Trivia: Sullavan was born Margaret Brooke. Having studied dance and drama since childhood, she debuted onstage at age 17 with the now-celebrated University Players, a troupe which included several other future stars, including Jimmy Stewart and Henry Fonda. Three years later she made it to Broadway, and in 1933 she signed a lucrative film contract. For most of the next decade she was busy as a lead actress, but she had frequent disputes with her studio so occasionally returned to Broadway. In films she tended to be cast in melodramatic tear-jerkers, although she also proved her talents in straight dramas and sophisticated comedies. For her work in Three Comrades (1938) she won the New York film critics "Best Actress" award. For her work in Broadway's The Voice of the Turtle (1943) she won the Drama Critics Award. She retired from the screen in 1943, returning in only one additional film, No Sad Songs for Me (1950). In the late '40s she began to lose her hearing, and eventually she was nearly deaf; nevertheless, she continued a successful stage career. Her four husbands included actor Henry Fonda, director William Wyler, and producer-agent Leland Hayward. At 49 she took an overdose of barbiturates and died; her death was ruled a suicide. Her daughter, Brooke Hayward, wrote a memoir of the tragic years leading to Sullavan's death called Haywire.

Trivia: Born Harriet Lake, the name under which she was billed until 1933, Sothern debuted onscreen in 1929 in a bit part, and went on to play small roles in several other films before leaving Hollywood for Broadway. She soon began landing leads, bringing another invitation from Hollywood. She signed a screen contract and changed her name, then began a very busy film career as the light-hearted heroine of B-movies. In 1939, Sothern switched studios and achieved greater popularity as the star of the "Maisie" comedy-adventure series; she appeared as the energetic, scatterbrained Maisie in ten films during the next eight years. She also appeared in musicals, in which her good voice and comedic talents were displayed. Never a major screen star, she became most popular after switching to TV; she starred in the TV series Private Secretary and The Ann Sothern Show. She went on to tour with stage musicals, then returned to the screen in occasional character roles after 1964. For her work in The Whales of August (1987), her most recent film to date, she received a Best Supporting Actress Oscar nomination. From 1936-42 she was married to actor Roger Pryor and from 1943-49 she was married to actor Robert Sterling. Her daughter is actress Tisha Sterling, with whom she appeared in Crazy Mama (1975) and The Whales of August (1987); in the latter, Sterling played Sothern's character as a young woman.

Trivia: A lovable star with a vivacious personality, mesmerizing smile, and big blue eyes, Joan Blondell, the daughter of stage comic Eddie Blondell (one of the original Katzenjammer Kids), spent her childhood touring the world with her vaudevillian parents and appearing with them in shows. She joined a stock company at age 17, then came to New York after winning a Miss Dallas beauty contest. She then appeared in several Broadway productions and in the Ziegfield Follies before being paired with another unknown, actor James Cagney, in the stage musical Penny Arcade; a year later this became the film Sinners Holiday, propelling her to stardom. Blondell spent eight years under contract with Warner Bros., where she was cast as dizzy blondes and wisecracking gold-diggers. She generally appeared in comedies and musicals and was paired ten times on the screen with actor Dick Powell, to whom she was married from 1936-45. Through the '30s and '40s she continued to play cynical, wisecracking girls with hearts of gold appearing in as many as ten films a year during the '30s. In the '50s she left films for the stage, but then came back to do more mature character parts. Blondell is the author of a roman a clef novel titled Center Door Fancy (1972) and was also married to producer Mike Todd (1947-50).

Trivia: The daughter of an engineer, Ella Raines completed her education at the University of Washington. After stage experience, Raines was signed for films by a production company headed by Charles Boyer and Howard Hawks. When this enterprise failed to yield fruit, Raines went with Universal Studios in 1943, where she received her best screen role: the inquisitive, extremely adaptable heroine in the 1943 film noir Phantom Lady. Impressed by this performance, Paramount producer/director Preston Sturges borrowed Raines from Universal to co-star with Eddie Bracken in Hail the Conquering Hero (1944). Her film career flagging in the late '40s, Raines married a military officer and retired to England. After divorcing her husband in the early '50s, she starred in the popular syndicated TV series Janet Dean, Registered Nurse, which she co-produced with Joan Harrison, who'd previously produced Phantom Lady. Ella Raines' final film appearance was in the 1956 British effort Man in the Road.

Trivia: American actress Fay Bainter was working in stock at age five, and by the time she was 19 was one of the privileged members of theatrical impresario David Belasco's company. First starring on Broadway in 1912, Bainter was cast in ingenue or romantic parts for the first portion of her career. When she finally decided to give movies a try, it was as a mature, somewhat plump character actress. Her first film was This Side of Heaven (1934), after which, according to many historians she was established in kindly, motherly roles - except for those in which she wasn't so kind and motherly, which constituted the more interesting moments of her film career. In 1938, Bainter made cinema history by being nominated for two Academy Awards in two different categories: As best actress for White Banners, a second-string Warners drama in which she played a "Mrs. Fixit", and as best supporting actress in Jezebel, where she had the somewhat harsher role of southern belle Bette Davis' remonstrative Aunt Belle. Academy members were confused by Bainter's dual nomination, the result being that the Academy was compelled to change its nominating and voting rules (P.S.: She won for Jezebel). Occasionally a star (The War Against Mrs. Hadley [1943]) and always near the top of the supporting-cast list, Bainter worked steadily in films until the early 1950s, shifting her attention at that time to television. In 1958, she appeared in the touring company of the Eugene O'Neill play Long Day's Journey Into Night in the role of Mary Tyrone -- a difficult and demanding assignment even for a woman half her age, but one that she pulled off brilliantly. Bainter returned to films as an unsympathetic wealthy dowager in The Children's Hour (1961), which earned her another Oscar nomination -- this time in one category only.

Trivia: American actress Marsha Hunt, born Marcia Hunt, attended the Theodore Irving School of Dramatics while still a teenager. Simultaneously, she worked as a Powers model until she debuted onscreen in The Virginia Judge (1935) at age 18. Hunt went on to become a very busy screen actress through the early '50s. In the '30s she appeared in supporting roles such as bridesmaids and coeds, while in the '40s she played leads in second features and second leads and supporting roles in major productions. In the early '50s, during the heyday of the McCarthy Era "witch hunts," she was blacklisted by the studios for her liberal political beliefs, and after 1952 she appeared in only a handful of films, as well as the TV series Peck's Bad Girl. Through the '80s, however, she still turned up occasionally in character roles on TV. From 1938-43 she was married to editor (now director) Jerry Hopper. After 1946 she was married to movie/TV scriptwriter Robert Presnell Jr., who died in 1986. She remains active in social issues, lending her help to organizations involved with such issues as peace, poverty, population, and pollution; she is a frequent speaker on the issues that concern her, and she serves on nearly a dozen Boards of Directors. She was last onscreen in Johnny Got His Gun (1971).

Trivia: Fresh out of high school, statuesque brunette actress Frances Gifford played bits and extra roles until landing the lead in the low-budget Mercy Plane (1939), in which she was cast opposite her first husband James Dunn. Two years later she was seen as Robert Benchley's guide through the Disney animation studios in The Reluctant Dragon (1941), and, more importantly, as the fetchingly unclad, endlessly resourceful Nyoka in the Republic serial Jungle Girl (1941). The popularity of the serial might have typecast her forever in such roles, but Gifford's ambition was to star in features. Through the sponsorship of an MGM executive, she landed a contract at that most prestigious of studios, playing leading roles in such films as Our Vines Have Tender Grapes (1945) and She Went to the Races (1945). Her best showing at MGM was as the tormented heroine of Arch Oboler's The Arnelo Affair (1947). On the verge of bigger things, Gifford suffered a series of profound personal setbacks in the late '40s, not least of which was an automobile accident that nearly killed her. She made a few comeback attempts in the 1950s, but spent most of the decade in and out of mental institutions. After nearly 25 years of treatment, Frances Gifford was finally able to start her life over in 1983, devoting the rest of her days to charitable work.

Trivia: The daughter of vaudevillians, Diana Lewis made her screen debut as bird-brained preteen Miss Dunk in W.C. Fields' It's a Gift (1934), disrupting Fields' early-morning slumber with her inane, top-at-the-lung questions. She then quit acting to attend high school, but by 1939 was back before the cameras, this time as an MGM contractee. Her best-known role at Metro was as the antiseptic heroine in the Marx Brothers 'Go West (1940). Known to her friends as "Mousie," Lewis began losing interest in pursuing a film career when, in 1940, she married MGM star William Powell. Retiring from the screen in 1943, Diana Lewis happily devoted herself to her marriage and social obligations; she remained Mrs. William Powell until her husband's death in 1984.

Trivia: The daughter of an Oxford chemistry professor, flowerlike British leading lady Heather Angel was trained at the London Polytechnic of Dramatic Arts. She made her professional debut at age 17, spending several years with the Old Vic. Her first film was the British City of Song (1931). In 1933, she was signed to a Hollywood contract by Fox Studios, appearing in a handful of quality productions like Berkeley Square, but soon becoming a mainstay of "B" pictures. Heather starred in five "Bulldog Drummond" programmers of the 1930s, playing Drummond's girl friend, the eternally left-at-the-altar Phyllis Clavering. Virtually always a brunette on screen, Heather donned a blonde wig to play Cora Munro in Last of the Mohicans (1936), while blonde co-star Binnie Barnes played the raven-haired Alice Munro. During the 1940s, Heather showed up in small parts in several "A" productions; she was the prologue girl in Kitty Foyle (1940), a maid in Suspicion (1941), and the near-comatose woman with the dead baby in Lifeboat (1944) (the latter two films were directed by Alfred Hitchcock). She provided voices for two Disney feature-length cartoons, 1951's Alice in Wonderland (as Alice's sister) and 1953's Peter Pan (as Mrs. Darling). On television, Ms. Angel appeared regularly on the TV series Peyton Place and Family Affair. Heather Angel was married, three times, to actors Ralph Forbes and Henry Wilcoxon, and to director Robert B. Sinclair.

Trivia: Beautiful brunette Dorothy Morris played the disturbed Ingeborg Jensen in MGM's Our Vines Have Tender Grapes (1945). The role was brief but Morris made every moment count and it remains a mystery why the studio, who had put her under contract in 1941, didn't at least attempt to star her. She had studied under Maria Ouspenskaya before testing for The Courtship of Andy Hardy (1942) and although she failed to get the part (it went instead to Donna Reed), Morris hung in there and even managed a British accent for the war drama Cry Havoc (1943). Vines, however, became the highlight of a rather unfulfilled Hollywood career that later included guest-starring roles on such television series as Wagon Train, The Donna Reed Show, and Dragnet. She is the younger sister of dancer/actress Caren Marsh.

Trivia: The daughter of actress Martha Daniels, Connie Gilchrist was herself on stage from the age of 16, touring both Europe and the U.S. Her theatrical credits include such long-runners as Mulatto and Ladies and Gentlemen, the latter featuring a contemporary of Gilchrist's named Helen Hayes. While acting in the pre-Broadway tour of Ladies and Gentlemen in 1939, Gilchrist was signed to a ten-year contract at MGM, where amidst the studio's patented gloss and glitter, the actress' brash, down-to-earth characterizations brought a welcome touch of urban reality. Usually cast as Irish maids, tenement housewives and worldly madams (though seldom designated as such), Gilchrist was given a rare chance to show off her musical talents in Presenting Lily Mars, where she sang a duet with Judy Garland. After her MGM tenure, Gilchrist free-lanced in such films as Houdini (1953), Auntie Mame (1958) (as governess Nora Muldoon) and The Monkey's Uncle (1965). Devoted TV fans will recall Connie Gilchrist as the bawdy pubkeeper Purity on the 1950s Australian-filmed adventure series Long John Silver.

Trivia: The day after 79-year-old Robert Mitchum succumbed to lung cancer, beloved actor James Stewart died, diverting all the press attention that was gearing up for Mitchum. So it has been for much of his career. Not that Mitchum wasn't one of Hollywood's most respected stars, he was. But unlike the wholesome middle-American idealism and charm of the blandly handsome Stewart, there was something unsettling and dangerous about Mitchum. He was a walking contradiction. Behind his drooping, sleepy eyes was an alert intelligence. His tall, muscular frame, broken nose, and lifeworn face evoked a laborer's life, but he moved with the effortless, laid-back grace of a highly trained athlete. Early in his career critics generally ignored Mitchum, who frequently appeared in lower-budget and often low-quality films. This may also be due in part to his subtle, unaffected, and deceptively easy-going acting style that made it seem as if Mitchum just didn't care, an attitude he frequently put on outside the studio. But male and female audiences alike found Mitchum appealing. Mitchum generally played macho heroes and villains who lived hard and spoke roughly, and yet there was something of the ordinary Joe in him to which male audiences could relate. Women were drawn to his physique, his deep resonant voice, his sexy bad boy ways, and those sad, sagging eyes, which Mitchum claimed were caused by chronic insomnia and a boxing injury. He was born Robert Charles Duran Mitchum in Bridgeport, CT, and as a boy was frequently in trouble, behavior that was perhaps related to his father's death when Mitchum was quite young. He left home in his teens. Mitchum was famous for fabricating fantastic tales about his life, something he jokingly encouraged others to do too. If he is to be believed, he spent his early years doing everything from mining coal, digging ditches, and ghost writing for astrologer Carroll Richter, to fighting 27 bouts as a prizefighter. He also claimed to have escaped from a Georgia chain gang six days after he was arrested for vagrancy. Mitchum settled down in 1940 and married Dorothy Spence. They moved to Long Beach, CA, and he found work as a drop-hammer operator with Lockheed Aircraft. The job made Mitchum ill so he quit. He next started working with the Long Beach Theater Guild in 1942 and this led to his becoming a movie extra and bit player, primarily in war movies and Westerns, but also in the occasional comedy or drama. His first film role was that of a model in the documentary The Magic of Make-up (1942). Occasionally he would bill himself as Bob Mitchum during this time period. His supporting role in The Human Comedy (1943) led to a contract with RKO. Two years later, he starred in The Story of G.I. Joe and earned his first and only Oscar nomination. Up to that point, Mitchum was considered little more than a "beefcake" actor, one who was handsome, but who lacked the chops to become a serious player. He was also drafted that year and served eight months in the military, most of which he spent promoting his latest film before he was given a dependency discharge. Mitchum returned to movies soon after, this time in co-starring and leading roles. His role as a woman's former lover who may or may not have killed her new husband in When Strangers Marry (1944) foreshadowed his import in the developing film noir genre. The very qualities that led critics to dismiss him, his laconic stoicism, his self-depreciating wit, cynicism, and his naturalism, made Mitchum the perfect victim for these dark dramas; indeed, he became an icon for the genre. The Locket (1946) provided Mitchum his first substantial noir role, but his first important noir was Out of the Past (1947), a surprise hit that made him a real star. Up until Cape Fear (1962), Mitchum had played tough guy heroes and world-weary victims; he provided the dying noir genre with one of its cruelest villains, Max Cady. In 1955, Mitchum played one of his most famous and disturbing villains, the psychotic evangelist Reverend Harry Powell, in Charles Laughton's Night of the Hunter, a film that was a critical and box-office flop in its first release, but has since become a classic. While his professional reputation grew, Mitchum's knack for getting into trouble in his personal life reasserted itself. He was arrested in August 1948, in the home of actress Lila Leeds for allegedly possessing marijuana and despite his hiring two high-calibre lawyers, spent 60 days in jail. Mitchum claimed he was framed and later his case was overturned and his record cleared. Though perhaps never involved with marijuana, Mitchum made no apologies for his love of alcohol and cigarettes. He had also been involved with several public scuffles, this in contrast with the Mitchum who also wrote poetry and the occasional song. Though well known for noir, Mitchum was versatile, having played in romances (Heaven Knows Mr. Allison [1957]), literary dramas (The Red Pony [1949]), and straight dramas (The Sundowners [1960], in which he played an Australian sheepherder). During the '60s, Mitchum had only a few notable film roles, including Two for the See Saw (1962), Howard Hawks' El Dorado (1967), and 5 Card Stud (1968). He continued playing leads through the 1970s. Some of his most famous efforts from this era include The Friends of Eddie Coyle (1973) and a double stint as detective Phillip Marlowe in Farewell My Lovely (1975) and The Big Sleep (1978). Mitchum debuted in television films in the early '80s. His most notable efforts from this period include the miniseries The Winds of War (1983) and its sequel, War and Remembrance (1989). Mitchum also continued appearing in feature films, often in cameo roles. Toward the end of his life, he found employment as a commercial voice-over artist, notably in the "Beef, it's what's for dinner" campaign. A year before his death, Robert Mitchum was diagnosed with emphysema, and a few months afterward, lung cancer. He is survived by his wife, Dorothy, his daughter, Petrine, and two sons, Jim and Christopher, both of whom are actors.