Trivia: Icon of British cool in the 1960s, leading action star in the late '70s, and knighted into official respectability in 1993, Michael Caine has enjoyed a long, varied, and enviably prolific career. Although he played a part in some notable cinematic failures, particularly during the 1980s, Caine remains one of the most established performers in the business, serving as a role model for actors and filmmakers young and old. The son of a fish-porter father and a charwoman mother, Caine's beginnings were less than glamorous. Born Maurice Micklewhite in 1943, in the squalid South London neighborhood of Bermondsey, Caine got his first taste of the world beyond when he was evacuated to the countryside during World War II. A misfit in school, the military (he served during the Korean War), and the job pool, Caine found acceptance after answering a want ad for an assistant stage manager at the Horsham Repertory Company. Already star struck thanks to incessant filmgoing, Caine naturally took to acting, even though the life of a British regional actor was one step away from abject poverty. Changing his last name from Micklewhite to Caine in tribute to one of his favorite movies, The Caine Mutiny (1954), the actor toiled in obscurity in unbilled film bits and TV walk-ons from 1956 through 1962, occasionally obtaining leads on a TV series based on the Edgar Wallace mysteries. Caine's big break occurred in 1963, when he was cast in a leading role in the epic, star-studded historical adventure film Zulu. Suddenly finding himself bearing a modicum of importance in the British film industry, the actor next played Harry Palmer, the bespectacled, iconoclastic secret agent protagonist of The Ipcress File (1965); he would go on to reprise the role in two more films, Funeral in Berlin (1966) and The Billion Dollar Brain (1967). After 12 years of obscure and unappreciated work, Caine was glibly hailed as an "overnight star," and with the success of The Ipcress Files, advanced to a new role as a major industry player. He went on to gain international fame in his next film, Alfie (1966), in which he played the title character, a gleefully cheeky, womanizing cockney lad. For his portrayal of Alfie, Caine was rewarded with a Golden Globe award and an Oscar nomination. One of the most popular action stars of the late '60s and early '70s, Caine had leading roles in films such as the classic 1969 action comedy The Italian Job (considered by many to be the celluloid manifestation of all that was hip in Britain at the time); Joseph L. Manckiewic's Sleuth (1972), in which he starred opposite Laurence Olivier and won his second Oscar nomination; and The Man Who Would Be King (1976), which cast him alongside Sean Connery. During the 1980s, Caine gained additional acclaim with an Oscar nomination for Educating Rita (1983) and a 1986 Best Supporting Actor Oscar for Hannah and Her Sisters. He had a dastardly turn as an underworld kingpin in Neil Jordan's small but fervently praised Mona Lisa, and two years later once again proved his comic talents with the hit comedy Dirty Rotten Scoundrels, in which he and Steve Martin starred as scheming con artists. Although Caine was no less prolific during the 1990s, his career began to falter with a series of lackluster films. Among the disappointments were Steven Seagal's environmental action flick On Deadly Ground (1994) and Blood and Wine, a 1996 thriller in which he starred with Jack Nicholson and Judy Davis. In the late '90s, Caine began to rebound, appearing in the acclaimed independent film Little Voice (1998), for which he won a Golden Globe for his portrayal of a seedy talent agent. In addition, Caine -- or Sir Michael, as he was called after receiving his knighthood in 2000 -- got a new audience through his television work, starring in the 1997 miniseries Mandela and de Klerk. The actor, who was ranked 55 in Empire Magazine's 1997 Top 100 Actors of All Time list, also kept busy as the co-owner of a successful London restaurant, and enjoyed a new wave of appreciation from younger filmmakers who praised him as the film industry's enduring model of British cool. This appreciation was further evidenced in 2000, when Caine was honored with a Best Supporting Actor Academy Award for his portrayal of an abortionist in The Cider House Rules. After launching the new millennium with both a revitalized career momentum and newfound popularity among fans who were too young to appreciate his early efforts, Caine once again scored a hit with the art-house circuit as the torturous Dr Royer-Collard in director Phillip Kaufman's Quills. Later paid homage by Hollywood icon Sylvester Stallone when the muscle-bound actor stepped into Caine's well-worn shoes for a remake of Get Carter (in which Caine also appeared in a minor role) the actor would gain positive notice the following year for his turn as a friend attempting to keep a promise in Last Orders. As if the Get Carter remake wasn't enought to emphasize Caine's coolness to a new generation of moviegoers, his turn as bespectacled super-spy Austin Powers' father in Austin Powers in Goldfinger proved that even years beyond The Italian Job Caine was still at the top of his game. Moving seamlessly from kitsch to stirring drama, Caine's role in 2002's The Quiet American earned the actor not only some of the best reviews of his later career, but another Oscar nomination as well. Caine had long demonstrated an unusual versatility that made him a cult favorite with popular and arthouse audiences, but as the decade wore on, he demonstrated more box-office savvy by pursuing increasingly lucrative audience pleasers, almost exclusively for a period of time. The thesp first resusciated the triumph of his Muppet role with a brief return to family-friendly material in Disney's Secondhand Lions, alongside screen legend Robert Duvall (Tender Mercies, The Apostle). The two play quirky great-uncles to a maladjusted adolescent boy (Haley Joel Osment), who take the child for the summer as a guest on their Texas ranch. The film elicited mediocre reviews (Carrie Rickey termed it "edgeless as a marshmallow and twice as syrupy") but scored with ticket buyers during its initial fall 2003 run. Caine then co-starred with Christopher Walken and Josh Lucas in the family issues drama Around the Bend (2004). In 2005, perhaps cued by the bankability of Goldfinger and Lions, Caine landed a couple of additional turns in Hollywood A-listers. In that year's Nicole Kidman/Will Ferrell starrer Bewitched, he plays Nigel Bigelow, Kidman's ever philandering warlock father. Even as critics wrote the vehicle off as a turkey, audiences didn't listen, and it did outstanding business, doubtless helped by the weight of old pros Caine and Shirley Maclaine. That same year's franchise prequel Batman Begins not only grossed dollar one, but handed Caine some of his most favorable notices to date, as he inherited the role of Bruce Wayne's butler, a role he would return to in both of the film's sequels, The Dark Knight and The Dark Knight Rises. Caine contributed an elegiac portrayal to Gore Verbinski's quirky late 2005 character drama The Weatherman, as Robert Spritz, the novelist father of Nic Cage's David Spritz, who casts a giant shadow over the young man. In 2006, Caine joined the cast of the esteemed Alfonso Cuaron's dystopian sci-fi drama Children of Men, and lent a supporting role to Memento helmer Christopher Nolan's psychological thriller The Prestige. In 2009 Caine starred as the title character in Harry Brown, a thriller about a senior citizen vigilante, and the next year worked with Nolan yet again on the mind-bending Inception.

Trivia: The daughter of educators, Elizabeth McGovern moved from her home town of Evanston, Illinois to Los Angeles when her father, a law professor at Northwestern, transferred to UCLA. Discovered for the movies while appearing in a high-school play, McGovern made an impressive screen debut as the girlfriend of emotionally disturbed teenager Timothy Hutton in the Oscar-winning Ordinary People (1980). The following year, she earned an Academy Award nomination for her portrayal of notorious turn-of-the-century "kept lady" Evelyn Nesbit Shaw in Ragtime. She honed her acting skills at Julliard and the American Conservatory Theatre, then made her off-Broadway debut in a 1981 production of To Be Young, Gifted and Black; her later stage credits include Painting Churches and The Hitch-hiker. Carefully avoiding the make-work roles usually reserved for actresses of her generation, McGovern has opted for offbeat characterizations in such films as Racing with the Moon (1984) and Once Upon a Time in America. She seems unconcerned with the size of her roles, so long as she can make a lasting impression as witness The Handmaid's Tale (1991) in which she deftly handles her role with such formidable co-stars as Natasha Richardson and Robert Duvall with her brief appearance as self-deprecating lesbian prostitute Moira. Elizabeth McGovern also starred in the 1995 TV sitcom If Not for You.

Trivia: University of Buffalo graduate, former Bella Abzug campaign worker, and onetime schoolteacher Peter Riegert finessed an early flair for comedy into appearing with an improv troupe called the War Babies. This led to Riegert's Broadway bow in 1975, then to his being hired by the National Lampoon people for several projects, the first of which was Animal House (1978), in which the actor portrayed Donald "Boon" Schoenstein. He went on to play such roles as the feckless corporate-flunky good guy in Local Hero (1983) and the unhitched pickle vendor Amy Irving would never marry in a million years but does anyway in Crossing Delancey (1989). Usually bypassed by the gossip columnists (which he doesn't seem to mind at all), Riegert raised journalistic eyebrows when he was cast opposite his onetime lady friend Bette Midler in the 1993 TV version of Gypsy. In the years to come, Riegert would venture behind the camera as a director, in addition to continued roles on screen, including regular appearances on One Tree Hill and The Good Wife.

Trivia: Stage, screen, and TV actress Swoosie Kurtz's father was a colonel in the U.S. Air Force, and she was named after a plane he flew in World War II. After college she attended a drama school in London, and debuted onstage in a series of regional theater plays in the late '60s. In 1970 she appeared in an off-Broadway production of The Effects of Gamma Rays on Man-in-the-Moon Marigolds, for which she won an Obie Award; she went on to a successful stage career, winning two Tony Awards, a Drama Desk Award, and an Outer Critics' Circle Award. Eventually Hollywood took an interest, and she became a regular on the TV sitcom Love, Sydney, winning an Emmy for her work. She debuted onscreen in a small role in Slap Shot (1977) then appeared in two successive flops; it was four years before her next screen role. Since 1982 she has had an intermittently busy film career, mostly in well-respected but not particularly successful productions. In the '90s she has co-starred in the TV series Sisters.

Trivia: Actor Will Patton successfully divides his time between mainstream and independent features, television films, and a stage career on and off-Broadway. Born and raised in North Carolina, the son of a Lutheran minister, Patton learned his craft at the North Carolina School of the Arts and at New York's Actor's Studio where he studied under Lee Strasberg. In addition, Patton studied at the Open Theater under Joseph Chaikin before making it to the New York stage. Patton has won two Obie Awards for Tourists and Refugees No. 2 and for Sam Shepard's Fool for Love. Patton also has had experience working at London's Royal Court Theatre. Upon his return to New York, Patton joined the experimental Winter Project troupe. During the 1970s, Patton performed in two soap operas, Search for Tomorrow and Ryan's Hope. Patton first appeared on film in the short underground film Minus Zero(1979). During the early '80s, Patton appeared in such New York-based independent films as Michael Oblowitz's King Blank and Variety (both 1983). After playing a small but important villainous role in Susan Seidelman's Desperately Seeking Susan (1985), Patton was cast in his first big-budget film, Martin Scorsese's After Hours (1985), where he played a brutish boyfriend with a thing for leather and chains. His best portrayal of a villain can be found in the Gene Hackman-starring thriller No Way Out (1987). In the '90s he could be seen in The Rapture, In the Soup, Romeo Is Bleeding, Copycat, the infamous Kevin Costner project The Postman, and the Michael Bay blockbuster Armageddon. At the beginning of the 21st century Patton continued to remain busy with major roles in Remember the Titans, Gone in 60 Seconds, The Mothman Prophecies, and The Punisher, as well as smaller roles in diverse films like Into the West, Wendy and Lucy, Meek's Cutoff, and Brooklyn's Finest.

Trivia: Trained at the Theatre Institute, 19-year-old Jenny Wright had already been acting for seven years when she made her off-Broadway bow in 1980's Album. The following year, Wright showed up as one of the groupies in that midnight-movie perennial Pink Floyd: The Wall. She went on to important roles in The World According to Garp (1982), St. Elmo's Fire (1983), and Lawnmower Man (1992). Jenny Wright's TV manifest included the starring part of Doreen Duncan in the 1990 weekly Capitol News.

Trivia: Born in Indiana and raised in Minnesota, John McMartin attended college in both Illinois and New York. McMartin initially wanted to be a print or radio journalist, but opted instead for acting. His first big break was as Corporal Billy Jester in the 1959 off-Broadway operetta spoof Little Mary Sunshine, which won him both a Theatre World award and a bride (he married Cynthia Baer, one of the show's producers). After appearing in two Bob Fosse-directed productions, he enjoyed a long run as Gwen Verdon's nervous boyfriend Oscar in Fosse's Sweet Charity (1965). He went westward to repeat the role of Oscar in the 1969 film version of Charity, but preferred New York to Hollywood and returned to the stage. In 1971, he was cast as Benjamin Stone in the Stephen Sondheim hit Follies (nine years earlier, he'd been cut from Sondheim's A Funny Thing Happened on the Way to the Forum). He then spent several years playing classical-and non-musical-stage roles. Throughout his Broadway years, he made infrequent film and TV appearances; he played supporting roles in such movies as All the President's Men (1976) and Pennies from Heaven (1980), was briefly a regular on Falcon Crest, guested as Shelley Fabares' father on the sitcom Coach, and was seen in the made-for-TV features Separate but Equal (1991) and Citizen Cohn (1992). One of his most intriguing TV assignments was the 1965 pilot film for the never-sold lawyer series Higher and Higher, in which his co-stars were a couple of green kids named Sally Kellerman and Dustin Hoffman. In the 1990s, John McMartin scored a huge success as Captain Andy in producer Hal Prince's gargantuan revival of Show Boat.

Trivia: After briefly attending the College of the Pacific, Barbara Baxley headed to New York to pursue an acting career. Barbara studied at Sanford Meisner's Neighborhood Playhouse, then went on to become a charter member of the Actor's Studio. After making her New York stage bow in the 1948 revival of Private Lives, she spent the next several years taking over for a number of "big-name" actresses in long-running Broadway plays. She also starred in the original productions of Dark at the Top of the Stairs and Period of Adjustment, and worked extensively off-Broadway in projects like Brecht on Brecht. In the company of several of her Actor's Studios colleagues, Barbara made her film debut in East of Eden (1955), playing the nurse in the closing scenes. Other roles in her feature-film manifest included country-western matriarch Lady Pearl in Nashville (1975) and Leona in Norma Rae (1979). On television, Barbara was one of the stars of Norman Lear's satirical gender-switch soap opera All That Glitters (1977). In June of 1990, 62-year-old Barbara Baxley was found dead in her New York apartment, apparently the victim of heart failure.

Trivia: New Jersey native Haviland Morris is best known to many audiences as Caroline in the '80s teen classic Sixteen Candles. An accomplished Broadway actress, Morris' forays into screen acting were intermittent, appearing in films like Gremlins 2 and Home Alone 3 and on shows like Sex and the City and Law & Order between stage roles.

Trivia: Christopher Durang first studied theater at Harvard before moving on to the Yale School of Drama and working under Robert Brustein. He began his career as a parodist, penning The Idiots Karamazov and The Vietnamization of New Jersey before finding his trademark blend of satire and black comedy. Influenced by Eugene Ionesco and Tom Stoppard, among others, Durang uses wit and absurdity to take on issues of religion and family. His best-known works are the domestic comedies The Marriage of Bette and Boo and Baby With the Bathwater, and the religious satire Sister Mary Ignatius Explains It All for You. Though Durang has written several screenplays, only Beyond Therapy, first staged as a play, has been filmed, under the direction of Robert Altman. As an actor, Durang has contributed spirited cameos to quite a few films, including a turn as Santa in Life With Mikey and as a magical sprite in Simply Irresistible. He has also collaborated on stage projects with Sigourney Weaver.

Trivia: An actor whom you've probably seen in more films than you realize, Zach Grenier possesses the rare ability to take the smallest of roles and transform them into memorable appearances that stick with audiences long after the credits have finished -- even if his frequently unsympathetic characters have often met an unpleasant demise. It was this ability and skill that found Grenier steadily building a career with appearances in such blockbusters as Cliffhanger (1993), Donnie Brasco (1997), Shaft (2000), and Swordfish (2001). Born in February 1954, Grenier's family lived a somewhat nomadic existence in his early years, moving 18 times before the worldly teen graduated from high school, where, in his junior year, the young man discovered his love of the stage while performing in a production of Shakespeare's Henry V. Continuing to hone his acting skills and frequently appearing on-stage following graduation, Grenier appeared in such other plays as Talk Radio and A Question of Mercy, and made his film debut in the 1987 drama The Kid Brother (aka Kenny). Soon appearing in such films as Working Girl and Talk Radio in 1988, and See No Evil, Hear No Evil the following year. The actor's parts may have been small, but his talent was growing and appearances memorable; his roles continued to expand throughout the '90s, and viewers saw the rising star in Twister and Maximum Risk (both 1996), among several other movies. A turn as Joseph Goebbels in that year's Mother Night gave him a chance to prove his dramatic skills in front of the camera, and a subsequent role in David Fincher's cult hit Fight Club (1999) found him holding his own well against the film's talented leads. Alternating between television and movies in subsequent work, Grenier starred in the little-seen thriller Chasing Sleep (2000) and joined the cast of the popular weekly suspense series 24 in 2001.

Trivia: With a countenance that can effortlessly suggest a beleaguered everyman or a no-nonsense tough, American character actor John Finn has sustained a prolonged and impressively varied career. A New York City native, Finn received one of his earliest assignments under the aegis of Stuart Rosenberg, as Ginty in the ethnic drama (and cult hit) The Pope of Greenwich Village (1984). The actor's resumé over the following ten years packed in a series of key Hollywood films of varying quality -- from the wonderful Ed Zwick drama Glory (1989) and the fine Alan Pakula political thriller The Pelican Brief (1993) to the Bob Clark buddy comedy Loose Cannons (1990). Finn also appeared in occasional telemovies, notably the 1991 Posing: Inspired by Three Real Stories, as Jimmy Lanahan, the husband of homemaker-turned-Playmate Meredith Lanahan (Lynda Carter). After appearances on such hit series as The X-Files, Frasier, and NYPD Blue, and parts in the major studio releases Catch Me If You Can and Analyze That (2002), Finn landed one of his first regular series roles, playing Lieutenant John Stillman on the popular detective program Cold Case.

Trivia: After spending the 1980s playing a series of drug addict and character parts, Samuel L. Jackson emerged in the 1990s as one of the most prominent and well-respected actors in Hollywood. Work on a number of projects, both high-profile and low-key, has given Jackson ample opportunity to display an ability marked by both remarkable versatility and smooth intelligence.Born December 21, 1948, in Washington, D.C., Jackson was raised by his mother and grandparents in Chattanooga, TN. He attended Atlanta's Morehouse College, where he was co-founder of Atlanta's black-oriented Just Us Theater (the name of the company was taken from a famous Richard Pryor routine). Jackson arrived in New York in 1977, beginning what was to be a prolific career in film, television, and on the stage. After a plethora of character roles of varying sizes, Jackson was discovered by the public in the role of the hero's tempestuous, drug-addict brother in 1991's Jungle Fever, directed by another Morehouse College alumnus, Spike Lee. Jungle Fever won Jackson a special acting prize at the Cannes Film Festival and thereafter his career soared. Confronted with sudden celebrity, Jackson stayed grounded by continuing to live in the Harlem brownstone where he'd resided since his stage days. 1994 was a particularly felicitous year for Jackson; while his appearances in Jurassic Park (1993) and Menace II Society (1993) were still being seen in second-run houses, he co-starred with John Travolta as a mercurial hit man in Quentin Tarantino's Pulp Fiction, a performance that earned him an Oscar nomination. His portrayal of an embittered father in the more low-key Fresh earned him additional acclaim. The following year, Jackson landed third billing in the big-budget Die Hard With a Vengeance and also starred in the adoption drama Losing Isaiah. His versatility was put on further display in 1996 with the release of five very different films: The Long Kiss Goodnight, a thriller in which he co-starred with Geena Davis as a private detective; an adaptation of John Grisham's A Time to Kill, which featured him as an enraged father driven to murder; Steve Buscemi's independent Trees Lounge; The Great White Hype, a boxing satire in which the actor played a flamboyant boxing promoter; and Hard Eight, the directorial debut of Paul Thomas Anderson.After the relative quiet of 1997, which saw Jackson again collaborate with Tarantino in the critically acclaimed Jackie Brown and play a philandering father in the similarly acclaimed Eve's Bayou (which also marked his debut as a producer), the actor lent his talents to a string of big-budget affairs (an exception being the 1998 Canadian film The Red Violin). Aside from an unbilled cameo in Out of Sight (1998), Jackson was featured in leading roles in The Negotiator (1998), Sphere (1998), and Deep Blue Sea (1999). His prominence in these films added confirmation of his complete transition from secondary actor to leading man, something that was further cemented by a coveted role in what was perhaps the most anticipated film of the decade, Star Wars: Episode I - The Phantom Menace (1999), the first prequel to George Lucas' Star Wars trilogy. Jackson followed through on his leading man potential with a popular remake of Gordon Parks' seminal 1971 blaxploitation flick Shaft. Despite highly publicized squabbling between Jackson and director John Singleton, the film was a successful blend of homage, irony, and action; it became one of the rare character-driven hits in the special effects-laden summer of 2000.From hard-case Shaft to fragile as glass, Jackson once again hoodwinked audiences by playing against his usual super-bad persona in director M. Night Shyamalan's eagerly anticipated follow-up to The Sixth Sense, Unbreakable (2000). In his role as Bruce Willis' brittle, frail antithesis, Jackson proved that though he can talk trash and break heads with the best of them, he's always compelling to watch no matter what the role may be. Next taking a rare lead as a formerly successful pianist turned schizophrenic on the trail of a killer in the little-seen The Caveman's Valentine, Jackson turned in yet another compelling and sympathetic performance. Following an instance of road rage opposite Ben Affleck in Changing Lanes (2002), Jackson stirred film geek controversy upon wielding a purple lightsaber in the eagerly anticipated Star Wars II: Attack of the Clones. Despite rumors that the color of the lightsaber may have had some sort of mythical undertone, Jackson laughingly assured fans that it was a simple matter of his suggesting to Lucas that a purple lightsaber would simply "look cool," though he was admittedly surprised to see that Lucas had obliged him Jackson eventually saw the final print. A few short months later filmgoers would find Jackson recruiting a muscle-bound Vin Diesel for a dangerous secret mission in the spy thriller XXX.Jackson reprised his long-standing role as Mace Windu in the last segment of George Lucas's Star Wars franchise to be produced, Star Wars Episode III: Revenge of the Sith (2005). It (unsurprisingly) grossed almost four hundred million dollars, and became that rare box-office blockbuster to also score favorably (if not unanimously) with critics; no less than Roger Ebert proclaimed it "spectacular." Jackson co-headlined 2005's crime comedy The Man alongside Eugene Levy and 2006's Joe Roth mystery Freedomland with Julianne Moore and Edie Falco, but his most hotly-anticipated release at the time of this writing is August 2006's Snakes on a Plane, a by-the-throat thriller about an assassin who unleashes a crate full of vipers onto a aircraft full of innocent (and understandably terrified) civilians. Produced by New Line Cinema on a somewhat low budget, the film continues to draw widespread buzz that anticipates cult status. Black Snake Moan, directed by Craig Brewer (Hustle and Flow) dramatizes the relationship between a small-town girl (Christina Ricci) and a blues player (Jackson). The picture is slated for release in September 2006 with Jackson's Shaft collaborator, John Singleton, producing.Jackson would spend the ensuing years appearing in a number of films, like Home of the Brave, Resurrecting the Champ, Lakeview Terrace, Django Unchained, and the Marvel superhero franchise films like Thor, Iron Man, and The Avengers, playing superhero wrangler Nick Fury.

Trivia: A character actor whose beefy, imposing build (a magazine once listed him as 6'3" and 245 pounds) typecast him as thugs, hoods, and underworld heavies, performer Mike Starr was raised in the Manhattan area, as the son of a meatpacker and a five-and-dime clerk. He attended Long Island's Hofstra University on a drama scholarship, and -- after graduation -- toiled at menial jobs as a bartender and club bouncer before landing his first film role in William Friedkin's gay-themed cop thriller Cruising (1980). Many projects ensued over the following decades, including The Natural (1984), Uncle Buck (1989, in a memorable bit as a drunken clown), Ed Wood (1994), and Jersey Girl (2004). Fans of the gangster-themed comedy Mad Dog and Glory (1993), in particular, might remember Starr -- he played Harold, the wife-beater husband who gets on David Caruso's bad side, and physically suffers for it. In 2007, Starr essayed a rare lead in the character comedy Osso Bucco; he played a gangster unknowingly targeted for death and due for extermination by his cousin.

Trivia: Character actor Gary Goodrow first appeared onscreen in the '60s.