Trivia: Gaining notice in the early '90s for his Emmy-winning portrayal of Detective Francis Xavier "Frank" Pembleton on the popular television police drama Homicide: Life on the Street, tireless Chicago native Andre Braugher remained with the show through 1998 while simultaneously building a feature career with roles in such theatrical releases as Primal Fear (1996) and City of Angels (1998). A graduate of Stanford University who also received a M.F.A. from the prestigious Juilliard School, Braugher claims to have originally taken up acting to meet girls. He later changed his major after realizing his true calling during a production of Hamlet, and his first professional role came in a performance at the Berkley Shakespeare Festival. Making the leap from stage to screen with the 1989 civil war drama Glory proved an eye opening experience, and following numerous appearances as Detective Winston Blake in a series of made-for-TV Kojak features, Braugher held onto his badge by joining the cast of Homicide in 1993. Later alternating successfully between film and television, Braugher was voted one of the "50 Most Beautiful" people in a 1997 issue of People magazine; the following year, the handsome actor turned down a prominent role in the sci-fi drama Sphere in order to spend more time with his family. Jumping back into features in 2000, roles in Frequency, Duets and A Better Way to Die proved that Braugher was still in top form, and, in 2002, he turned back to the small screen with the made-for-TV feature Hack (and later reprised his role when the feature was turned into a weekly series). Following a role in the made-for-TV feature A Soldier's Girl (2002), Braugher joined the cast of the television remake of the Stephen King vampire chiller Salem's Lot (2004), then returned to television - and changed camps to tap into the underground element - on the weekly crime drama Thief. As Nick Atwater, one of the most genial and principled of all television criminals (!), Braugher evoked an unusual ethical balance in his character and tapped into the fence's deep-seated devotion to his family, even as he drummed up a fiery intensity from episode to episode. Successive years found the actor moving into supporting roles in Hollywood A-listers with a heightened emphasis on effects-heavy action, adventure and fantasy-themed material; projects included Poseidon (2006), Fantastic Four: Rise of the Silver Surfer (2007) and Stephen King's The Mist (2007).Braugher would star in the TV mini-series The Andromeda Strain in 2008, before taking on a role in the cult favorite comedy series Men of a Certain Age from 2009-2011. He would also enjoy a recurring role on House M.D., and play a memorable supporting role in the Angelina Jolie action flick Salt.

Trivia: Daniel Baldwin is the third eldest child of six, four of whom are star actors (all the boys of the family, oddly enough). He attended Ball State University for about a year, planning to study psychology. He left school and began to work as a stand-up comedian before starting acting in 1988, making his debut in the TV movie Too Good To Be True. He landed a series regular role in Homicide: Life on the Street, staying with the show for three seasons. He later appeared in films like Mulholland Falls (1996) and Vampires (1998) and made guest appearances on television shows like The Outer Limits and NYPD Blue. In 2009, he played Julius Krug in the TV movie Grey Gardens and took on a recurring role in the series Cold Case.

Trivia: Portly American character actor Ned Beatty originally planned to enter the clergy, but after appearing in a single high-school play, he changed his mind and decided to become a thespian instead. By his early twenties, Beatty was playing Broadway and it was his work in the play The Great White Hope that attracted the interest of film director John Boorman, who cast him as one of the four main stars in his gripping backwoods thriller Deliverance (1972). Forever immortalized in the notorious "squeal like a pig" rape scene, Beatty subsequently went on to become one of the screen's more prolific supporting actors, frequently appearing in up to four films per year. His more notable film work includes Nashville (1975), All the President's Men (1976), Network (for which he earned an Oscar nomination), The Big Easy (1987), Hear My Song (1991), A Prelude to a Kiss (1992), Radioland Murders (1994), and He Got Game (1998). In 1999, he could be seen as a small-town sheriff in the Robert Altman ensemble film Cookie's Fortune.At the start of the 21st century the always-employed character actor continued to work steadily in projects as diverse as Roughing It, Where the Red Fern Grows, Shooter, and Charlie Wilson's War. He joined the Pixar family when he voiced Lotso, the bad guy in Toy Story 3, and he provided the voice of Mayor in 2011's Oscar winning animated feature Rango.

Trivia: Launching his career as a standup comic, American performer Richard Belzer entered the 1970s as a member of an odd New York-based comedy troupe called Channel One. Anticipating the home video explosion by over a decade, Channel One staged satirical, scatological routines lampooning the banalities of television -- and staged them in front of TV cameras, which transmitted the routines to little TV monitors, which in turn were watched by the live audience. Some of the best sketches were assembled into an X-rated comedy feature, The Groove Tube (1970), which featured Belzer, Ken Shapiro, and a brash newcomer named Chevy Chase. For the next decade, Belzer played the comedy-club circuit, popped up as a talkshow guest, and appeared in occasional films like Fame (1982). He joined still another comedy troupe in 1983, which appeared nightly on the syndicated interview program Thicke of the Night. The host was Allan Thicke, and Belzer's comic cohorts included such incipient stars as Charles Fleischer, Chloe Webb and Gilbert Gottfried. Thicke of the Night was one of the more notorious bombs of the 1983-84 season, but it enabled Belzer to secure better guest-star bookings, and ultimately a hosting job on his own program, debuting in 1986 over the Lifetime Cable Service. It was on this series that wrestler Hulk Hogan, demonstrating a stranglehold on Belzer caused the host to lose consciousness -- which prompted a highly publicized lawsuit instigated by Belzer against the Hulkster. In the early 1990s, Richard Belzer could be seen as a non-comic regular on the TV series Homicide. His Homicide character, John Munch, would become one of the longest-running fictional creations on TV appearing in more than a half-dozen other television shows, most notably Law & Order: Special Victims Unit.

Trivia: Black supporting actor, onscreen from the '80s.

Trivia: African American actor Yaphet Kotto was one of the most prominent beneficiaries of the upsurge in black-oriented theatrical pieces of the late 1950s; he appeared in many prestigious Broadway and off-Broadway productions, taking regional theatre work rather than accept stereotypical "mainstream" roles in movies and TV. Kotto's first film was Nothing But a Man (1964), an independently produced study of black pride in the face of white indifference. Though he vehemently steered clear of most of the '70s blaxploitation fare, in 1972, Kotto produced, directed and wrote the feature film Speed Limit 65 (aka The Limit and Time Limit), a one-of-a-kind "black biker" film. The biggest production with which Kotto was associated in the early 1970s was the James Bond film Live and Let Die, in which, as the villainous Mr. Big, he was blown up in the final scene (a similarly grisly fate awaited Kotto in 1979's Alien). On television, Yaphet Kotto was a regular on the TV series For Love and Honor (1983) and Homicide: Life on the Streets (1992), and was seen as Ugandan president Idi Amin in the 1977 TV movie Raid on Entebbe.

Trivia: After supporting roles in a handful of small films and a short stint on the soap opera All My Children, New York-born Melissa Leo gained prominence on the critically-acclaimed Barry Levinson-produced television drama Homicide: Life on the Streets. After leaving the show in 1997, Leo continued to appear in a range of features, including 1999's 24 Hour Woman. But it was her role as Benicio Del Toro's wife in 2003's 21 Grams that gave Leo her first exposure to a wide moviegoing audience. The performance also won her recognition from the L.A. Film Critics Association, who named Leo the runner-up for the Best Supporting Actress honor.Leo continued to work steadily in a series of independent films including American Gun, The Three Burials of Melquiades Estrada, and Stephanie Daley. In 2008 she landed the lead role in Courtney Hunt's debut feature Frozen River. As a financially strapped woman who turns to human-trafficking in order to earn a living, Leo earned thunderous critical praise as well as Best Actress nominations from both the Screen Actors Guild, and the Academy.Frozen River led her to steady work un a variety of projects, but it was as the matriarch of the boxing brothers in The Fighter that Leo had the biggest success of her career capturing numerous year-end critics awards as well as the Oscar for Best Supporting Actress. In the years after that she appeared in works as diverse as the remake of Mildred Pierce for HBO, and Kevin Smith's Red State.

Trivia: Lead actor, onscreen from the late '80s.

Trivia: One of the most important character actors of the 1990s, Steve Buscemi is unmatched in his ability to combine lowlife posturing with weasely charisma. Although active in the cinema since the mid-'80s, it was not until Quentin Tarantino cast Buscemi as Mr. Pink in the 1992 Reservoir Dogs that the actor became known to most audience members. He would subsequently appear to great effect in other Tarantino films, as well as those of the Coen Brothers, where his attributes blended perfectly into the off-kilter landscape.Born in Brooklyn, New York, on December 13, 1957, Buscemi was raised on Long Island. He gained an interest in acting while a senior in high school, but he had no idea of how to pursue a professional career in the field. Working as a fireman for four years, he began to perform stand-up comedy, but he eventually realized that he wanted to do more dramatic theatrical work. After moving to Manhattan's East Village, he studied drama at the Lee Strasberg Institute, and he also began writing and performing skits in various parts of the city. His talents were eventually noticed by filmmaker Bill Sherwood, who was casting his film Parting Glances. The 1986 drama was one of the first feature films to be made about AIDS (Sherwood himself died from AIDS in 1990), and it starred Buscemi as Nick, a sardonic rock singer suffering from the disease. The film, which was a critical success on the independent circuit, essentially began Buscemi's career as a respected independent actor.Buscemi's resume was given a further boost that same year by his recurring role as a serial killer on the popular TV drama L.A. Law; he subsequently began finding steady work in such films as New York Stories and Mystery Train (both 1989). In 1990, he had another career breakthrough with his role in Miller's Crossing, which began his longtime collaboration with the Coen brothers. The Coens went on to cast Buscemi in nearly all of their films, featuring him to particularly memorable effect in Barton Fink (1991), in which he played a bell boy; Fargo (1996), which featured him as an ill-fated kidnapper; and The Big Lebowski (1998), which saw him portray a laid-back ex-surfer. Although Buscemi has done his best work outside of the mainstream, turning in other sterling performances in Alexandre Rockwell's In the Soup (1992) and Tom Di Cillo's Living in Oblivion (1995), he has occasionally appeared in such Hollywood megaplex fare as Con Air (1997), Armageddon (1998), Big Daddy (1999), and 28 Days (2000), the last of which cast him against type as Sandra Bullock's rehab counselor. Back in indieville, Buscemi would next utilize his homely persona in a more sympathetic manner as a soulful loner with a penchant for collecting old records in director Terry Zwigoff's (Crumb) Ghost World. Despite all indicators pointing to mainstream prolifieration in the new millennium, Buscemi continued to display his dedication to independent film projects with roles in such efforts as Alaxandre Rockwell's 13 Moons and Peter Mattei's Love in the Time of Money (both 2002). Of course there are exceptions to every rule, and Buscemi's memorable appearances in such big budget efforts as Mr Deeds and both Spy Kids 2 and Spy Kids 3-D: Game Over served to remind audiences that Buscemi was still indeed at the top of his game, perhaps now more than ever. In 1996, Buscemi made his screenwriting and directorial debut with Trees Lounge, a well-received comedy drama in which he played a down-on-his-luck auto mechanic shuffling through life on Long Island. He followed up his directorial debut in 2000 with Animal Factory, a subdued prison drama starring Edward Furlong as a young inmate who finds protection from his fellow prisoners in the form of an older convict (Willem Dafoe). Moving to the small screen, Buscemi would next helm an episode of the acclaimed HBO mob drama The Sopranos. Called Pine Barrens, the episode instantly became a fan-favorite.In 2004, Buscemi stepped in front of the camera once again to join the cast of The Sopranos, costarring as Tony Blundetto, a recently paroled mafioso struggling to stay straight in the face of temptation to revert back to his old ways. In 2005 Buscemi reteamed with Michael Bay for The Island in the same year that he directed another low-budget film, Lonesome Jim, with a stellar cast that included Seymour Cassel, Mary Kay Place, Liv Tyler, Casey Affleck, and Kevin Corrigan. He also played one of the leads in John Turturro's musical Romance & Cigarettes. His very busy 2006 included an amusing cameo in Terry Zwigoff's Art School Confidential, and continued work in animated films, with vocal appearances in Monster House and Charlotte's Web (2006). His contributions to those projects earned critical acclaim; Buscemi achieved an even greater feat, however, that same year, when he mounted his fifth project as director, Interview (2007). Like Trees Lounge (1996), Lonesome Jim (2005) and other Buscemi-helmed outings, this searing, acerbic comedy-drama spoke volumes about Buscemi's talent and intuition, and arguably even suggested that his ability as a filmmaker outstripped his ability as a thespian. With great precision and insight, the narrative observed a roving paparazzi journalist (Buscemi) during his unwanted yet surprisingly pretension-stripping pas-de-deux with a manipulative, coke-addled prima donna actress (Sienna Miller).At about the same time, the quirky player geared up for a host of substantial acting roles including parts in We're the Millers (2008), Igor (2008) and Keep Coming Back (2008). He appeared as the father of a deceased soldier in The Messenger in 2009, and the next year he landed the lead role of Nucky Thompson, an Irish gangster, in the HBO series Boardwalk Empire. His work on that show would earn him Screen Actors Guild and Golden Globe awards.

Trivia: Supporting and occasional lead actor Tony Lo Bianco is perhaps best known as a television actor, but he has also found success on-stage and in films. The New York native specializes in playing streetwise Italians. He started out in theater and made his feature film debut in The Honeymoon Killers (1969) as a murderous gigolo involved with an overweight nurse. He subsequently went on to appear, primarily as a character actor, in low-budget and major features. On television, he guest starred on numerous series and has appeared in such miniseries as Bella Mafia (1997) and made-for-television outings like Jesus of Nazareth (1977). Lo Bianco has also directed episodes of television series such as Police Story and Cliffhangers. In 1985 he directed Too Scared to Scream.

Trivia: Her name may not ring any bells, but talented actress Dana Ivey has a face familiar to audiences thanks to countless supporting roles in such high-profile films as The Color Purple (1985), Sleepless in Seattle (1993), Sabrina (1995), and Legally Blonde 2 (2003). And though she was almost always at least halfway down the credits list, Ivey consistently added dimension and personality to even the most minor roles. A Georgia native who got her start on-stage, Ivey appeared in numerous American and Canadian theater productions before making her home in New York during the 1980s. It wasn't long before she rose through the ranks of the New York stage scene and made her Broadway debut in Noël Coward's Present Laughter. Roles in Quartermaine's Terms and Driving Miss Daisy (as the eponymous character) earned Ivey two Obies and found her reputation as an actress growing. Subsequent work in the Broadway production of Heartbreak Hotel earned her two supporting actress Tony nominations in the mid-'80s. In 1978, Ivey made her television debut in the daytime soap opera Search for Tomorrow, and soon her small-screen career blossomed in such efforts as the NBC miniseries Little Gloria... Happy at Last. Though Ivey simultaneously nurtured a feature career with supporting roles in Explorers and The Color Purple, it was her performance in the 1986 sitcom Easy Street that truly found her coming into her own on the television. After recalling her previous stage exploits with Heartbreak House and Sunday in the Park With George in 1986, Ivey joined the cast of All My Children in 1989 and spent the majority of the following decade in such features as The Addams Family (1991), Sabrina (1995), and Simon Birch (1998). Although her career leaned increasingly toward feature work, Ivey also remained true to her stage roots, appearing in such plays as The Glass Menagerie in 1998 and Major Barbara in 2001.

Trivia: Although Gloria Reuben's breakthrough may have come with her role as health care professional Jeanie Boulet on television's E.R., the actress voted one of the 50 most beautiful people in the world has been acting and singing since childhood, appearing on the small screen since the mid-'80s and in film from the early '90s.Born in Toronto in June of 1964, Reuben was inspired early on by her mother, an accomplished singer who encouraged her daughter to pursue her creative endeavors. Beginning with piano lessons and soon graduating to music technique and theory as well as jazz and ballet at the Canadian Royal Conservatory. Later on, Reuben began modeling. Following appearances in print and on television, the aspiring actress began to make appearances on such television series as The Flash and Silk Stalkings. Appearing frequently on made-for-television movies, she began appearing in such features as The Waiter (1993) and Timecop (1994) and then joined the cast of E.R. in 1995. Her role as an HIV-positive health care professional struggling to maintain dignity in her profession in the face of tragedy earned the actress an Emmy nomination, and her career continued to pick up pace in the late '90s in both features and television. With high billing on the made-for-television movie The Agency in 2001 as well as the series that followed, it appeared as if Gloria Rueben's star was burning bright into the new millennium. Her songstress past returned as Reuben took the role of back-up singer on Tina Turner 's 2000 Twenty-Four Seven tour. Hoping to make a crossover into a solo music career, Reuben hit the studios in preparation for her debut album.