Trivia: Actor/comedian Martin Lawrence started the 21st century off with a bang, starring and executive producing Big Momma's House, the story of an FBI agent posing as a corpulent Southern matriarch, which went on to gross more than 100 million dollars, despite universally negative reviews. The success of this film pushed Lawrence ever closer to joining the much-coveted 20-million-dollar club, cementing his reputation as one of the biggest comic stars for years to come.Lawrence was born in Frankfurt, Germany, on April 16, 1965, and eventually settled with his family in suburban Maryland around his sixth birthday. Soon after, his father left the family; Lawrence claims he got his start as a comedian by cheering up his mother, who was forced to support her six children by cashiering in various department stores. He attended Eleanor Roosevelt High School in Landover, MD, dabbling in sports and sticking with comedy, even agreeing to stop acting up in an art class in return for performing his stand-up routine in front of the other students.Soon after graduating, the bug-eyed performer earned a chance to perform on Star Search, which led to a role in 1985's What's Happening Now! Lawrence kept honing his frenetic schtick and by 1989, won two big breaks -- a supporting role in Spike Lee's Do the Right Thing and MCing HBO's Def Comedy Jam. Lawrence continued to rack up scene-stealing roles throughout the early '90s, including parts in House Party, House Party 2, and Boomerang, eventually landing his own series on Fox in 1992, appropriately named Martin. The show became a huge success, its risqué humor making it a ratings stalwart for more than five years and winning two NAACP Image Awards in the process, although some detractors criticized Lawrence for promoting the image of an oversexed, insensitive black man.Two years after Martin's successful launch, Lawrence released You So Crazy!, a raunchy, vulgarity-laced comedy that originally received the NC-17 rating and was later released unrated. Its crudeness, however, didn't matter much to audiences, as You So Crazy! went on to become one of the highest-grossing concert films of its time.Lawrence appeared to have it all, professionally and privately; in 1995 he married former beauty queen Patricia Southall in a lavish ceremony and the pair had a daughter, Jasmine. Around this time, however, Lawrence's success story began to slip away, his off-camera behavior setting up what should someday be a fascinating E! True Hollywood Story.On the set of his directorial debut, A Thin Line Between Love and Hate, Lawrence erupted in a violent outburst and began taking psychotropic drugs. A few months later, he was arrested for another disturbance, where he reportedly brandished a pistol and screamed at tourists and others on Ventura Boulevard. Over the next two years, his behavior became even more erratic as he racked up a series of gun-related arrests. He landed in drug rehab and filed for divorce from Southall after she got a temporary restraining order against him for yet another vicious eruption.But the most bizarre and unsettling charges were yet to come. Tisha Campbell, Lawrence's co-star on Martin and the House Party films, filed suit against the star and the show's producers, HBO Studios, claiming Lawrence sexually harassed her to the point that she feared for her safety. The studio brokered a settlement that allowed Campbell to finish the show's final season, although she and Lawrence would never be on the soundstage together again.Despite all the trauma, Lawrence seemed as popular as ever. He starred in four hugely commercial successes between 1995 and 1999, including Bad Boys with Will Smith, Nothing to Lose with Tim Robbins, Life with Eddie Murphy, and on his own in Blue Streak. These films made Lawrence extremely bankable -- his salary broke the ten-million-dollar mark for Big Momma's House and it seemed as if his previous troubles were behind him.Then in 1999, while jogging to lose an extra few pounds before filming began on Big Momma's House, Lawrence collapsed into a severe coma due to heat exhaustion, delaying the production's start and firing up the old rumors of drug use and unpredictable behavior. But after recuperating, Lawrence said the coma scare put him back on the straight and narrow.His career trajectory certainly supported this -- after the success of Big Momma's House, he reportedly earned 13 million dollars for What's the Worst That Could Happen? with Danny DeVito. He earned upwards of 16.5 million dollars for Black Knight, which featured Lawrence as a down-on-his-luck employee of a theme restaurant who finds himself transported back to medieval times. Lawrence's next film appearance, Martin Lawrence Live: Runteldat, once again found the popular but controversial funnyman taking to the stage, though this time in a far more personal bid to humorize the sometimes startling headlines that had left many fans fearing for both his health and sanity. Seemingly purged of his current demns and eager to settle back into a lucrative film career, Lawrence took to the screen opposite Steve Zahn for the high-speed action comedy National Secuity (2003) before gearing up for the sequel to Bad Boys. After a relatively quiet 2004, Lawrence attempted to broaden his appeal by playing a basketball coach in the family-oriented comedy Rebound. In 2006 Lawrence performed in his first animated film, Open Season, opposite Ashton Kutcher, and released the sequel to one of his biggest comedy hits Big Momma's House 2. That same year he filmed the biker road comedy Wild Hogs alongside Tim Allen and John Travolta.

Trivia: Though most commonly associated with her multi-season portrayal of marketing executive Gina Waters-Payne, significant other of Martin Payne (Martin Lawrence) on the Fox sitcom Martin (1992-97), Tisha Campbell began her lengthy Hollywood career with a role that film buffs will have little difficulty remembering. Campbell made her feature debut as Chiffon, a member of the black female doo-wop group that acts as a Greek chorus, in the 1986 Frank Oz musical comedy Little Shop of Horrors (1986). An Oklahoma City native, born to a coat factory employee father and a gospel singer mother, Campbell moved with her family to Newark, New Jersey at the age of three, where the entire clan suffered from abject poverty. At age 6, Campbell won a talent contest, and the following year landed a turn in an ABC Afterschool Special entitled Unicorn Tales, as well as a supporting role in the off-Broadway musical Really Rosie. Campbell attended and graduated from Newark's Arts High School, then made the ambitious trek out to Los Angeles (with her family's encouragement) and spent several years surviving numerous television pilots that failed to take off. Shop, however, rocketed Campbell to national attention and jump-started her film career. She landed additional roles in Spike Lee's School Daze (1988), House Party (1988) (which she also choreographed), and Boomerang (1992). Campbell met future co-star Lawrence on the set of House Party; according to Campbell's later recollections, Lawrence immediately invited her to play his girlfriend should he ever land a sitcom. In 1992, that plan materialized. The program scored sensational ratings and immediately connected with a young, black, urban market; the arc of the series witnessed Gina and Martin transitioning from lovers to intendeds to husband-and-wife. Campbell originally planned to remain with the series through its final season, but actually left Martin several months prematurely, in November of 1996, asserting that Lawrence verbally, physically and sexually abused her on the set of the program - allegations that Lawrence and his representatives aggressively denied, claiming that Campbell was using the actor as a pawn in a contractual dispute with the network despite the fact that the actress left in mid-season.After her stint on Martin, Campbell signed for supporting roles in a number of low-profile features including Linc's (1998), The Sweetest Gift (1998) and Snitch (1999), then returned to network television briefly as one of the stars of the domestically-themed situation comedy My Wife and Kids (2001).Campbell is also occasionally credited by her married name of Tisha Campbell-Martin. She enjoyed a brief tenure as a recording artist with a 1993 r&b release entitled Tisha.

Trivia: Dedicated film buffs will remember Tichina Arnold as Crystal, one of the three black girls who perform R&B numbers as a Greek chorus, in Frank Oz's imaginative movie musical Little Shop of Horrors (1986). Arnold was only 15 at the time; her career continued steadily after that, with a role or two almost every year. Though the actress' cinematic efforts -- such as How I Got Into College (1989) and the Paul Mazursky/Woody Allen collaboration Scenes from a Mall (1990) -- were typically disappointing, she delighted fans with her neat comic turn as Pam James (opposite Little Shop collaborator Tisha Campbell) in the Martin Lawrence sitcom Martin (1992-1997), and -- on a similar note -- waxed hilarious as housewife and mother Rochelle on the nostalgic Chris Rock sitcom Everybody Hates Chris (premiering in 2005). In 2007, Arnold reunited with Lawrence (as his "straight man" wife) in the big screen road comedy/buddy film Wild Hogs. She next took a decidedly serious turn, playing the lead in the period drama The Lena Baker Story, about the first woman to be executed via the electric chair in Georgia. Arnold continued to make guest appearances on shows like Raising Hope and Hit the Floor, and took a main role on Happily Divorced, beginning in 2011. In 2014, she had a small role in Top Five.

Trivia: Black supporting actor Antonio Fargas first appeared onscreen in the '70s.

Trivia: The reigning queen of the 1970s blaxploitation genre, Pam Grier was born May 26, 1949, in Winston-Salem, NC. An Air Force mechanic's daughter, she was raised on military bases in England and Germany. During her teen years the family settled in Denver, CO, where at the age of 18, Grier entered the Miss Colorado Universe pageant. Named first runner-up, she attracted the attention of Hollywood agent David Baumgarten, who signed her to a contract. After relocating to Los Angeles, Grier struggled to mount an acting career, and worked as a switchboard operator at the studios of Roger Corman's American International Pictures. Finally, with Corman's aid, she made her film debut in the 1970 Russ Meyer cult classic Beyond the Valley of the Dolls, followed by an appearance in Jack Hill's 1971 cheapie The Big Doll House. For several years, Grier languished virtually unnoticed in grindhouse fare like 1971's Women in Cages and 1973's Arena (aka Naked Warriors) before winning the title role in Hill's 1973 action outing Coffy. Playing a nurse seeking vengeance against the drug dealers responsible for her sister's descent into heroin addiction, Grier immediately rose to the forefront of the so-called "blaxploitation" genre, a group of action-adventure films aimed squarely at African-American audiences. Portraying the 1974 superheroine Foxy Brown, she became a major cult figure, as her character's fierce independence, no-nonsense attitude, and empowered spirit made her a role model for blacks and feminists alike. At the peak of her popularity, Grier even appeared on the covers of Ms. and New York magazines. Her films' often racy content also made her a sex symbol, and additionally she posed nude for the men's magazine Players. Successive action roles as gumshoe Sheba Shayne in 1975's Sheba, Baby and as the titular reporter Friday Foster further elevated Grier's visibility, but fearing continued typecasting she shifted gears to star opposite Richard Pryor in the fact-based 1977 auto-racing drama Greased Lightning. She did not reappear onscreen for four years, resurfacing to acclaim in 1981 as a murderous prostitute in Fort Apache, the Bronx; however, no other major roles were forthcoming, and she spent much of the decade appearing on television and in straight-to-cable features. A major role in the 1988 Steven Seagal action hit Above the Law marked the beginning of a comeback, and after appearing in 1993's Posse, Grier starred with fellow blaxploitation vets Jim Brown, Richard Roundtree, and Fred "the Hammer" Williamson in 1996's Original Gangstas, a throwback to the films of the early '70s. In 1997, the actress' career resurgence was complete with the title role in Jackie Brown, written in her honor by director and longtime fan Quentin Tarantino. Grier's tough, sexy portrayal of a jaded flight attendant earned praise from critics far and wide, as well as the promise of steady work. She could subsequently be seen in a consistently wide range of films, like Jawbreaker (1999), Holy Smoke (1999), The Invited, and Larry Crowne, in addition to a host of successful TV roles on shows like Smallville and The L Word.

Trivia: Black supporting actress Ja'net DuBois first appeared onscreen in 1970.

Trivia: African-American supporting actor, onscreen from the 60s.'

Trivia: Born March 17, 1937, in Fort Smith, AR, blaxploitation legend Rudy Ray Moore began his life as an entertainer after moving to Cleveland, OH, at the age of 15. Forging a music career under the stage name of "Prince Dumarr," Moore belted out gutbucket rhythm & blues while wearing a trademark turban, recording several singles and touring through various Midwestern cities. By 1959, he had moved to Los Angeles, dropped the pseudonym, and was focusing on a standup act. A trio of comedy albums released in the early '60s on Dooto Records didn't hit for him, so Moore worked part-time in a record store, where a local wino named Rico would often visit to beg for change. The panhandler recited bawdy "toasts" in exchange for food money, tall tales set to rhyme that have figured in African-American culture for years. One of these stories was "Dolemite," the tale of a mythical black superman who fights lions and can kill women with the power of his lovemaking. Moore began incorporating "Dolemite" and other toasts into his act, as well as expanding on the suggestive humor of Redd Foxx with explicit profanity and crude jokes about life on the ghetto streets. He self-financed the release of an album in this new style, and Eat Out More Often was a surprise hit in 1970, spending time on the Billboard soul charts despite the fact that record stores had to keep the album behind the counter. Moore followed with a number of X-rated comedy platters, all recorded in his own home with friends as the audience (which led them to be dubbed "party records"). By 1975, Moore decided to branch out into motion pictures, and again staked his own money to produce a film version of his most famous routine. Dolemite was a low-budget action-adventure-comedy shot in and around Moore's Los Angeles home. With Moore as the titular pimp-hero (wearing a dazzling array of funky outfits), a harem of kung fu-fighting prostitutes, corrupt white politicians, and plenty of excuses for Moore to perform snippets of his nightclub act, the film was an outlandish, ridiculous vehicle for the comedian that successfully brought his vision to the screen. It was popular enough to warrant a sequel, The Human Tornado (1976), as well as an adaptation of another of Moore's standup routines, The Devil's Son-In-Law (1977). After releasing the concert film Rudy Ray Moore: Rude in 1982, the comedian's movie appearances dried up, though he continued to make personal appearances and sporadic recordings. Many rappers have named Moore as a major influence and samples from his records and films have turned up on releases by artists like Dr. Dre, Big Chief, and 2 Live Crew. While the rhythmic, profane delivery on his comedy albums accounts for his reputation in the hip-hop world, it can be argued that his films are responsible for keeping his legend alive today. Many of Moore's films are widely available in mainstream video outlets, while his X-rated records are often difficult to find.