Trivia: Gaining notice in the early '90s for his Emmy-winning portrayal of Detective Francis Xavier "Frank" Pembleton on the popular television police drama Homicide: Life on the Street, tireless Chicago native Andre Braugher remained with the show through 1998 while simultaneously building a feature career with roles in such theatrical releases as Primal Fear (1996) and City of Angels (1998). A graduate of Stanford University who also received a M.F.A. from the prestigious Juilliard School, Braugher claims to have originally taken up acting to meet girls. He later changed his major after realizing his true calling during a production of Hamlet, and his first professional role came in a performance at the Berkley Shakespeare Festival. Making the leap from stage to screen with the 1989 civil war drama Glory proved an eye opening experience, and following numerous appearances as Detective Winston Blake in a series of made-for-TV Kojak features, Braugher held onto his badge by joining the cast of Homicide in 1993. Later alternating successfully between film and television, Braugher was voted one of the "50 Most Beautiful" people in a 1997 issue of People magazine; the following year, the handsome actor turned down a prominent role in the sci-fi drama Sphere in order to spend more time with his family. Jumping back into features in 2000, roles in Frequency, Duets and A Better Way to Die proved that Braugher was still in top form, and, in 2002, he turned back to the small screen with the made-for-TV feature Hack (and later reprised his role when the feature was turned into a weekly series). Following a role in the made-for-TV feature A Soldier's Girl (2002), Braugher joined the cast of the television remake of the Stephen King vampire chiller Salem's Lot (2004), then returned to television - and changed camps to tap into the underground element - on the weekly crime drama Thief. As Nick Atwater, one of the most genial and principled of all television criminals (!), Braugher evoked an unusual ethical balance in his character and tapped into the fence's deep-seated devotion to his family, even as he drummed up a fiery intensity from episode to episode. Successive years found the actor moving into supporting roles in Hollywood A-listers with a heightened emphasis on effects-heavy action, adventure and fantasy-themed material; projects included Poseidon (2006), Fantastic Four: Rise of the Silver Surfer (2007) and Stephen King's The Mist (2007).Braugher would star in the TV mini-series The Andromeda Strain in 2008, before taking on a role in the cult favorite comedy series Men of a Certain Age from 2009-2011. He would also enjoy a recurring role on House M.D., and play a memorable supporting role in the Angelina Jolie action flick Salt.

Trivia: Daniel Baldwin is the third eldest child of six, four of whom are star actors (all the boys of the family, oddly enough). He attended Ball State University for about a year, planning to study psychology. He left school and began to work as a stand-up comedian before starting acting in 1988, making his debut in the TV movie Too Good To Be True. He landed a series regular role in Homicide: Life on the Street, staying with the show for three seasons. He later appeared in films like Mulholland Falls (1996) and Vampires (1998) and made guest appearances on television shows like The Outer Limits and NYPD Blue. In 2009, he played Julius Krug in the TV movie Grey Gardens and took on a recurring role in the series Cold Case.

Trivia: Portly American character actor Ned Beatty originally planned to enter the clergy, but after appearing in a single high-school play, he changed his mind and decided to become a thespian instead. By his early twenties, Beatty was playing Broadway and it was his work in the play The Great White Hope that attracted the interest of film director John Boorman, who cast him as one of the four main stars in his gripping backwoods thriller Deliverance (1972). Forever immortalized in the notorious "squeal like a pig" rape scene, Beatty subsequently went on to become one of the screen's more prolific supporting actors, frequently appearing in up to four films per year. His more notable film work includes Nashville (1975), All the President's Men (1976), Network (for which he earned an Oscar nomination), The Big Easy (1987), Hear My Song (1991), A Prelude to a Kiss (1992), Radioland Murders (1994), and He Got Game (1998). In 1999, he could be seen as a small-town sheriff in the Robert Altman ensemble film Cookie's Fortune.At the start of the 21st century the always-employed character actor continued to work steadily in projects as diverse as Roughing It, Where the Red Fern Grows, Shooter, and Charlie Wilson's War. He joined the Pixar family when he voiced Lotso, the bad guy in Toy Story 3, and he provided the voice of Mayor in 2011's Oscar winning animated feature Rango.

Trivia: Lead actor, onscreen from the late '80s.

Trivia: Launching his career as a standup comic, American performer Richard Belzer entered the 1970s as a member of an odd New York-based comedy troupe called Channel One. Anticipating the home video explosion by over a decade, Channel One staged satirical, scatological routines lampooning the banalities of television -- and staged them in front of TV cameras, which transmitted the routines to little TV monitors, which in turn were watched by the live audience. Some of the best sketches were assembled into an X-rated comedy feature, The Groove Tube (1970), which featured Belzer, Ken Shapiro, and a brash newcomer named Chevy Chase. For the next decade, Belzer played the comedy-club circuit, popped up as a talkshow guest, and appeared in occasional films like Fame (1982). He joined still another comedy troupe in 1983, which appeared nightly on the syndicated interview program Thicke of the Night. The host was Allan Thicke, and Belzer's comic cohorts included such incipient stars as Charles Fleischer, Chloe Webb and Gilbert Gottfried. Thicke of the Night was one of the more notorious bombs of the 1983-84 season, but it enabled Belzer to secure better guest-star bookings, and ultimately a hosting job on his own program, debuting in 1986 over the Lifetime Cable Service. It was on this series that wrestler Hulk Hogan, demonstrating a stranglehold on Belzer caused the host to lose consciousness -- which prompted a highly publicized lawsuit instigated by Belzer against the Hulkster. In the early 1990s, Richard Belzer could be seen as a non-comic regular on the TV series Homicide. His Homicide character, John Munch, would become one of the longest-running fictional creations on TV appearing in more than a half-dozen other television shows, most notably Law & Order: Special Victims Unit.

Trivia: Black supporting actor, onscreen from the '80s.

Trivia: African American actor Yaphet Kotto was one of the most prominent beneficiaries of the upsurge in black-oriented theatrical pieces of the late 1950s; he appeared in many prestigious Broadway and off-Broadway productions, taking regional theatre work rather than accept stereotypical "mainstream" roles in movies and TV. Kotto's first film was Nothing But a Man (1964), an independently produced study of black pride in the face of white indifference. Though he vehemently steered clear of most of the '70s blaxploitation fare, in 1972, Kotto produced, directed and wrote the feature film Speed Limit 65 (aka The Limit and Time Limit), a one-of-a-kind "black biker" film. The biggest production with which Kotto was associated in the early 1970s was the James Bond film Live and Let Die, in which, as the villainous Mr. Big, he was blown up in the final scene (a similarly grisly fate awaited Kotto in 1979's Alien). On television, Yaphet Kotto was a regular on the TV series For Love and Honor (1983) and Homicide: Life on the Streets (1992), and was seen as Ugandan president Idi Amin in the 1977 TV movie Raid on Entebbe.

Trivia: After supporting roles in a handful of small films and a short stint on the soap opera All My Children, New York-born Melissa Leo gained prominence on the critically-acclaimed Barry Levinson-produced television drama Homicide: Life on the Streets. After leaving the show in 1997, Leo continued to appear in a range of features, including 1999's 24 Hour Woman. But it was her role as Benicio Del Toro's wife in 2003's 21 Grams that gave Leo her first exposure to a wide moviegoing audience. The performance also won her recognition from the L.A. Film Critics Association, who named Leo the runner-up for the Best Supporting Actress honor.Leo continued to work steadily in a series of independent films including American Gun, The Three Burials of Melquiades Estrada, and Stephanie Daley. In 2008 she landed the lead role in Courtney Hunt's debut feature Frozen River. As a financially strapped woman who turns to human-trafficking in order to earn a living, Leo earned thunderous critical praise as well as Best Actress nominations from both the Screen Actors Guild, and the Academy.Frozen River led her to steady work un a variety of projects, but it was as the matriarch of the boxing brothers in The Fighter that Leo had the biggest success of her career capturing numerous year-end critics awards as well as the Oscar for Best Supporting Actress. In the years after that she appeared in works as diverse as the remake of Mildred Pierce for HBO, and Kevin Smith's Red State.

Trivia: A fixture of 1980s TV series and movies, prolific character actor David Morse became a reliable and much lauded supporting presence in feature films from the 1990s onward.Raised in Hamilton, MA, Morse began his professional career after high school, joining the Boston Repertory Theater in 1971. Over the next six years, Morse acted in over 30 productions, amply preparing him for a move to New York theater in 1977. Morse subsequently got his first big movie break when he was cast in the drama Inside Moves (1980). Though Morse proved that he could handle lighter films with Neil Simon's comedy Max Dugan Returns (1983), his detour into television in 1982 was initially more fruitful. As Dr. Jack "Boomer" Morrison, Morse spent six seasons on the esteemed hospital drama St. Elsewhere, co-starring with, among others, Denzel Washington. During his stint on St. Elsewhere, Morse also starred in a diverse collection of TV movies. He was a priest in love with Valerie Bertinelli's nun in Shattered Vows (1984), a prisoner attempting a breakout from Alcatraz in Six Against the Rock (1987), a detective in Down Payment on Murder (1987), and a mental hospital escapee in Winnie (1988). Continuing his presence on the small screen after St. Elsewhere, Morse appeared in several more TV movies, including starring as a deranged kidnapper in Cry in the Wild: The Taking of Peggy Ann (1991).Though he co-starred as a drifter in the indie film Personal Foul (1987) and appeared in Michael Cimino's noir remake The Desperate Hours (1990), Morse did not concentrate most of his energies on feature films until the 1990s. After starring as Viggo Mortensen's brother in Sean Penn's directorial debut, The Indian Runner (1991), Morse moved to more mainstream work with supporting roles in The Good Son (1993), the Alec Baldwin-Kim Basinger version of The Getaway (1994), and medical thriller Extreme Measures (1996). While he appeared in Terry Gilliam's thoughtful La Jetée (1962) remake 12 Monkeys (1995), faced off with Jack Nicholson in Penn's The Crossing Guard (1996), and starred as a janitor-turned-rich man in George B. (1997), Morse really captured audience attention in a concurrent string of high-profile projects. Returning to Alcatraz, Morse projected quiet menace as one of Ed Harris renegade Marines in the blockbuster hit The Rock (1996). Morse tapped his bad self again in the action romp The Long Kiss Goodnight (1996), then cemented his versatility with a small yet vital role as Jodie Foster's gentle father in Contact (1997). Notching his third major summer release in a row, Morse played a SWAT team commander up against Samuel L. Jackson's wrongly accused cop in The Negotiator (1998). Returning to serious blockbuster fare, Morse then co-starred with Tom Hanks as prison guards who witness miracles in The Green Mile (1999). After a foray into comedy with Bait (2000), Morse stole hostage drama Proof of Life (2000) from his glamorous tabloid-ready co-stars Meg Ryan and Russell Crowe with his intense performance as Ryan's kidnapped husband. Even as he became a popular Hollywood second lead, however, Morse wasn't afraid to veer away from the multiplex, winning an Obie Award for Paula Vogel's acclaimed play How I Learned to Drive and putting a believably human face on an utterly hateful character in Lars von Trier's bleak, award-winning musical Dancer in the Dark (2000). Continuing his protean career, Morse appeared in another gentle Stephen King adaptation Hearts of Atlantis (2001) and starred in Diary of a City Priest (2001) for PBS. Morse followed the ill fated Hearts of Atlantis with a lead role in the indie drama The Slaughter Rule (2002), which was well received on the film festival circuit. Morse subsequently returned to series television, and received top billing, in the CBS drama Hack (2002). Starring Morse as an ex-cop-turned-cab driver, Hack was pummeled by critics, but audiences took to Morse's well intentioned, marginalized law enforcer and Hack became a modest ratings success. He had a recurring part on the medical drama House as a police detective driven to put the title character behind bars. In 2007 he played the bad guy in the teen thriller Disturbia. He appeared in a pair of award-winning projects in 2008 - he was a military man in The Hurt Locker, and tackled the role of George Washington in the Emmy-winning miniseries John Adams for HBO. In 2011 he had a major part in Drive Angry, and the next year he was in the family-oriented fantasy film The Odd Life of Timothy Green.

Trivia: Possessing a near-perfect balance of everyman looks and tremendous talent on both stage and screen, actor Zeljko Ivanek has been a key supporting player in feature films since the early '80s. A native of Ljubljana, Yugoslavia (now Slovenia), Ivanek's family moved to the United States in 1960 in order for his father to complete his doctoral research in electronic engineering at Stanford University. Briefly returning to Yugoslavia before settling in Palo Alto, CA, in 1967, it was only a few short years before young Ivanek was pursuing his higher education at Yale. Subsequently accepted at The London Academy of Music and Dramatic Art, he continued to refine his passion for acting and the summers of 1978-1980 found him honing his stage skills in the Williamstown Theater Festival in such efforts as Hay Fever and The Front Page. In 1983, Ivanek was nominated for a Tony award for his role in Brighton Beach Memories and it was around this time that he made his first film and television appearances. An early role as a telepathic killer in the 1982 thriller The Sender found Ivanek making a chilling impression, and strong performances in Mass Appeal (1984) and the AIDS drama Our Sons (1991) kept expectations high for the rising star. As his feature credits continued to build, Ivanek began appearing in such popular television series as L.A. Law, Law & Order, The X-Files, and Murder, She Wrote. Though the adjustment from stage to screen was initially daunting for the classically trained actor, once he got accustomed to the change of pace, he adjusted remarkably well. As the '90s rolled on, Ivanek's film credits included such A-list releases as Courage Under Fire (1996), Donnie Brasco (1997), and the John Travolta thriller A Civil Action (1998). It was also around this time that Ivanek embarked on a six-year stint as Governor James Devlin on HBO's acclaimed series Oz. As the millennium turned, so did Ivanek's onscreen career, and his resume seemed to be exclusively built of nothing but high-profile efforts in both film and television. In addition to appearing in Dancer in the Dark (2000), Hannibal (2001), Black Hawk Down (2001), Unfaithful (2002), and Dogville (2003), memorable roles on The Practice and The West Wing kept television audiences glued to their sets. He reteamed with Lars Von Trier for the director's drama Maderlay, and continued his film career in projects such as The Hoax, In Bruges, and Tower Heist, while maintaining a presence on the small-screen with appearances on Damages, Heroes, and Big Love.