Trivia: One of the screen's most grizzled actors, Jack Palance defined true grit for many a filmgoer. The son of a Ukrainian immigrant coal miner, he was born Volodymyr Palahnyuk (Anglicized as Walter Jack Palaniuk) on February 18, 1920, in Lattimer Mines, Pennsylvania. As a young man, Palance supported himself with stints as a miner, professional boxer, short-order cook, fashion model, lifeguard, and radio repairman. During WWII service, he enlisted in the AAC and piloted bombers, one of which crashed, knocking him unconscious in the process. The severe burns he received led to extensive facial surgery, resulting in his gaunt, pinched face and, ironically, paving the way for stardom as a character actor. Palance attended the University of North Carolina and Stanford University on the G.I. Bill and considered a career in journalism, but drifted into acting because of the comparatively higher wages. Extensive stage work followed, including a turn as the understudy to Anthony Quinn (as Stanley Kowalski in the touring production of A Streetcar Named Desire) and the portrayal of Kowalski on the Broadway stage, after Marlon Brando left that production. Palance debuted on film in Elia Kazan's 1950 Panic in the Streets, as a sociopathic plague host opposite Richard Widmark. He landed equally sinister and villainous roles for the next few years, including Jack the Ripper in Man in the Attic (1953), Simon the Magician (a sorcerer who goes head to head with Jesus) in The Silver Chalice (1954), and Atilla the Hun in Sign of the Pagan (1954). Palance received Best Supporting Actor Oscar nominations for his performances in both Sudden Fear (1952) and Shane (1953). Beginning in the late '50s, Palance temporarily moved across the Atlantic and appeared in numerous European pictures, with Jean-Luc Godard's 1963 Le Mépris/Contempt a particular highlight. Additional big-screen roles throughout the '60s and '70s included that of Ronald Wyatt in Freddie Francis's horror episode film The Torture Garden (1967), the monastic sadist Brother Antonin in Jesús Franco's Justine (1969), Fidel Castro in Che! (1969), Chet Rollins in William A. Fraker's Western Monte Walsh (1970), Quincey Whitmore in the 1971 Charles Bronson-starrer Chato's Land, and Jim Buck in Portrait of a Hitman (1977). Unfortunately, by the '80s, Palance largely disappeared from the cinematic forefront, his career limited to B- and C-grade schlock. He nonetheless rebounded by the late '80s, thanks in no small part to the German director Percy Adlon, who cast him as a love-struck painter with a yen for Marianne Sägebrecht in his arthouse hit Bagdad Cafe (1987). Turns in Young Guns (1988) and 1989's Batman (as the aptly named Carl Grissom) followed. In 1991, Palance was introduced to a new generation of viewers with his Oscar- and Golden Globe-winning performance in Ron Underwood's City Slickers. The turn marked something of a wish-fulfillment for the steel-tough actor, who had spent years believing, in vain, that he would be best suited for comedy. These dreams were soon realized for a lengthy period, as the film's triumph yielded a series of additional comic turns for Palance on television programs and commercials.Accepting his Best Supporting Actor award at the 1992 Academy Awards ceremony, Palance won a permanent place in Oscar history when he decided to demonstrate that he was, in fact, still a man of considerable vitality by doing a series of one-handed push-ups on stage. He reprised his role in the film's 1994 sequel, City Slickers II: The Legend of Curly's Gold.Over the years, Palance also starred in the TV series The Greatest Show on Earth (ABC, 1963-4), as a hard-living circus boss, and Bronk (CBS, 1975-6) as a pipe-smoking police lieutenant, as well as in numerous TV dramas, notably Rod Serling's Requiem for a Heavyweight (1956). From 1982-1986, he hosted the ABC revival of Ripley's Believe It Or Not. He also established himself as an author in the late '90s, by publishing the 1996 prose-poem Forest of Love. Accompanying the work were Palance's pen-and-ink drawings, inspired by his Pennysylvania farm; he revealed, at the time, that he had been painting and sketching in his off-camera time for over 40 years. After scattered work throughout the '90s and 2000s, Jack Palance died on November 10, 2006 at his home in Montecito, California. He had been married and divorced twice, first to Virginia Baker from 1949-1966 (with whom he had three children), and then to Elaine Rogers in 1987. Two of his children outlived him; the third died several years prior, of melanoma, at age 43.

Trivia: A busy teenaged model, Carol Lynley rose to fame by virtue of a series of popular hair-conditioner commercials. Her first important acting assignment was as a high-school-age murderess on a 1958 episode of Alfred Hitchcock Presents, directed by Robert Altman. The blonde ingenue played a more sedate role in her first film, Disney's The Light in the Forest. Carol Lynley continued essaying a variety of sympathetic and menacing roles into the 1990s, earning extensive press coverage for her portrayal of film-legend Jean Harlow in a 1965 "electronivision" production, released at the same time as another Harlow biography starring Carroll Baker.

Trivia: Trained at New York's Professional Children's School, Warren Berlinger made his first stage appearance at the age of 11. At 17, Berlinger was showered with critical praise for his performance in the 1955 Broadway production A Roomful of Roses, in which he appeared with his future wife, actress Betty Lou Keim. Both Berlinger and Keim repeated their roles in the 1956 film version of Roses, retitled Teen-age Rebel. In 1958, he won a Theatre World Award for his performance in Blue Denim, again re-creating his role in the 1959 film adaptation. He scored a huge hit in the 1963 London production of How to Succeed in Business Without Really Trying, essaying his favorite role, J. Pierpont Finch. In films, Berlinger's stock-in-trade has been the portrayal of plump, good-natured schmoes; he was still conveying this image into the 1980s and 1990s in films like The World According to Garp (1982) and Hero (1992). On television, he played the lead in the "Kilroy" episodes of Walt Disney's Wonderful World of Color(1965) and had regular roles on The Joey Bishop Show (1961), as Joey's brother Larry, The Funny Side (1971), A Touch of Grace (1973), Operation Petticoat (1977) and Small and Frye (1983). Distantly related to comedian Milton Berle, Warren Berlinger appeared with "Uncle Miltie" in the 1975 feature Lepke.

Trivia: A Brooklyn street-gang member in his youth, actor Adam Roarke spent the bulk of his film career wearing a black leather jacket, sporting a menacing-looking beard, and roaring into view astride a motorcycle. During the biker-flick vogue of the 1960s and early 1970s, Roarke either starred or co-starred in such chrome-plated epics as Hell's Angels on Wheels, Hell's Belles and The Losers. In one of his rare non-cycle appearances, he played Raymond Bailey, the conceited movie star who is doubled by Steve Railsback in The Stunt Man (1980). In 1987, Adam Roarke made his directorial debut with Trespasses. Roarke was born into a show business family; his father was a vaudeville comedian and his mother a chorine. He himself did not take up acting until after he decided to clean up his act and serve two years in the Army. He briefly studied acting and at age 19 signed a contract with Universal Studios where he appeared in the aforementioned biker flicks and as a television guest star on shows ranging from Star Trek to Mod Squad. In the early '80s, a Dallas-located Halloween party populated by young actors such as Lou Diamond Phillips, inspired Roarke to open an acting school in the Texas city. His Film Actors Lab opened at the Dallas Communications Complex in Las Colinas, Texas in 1982.

Trivia: Supporting actor and singer Gianni Russo specializes in playing Mafiosos and other Italian stereotypes. He made his feature-film debut playing Carlo Rizzi in The Godfather (1973). Before that, Russo had appeared in two made-for-television films.

Trivia: Comical American character actor Johnny Haymer is perhaps best known for a great variety of work on television, where he has appeared over 100 times in everything from movies to series to variety shows and specials. Haymer has also appeared in a few feature films including Annie Hall, Logan's Run, and Real Life. Haymer started out as the stand-up comedy team Sears & Haymer. He has also worked on Broadway.

Trivia: Like many New York actors, Martin Kove was willing to go unbilled to pick up extra paychecks in such East Coast-filmed efforts as Little Murders (1971) and Last House on the Left (1972). By 1984, Kove was pulling down third billing in such films as The Karate Kid, wherein he played Kreese, the "bad" karate expert who trained the film's principal heavy William Zabka for his bout against the simon-pure Ralph Macchio (Kove replaced Chuck Norris, who turned down the role of Kreese because he didn't want karate trainers to be shown in an unsympathetic light). Martin Kove's work on series TV has included the roles of detective Victor Isbecki on Cagney and Lacey and an extraterrestrial named Jesse on Hard Time on Planet Earth.