Trivia: Red-headed, freckle-faced Martin Milner was only 15 when he made his screen debut in Life With Father (1947), and would continue to play wide-eyed high schoolers and college kids well into the next decade. His early film assignments included the teenaged Marine recruit in Lewis Milestone's The Halls of Montezuma (1951) and the obnoxious suitor of Jeanne Crain in Belles on Their Toes (1952). His first regular TV series was The Stu Erwin Show (1950-1955), in which he played the boyfriend (and later husband) of Stu's daughter Joyce. More mature roles came his way in Marjorie Morningstar (1957) as Natalie Wood's playwright sweetheart and in The Sweet Smell of Success (1957) as the jazz musician targeted for persecution by Winchell-esque columnist Burt Lancaster. Beginning in 1960, he enjoyed a four-year run as Corvette-driving Tod Stiles on TV's Route 66 (a statue of Milner and his co-star George Maharis currently stands at the Corvette Museum in Bowling Green, KY). A longtime friend and associate of producer/director/actor Jack Webb, Milner was cast as veteran L.A.P.D. patrolman Pete Malloy on the Webb-produced TV weekly Adam-12, which ran from 1968 to 1975. His later TV work included a short-lived 1970s series based on Johan Wyss' Swiss Family Robinson. Later employed as a California radio personality, Martin Milner continued to make occasional TV guest appearances; one of these was in the 1989 TV movie Nashville Beat, in which he was reunited with his Adam-12 co-star Kent McCord. He made an appearance on the short-lived series The New Adam-12 and had recurring roles on shows like Life Goes On and Murder, She Wrote. Milner died in 2015, at age 83.

Trivia: George Maharis was one of seven children of Greek immigrant parents. Though he could very easily have gone into his father's restaurant business, Maharis decided to try for a singing career. When his vocal chords were injured by overuse, Maharis switched to acting, studying at the Actors' Studio and making one of his earliest appearances as a Marlon Brando parody on the 1950s TV sitcom Mr. Peepers. Maharis was very active in the off-Broadway scene, appearing in Jean Genet's Deathwatch and Edward Albee's The Zoo Story. He gained a fan following (primarily female) through his weekly appearances as handsome drifter Buzz Murdock on the TV series Route 66. He played Buzz from 1960 to 1963, leaving the series for a variety of reasons, among them artistic differences and a bout of hepatitis. His subsequent film career failed to reach the heights of his TV work, and by 1970 Maharis was back in the weekly small-screen grind in the adventure series The Most Dangerous Game. When not performing in nightclubs, summer stock or films, George Maharis spent a good portion of the 1970s and 1980s indulging in his pet hobby, impressionistic painting.

Trivia: Blonde, ice cool, and sophisticated actress Nina Foch has worked steadily in feature films and television since making her film debut in Return of the Vampire (1943). As a contracted starlet for Columbia Pictures, Foch spent several years appearing in many B-films before she was able to prove herself ready for bigger fare. Born to Dutch conductor/composer Dirk Fock and an American chorine/WWI-era pin-up girl, Foch was born in Holland but raised in Manhattan. Before enrolling in the American Academy of Dramatic Arts to study acting, she had briefly been a concert pianist and an amateur painter. As an actress, Foch gained experience with local theater and touring companies until signing with Columbia in 1943. In 1947, Foch made the first of many forays on Broadway. By the early '50s, she was being cast in secondary but better roles in such films as An American in Paris (1951) and Scaramouche (1952). In 1954, Foch appeared in Executive Suite for which she received an Oscar nomination for Best Supporting Actress. But for a few television appearances and some stage work, Foch took a respite from acting in 1960 that lasted over ten years. She made a comeback in Such Good Friends (1971) and continued to appear sporadically in films as a character actress. Foch also worked steadily in television, was a respected drama coach in Hollywood, and taught at UCLA's School of Cinematic Arts for 40 years before her death in late 2008.

Trivia: Betty Field was a versatile character and lead actress said to have never repeated a characterization. She attended the American Academy of Dramatic Arts before appearing professionally in summer stock in 1933. The following year, Field made her Broadway debut and soon became a popular ingenue in George Abbott's comedies of the late '30s. She made her premiere feature-film appearance in What a Life (1939), reprising her role in a Broadway play of the same name. With her provocative performance in Of Mice and Men (1940), she established herself as a significant actress. Throughout the '40s, Field alternated between Broadway plays and Hollywood films. On screen she tended to play neurotic, hard-bitten women. After only making one film around 1950, Field did not return to steady film work until after 1956, when she became a character actress frequently cast as unkempt but well-meaning mothers. One of her three marriages was to playwright Elmer Rice, who wrote several plays as vehicles for her. Betty Field died of a cerebral hemorrhage in 1973.

Trivia: American actor James Dunn's early career embraced bit parts in silent pictures, vaudeville, and Broadway before he made his talking picture bow in Bad Girl (1931). For the next several years, Dunn appeared in sentimental "lovable scamp" leading roles; he also helped introduce Shirley Temple to feature films by co-starring with the diminutive dynamo in Stand Up and Cheer, Baby Take a Bow, and Bright Eyes, all released in 1934. When Fox merged with 20th Century Pictures in 1935, the type of domestic comedy-dramas and free-wheeling musicals in which Dunn specialized came to an end; by the end of the 1930s Dunn's appearance were confined to "B" pictures and poverty-row quickies. Dunn was given a comeback chance as Peggy Ann Garner's irresponsible alcoholic father in the 1945 drama A Tree Grows in Brooklyn. The actor won an Academy Award for his performance. Eight years passed before Dunn would be seen in films again, though he found occasional solace in TV work, including his tenure as the star of a 1955 sitcom, It's a Great Life. Dunn's final movie role, filmed two years before his death, was a minor part as an agent in the all-star "trash classic" The Oscar (1966).

Trivia: The son of actors Robert Walker and Jennifer Jones, Robert Walker Jr. began training for his own show business career at the Actors' Studio in the early '60s. "I would like to develop as an actor in obscurity," Walker commented in reference to his parents' fame, but the young actor's striking resemblance to his father (who died in 1951) made it virtually impossible for the two Robert Walkers to be separated in the minds of the public. The younger Walker worked steadily on television and stage, and co-starred in films of varying quality from 1963 to 1984. Robert Walker Jr. is best remembered for valiantly stepping into the shoes of Jack Lemmon when he was cast in the title role in the Mister Roberts sequel Ensign Pulver (1964).