Trivia: The son of actors Fernando Lamas and Arlene Dahl, Lorenzo Lamas' first screen appearance was a bit in 1969's 100 Rifles, in which his father co-starred. Originally planning to become a professional race-car driver (he still enters track competitions from time to time), Lamas inaugurated his career as a "heartthrob hunk" in 1979, when he was cast in the short-lived TV weekly California Fever. A brief stint on the prime-time TV serial Secrets of Midland Heights (1980) followed before Lamas graduated to full stardom as Lance Cumston on the nighttime soaper Falcon Crest (1981-1990). Anxious to demonstrate his musical prowess, Lamas signed on as host of the syndicated variety series Dancin' to the Hits in 1986. Perhaps significantly, Lamas has neither danced nor sung in his current project, the weekly adventure series Renegade. Lorenzo Lamas has starred in a plethora of direct-to-video films, and in 1994 both directed and starred in CIA II: Target Alexa. In the years to come, Lamas would remain an active force on screen, appearing in films like Back to Even and Ash Global, as well as on series like The Bold and the Beautiful.

Trivia: The inimitable American actress Kathleen Freeman has been convulsing film audiences with portrayals of dowdy, sharp-tongued matrons since she was in her 20s. After stage work, Freeman began taking bit roles in major-studio features in 1948, seldom getting screen credit but always making a positive impression. The best of her earliest roles was in Singin' in the Rain (1952); Freeman played long-suffering vocal coach Phoebe Dinsmore, whose Herculean efforts to get dumb movie star Jean Hagen to grasp the proper enunciation of the phrase "I can't staaaand him" proved uproariously futile. Often cast as domestics, Freeman had a year's run in 1953 as the "spooked" maid on the ghostly TV sitcom Topper. Freeman was a particular favorite of comedian Jerry Lewis, who cast the actress in showy (and billed!) roles in such farces as The Errand Boy (1961), The Nutty Professor (1963) and Who's Got the Action?. As Nurse Higgins in Lewis' Disorderly Orderly (1964), Freeman weeps quietly as Jerry meekly scrapes oatmeal off her face and babbles "Oh, Nurse Higgins...you're all full of...stuff." Lewis so trusted Freeman's acting instincts that he sent her to the set of director William Wyler's The Collector (1965) in order to help build up the confidence of Wyler's nervous young leading lady Samantha Eggar. Throughout the '70s and '80s, Freeman took occasional "sabbaticals" from her movie and TV assignments to do stage work, enjoying a lengthy run in a Chicago production of Ira Levin's Deathtrap. Like many character actors of the '50s, Kathleen Freeman is frequently called upon to buoy the projects of baby-boomer directors: she was recently seen as an hysterical Julia Child clone in Joe Dante's Gremlins 2: The New Batch (1990).