Trivia: John Leguizamo is a Colombian-born comedian and actor best known for his memorable, often sharply satirical, characterizations of Latinos on stage and in films. He began his career as a stand-up comedian in New York clubs and as a performer in small independent feature films. These engagements led to his playing small roles in major features such as Casualties of War (1989) and Die Hard 2 (1990) where he was typically cast as a violent, unsavory fellow; none of these films seemed to utilize his talents and potential on film. Leguizamo has fared better in smaller films such as Time Expired (1991). His stage career also continues to grow. For his one-man show Mambo Mouth, a scathing look at Hispanic stereotypes, he won awards and great acclaim. His follow-up play Spic-o-Rama is equally funny and thought provoking. Leguizamo played his first leading film role in Super Mario Brothers. (1993). That year he also played an important and acclaimed role in De Palma's Carlito's Way. In 1995 he finished two movies, A Pyromaniac's Love Story and To Wong Foo, Thanks for Everything, Julie Newmar where he played the lovely drag queen Miss Chi Chi Rodriguez. That year, Leguizamo also created, scripted, executive produced and starred in a sketch comedy show on Fox, House of Buggin. Done in the style of Fox's smash hit series In Living Color, Leguizamo's show was billed as the first show of its kind to feature an all Latino cast. Unfortunately, though the show received good ratings, it failed to attract an audience and was cancelled after only a few months. The Colombian funnyman has since returned to feature films. In 1996, he starred, wrote and co-produced another showcase for his talents, The Pest.

Trivia: Born in the Windy City on January 17, 1975, the prolific Puerto Rican-American thespian Freddy Rodriguez cut his acting chops at Chicago's Lincoln Park High School, where he headlined a number of time-worn stage classics, including The Crucible, Twelve Angry Men, and To Kill a Mockingbird. He married his high school sweetheart, Elsie, and slid effortlessly into a cinematic career soon after graduation, taking his first official onscreen bow at the age of 19, as the younger version of Billy Wirth's prison parolee Terry Griff in the sobering and gritty 1994 drama The Fence. That feature lacked wide distribution and slipped by many, but no matter, for two highly coveted spots in A-list features followed the next year. Rodriguez portrayed Anthony Quinn's son, Pedro Aragon, Jr., in Alfonso Arau's lush 1995 romantic melodrama A Walk in the Clouds, and Vietnam vet Jose in The Hughes Bros.' period piece Dead Presidents, the Menace II Society follow-up about a young African-American man who drifts casually into a crime-infested life in the late '60s.Countless spots in films of equal weight followed, including Can't Hardly Wait (1998), Payback (1999), and Chasing Papi (2001), but Rodriguez made his most enduring mark on the small screen, where he became a familiar face on a number of hit series. He appeared in three 1999 episodes of Party of Five, as Albert, the man who mugs Sarah and later rips her off, despite her vain attempts to befriend him. The spot was short-lived, but productive; the added exposure eventually led to Rodriguez's most prominent role. He entered the mind's eye of cable devotees everywhere by becoming a permanent fixture on the HBO/Alan Ball production Six Feet Under, a jet-black comic series about the Fisher family, proprietors of a Los Angeles mortuary. As Federico Diaz, a gentle, emotionally sensitive mortician-cum-partner, Rodriguez proved popular with audiences and helped to sustain the series throughout its five-year run. He followed this up with yet another minor role, on the Emmy-award winning NBC series Scrubs, as Nurse Carla Espinosa's (Judy Reyes) brother. The part entailed only fleeting, intermittent appearances, but left a memorable impression nonetheless.Rodriguez temporarily reemphasized his silver screen work beginning in 2006, with tertiary roles in several prominent features. These include Valentin in Poseidon (2006), Wolfgang Petersen's disappointing remake of the 1972 Irwin Allen disaster pic The Poseidon Adventure; Reggie, a character restricted to only using half of his body, in M. Night Shyamalan's seventh feature, Lady in the Water; and a fleeting role as Jose in Bobby, Emilio Estevez's docudrama on the assassination of presidential hopeful Robert F. Kennedy by Sirhan Sirhan in 1968.In 2007, Rodriguez returned to television in a recurring role as sandwich vendor Giovanni "Gio" Rossi on the enormously popular Ugly Betty. He stayed on with the show into its third season in 2008, while also starring in and executive producing the holiday comedy Nothing Like the Holidays. Regular television work continued with a featured role on the short-lived CBS series Chaos and voice work on the animated sci-fi series Generator Rex.

Trivia: A stunning, New York-born actress who shot to stardom with her role as the latter half of television's Will and Grace, Debra Messing's playful creativity beginning in her youth left her family with little doubt that the talented youngster would seek a career in some aspect of the entertainment industry.Raised in a small community outside Providence, RI, Messing's song and dance routines were the source of endless entertainment for her family throughout her youth, and the precocious youngster frequently attended performing arts camps in order to focus her skills as an actress. Later touring Canada, the U.S., and Mexico before planning her initial bid for stardom, Messing followed her mother's advice and enrolled in Massachusetts' Brandeis University, where she majored in theater arts. Traveling to London late in her schooling to study at the prestigious B.E.S.G.L. program, she was later accepted into New York University's Graduate Acting Program. Early roles such as a stint as sexpot Dana Abandando on television's NYPD Blue garnered much attention for the stunning starlet, and it wasn't long before Messing made her feature debut with A Walk in the Clouds (1995). Jumping back to the small screen for the short-lived Ned and Stacey the following year, she next turned up in the feature Prey (1997) and a subsequent television series based on the film. Launching her career into overdrive in 1998 with her role as Grace Elizabeth Adler in television's Will and Grace brought Messing critical and public praise, and her role as the interior designer living with a homosexual lawyer charmed audiences with its snappy writing and talented cast. With personal interests lending to involvement with such organizations as the Best Friend's Pet Sanctuary, Gay Men's Health Crisis, and AmFAR, the actress uses much of her personal time to encourage social awareness of HIV and AIDS-related issues and encourage people to adopt pets.The massive success of Will & Grace helped Messing gain a foothold in a film career. She tested the waters gingerly at first, taking small but key roles in films as diverse as the thriller The Mothman Prophecies and the Woody Allen comedy Hollywood Ending. She played Ben Stiller's newlywed wife in the hit comedy Along Came Polly in 2004. Although audiences ignored her romantic comedy The Wedding Date, Messing scored her most prestigious post-Will & Grace work yet landing a major role in Curtis Hanson's Lucky You in 2006, the same year as she lent her vocal talents to the animated film Open Season.Over the next several years, Messing would enjoy a number of projects, starring in movies like The Women, and series like The Starter Wife, Smash and The Mysteries of Laura.

Trivia: The son of a Spanish waiter and an Italian housekeeper, Molina was born in London on May 24, 1953. Educated at London's Guildhall School of Music and Drama, he began his career as one half of a street-corner comedy team but then turned to acting. While most thesps start at the bottom and ascend the ladder, Molina is an anomaly: he began at the top of the heap, first earning professional credibility (and his pedigree) as a member of the Royal Shakespeare Company, and debuting cinematically in no less than Steven Spielberg's Raiders of the Lost Ark (1981), as the devious South American guide who leaves Harrison Ford for dead in an ancient temple before meeting his own end, courtesy of a particularly nasty booby trap. His subsequent resume for the rest of that decade reads like a "best of 1980s International Film": supporting roles in Mike Leigh's Meantime (1981), Peter Yates's Eleni (1985) , Richard Donner's Ladyhawke (1985),Chris Bernard's Letter to Brezhnev and Dusan Makavejev's Manifesto (1989), to name only a few. His contribution to Chris Bernard's gently underplayed, low-budget comedy Brezhnev (1985) (which, like Raiders, takes advantage of his slightly dark, Mediterranean complexion) is particularly a standout. He plays a Russian sailor who picks up Margi Clarke's Liverpool blue-collar worker Teresa King during leave, and whose only comprehensible line gives the film its biggest laugh: "Leeverpool. Bittles... Ahhhhh." Molina would spend the next several years appearing in a number of films, like An Education, as well as a number of TV projects like Harry's Law, Law & Order: L.A., and Roger & Val Have Just Got In.But Molina's most impressive contribution to cinema came in 1986, when he joined two fellow Brits, director Stephen Frears and actor Gary Oldman - and turned everyone's head in the process - in Prick Up Your Ears. That film, adapted from eccentric playwright Joe Orton's autobiography, casts Molina as Kenneth Halliwell, Orton's homosexual lover and eventual murderer, opposite Oldman. Practically unrecognizable as the bald, severely unhinged Halliwell, Molina is at once terrifying and pathetic, and gleaned a number of positive notices for his performance, though, for some odd reason, it was criminally overlooked at awards ceremonies and failed to earn Molina any acting laurels. A few years later, Molina joined the cast of Not Without My Daughter (1990). In this true-life account (adapted from Betty Mahmoody's memoir), he plays Moody, a Persian husband who takes his American wife (Sally Field) and daughter to Iran under the guise of "vacation," and virtually imprisons them, forcing her to plot escape. The role (and film) gleaned some controversy for its portrayal of Islam, but (the bearded) Molina glistened with dark, brooding intensity characteristic of the actor's finest work. Molina offered more sympathetic portrayals in such films as Mike Newell's Enchanted April (1992), Species (1995), and Mira Nair's The Perez Family (1995), as a Cuban immigrant struggling to make a new life for himself in Miami. In Paul Thomas Anderson's Boogie Nights, Molina evoked a deranged playboy precariously teetering on the edge of insanity - a role that further evinced boundless courage. 1999's ridiculous Dudley-do-Right, however (in which Molina) played the villain), didn't serve him as well; neither he, nor Brendan Fraser, nor Sarah Jessica Parker managed to rise above the silly script. Far more impressive (albeit smaller in scope) was the actor's sophomore collaboration with Anderson, that year's Magnolia, in a fleeting role as Solomon Solomon, the owner of the electronics shop where William H. Macy's Donnie Smith works. During 1999 and thereafter, Molina attempted to break into television sitcoms (1999's Ladies Man, 2002's Bram and Alice), but none of these efforts panned out. He continued to garner positive notices during this period, however, for his roles in such films as 2000's Chocolat and 2002's Frida. Molina earned a Screen Actors Guild Award nomination (finally!) in the latter, for his portrayal of chronically unfaithful painter Diego Rivera. In 2004, the actor traveled to megaplexes again, as the infamous Doc Oc in the critically-acclaimed box-office smash Spider-Man 2, and although ostensibly a defiantly commercial piece of Hollywood fluff, the film performed well on all fronts - critically and commercially. Considered by some to be the greatest example of the superhero genre ever produced, no small amount of the rave reviews given to the film were directed at Molina for his spot-on portrayal of the maniacal comic-book villain; The Los Angeles Times's Kenneth Turan rhapsodized, "As played by Alfred Molina with both computer-generated and puppeteer assistance, Doc Ock grabs this film with his quartet of sinisterly serpentine mechanical arms and refuses to let go."That same year (albeit in a much different cinematic arena and catering to a much different audience --- such is the magic of Molina's versatility), the actor played opposite John Leguizamo as Victor Hugo Puente, a sensationalism-hungry news anchor willing to do almost anything for ratings, in Sebastian Cordero's well-received psychological thriller Crónicas. Molina highlighted the cast of no less than six features throughout 2005 and 2006, but his highest-profile film from this period was Ron Howard's The Da Vinci Code, in which he plays the obese Bishop Aringarosa This May '06 release (adapted from Dan Brown's bestseller) sharply divided critics (most found it average). That same year, Molina contributed to two films by major directors: Kenneth Branagh drew on his background as a trained RSC member by casting Molina as Touchstone in his screen adaptation of Shakespeare's comedy of errors As You Like It, and he receives second billing (after Richard Gere) in Lasse Hallstrom's docudrama The Hoax. The picture tells the early-1970s story of Clifford Irving's (Gere) attempt to write and market a phony autobiography of Howard Hughes, with the assistance of right-hand man Richard Susskind (Molina). Molina married British actress Jill Gascoine (Northern Exposure, BASEketball) in 1985, who is sixteen years his senior. They have two sons.

Trivia: Of the dozens of fresh faces thrust upon the public by Hollywood in 2001, few made an impression like Jay Hernandez. Although his breakthrough film Crazy/Beautiful received only mixed reviews and middling box office, critics praised the 23-year-old for his sensitive portrayal of a lower-class kid pulling himself up out of the barrio. He also received notices for his chemistry with in-demand co-star Kirsten Dunst.Javier "Jay" Hernandez was born February 20, 1978, in Montebello, CA, where he was raised from childhood on alongside two older brothers, and sister. A chance encounter with a Hollywood agent while riding in a Los Angeles elevator was all it took to get the ball rolling for the handsome aspiring actor, and in 1998 Hernandez made his acting debut as Antonio Lopez on the NBC sitcom Hang Time before moving on to MTV's over-sexed soap Undressed.Subsequently in high demand thanks to an impressive performance in Crazy/Beautiful, Hernandez's feature career soon hit the fast-track with supporting performances in such wide-release efforts as Joy Ride, The Rookie, Torque, and Ladder 49. In 2004 the emerging star would hit the gridiron as a Texas high-school football underdog in Friday Night Lights, but it wasn't until 2005 that Hernandez would finally come into his own with lead role in both the blood-soaked shocker Hostel and the eagerly-anticipated crime thriller sequel Carlito's Way: Rise to Power. The following year Hernandez would work with one of the most controversial filmmakers in Hollywood when he landed a key role in director Oliver Stone's World Trade Center; an inspirational drama detailing the experiences of two port authority officers who became trapped in the rubble when the Twin Towers collapsed during the terrorist attacks of September 11, 2001. The actor co-starred in Quarantine, the 2008 remake of Paco Plaza's Spanish-language horror film [REC], and joined the cast of Nothing Like the Holidays, which followed a family in a state of crisis during the proverbial most wonderful time of the year. Hernandez took a small role in Takers (2010), a gritty crime caper starring Matt Dillon, and appeared in LOL (2012), a poignant comedy drama starring Miley Cyrus and Demi Moore. Much like his character in Crazy/Beautiful, Hernandez enjoys playing sports and reading during his spare time.

Trivia: Brooklyn, NY, native Vanessa Ferlito grew up amid somewhat challenging circumstances as an only child (the daughter of two Italian-American hair salon owners) whose father died before she reached the age of three. She developed acting aspirations early in life and broke into the entertainment business via television, with guest spots and recurring roles on crime-themed series programs including CSI: New York and The Sopranos -- where her unmistakably ethnic, weathered but voluptuous look lent her time and again to effective portrayals of molls, mistresses, and other gritty urban female types. She landed her most prominent early feature roles in Spider-Man 2 (as a co-star in Mary Jane's play) and Quentin Tarantino's Death Proof segment of the 2007 two-episode omnibus Grindhouse (as one of the low-down women stalked and murdered by Kurt Russell's psychopath Stuntman Mike). After the Tarantino project, Ferlito joined co-stars Debra Messing and Alfred Molina for the gentle comedy Nothing Like the Holidays and worked with Tyler Perry on the farce Madea Goes to Jail (2009).

Trivia: When the unconventionally attractive actress Melonie Diaz took her onscreen bow at the outset of the millennium, she quickly racked up a series of roles in well-respected, intelligent films, consistently transcending the pitfall of ethnic typecast from project to project. Throughout, Diaz specialized in portraying unapologetically individualistic and self-assertive young urban women. Diaz began with prominent billing, as one of the key supporting actors in the well-received coming-of-age comedy drama Raising Victor Vargas (2002). Additional assignments included supporting roles in such critical darlings as Lords of Dogtown (2005) and A Guide to Recognizing Your Saints (2006) before the actress landed her first lead, in Jamie Babbit's highly praised indie comedy drama Itty Bitty Titty Committee (2007). In that picture, Diaz played Anna, a young and single lesbian whose life turns an unforeseen corner when she joins a sub-rosa group of militant graffiti painters. In 2008, she appeared in Michel Gondry's comedy Be Kind Rewind alongside Jack Black and Mos Def.

Trivia: A well-respected character actor who specializes in playing tough guys with a heart, Luis Guzman has appeared in a dizzying array of film and television productions since he began his professional acting career in the early 1980s.Born August 28, 1956, Guzman graduated from City College and worked for some years as a youth counselor at the Henry Street Settlement House. During his time as a social worker, he began performing in street theatre and independent films. Guzman got his first big break in the early '80s with a role on the popular TV series Miami Vice. He went on to work sporadically in film and television throughout the rest of the decade, appearing in such films as Sidney Lumet's Family Business and Ridley Scott's Black Rain (both 1989).Guzman's work schedule grew increasingly crowded as the 1990s progressed; kicking off the decade with an appearance in another Lumet piece, Q & A (1990), the actor began popping up in films ranging from romantic comedy (Anthony Minghella's Mr. Wonderful, 1993) to crime drama (Brian De Palma's Carlito's Way, 1993) to gay and lesbian historical docudrama (Nigel Finch's Stonewall, 1995). Thanks to directors Steven Soderbergh and Paul Thomas Anderson, Guzman became more readily recognizable in the late 1990s. For Soderbergh, he had substantial roles in Out of Sight (1998), which cast him as a prisoner whose planned escape is ruined by George Clooney; and The Limey (1999), in which he played Terence Stamp's gruff but good-hearted partner in revenge. For Anderson, Guzman appeared in both Boogie Nights (1997) and Magnolia (1999), playing a wannabe porn star in the former and a game show contestant in the latter. 2002 proved Guzman's busiest year to date as the increasingly visible actor appeared in no less than five films, including a prominant role in the caper comedy Welcome to Collinwood and a re-teaming with director Anderson with Punch-Drunk Love. On television, Guzman became a regular presence thanks to a recurring role on the HBO prison drama Oz, as well as appearances on such shows as Law and Order, NYPD Blue, and Walker, Texas Ranger.