Trivia: Perky brunette leading lady Sheila Ryan became a television pioneer when, in 1938, she appeared on camera in an experimental Los Angeles broadcast. In 1940, Ryan was signed by 20th Century Fox, where she played energetic if unmemorable roles in such films as The Gay Caballero (1940) and Dressed to Kill (1941). She also appeared opposite Laurel and Hardy in two of their Fox vehicles, Great Guns (1941) and A-Haunting We Will Go (1942). Her best opportunity at Fox came in The Gang's All Here (1943), in which she was not only permitted to sing, but was afforded a special-effects "curtain call" in the film's finale. By the late '40s, Ryan's career had dwindled to B-pictures at the lesser studios. While co-starring with Gene Autry in 1950s Mule Train, Ryan fell in love with Autry's sidekick, Pat Buttram; they were married shortly afterward, and remained that way until Ryan's death in 1975. Sheila Ryan retired in 1958 after a handful of TV appearances and a featured role in something called Street of Darkness.

Trivia: One look at Alan Hale Jr. and no one could ever assume he was adopted; Hale Jr. so closely resembled his father, veteran character actor Alan Hale Sr., that at times it appeared that the older fellow had returned to the land of the living. In films from 1933, Alan Jr. was originally cast in beefy, athletic good-guy roles (at 6'3", he could hardly play hen-pecked husbands). After the death of his father in 1950, Alan dropped the "Junior" from his professional name. He starred in a brace of TV action series, Biff Baker USA (1953) and Casey Jones (1957), before his he-man image melted into comedy parts. From 1964 through 1967, Hale played The Skipper (aka Jonas Grumby) on the low-brow but high-rated Gilligan's Island. Though he worked steadily after Gilligan's cancellation, he found that the blustery, slow-burning Skipper had typed him to the extent that he lost more roles than he won. In his last two decades, Alan Hale supplemented his acting income as the owner of a successful West Hollywood restaurant, the Lobster Barrel.

Trivia: Veteran B-Western player Steven Darrell (aka J. Stevan Darrell) got the acting bug early, playing Abraham Lincoln in a grade-school tableau. He made his professional debut with the Galloway Players of Pittsfield, MA, and his West Coast bow with the famed Pasadena Playhouse in 1937. Darrell, who told an interviewer that he "enjoyed all kind of character roles, the more villainous the better," went on to menace nearly every cowboy hero around, from Roy Rogers to Whip Wilson, appearing in more than 100 films and over 200 television segments. Retiring after a 1967 episode of television's Daniel Boone, the veteran actor died from a brain tumor in 1970 at the age of 63.

Trivia: Actress Minerva Urecal claimed that her last name was an amalgam of her family home town of Eureka, California. True or not, Urecal would spend the balance of her life in California, specifically Hollywood. Making the transition from stage to screen in 1934, Ms. Urecal appeared in innumerable bits, usually as cleaning women, shopkeepers and hatchet-faced landladies. In B-pictures and 2-reelers of the 1940s, she established herself as a less expensive Marjorie Main type; her range now encompassed society dowagers (see the East Side Kids' Mr. Muggs Steps Out) and Mrs. Danvers-like housekeepers (see Bela Lugosi's The Ape Man). With the emergence of television, Minerva Urecal entered the "guest star" phase of her career. She achieved top billing in the 1958 TV sitcom Tugboat Annie, and replaced Hope Emerson as Mother for the 1959-60 season of the weekly detective series Peter Gunn. Minerva Urecal was active up until the early '60s, when she enjoyed some of the most sizeable roles of her career, notably the easily offended Swedish cook in Mr. Hobbs Takes a Vacation (1962) and the town harridan who is turned to stone in Seven Faces of Dr. Lao (1964).

Trivia: Towheaded child actor Tommy Ivo played Cousin Arne in I Remember Mama (1948) but is perhaps better remembered for his appearances opposite Charles Starrett in Columbia's long-running "Durango Kid" Western series. Ivo popped up in no less than six entries, often mistaking the masked avenger for a real bandit but always wanting to emulate him by the fadeout -- just like the front-row kids of the day. Ivo was fairly busy in television in the late '40s and early '50s as well, so busy in fact that he earned the nickname "TV Tommy Ivo." When his career slowed down in the late '50s, Ivo found a new outlet for his talents -- as a professional hot rod driver.

Trivia: Often sporting a pencil-thin mustache, Carl Sepulveda was one of the many anonymous stunt riders found in the background of countless B-Westerns and serials. Having made a couple of screen appearances in the late silent era, Sepulveda returned to films full time in 1939, appearing mostly unbilled in more than 50 Westerns and at least eight serials until 1951. He also worked on the first season of television's Gene Autry Show (1950-1956).

Trivia: Gene Autry, the archetype of the guitar strumming, singing Hollywood cowboy, is one of American cinema's most beloved figures. Born Orvon Autry, his entry to showbiz has a story book quality. During the 1920s he was working as a telegraph operator when American folk hero Will Rogers overheard him singing and convinced him to give show business a try. By 1928 he was singing regularly on a small radio station. Three years later, he was starring in his own national radio show (The National Barn Dance) and making records for Columbia. He first made his mark in films starring roles in the 13-part Republic serial Phantom Empire (1935) and the movie Tumblin' Tumbleweeds (1935). Then he went on to make dozens of Westerns, usually with his famed horse Champion and his comic sidekick Smiley Burnette. He was the top Western star at the box office from 1937-42, and is the only Western actor ever to make the list of Hollywood's top ten attractions, an achievement attained in 1940, '41, and '42. His career was interrupted by service in World War II (he served as a flight officer), during which his place was supplanted at Republic by singing cowboy Roy Rogers. Between 1947 and 1954, now working for Columbia Pictures, Autry trailed behind Rogers as the second most popular western star. His films focus exclusively on action, with little romantic interest. Autry's special twist, though, was to pause from time to time for an easy-going song, creating a new genre of action films that is considered by film historians to constitute a revolution in B-movies (one that went on to have many imitators). As a recording artist, he had nine million-sellers; and as a songwriter, he penned 200 popular songs including the holiday classic "Here Comes Santa Claus." After 20 years as a singing cowboy, Autry retired from movies in 1954 to further his career as a highly successful businessman (among many other investments, he eventually bought the California Angels, a major league baseball team). However, he continued performing on television until the '60s. In 1978 he published his autobiography Back in the Saddle Again, titled after his signature song.

Trivia: The son of a circuit-riding Methodist minister, American actor Pat Buttram led a hand-to-mouth existence as a child. He managed to get a scholarship to study theology at Birmingham Southern College, where amateur theatricals captured his enthusiasm. Buttram's first professional job was as a morning announcer at a Birmingham station, bringing home a lofty six dollars per week. Heading for Chicago to see the 1933 World's Fair, Buttram began picking up comedy relief work on radio station WLS's National Barn Dance, where he worked with such stars-to-be as Homer & Jethro and teenaged George Gobel (who would later cite Buttram as his principal comic influence). One of the Barn Dance headliners was singing cowboy Gene Autry, and when Autry inaugurated his starring radio series Melody Ranch in the 1940s, Buttram came aboard as comedy relief. Together, Autry and Buttram would make several pictures at both Republic and Columbia studios (Buttram's first was The Strawberry Roan [1948]); the two also co-starred on Autry's TV show, which ran for 91 episodes in the early '50s. Fast friends but not bosom buddies, Autry and Buttram became a little closer in 1950 when Pat was severely injured in an on-set accident and Gene gave him the encouragement to hang in there even when the doctors had given up hope. Autry retired from acting a multimillionaire in 1956; Buttram, while well off, still had to keep working, so after vetoing the notion of hitting the nightclub trail, he became an immensely popular after-dinner speaker at show-business functions. His subsequent TV roles were in a comical vein, but Buttram made an excellent impression in a feverishly dramatic part in "The Jar," one of the eeriest episodes of The Alfred Hitchcock Hour. In 1965, Buttram was cast as duplicitous peddler Mr. Haney on Green Acres, and for the next five seasons kept audiences in stitches as he sold "Mis-ter Douglas" (Eddie Albert) one useless item after another, delivering his laconic sales pitch in his inimitable singsong voice. Off-camera, Buttram was a successful rancher and stock market speculator, as well as a Civil War buff; he was happily married for many years to one-time Western leading lady Sheila Ryan, who left Pat a widower in 1975. Semi-retired by the 1980s, Pat Buttram made a few welcome appearances on TV (guesting on a Green Acres retrospective special on cable television, and providing a voice for the cartoon series Garfield and Friends) and movies (Back to the Future III [1989]).