Trivia: A handsome young actor whose breakout role as a popular jock in Not Another Teen Movie found him in high demand, Chris Evans (born June 13th, 1981) followed with a role in the moderately successful comedy The Perfect Score before truly coming into his own before the cameras. Born in Sudbury, MA, Evans spent the majority of his childhood in Boston before his love of acting brought him to New York City the summer after his junior year of high school. It was during this time that the aspiring actor alternated between an internship at a casting office and summer acting classes. With a little help from a contact he made that summer, Evans began auditioning shortly after graduating from high school. A supporting role in the short-lived television series Opposite Sex gave the up-and-comer his first break on the small screen, and a supporting role in the feature The Newcomers preceded an appearance in the popular prime-time drama Boston Public.At this point it appeared as if everything was going smoothly for Evans, but his career would soon shift gears and kick into overdrive thanks to a featured role in the teen comedy parody Not Another Teen Movie. Cast as the popular jock who transforms an ugly duckling into a popular princess, Evans ran with the role and proved a more than capable comic talent. If audiences had wondered where Evans had disappeared to in the following few years, their curiosities were answered when the young actor took a leading role in the moderately successful comedy The Perfect Score. Though to many it may have seemed that Evans career had stalled somewhat, a role as an unsuspecting young man who receives a desperate phone call from a kidnapping victim in the 2004 thriller Cellular offered some relief from the seeming drought of choice roles. A subsequent role in the same year's The Orphan King served as a strong follow-up before hearty roles in such 2005 releases as Fierce People and The Fantastic Four found him leaning ever closer to becoming a true marquee draw.The role of Johnny Storm in Fantastic Four would be somewhat telling of what was in store for the actor -- though not for a few more years. He would appear in projects like the romcom The Nanny Diaries in 2007 and Scott Pilgrim vs. the World in 2010, but none of these breaks compared to the big one he scored in 2011, playing the title role in 2011's Captain America: America's Soldier. He found similar success in 2012's wildly successful The Avengers, for which he reprised his role as Captain America.

Trivia: A native of Billingham, England, Jamie Bell is an example of endurance and dedication paying off if there ever was one. Though the aspiring young dancer was the object of frequent teasing by school classmates (who dubbed him "Poof" and "Ballerina Boy," among other unsavory monikers), he persevered and ultimately landed the lead in the affecting 2000 drama Billy Elliot. Bell's family has a rich history in the world of dance that dates back to his grandmother. Though at first shy about his ambitions, the boy quietly imitated the moves of his older sister as she practiced in the studio; by the time he was six, others began to recognize his natural talent and encouraged him to practice, though Bell tried to keep his extracurricular activities a secret from his classmates. He later enrolled in the Stagecoach Theater School in hopes of refining his acting skills. Practice in both arenas ultimately paid off when Bell was selected from more than 2,000 young hopefuls to fill the toeshoes of the titular character in Stephen Daldry's Billy Elliot. During the production of the film, the fresh-faced actor and veteran director developed a warm, father/son-like bond that helped Bell gain the confidence he needed to fully explore his talent. An unexpected hit that was embraced by critics and audiences around the world, Billy Elliot earned many prestigious nominations and awards, including BAFTAs for Best British Film and Best Actor for its young star, who was also named Best Newcomer at The British Independent Film Awards. Though he subsequently hung up his ballet shoes in favor of more acting roles, Bell continued to impress in such features as the horror-flavored war film Deathwatch and the Charles Dickens adaptation Nicholas Nickleby (both 2002). The following year, the busy young actor took the lead in no less than three films: Dear Wendy, Undertow and Who Goes There? -- all scheduled for release in 2004.Bell continued to work with the best directors, signing on with Peter Jackson for his remake of King Kong and playing a part for Clint Eastwood in Flags of Our Fathers. In 2008 he appeared in the World War II drama Defiance. Three years later he had an international hit of a sort when he provided the physical basis for the lead character in Steven Spielberg's The Adventures of Tin Tin, and appeared in the well-reviewed adaptation of Jane Eyre starring Mia Wasikowska and Michael Fassbender. In 2012, he had a supporting role in Man on a Ledge and was featured in Lars von Trier's Nymphomaniac in 2013. Bell took the lead in the AMC Revolutionary War series Turn in 2014.

Trivia: Considered one of Great Britain's most consistently brilliant players, John Hurt was at his best when playing victims forced to suffer mental, physical, or spiritual anguish. A small man with a slightly sinister countenance and a tenor voice that never completed the transition between early adolescence and manhood, Hurt was generally cast in supporting or leading roles as eccentric characters in offbeat films. The son of a clergyman, Hurt was training to be a painter at St. Martin's School of the Arts when he became enamored with acting and enrolled in London's Royal Academy of Dramatic Art instead. He made his theatrical and film debuts in 1962 (The Wild and the Willing). Though he frequently appeared on-stage, Hurt, unlike his many colleagues, was primarily a film and television actor. He gave one of his strongest early performances playing Richard Rich in Fred Zinnemann's A Man for All Seasons (1966). His subsequent work remained high quality through the '70s. On television, Hurt made his name in the telemovie The Naked Civil Servant and furthered his growing reputation as the twisted Caligula on the internationally acclaimed BBC miniseries I, Claudius (1976). He received his first Oscar nomination for playing a supporting role in the harrowing Midnight Express and a second nomination for his sensitive portrayal of the horribly deformed John Merrick -- but for his voice, Hurt was unrecognizable beneath pounds of latex and makeup. In 1984, Hurt was the definitive Winston Smith in Michael Radford's version of Orwell's 1984. Other memorable roles include a man who finds himself hosting a terrifying critter in Alien (1979), his parody of that role in Mel Brooks' Spaceballs (1987), an Irish idiot in The Field (1990), and in Rob Roy (1995).In 1997, Hurt played the lead role of Giles De'ath (pronounced day-ath) for the comedy drama Love and Death on Long Island. The film, which follows a widower (Hurt) who forms an unlikely obsession with a teen heartthrob who lives in Long Island and occasionally stars in low-brow films. Love and Death was praised for its unlikely, yet poignant portrait of unrequited love. The same year, Hurt took on the role of a multi-millionaire willing to fund a scientist's (Jodie Foster) efforts to communicate with alien life in Contact. Hurt took a voice role in the animated series Journey to Watership Down and its sequel, Escape to Watership Down in 1999, and again for The Tigger Story in 2000. In 2001, Hurt joined the cast of Harry Potter & the Sorcerer's Stone to play the small but vital role of wand merchant Mr. Ollivander, and narrated Lars von Trier's experimental drama Dogville. Later, Hurt played an American professor in Hellboy (2004), and won praise for his portrayal of a bounty hunter in The Proposition, a gritty Western from director John Hillcoat. Hurt continued to work in small but meaty supporting roles throughout the next several years, most notably in the drama Beyond the Gates (2005), for which he played a missionary who arrived in Rwanda just before genocide erupted, and as the tyrannical Chancellor Sutler in director James McTiegue's adaptation of Alan Moore's graphic novel V for Vendetta (2006). In 2010, Hurt reprised his role of Mr. Ollivander for Harry Potter and the Deathly Hallows, Part 1, and for its sequel in 2011. The actor co-starred with Charlotte Rampling in Melancholia (2011), Lars von Trier's meditation on depression, and played the Head of the British Secret Intelligence Service in the multi-Academy Award nominated spy thriller Tinker, Tailor, Soldier, Spy the same year. In 2013, Hurt appeared in the futuristic sci-fi movie Snowpiercer and later played the War Doctor in the 50th anniversary special of Doctor Who. The following year, Hurt played the King of Thrace in Hercules. Hurt died in 2017, just days after his 77th birthday.

Trivia: Known throughout Britain for her idiosyncratic performances and long-time association with the late filmmaker Derek Jarman, Tilda Swinton is nothing if not one of the more unique actresses to come along during the second half of the 20th century. Born in London on November 5, 1961, Swinton attended Cambridge University, where she received a degree in social and political sciences. While at Cambridge, she became involved in acting, performing in a number of stage productions. Following graduation, Swinton began her professional theater career, working for Edinburgh's renowned Traverse Theatre and the Royal Shakespeare Company.In 1985, Swinton began her long collaboration with Derek Jarman, both as a friend and fellow artist. She made her screen debut in his Caravaggio (1986) and appeared in every one of the director's films until his death from AIDS in 1994. It was for her role as the spurned queen in Jarman's anachronistic, controversial Edward II (1992) that Swinton earned her first dose of recognition, becoming a familiar face to arthouse audiences on both sides of the Atlantic and earning a Best Actress prize at the Venice Film Festival for her work in the film. The acclaim and recognition Swinton garnered was amplified the same year with her title role in Sally Potter's adaptation of Orlando, Virginia Woolf's classic tale of an Elizabethan courtier who experiences drastic changes in both gender and lifestyle over the course of 400 years.Following appearances in Jarman's Blue (1993) and in his acclaimed biopic, Wittgenstein (1994), Swinton earned some of her strongest notices to date for her lead in Female Perversions (1996), in which she played a successful lawyer trying to cope with her own insecurities and self-destructive tendencies. She then portrayed another brilliant, troubled woman in Conceiving Ada (1997), a science fiction piece that cast her as the real-life daughter of Lord Byron, a woman who was widely held to be the inventor of the first computer.Never one to choose films for their simplicity or mainstream appeal, Swinton subsequently appeared in Love Is the Devil (1998), John Maybury's controversial account of the life and times of artist Francis Bacon. She then portrayed a battered wife in The War Zone (1999), Tim Roth's hellish portrait of extreme family dysfunction. Following on a slightly lighter note with Trainspotting director Danny Boyle's The Beach in 2000, Swinton would later take the lead in The Deep End (2001). Noted for her delicately textured performance as an isolated and protective mother who makes a desperate bid to protect her son after assuming he has committed murder, many critics noted Swinton's performance as a key element to the film's success. The next year, the talented actress took on multiple roles in a complex tale of cyborg fantasy and speculative science fiction, Teknolust, and appeared in a small role in Adaptation, written by Charlie Kaufman and directed by Spike Jonze. In 2003, Swinton delivered strong performances opposite Michael Caine in the thriller The Statement and Ewan McGregor in the erotic drama Young Adam. She went on to star in the ensemble comedy Thumbsucker and appeared with Keanu Reeves in the supernatural thriller Constantine. In 2005, she would play the White Witch in the much-anticipated live-action adaptation of C.S. Lewis' Chronicles of Narnia.For her work in 2007's legal thriller Michael Clayton, Swinton earned her first Oscar. That organization was one of many to recognize her portrayal of a cold, controlling corporate achiever as one of the best of the year.She followed that up in 2008 as cold-hearted pediatrician in the Coen brothers' Burn After Reading, and garnered awards consideration for her work in David Fincher's The Curious Case of Benjamin Button. She earned rave reviews for her work in 2009's I Am Love, and built awards buzz yet again two years later for her work as the mother of a disturbed child in We Need to Talk About Kevin. In 2012 she had a small part in Wes Anderson's Moonrise Kingdom.

Trivia: Despite the fact that his excrement-flinging moment of glory in director Danny Boyle's flamboyant adaptation of the Irvine Welsh novel Trainspotting would forever leave an impression on adventurous filmgoers, and regardless of subsequent appearances alongside such Hollywood heavies as Ben Affleck in high-profile Hollywood releases like Pearl Harbor, actor Ewen Bremner has yet to achieve the level of success of Trainspotting cohorts Ewan McGregor and Robert Carlyle. An Edinburgh native whose art teacher parents actively supported his creative pursuits, Bremner first received widespread exposure when, at age 17, the theater workshop play in which he appeared transferred from Scotland to London's Royal Court. Subsequently making his feature debut with the U.K. television drama Heavenly Pursuits (1985), Bremner would take on supporting roles in Prince of Jutland (1994) and Judge Dredd (1995) before being catapulted into the international limelight as the hapless "Spud" in Trainspotting. Despite having essayed the lead as Renton in the popular stage adaptation of Trainspotting, Bremner no doubt made quite an impression with audiences in the key supporting role, his alternately pathetic and sympathetic put-upon character offering some of the film's finest comic moments. The following year, Bremner attempted to bypass the hype by taking some time off and pondering his future as an actor. Though such subsequent films as The Life of Stuff (1997) and The Acid House (1998, again adapted from the works of Welsh) contained Trainspotting's edgy humor, their attempts to be "hip" were notably strained, and neither film fared well at the box office. Bremner's role as the titular character in eccentric wonder-boy director Harmony Korine's Julien Donkey-Boy found him again overlooked when the film failed to click with critics and audiences, but the undaunted Bremner would soon crack up audiences with his supporting role as "Mullet" in Guy Ritchie's stylized follow-up to Lock, Stock and Two Smoking Barrels, Snatch (2000). With his role in director Michael Bay's high-profile 2001 war film Pearl Harbor, the talented actor proved his versatility once and for all by essaying the role of a wholeheartedly patriotic American soldier fighting in WWII. When Bremner stepped back into fatigues the very next year for a supporting role in Ridley Scott's Black Hawk Down, it appeared as if he might finally be achieving the success that had previously eluded him. The next year, he appeared as none other than legendary surrealist Salvador Dali in the U.K. television drama Surrealissimo: The Trial of Salvador Dali, and in the following few years, he would balance such high-profile Hollywood releases as The Rundown (2003) and Around the World in 80 Days (also 2003) with such foreign gems as the Swedish film Sweet Dreams. He was in 2004's Alien vs. Predator, and the next year played an Inspector in Woody Allen's Match Point. He was part of the ensemble in the original version of Death at a Funeral, and reteamed with Allen for 2010's You Will Meet a Tall Dark Stranger. In 2011 he appeared alongside Ewan McGreggor in the drama Perfect Sense, and also appeared in the spy drama Page Eight.

Trivia: Bearing sharp, blue-eyed features and the outward demeanor of an everyday Joe, Ed Harris possesses a quiet, charismatic strength and intensity capable of electrifying the screen. During the course of his lengthy career, he has proven his talent repeatedly in roles both big and small, portraying characters both villainous and sympathetic.Born Edward Allen Harris in Tenafly, NJ, on November 28, 1950, Harris was an athlete in high school and went on to spend two years playing football at Columbia University. His interest in acting developed after he transferred to the University of Oklahoma, where he studied acting and gained experience in summer stock. Harris next attended the California Institute of the Arts, graduating with a Fine Arts degree. He went on to find steady work in the West Coast theatrical world before moving to New York. In 1983, he debuted off-Broadway in Sam Shepard's Fool for Love in a part especially written for him. His performance won him an Obie for Best Actor. Three years later, he made his Broadway debut in George Firth's Precious Sons and was nominated for a Tony. During the course of his career, Harris has gone on to garner numerous stage awards from associations on both coasts. Harris made his screen debut in 1977's made-for-television movie The Amazing Howard Hughes. The following year, he made his feature-film debut with a small role in Coma (1978), but his career didn't take off until director George Romero starred Harris in Knightriders (1981). The director also cast him in his next film, Creepshow (1982). Harris' big break as a movie star came in 1983 when he was cast as straight-arrow astronaut John Glenn in the film version of Tom Wolfe's The Right Stuff. Twelve years later, Harris would again enter the world of NASA, this time playing unsung hero Gene Krantz (and earning an Oscar nomination) in Ron Howard's Apollo 13.The same year he starred in The Right Stuff, Harris further exhibited his range in his role as a psychopathic mercenary in Under Fire. The following year, he appeared in three major features, including the highly touted Places in the Heart. In addition to earning him positive notices, the film introduced him to his future wife, Amy Madigan, who also co-starred with him in Alamo Bay (1985). In 1989, Harris played one of his best-known roles in The Abyss (1989), bringing great humanity to the heroic protagonist, a rig foreman working on a submarine. He did further notable work in David Mamet's Glengarry Glen Ross, and turned in a suitably creepy performance as Christof, the manipulative creator of Truman Burbank's world in Peter Weir's The Truman Show (1998). Harris earned a Best Supporting Actor Oscar nomination for his work. The following year, he could be seen in The Third Miracle, starring as a Catholic priest who finds his faith sorely tested.The new millennium found Harris' labor of love, the artist biopic Pollock, seeing the light of day after nearly a decade of development. Spending years painting and researching the modernist painter, Harris carefully and lovingly oversaw all aspects of the film, including directing, producing, and starring in the title role. The project served as a turning point in Harris' remarkable career, showing audiences and critics alike that there was more to the man of tranquil intensity than many may have anticipated; Harris was nominated for a Best Actor Academy Award for his work. 2001 saw Harris as a German sniper with his targets set on Jude Law in the wartime suspense-drama Enemy at the Gates, and later as a bumbling Army captain in the irreverent Joaquin Phoenix vehicle Buffalo Soldiers. With his portrayal of a well known author succumbing to the ravages of AIDS in 2002's The Hours, Harris would recieve his fourth Oscar nominattion. 2004 found the actor working with Zooey Deschanel for Winter Passing, a psychological drama in which he played a one-time popular novelist who claims he is working on one last book. Harris was praised for his work in Empire Falls (2005), a two-part miniseries from HBO chronicling a middle-aged man who is concerned he has wasted his life, though his work as a scarred stranger with a score to settle in David Cronenberg's award-winning psychological thriller A History of Violence was his biggest success in 2005. In 2007, Harris played a Boston police detective in Ben Affleck's adaptation of author Dennis Lehane's Gone, Baby, Gone. A year later, Harris wrote, starred, directed, and produced Appaloosa, a western following a small town held under the thumb of a ruthless rancher and his crew, and continued to work throughout 2009 and 2010 in films including Once Fallen, Virginia, and The Way Back. Praise came his way once more in 2011's What I Am, a gentle coming-of-age comedy in which Harris plays a teacher who is a catalyst for the friendship of two young boys. In 2012, he earned Emmy and SAG nominations and a Golden Globe award for playing John McCain in the HBO movie Game Change. The next year had him appearing in six films, including playing a detective in Pain & Gain and voicing mission control in Gravity, a throwback to his earlier work in Apollo 13.

Trivia: Praised by industry insiders for the discernment of her role choice and her ability to segue without a hitch between theatrical and cinematic assignments, baby-faced Canadian actress Alison Pill tackled a series of low-key supporting roles onscreen before achieving her breakthrough with two filmic evocations. She delivered a compelling portrayal as the young Lorna Luft in the superior Alliance Atlantis telemovie Life With Judy Garland: Me and My Shadows (2001), and then -- on a very different note -- convincingly played Beth Burns, the goody-two-shoes sister of the title character (Katie Holmes) in the Thanksgiving dramedy Pieces of April (2003). Meanwhile, Pill won coveted stage assignments in such productions as Neil LaBute's The Distance from Here and Christopher Shinn's On the Mountain.In 2006, Pill returned to television with a regular role as a marijuana-happy minister's daughter, Grace, in the über-controversial religious series drama The Book of Daniel; for better or worse, the controversy surrounding that program failed to magnetize an audience, and it folded soon after. Pill followed it up with a small role in the 2007 Steve Carell feature Dan in Real Life.Beginning in 2008, Pill effortlessly alternated between supporting roles in major films and starring roles in TV shows. She played Harvey Milk's campaign advisor opposite Sean Penn in Milk (2008), followed by a main role as a patient on the second season of HBO's In Treatment; Michael Cera's ex-girlfriend in Scott Pilgrim vs. the World (2010) and Princess Maud on the Starz's miniseries The Pillars of the Earth; and a pair of Woody Allen movies, 2011's Midnight in Paris and 2012's To Rome with Love. Pill then took one of her highest-profile roles yet, a part on Aaron Sorkin's highly anticipated HBO series The Newsroom, playing associate producer Maggie Jordan.

Trivia: In 2008, directed the award-winning short film You Me and Captain Longbridge. Appeared as Sean in the first and second series of Stella. In 2013, performed in the UK touring production of The Full Monty. In 2017, played Rick in BBC Drama Love, Lies and Records. As of 2018, has played DS Aiden Healy in Vera since 2015.

Trivia: Alabama native Octavia Spencer was working as part of the crew for the 1996 thriller A Time to Kill when she was handed the chance of a lifetime: Director Joel Schumacher thought she was right for a small role in the film, and Spencer's acting career was born. In addition to honing her craft on the professional stages of Los Angeles, Spencer continued to act on screen, appearing in a multitude of projects, including Never Been Kissed, Blue Streak, Big Momma's House, Dinner for Schmucks, and Peep World. Spencer also became a familiar TV face, with starring and recurring roles on LAX, Ugly Betty, Halfway Home, and Raising the Bar. A major boon for Spencer arrived in 2011 when, after 15 years in the industry, her performance in the critically acclaimed period movie The Help earned her an Academy Award for Best Supporting Actress.

Trivia: His surname means "Child of Easter" in Italian; his mother is from Naples and his father is from Sicily. Worked in his father's hair salon, Image International, at a young age and also did some modeling for them; also worked for his cousin as a chef. Started his acting career by taking classes at the Stamford Art Centre in Stamford, Lincolnshire and the Lady Lodge Arts Centre in Orton, Peterborough. Auditioned for the lead role Tony Stonem in Skins, but lost out to Nicholas Hoult. He later played Freddie McClair in series 3 & 4. Supports charity TXTUP that aims to help those who face cyber bullying. Supports the HeForShe feminism campaign as he is 'committed to gender equality'.