's Little Acre. At the same time, his reputation in nightclubs soared, first because of his quick wit and gift for sudden improvisation, then later for his ability to spout out the dirtiest of material with the cherubic ingenuousness of a naughty first-grader. Perhaps it was this veneer of innocence that made Hackett an ideal "family" entertainer in such G-rated pictures as Everything's Ducky (1961), The Music Man (1962), and The Love Bug (1968). As late as 1989, he was still delighting the kiddie trade as the voice of Scuttle in the Disney animated feature The Little Mermaid. Among Buddy Hackett's many television credits was the 1978 biopic Bud and Lou, in which he offered a curiously unsympathetic interpretation of his idol, Lou Costello; ironically, back in 1954 Hackett had replaced an ailing Costello in the Universal slapstick comedy flick Fireman Save My Child.

Trivia: Born Dawn Bethel, North began dancing professionally at age 10 and, during her teens, modeled and danced in clubs and for film loops; meanwhile, she got married at 15 and soon had a child. She got bit roles in a couple of films, and in 1953 gained Hollywood's attention with a wild dance performance in the Broadway musical Hazel Flagg. North reprised her role in the play's screen version, Living It Up (1954), with Martin and Lewis. Soon thereafter she was signed to a film contract by Fox, which tried to make her into a '50s-style platinum blond "sexpot" and potential replacement for Marilyn Monroe; the studio mounted a big publicity campaign and starred her in several light productions. She proved herself to be a skilled comedian and dancer and a reasonably good actress. However, within a few years other actresses usurped her "dumb blond" roles, and after 1958 she disappeared from the screen for almost a decade. She went on to perform in stock, on the road, and on TV. Gradually, she developed a reputation as a serious actress, an unprecedented transformation of performing personas for an actress of her generation. In the late '60s she began appearing regularly in films in character roles, and she sustained a busy screen and TV career through the '90s.

Trivia: Alice Nunn was a character actress who enjoyed a 24-year career on-stage, in movies, and on television. Born in Jacksonville, FL, in 1927, she was bitten by the performing bug early in life; she was in school productions of such works as My Sister Eileen and attended the Wesleyan Conservatory and School of Fine Arts. Nunn later trained at the American Theater Wing and worked in radio as a continuity director before getting her break in New Faces of 1956. A singing comedienne who resembled a young Pert Kelton crossed with Sheila James, Nunn worked on-stage with Shelley Berman and Nancy Walker, and made her screen debut on television in episodes of Petticoat Junction. She later became a regular denizen of '60s sitcoms, playing comically strong-willed, often slightly belligerent women. Fans of 1960s sitcoms may remember her from Camp Runamuck as Mahala May Gruenecker, the head counselor of Camp Divine and the nemesis of series star Arch Johnson's Commander Wivenhoe; she was the perfect foil to Johnson's hulking macho boys camp leader, locking horns with him every week in much the same way that Margaret Rutherford had with Alastair Sim in the movie The Happiest Days of Your Life. Nunn's first feature film was Johnny Got His Gun (1971), in which she was one of the nurses. She was also a regular cast member of the Tony Orlando and Dawn variety show, but many of her film roles were bits, such as "Fat Lady" in Mame (1974) and "Passenger with Dog" in Airport 1975. She occasionally got bigger roles, such as the put-upon servant Helga in Mommie Dearest (1981), and is probably best remembered by 1980s filmgoers and Tim Burton fans for her portrayal of "Large Marge," the lady truck driver who frightens the hero in Pee-Wee's Big Adventure (1985). If Nunn hadn't been so good at comedy, and exploiting the funny side of her imposing girth and presence, she might have been an older rival to Shirley Stoler, but it was not to be -- she died of heart failure in the summer of 1988, at age 60.