Trivia: Lead actor, former juvenile, onscreen from 1972.

Trivia: Actor Joseph Campanella's father, a Sicilian immigrant, was an early member of the American Federation of Musicians; perhaps as a result, the younger Campanella remained active in liberal "underdog" political causes all his life. At eighteen, Campanella became one of the youngest-ever skippers in the wartime navy. He went on to attend Columbia University, then began his acting career on the New York stage and in TV soap operas. Over the next three decades he would portray Joe Turino on The Guiding Light, Alec Fielding on The Doctors, Dr. Ted Steffen on the nighttime TV serial The Doctors and the Nurses and Senator Harper Devereaux on Days of Our Lives. Additional TV assignments for Campanella included the role of Mike Connors' boss on the first season (1967-68) of Mannix; attorney Brian Darrell on four seasons (1969-73) of The Bold Ones; and Hutch Corrigan on the 1985-86 season of The Colbys. He also narrated several National Geographic Specials, and was host of the syndicated 1983 revival of This is Your Life. A steadfast film supporting player, Campanella was finally awarded a lead in 1972's "rampaging rat" thriller Ben, only to find that his was the second name above the title: "Leave it to me," Campanella remarked with his usual self-deprecation, "to get second billing to a rat in my first big starring movie." Recent credits include a "guest voice" role as Dr. Thorne on the Fox Network's Batman: The Animated Series. Joseph Campanella is the brother of Frank Campanella, a character actor usually cast as uniformed big-city cops.

Trivia: A veteran vaudevillian, American actor Arthur O'Connell made his legitimate stage debut in the mid '30s, at which time he fell within the orbit of Orson Welles' Mercury Theatre. Welles cast O'Connell in the tiny role of a reporter in the closing scenes of Citizen Kane (1941), a film often referred to as O'Connell's film debut, though in fact he had already appeared in Freshman Year (1939) and had costarred in two Leon Errol short subjects as Leon's conniving brother-in-law. After numerous small movie parts, O'Connell returned to Broadway, where he appeared as the erstwhile middle-aged swain of a spinsterish schoolteacher in Picnic -- a role he'd recreate in the 1956 film version, earning an Oscar nomination in the process. The somewhat downtrodden-looking O'Connell was frequently cast as fortyish losers and alcoholics; in the latter capacity he appeared as Jimmy Stewart's boozy attorney mentor in Anatomy of a Murder (1959), and the result was another Oscar nomination. O'Connell continued appearing in choice character parts on both TV and films during the '60s (he'd graduated to villainy in a few of these roles), but avoided a regular television series, holding out until he could be assured top billing. The actor accepted the part of a man who discovers that his 99-year-old father has been frozen in an iceberg on the 1967 sitcom The Second Hundred Years, assuming he'd be billed first per the producers' agreement. Instead, top billing went to newcomer Monty Markham in the dual role of O'Connell's father (the ice had preserved his youthfulness) and his son. O'Connell accepted the demotion to second billing as well as could be expected, but he never again trusted the word of any Hollywood executive. Illness forced O'Connell to cut down on his appearances in the mid '70s, but the actor stayed busy as a commercial spokesman for a popular toothpaste. At the time of his death, O'Connell was appearing solely in these commercials -- by his own choice. For a mere few hours' work each year, Arthur O'Connell remained financially solvent 'til the end of his days.

Trivia: Born in Germany to American parents, Rosemary Murphy was educated in Paris. When her family relocated to the U.S. in 1939, Murphy completed her schooling in Kansas City. After preparing for an acting career at Neighborhood Playhouse and the Actors Studio, she returned to Germany, where she made her film bow in Berlin Express (1948) and her stage debut in a 1949 production of Peer Gynt. The following year, she made her first Broadway appearance. Murphy's stage credits include Period of Adjustment (1961), Any Wednesday (1964) and A Delicate Balance (1966); she earned Tony nominations for all three, and was honored with the New York Critic's Poll award for her work in Balance. Her film and TV characterizations ranged from meek subservience to homicidal intensity. She spent several years as Loretta Fowler on the daytime soap opera Another World, and has played such "historical celebrity" roles as Sara Delano Roosevelet in Eleanor and Franklin (winning an Emmy for her work), Dorothy Parker in Julia (1977), Mary Ball Washington in the 1984 miniseries George Washington, and Rose Kennedy in the 1991 TV biopic A Woman Named Jackie. Rosemary Murphy has also been prominently featured in three recent Woody Allen productions: September (1987), Don't Drink the Water (1994), and Mighty Aphrodite. Her final film role was in the indie rom-com The Romantics. Murphy died in 2014, at age 89.

Trivia: The daughter of actress Whitney Blake, Meredith Baxter received extensive training in the arts at the Interlochen Summer Camp in Michigan. Meredith worked as an usher, file clerk and cafeteria checker before getting her first film break in Ben (1971). The 5'7" blonde actress entered the "America's sweetheart" category when she was cast as Bridget Fitzgerald Steinberg, the prettier half of a Catholic-Jewish married couple, in the TV sitcom Bridget Loves Bernie (1972). While the series lasted only a year, her "reel" marriage became a "real" one when, in 1974, she wed her B Loves B co-star David Birney. In addition to yielding a new, hyphenated professional name for Meredith, her union with Birney produced three children before the couple divorced in the early 1990s (she also had two children from a previous marriage). In between stage appearances in such productions as Hamlet, Guys and Dolls and Butterflies are Free, Meredith played Nancy Lawrence Maitland on the TV dramedy Family, winning two Emmy nominations during her four-year (1976-80) stint with this series. In 1982, Meredith agreed to star as flower child-turned-suburban mom Elyse Keaton on the weekly TV comedy Family Ties, having been assured that she would be the star of the series in fact as well as in name. As it happened, Family Ties was dominated throughout its seven-year run by co-star Michael J. Fox. A prolific TV-movie actress, she owns the distinction of playing the same real-life character twice, with two entirely different interpretations. When she first played accused murderess Betty Broderick in 1992's A Woman Scorned, Meredith was sympathetic to Broderick's plight, and played the role accordingly (earning an Emmy nomination in the process); but by the time 1993's Her Final Fury rolled around, Meredith, like everyone else involved in the project, was convinced that Betty Broderick deserved what she got--and played the role in the manner of a Gothic Novel villainess. A made-for-TV movie fixture over the course of the next decade, Baxter remained a familiar face on the small screen thanks to appearances in such popular shows as The Closer and Cold Case, later showing her playful side with voice work in such animated series' as Family Guy and Dan Vs. A breast-cancer survivor, she received a public-awareness award from the National Breast Cancer Coalition for starring in and coproducing the 1994 drama My Breast.

Trivia: Lead actor Kaz Garas first appeared onscreen in the late '60s; he also worked as a screen writer.

Trivia: Paul Carr has been a very busy actor since the '50s on-stage, in television, and in films, after starting his screen career with Alfred Hitchcock. Born in New Orleans in 1934, he grew up in the town of Marrero, in Jefferson Parish, LA. As a teenager, he had an interest in music as well as acting. After a short stint in the Marine Corps in his teens, he began his acting career with a role in a New Orleans production of Billy Budd, and by the mid-'50s was working on live televsion out of New York City, including appearances on Studio One and Kraft Television Theater, while continuing theatrical work in stock companies in Ohio and Michigan, with roles such as Peter Quilpe in The Cocktail Party, Haemon in Antigone, Jack in The Rose Tattoo, and Hal Carter in Picnic, as well as a summer tour in Fifth Season with Chico Marx. Carr made his movie debut in 1955 with a small uncredited role in Alfred Hitchcock's fact-based thriller The Wrong Man. That same year, he portrayed a prisoner of war in the Theatre Guild's production of Time Limit on Broadway. His film career continued with a much larger role in Alfred Werker's The Young Don't Cry (1957), starring James Whitmore and Sal Mineo, and that same year he appeared in the jukebox movie Jamboree. He worked steadily on television in the late '50s and early '60s with guest spots and supporting roles in a lot of Westerns such as Trackdown, Rawhide, The Rifleman, and The Virginian. Later he appeared in detective shows and medical and war dramas, such as 77 Sunset Strip, Dr. Kildare, and Twelve O'Clock High, interspersed with occasional film work, including Captain Newman, M.D. (1963). He had a recurring role as one of the submarine Seaview's junior officers on Voyage to the Bottom of the Sea in its black-and-white season, and played other parts of the show subsequently. Carr was all over the tube on Burke's Law, Combat, Gunsmoke, and a dozen other shows in the middle of the decade. In 1965, Carr won the role of Bill Horton, the physician son of protagonist Dr. Tom Horton on Days of Our Lives, which kept him busy for the subsequent year. He was later a regular on General Hospital and The Doctors, and between the three soap operas, Carr had put in a lot of time portraying dedicated medical practitioners. He may be remembered best, however, for his appearance on a pop-culture institution that has been exumed and re-examined by the public en masse: In 1966, he was seen in the second Star Trek pilot episode, "Where No Man Has Gone Before," portraying Lt. Kelso, the affable Enterprise officer who is strangled telekinetically by the ship's rapidly mutating helmsman. Carr has gone on to work in dozens of television shows --everything from Get Smart, Mannix, The Rockford Files, and Murphy Brown, to miniseries and features, both made-for-television (The Deadly Tower). In 2001, his voice was heard in Blood: The Last Vampire, as the school's headmaster.

Trivia: Though seemingly born with a battered bulldog countenance and a rattly voice best suited to such lines as "We don't like you kind around these parts, stranger," tough-guy character actor Kenneth Tobey was originally groomed for gormless leading man roles when he came to Hollywood in 1949. Possessing too much roughhewn authority to be wasted in romantic leads, Tobey was best served in military roles. One of these was the no-nonsense but likeable Capt. Patrick Hendrey in the 1951 sci-fi classic The Thing From Another World, a role that typed him in films of a "fantastic" nature for several years thereafter. From 1956 through 1958, Tobey co-starred with Craig Hill on the popular syndicated TV adventure series Whirlybirds; up to that time, televiewers were most familiar with Tobey as Jim Bowie in the ratings-busting Davy Crockett miniseries. Though often consigned by Hollywood's typecasting system to workaday villain roles, Kenneth Tobey has not be forgotten by filmmakers who grew up watching his horror-flick endeavors of the 1950s; he has been afforded key cameo roles in such latter-day shockers as Strange Invaders (1983) and Gremlins 2: The New Batch, and in 1985 he reprised his Thing From Another World character in The Attack of the B-Movie Monsters.

Trivia: Tough-guy American actor James Luisi could usually be found playing cops or plainclothes detectives. Luisi spent four (1976-80) years in the role of Lt. Doug Chapman on TV's The Rockford Files, later repeating the characterization (now promoted to Captain) in two Rockford TV-movies of the mid-1990s. On daytime TV, he was seen as Phil Wainwright in Another World. James Luisi's TV resumé also included the roles of garage owner Harry Foreman in Harris and Company (1979) and police lieutenant Marciano in Renegades (1983).

Trivia: Tall and beefy, American supporting actor Lee Paul appeared in a few films from the early '70s though the early '80s. But he is best known for his frequent guest-starring roles on television. Lee got his start on-stage in the early '60s.

Trivia: General purpose actor Norman Alden was first seen by filmgoers in 1960's Operation Bottleneck. Most often seen in take-charge roles, Alden was critically acclaimed for his portrayal of a middle-aged retarded man in the NYC-filmed Andy (1965). The actor's series-TV credits include the thankless role of "Frank" on the "Electra Woman/Dynagirl" segments of Saturday morning's The Krofft Supershow. More artistically satisfying was Norman Alden's brief tenure as lawyer Al Cassidy on the Lee Grant TV sitcom Fay (1975).

Trivia: Ace stuntman Tom Steele (born Skeoch) was as handsome as any of the leading men he doubled in scores of serials and action melodramas, and almost always better paid. In fact, Republic Pictures used to cast their serial heroes for their resemblance to Steele, the only stuntman ever actually under term contract to the studio (the equally legendary Dale Van Sickel, Dave Sharpe, and Ted Mapes were hired per project). Steele, who often portrayed three or sometimes even four different characters in a serial, continued his career well into the television era, retiring in the mid-'80s.