Trivia: Of the many performers to leap into films from the springboard of the television sketch comedy series Saturday Night Live, Bill Murray has been among the most successful and unpredictable, forging an idiosyncratic career allowing him to stretch from low-brow slapstick farce to intelligent adult drama. Born in Wilmette, IL, on September 21, 1950, Murray was an incorrigible child, kicked out of both the Boy Scouts and Little League. At the age of 20, he was also arrested for attempting to smuggle close to nine pounds of marijuana through nearby O'Hare Airport. In an attempt to find direction in his life, he joined his older brother, Brian Doyle-Murray, in the cast of Chicago's Second City improvisational comedy troupe. He later relocated to New York City, joining radio's National Lampoon Hour. Both Murray siblings were also in a 1975 off-Broadway spin-off, also dubbed The National Lampoon Hour; there Murray was spotted by sportscaster Howard Cosell, who recruited him for the cast of his ABC variety program, titled Saturday Night Live With Howard Cosell. On the NBC network, a program also named Saturday Night Live was creating a much bigger sensation; when, after one season, the show's breakout star Chevy Chase exited to pursue a film career, producer Lorne Michaels tapped Murray as his replacement. Murray too became a celebrity, developing a fabulously insincere and sleazy comic persona which was put to good use in his first major film, the 1979 hit Meatballs. He next starred as the famed gonzo journalist Hunter S. Thompson in the film biography Where the Buffalo Roam, a major disaster. However, 1980's Caddyshack was a masterpiece of slob comedy, with Murray memorable as a maniacal rangeboy hunting the gopher that is slowly destroying his golf course. The film launched him to the ranks of major stardom; the follow-up, the armed services farce Stripes, was an even bigger blockbuster, earning over 40 million dollars at the box office. Murray next appeared, unbilled, in 1982's Tootsie before starring with Dan Aykroyd and Harold Ramis in 1984's Ghostbusters. The supernatural comedy was one of the decade's biggest hits, earning over 130 million dollars and spawning a cartoon series, action figures, and even a chart-topping theme song (performed by Ray Parker Jr.). Murray now ranked among the world's most popular actors, and he next fulfilled a long-standing dream by starring in and co-writing an adaptation of the W. Somerset Maugham novel The Razor's Edge. Few fans knew what to make of his abrupt turn from broad farce to literary drama, however, and as a result the film flopped. Murray spent the next several years in self-imposed exile, making only a cameo appearance in the 1986 musical comedy Little Shop of Horrors. After much deliberation, he finally selected his comeback vehicle -- 1988's Scrooged, a black comic retelling of Dickens' A Christmas Carol. While it performed moderately well, it was not the smash many predicted. Nor was 1989's Ghostbusters II, which grossed less than half of the first picture. The 1990 crime comedy Quick Change, which Murray co-directed with Howard Franklin, was also a disappointment, but 1991's What About Bob? was an unqualified hit. In 1993, Murray earned his strongest notices to date for Groundhog Day, a sublime comedy directed by longtime conspirator Ramis. Beginning with 1994's acclaimed Ed Wood, in which he appeared as a transsexual, Murray's career choices grew increasingly eccentric; in 1996 alone, he starred in the little-seen Larger Than Life as a motivational speaker, co-starred as a bowling champion in Kingpin, and appeared as himself in the family film Space Jam. In 1998, Murray took on a similarly eccentric role in Wes Anderson's Rushmore. Playing a business tycoon competing with an equally eccentric 15-year-old (Jason Schwartzman) for the affections of a first grade teacher (Olivia Williams), Murray did some of his best work in years and won the Best Supporting Actor award from the New York Film Critics Circle. The film's success helped to put the actor back in the forefront, and he drew further exposure that year from his appearance as a sleazy lawyer in the relentlessly trashy Wild Things. The following year, he could be seen in Cradle Will Rock, Tim Robbins' look at the often contentious relationship between art and politics in 1930s America.Though the mere thought of Murray as Polonius in a film adaptation of William Shakespeare's Hamlet may have elicited dumbounded looks and confused laughter early in his career, that was precisely how the versatile thespian ushered in the new millennium in director Micheal Almereyda's modern updating of the classic drama. Subsequently landing laughs as the superspy point person Bosley in the big screen adaptation of the classic 1970's television hit Charlie's Angels, Murray's interpretation of the character would be taken over by popular comic Bernie Mac in the film's 2003 sequel. After taking a brief voyage into gross-out territory with the Farrelly brother's Osmosis Jones in 2001, a re-teaming with Rushmore director Anderson resulted in a small but memorable supporting performance in the same year's The Royal Tenenbaums. In 2003 Murray essayed the role that would offer what was perhaps his most heartfelt combination of personal drama and touching comedy to date in director Sofia Coppola's acclaimed indie film Lost in Translation. Cast as a washed up American actor who strikes up a tentative friendship with the young wife of a superstar photographer while on a stay in Japan to endorse a popular brand of whiskey, Murray's low-key charm proved the perfect balance to co-star Scarlett Johansson's youthful malaise. Virtually across the board, critics were bowled over by the subtle depth of Murray's performance, leading to Best Actor honors from The New York Film Critics Circle, The Boston Society of Film Critics, The Los Angeles Film Critics Association, The San Francisco Film Critics Circle, The National Society of Film Critics, The Golden Globes, and The Independent Spirit Awards. But the one award that remained elusive to Murray was Oscar. Though nominated, the prize ultimately went to Sean Penn for Mystic River.In 2004, along with providing the voice for a CGI version of Garfield the cat, Murray once again teamed up with director Wes Anderson, starring as as a world-renowned oceanographer in The Life Aquatic with Steve Zissou. While The Life Aquatic was met with mixed reviews, Murray's performance in the 2005 Jim Jarmusch film Broken Flowers netted virtually unanimous acclaim. Over the next several years, Murray would maintain his selective film career, appearing in acclaimed films like Get Low, Passion Play, and Moonrise Kingdom.

Trivia: One of the most vibrant comic personalities of the 1970s and '80s, as well as a noted actor and screenwriter, Dan Aykroyd got his professional start in his native Canada. Before working as a standup comedian in various Canadian nightclubs, Aykroyd studied at a Catholic seminary from which he was later expelled. He then worked as a train brakeman, a surveyor, and studied Sociology at Carleton University in Ottawa, where he began writing and performing comedy sketches. His success as a comic in school led him to work with the Toronto branch of the famed Second City improvisational troupe. During this time -- while he was also managing the hot nightspot Club 505 on the side -- Aykroyd met comedian and writer John Belushi, who had come to Toronto to scout new talent for "The National Lampoon Radio Hour." In 1975, both Aykroyd and Belushi were chosen to appear in the first season of Canadian producer Lorne Michaels' innovative comedy television series Saturday Night Live. It was as part of the show that Aykroyd gained notoriety for his dead-on impersonations of presidents Richard Nixon and Jimmy Carter. He also won fame for his other characters, such as Beldar, the patriarch of the Conehead clan of suburban aliens, and Elwood, the second half of the Blues Brothers (Jake Blues was played by Belushi). Aykroyd made his feature-film debut in 1977 in the Canadian comedy Love at First Sight, but neither it nor his subsequent film, Mr. Mike's Mondo Video, were successful. His first major Hollywood screen venture was as a co-lead in Steven Spielberg's 1941 (1979). But Aykroyd still did not earn much recognition until 1980, when he and Belushi reprised their popular SNL characters in The Blues Brothers, a terrifically successful venture that managed to become both one of the most often-quoted films of the decade and a true cult classic. Aykroyd and Belushi went on to team up one more time for Neighbors (1981) before Belushi's death in 1982. Aykroyd's subsequent films in the '80s ranged from the forgettable to the wildly successful, with all-out comedies such as Ghostbusters (1984) and Dragnet (1987) falling into the latter category. Many of these films allowed him to collaborate with some of Hollywood's foremost comedians, including fellow SNL alumni Chevy Chase, Bill Murray, and Eddie Murphy, as well as Tom Hanks and the late John Candy. In such pairings, Aykroyd usually played the straight man -- typically an uptight intellectual or a latent psycho. He tried his hand at drama in 1989 as Jessica Tandy's son in Driving Miss Daisy and received an Oscar nomination for Best Supporting Actor. During the '90s, Aykroyd's career faltered just a bit as he appeared in one disappointment after another. Despite scattered successes like My Girl (1991), Chaplin (1992), Casper (1995), Grosse Pointe Blank (1997), and Antz (1998), the all-out flops -- The Coneheads (1993), Exit to Eden (1994), Sgt. Bilko (1996) -- were plentiful. Likewise, the long-awaited Blues Brothers sequel, Blues Brothers 2000 (1998), proved a great disappointment. Aykroyd, however, continued to maintain a screen profile, starring as Kirk Douglas' son in the family drama Diamonds in 1999. During the next few years, he found greater success in supporting roles, with turns as a shifty businessman in the period drama The House of Mirth (2000), Woody Allen's boss in The Curse of the Jade Scorpion (2001), pop star Britney Spears' father in her screen debut, Crossroads (2002), and (in a particularly amusing turn) as Dr. Keats in the Adam Sandler/Drew Barrymore comedy 50 First Dates. Aykroyd also appeared in the 2005 Christmas with the Kranks, alongside Tim Allen and I Now Pronounce You Chuck and Larry with Adam Sandler in 2006. He also provided the voice of Yogi Bear in the big screen adaptation of the titular cartoon -- but none of these projects did particularly well with fans. Aykroyd soon planned to revive the smashing success of the Ghostbusters franchise, collaborating with Harold Ramis to create a script and reunite the original four stars. However, ongoing hold-ups, including the public refusal of pivotal member Bill Murray to participate, continued to push the project back. In the meantime, Akroyd played a recurring role on TV shows like According to Jim, The Defenders, and Happily Divorced.Since 1983, Aykroyd has been married to the radiant Donna Dixon, a model who holds the twin titles of Miss Virginia 1976, and Miss District of Columbia 1977; the two co-starred in the 1983 Michael Pressman comedy Doctor Detroit. In Aykroyd's off time, he claims a varied number of interests, including UFOs and supernatural phenomena (his brother Peter works as a psychic researcher), blues music (he co-owns the House of Blues chain of nightclubs/restaurants), and police detective work.

Trivia: Though she is a classically trained dramatic actress and has played a variety of roles, Sigourney Weaver is still best known for her portrayal of the steel-jawed, alien-butt-kicking space crusader Ellen Ripley from the four Alien movies. The formidably beautiful, 5'11'' actress was born Susan Weaver to NBC president Pat Weaver and actress Elizabeth Inglis. Her father had a passion for Roman history and originally wanted to name her Flavia, but after reading F. Scott Fitzgerald's The Great Gatsby at the age of 14, Weaver renamed herself Sigourney, after one of the book's minor characters. After being schooled in her native New York City, Weaver attended Stanford University and then obtained her master's at the Yale School of Drama where, along with classmate Meryl Streep, she appeared in classical Greek plays. After earning her degree, Weaver was only able to find work in experimental plays produced well away from Broadway, as more conventional producers found her too tall to perform in mainstream works. After getting her first real break in the soap opera Somerset (1970-1976), she made her film debut with a bit part in Woody Allen's Annie Hall in 1977. Weaver had her first major role in Madman which was released just prior to Alien in 1979. Though the role of Ripley was originally designed for Veronica Cartwright (who ultimately played the doomed Lambert), scouts for director Ridley Scott saw Weaver working off-Broadway and felt she would be perfect for the part. The actress' take on the character was laced with a subtlety that made her a new kind of female action hero: Intelligent, resourceful, and unconsciously sexy, Weaver's Ripley was a woman with the guts to master her fear in order to take on a terrifying unknown enemy. Alien proved to be one of the year's biggest hits and put Weaver on Hollywood's A-list, though she would not reprise her character for another seven years. In between, she worked to prove her versatility, playing solid dramatic roles in Eyewitness (1981) and The Year of Living Dangerously (1982), while letting a more playful side show as a cellist who channels a fearsome demon in Ghostbusters (1984). In 1986, Aliens burst into the theater, even gorier and more rip-roaring than its predecessor. This time, Weaver focused more on the maternal side of her character, which only served to make her tougher than ever. Her unforgettable performance was honored with a Best Actress Oscar nomination, and was followed up by Weaver's similarly haunting portrayal of doomed naturalist/animal rights activist Diane Fossey in Gorillas in the Mist (1988). The role won Weaver her second Best Actress Oscar nomination, and that same year, she received yet another Oscar nomination -- this time for Best Supporting Actress -- for her deliciously poisonous portrayal of Melanie Griffith's boss in Working Girl. After 1992's Alien 3, Weaver had her next big hit playing President Kevin Kline's lonely wife in the bittersweet romantic comedy Dave (1993). She then gave a gripping performance as a rape/torture victim who faces down the man who may or may not have been her tormentor in Roman Polanski's moody thriller Death and the Maiden (1994). During the latter half of the decade, Weaver appeared in Alien Resurrection -- perhaps the most poorly received installment of the series -- but increasingly surfaced in offbeat roles such as the coolly fragile Janey in Ang Lee's The Ice Storm and the psychotic, wicked Queen in the adult-oriented HBO production The Grimm Brothers' Snow White (both 1997). In 1999, she starred in the sci-fi spoof Galaxy Quest, making fun of her image as a sci-fi goddess while continuing to prove her remarkable versatility.Weaver's first high-profile project of the new millenium saw her swindling Ray Liotta and Gene Hackman as a sexy con-woman teamed up with Jennifer Love Hewitt. Already into her fifties, Weaver proved she still possessed plenty of sex-appeal even alongside a substantially younger starlet like Hewitt. She played up her sultry side some more in the well-received 2002 indie-comedy Tadpole, but changed gears a bit in 2003, playing a villain in the family sleeper hit Holes.In 2004, Weaver could be seen as part of the ensemble cast in M. Night Shyamalan's summer thriller The Village. She played a tough-as-nails network executive in the satire The TV Set, and provided the voice of the ship's computer in WALL-E. In 2008 she appeared in projects as diverse as Baby Mama and Be Kind Rewind. She had a major role in the box-office blockbuster Avatar - teaming up with director James Cameron again. Her very busy 2011 included the role of a government official in the sci-fi comedy Paul, the girlfriend of a sheltered insurance salesman in Cedar Rapids, and a part in Oren Moverman's cop drama Rampart.Weaver has been married to stage director Jim Simpson since 1984. When not appearing in films, she continues to be active in theater.

Trivia: His long and fruitful association with Canada's Second City comedy troupe has led some to assume that Harold Ramis was Canadian; actually he hailed from the original "Second City," Chicago. After college, Ramis worked as editor of the Party Jokes page of Playboy magazine. He later performed with Chicago's Second City aggregation, and was a cast member of the Broadway revue National Lampoon's Lemmings, a major spawning ground of most of Saturday Night Live's cast. Ramis didn't join the SNL folks, but instead headed for Edmonton, where he was a writer/performer on the weekly Second City TV sketch comedy series. Like the rest of his talented co-stars, Ramis played a rich variety of roles on the series, the most prominent of which was TV station manager Moe Green (a character name swiped from the second Godfather movie); his other characters tended to be nerdy or officious types. Ramis' film activities have included screenwriting (National Lampoon's Animal House) and directing (1980s Caddyshack and 1984's Club Paradise). His best remembered screen appearance was as paranormal troubleshooter Egon Spengler in the two Ghostbusters flicks. Retaining close ties with his Second City compadres (on both sides of the U.S.-Canadian border), Ramis directed the 1993 Bill Murray vehicle Groundhog Day and the 1995 Al Franken starrer Stuart Saves His Family. Though Groundhog Day was generally lauded as one of the most fresh and original comedies to come down the pipe in quite some time, Stuart Saves His Family didn't prove any where near as successful despite some generally positive critical nods. To be fair, audiences had certainly had their fill of SNL spinoff movies by this point and the movie did have a somewhat hard time balancing its drama with comedy, but with well written characters and a smart script many eventually succumbed to its charm when the film was released on home video shortly thereafter. Where Stuart Saves His Family had scored with critics and bombed with the masses, Ramis' next film, the Michael Keaton comedy Multiplicity, did almost the exact opposite. Generally regarded as only a mediocre effort by the press, audiences seemed to enjoy the idea of multiple Keatons and the film performed fairly well at the box office. It seemed that Ramis was a director in need of balancing critical and mass reception, and with his next film he seemed to do just that. An inventive comedy that paired Robert DeNiro and Billy Crystal as a troubled mob boss and his tentative psychiatrist respectively, Analyze This seemed to get a fair shake from just about everybody. As one of DeNiro's first straight comedies, audiences had a cathartic blast watching him gleefully deconstruct the hardened, fearsome persona he had been perfecting since the early days of his career. Ramis next stepped behind the camera for Bedazzled - a remake of the beloved Dudley Moore/Peter Cooke comedy classic. Unfortunately the film proved to be one of the director's biggest failures to date. Opting next to stick with more familiar, but again not altogether original ground, Ramis headed up the sequel to Analyze This - amusingly titled Analyze That - in 2002. Though it may not have been the most necessary sequel in the history of film, fans were generally pleased and the film proved a moderate success. Sure all of Ramis' work as a director left little time for other endeavors, but the busy filmmaker somehow found time to serve as a producer on many of his own projects (in addition to such non-Ramis directed films as The First $20 Million Is Always the Hardest) as well as step in front of the camera for such efforts as As Good As It Gets (1997), Orange County (2002), Knocked Up (2007), Walk Hard: The Dewey Cox Story (2007), and Year One (2009), which he also wrote and directed. Ramis died at age 69 in 2014.

Trivia: While still attending high school in Toronto, Rick Moranis held down a part-time job as a radio engineer. After working as a solo nightclub comic and radio deejay, Moranis joined the Second City comedy troupe, which lead to his television bow in 1980 on the syndicated weekly Second City TV. Like his SCTV colleagues, Moranis' strong suit was his versatility, though his early fame rested on a single characterization. Grudgingly honoring a Canadian regulatory requirement that Second City TV include a sequence of "identifiable Canadian content" in each episode, Moranis and Dave Thomas created the characters of Bob and Doug McKenzie, a pair of beer-guzzling, back-bacon-chewing "hosers" who allegedly represented certain Canadians. The largely improvised McKenzie brothers segments scored an immediate hit, spawning a 1983 feature film Strange Brew, which Moranis and Thomas starred in, co-wrote and co-directed. Since leaving Second City TV, Moranis has pursued a successful film career, usually playing clueless or self-involved nerds. He played reluctant "ghost host" Louis Tully in the two Ghostbusters films, was cast as Seymour Krelboin in the 1986 musical version of Little Shop of Horrors, and was seen as eccentric inventor Wayne Szalinski in Honey I Shrunk the Kids (1989) and its sequel Honey I Blew Up the Kid (1992). Even in his 40s, Moranis convincingly portrayed geekish losers-turned-winners in such films as Little Giants (1994) and Big Bully (1995). He played a convincing live-action version of Barney Rubble in The Flintstones (1994). In 1997, he reprised Wayne Szlalinski in Disney's third installment of their now direct-to-video series Honey We Shrunk Ourselves. Having lost his wife Ann to liver cancer in 1991, the beloved character actor subsequently retreated from the spotlight to raise their two children, emerging only occasionally for vocal work on projects like The Animated Adventures of Bob and Doug McKenzie and Brother Bear (both 2003), or to record his Grammy-nominated country album The Agoraphobic Cowboy.

Trivia: Actor Ernie Hudson received his training at Wayne State, Yale School of Drama and the University of Minnesota. Following a hitch with the Marines, Hudson appeared in such stage productions as The Great White Hope, The Cage and Daddy Goodness. He made his earlier film appearance in 1976's Leadbelly. Most of us know Hudson best as Winston Zeddmore in the two Ghostbusters films, a role he repeated in Ray Parker Jr.'s "Ghostbusters" music video. His best--and most controversial--screen assignment was the The Hand That Rocks the Cradle (1992); Hudson played retarded handyman Solomon, virtually the only character in the film who doesn't buy into the "perfect" facade of homicidal baby-sitter Rebecca DeMornay. On TV, Ernie Hudson has been seen as Smythe in Highcliffe Manor (1977), undercover officer "Night Train" Lane in The Last Precinct (1986), and kleptomaniac cop Toby Baker in Broken Badges (1990). He had a memorable supporting part in the 1992 thriller The Hand That Rocks the Cradle, and appeared in Heart and Souls as well as the comedy Airheads. In 1994 he was cast in a prominent role in the action film The Crow, and followed that up in 1995 with part in Congo. In 1997 he started work on the HBO drama Oz, playing the warden of the meanest, cruelest inmates imaginable for six seasons. He co-starred with Sandra Bullock in the 2000 comedy Miss Congeniality. He continued to work steadily in projects as diverse as Snoop Dogg's Hood of Horror, The Ron Clark Story, and 2010's Smokin' Aces 2: Assassin's Ball.

Trivia: Involved in amateur theatricals since childhood, Annie Potts received her BFA in theatre arts from Missouri's Stephens College. Potts has been seen in comic supporting roles in films since 1978; she is most closely associated with the part of ditzy secretary Janine Melnitz in the two Ghostbusters flicks of the 1980s. On television, Potts has played Edith Bedelmeyer on the one-season sitcom Goodtime Girls (1980), then enjoyed a longer run as Mary Jo Shively on Designing Women (1986-93). Her characterization of outspoken gourmet chef Dana Paladino on the prime time sitcom Love and War won Annie an Emmy nomination in 1994. Annie Potts has also been featured in a popular series of commercials for a well-known corn-chip product, and has served as national spokesperson for the Women for Arthritis Foundation. In 1996 she was cast as a no-nonsense schoolteacher of troubled inner-city high schoolers in the ABC-TV show Dangerous Minds, a series based on the 1995 Michelle Pfeiffer film of the same name. She voiced the part of Bo Peep in the first two Toy Story films, and in 2003 she took part in a Designing Women reunion. That same year she was the lead in Defending Our Kids: The Julie Posey Story. She appeared intermittently on the Showtime series Huff, and in 2007 she joined the cast of the short-lived series Men In Trees. In 2012 she was cast as one of the leads in the new TV series GCB.

Trivia: Upon graduating from the University of Minnesota, Peter MacNicol traveled the length and breadth of the U.S. as a regional repertory actor. In his first film, Dragonslayer (1981), MacNicol essayed one of his few leading-man roles as Galen, a hapless assistant sorcerer who makes good. His most celebrated film assignment was as Stingo, the innocent-bystander narrator of Sophie's Choice. Most of the time, MacNicol has been seen in comical, sycophantic roles, such as the easily demonized Janocz in Ghostbusters II (1989) and the unctuous camp counselor in Addams Family Values (1993). On television, Peter MacNicol starred in the brief Norman Lear political lampoon The Powers That Be (1992) and co-starred as Alan Birch on the CBS medical drama Chicago Hope (1994).MacNicol continued to play small but indelible roles in a variety of small but indelible films throughout the mid-'90s. There was 1992's underrated Housesitter with Goldie Hawn and Steve Martin; acclaimed director Mel Brooks' Dracula: Dead and Loving It (1995); and a starring role opposite cult comedian Rowan Atkinson in 1997's Bean. Despite his respectable feature-film success, however, MacNicol wouldn't get solid mainstream recognition until the 1997 debut of Ally McBeal. The show featured MacNicol as John Cage, an immensely insecure but highly gifted lawyer whose lovable, if over-sensitive, nature tugged at the heartstrings of Ally (Calista Flockhart) and television audiences alike. MacNicol remained a lead character on the show from 1997 to 2002, and was able to participate not just as an actor, but also as a director, screenwriter, and amateur karaoke singer. No longer the affable John Cage, MacNicol could be seen assigning Jamie Foxx the unpleasant task of letting his employees know of a rapidly approaching downsizing in 2004's Breakin' All the Rules. Recurring roles on Numbers and 24 as well as voice work in such animated shows as Harvey Birdman, Attorney at Law, The Batman, The Spectacular Spider-Man helped MacNicol maintain a high profile in the following years, and in 2012 he could be seen as the Secretary of Defense in the big-budget game board adaptaion Battleship.

Trivia: Solemn, soulful-eyed character actor Harris Yulin made his 1963 off-Broadway debut in Next Time I'll Sing for You. Though Yulin remained a frequent visitor to the New York theatrical scene (he made his Broadway bow in a 1980 revival of Watch on the Rhine), he preferred to live and work in his home state of California. As one of the founders of the Los Angeles Classic Theater, he became a mentor and spiritual advisor for a number of film stars with theatrical aspirations. His own movie work includes the roles of Wild Bill Hickok in the 1971 revisionist Western Doc, Bernstein in the 1983 remake of Scarface, and King Edward in 1996's Looking for Richard, a contemporary spin on Shakespeare's Richard III. On television, Harris Yulin has been seen as Senator Joseph McCarthy in Robert F. Kennedy and His Times (1985) and as girl-chasing TV anchorman Neal Frazier in the weekly WIOU (1990).

Trivia: Fresh out of CCNY, David Margulies made his off-Broadway bow in Golden 6 (1958). Margulies made his first film, A New Leaf, in 1971, and two years later first appeared on Broadway in The Iceman Cometh. Shuttling between plays, movies and TV in the 1980s and 1990s, Margulies was most often cast as doctors, lawyers and rabbis. In Ghostbusters II (1989), David Margulies has several good scenes as the Mayor of New York. He originated the role of Roy Cohn in Angels in America on Broadway; one of his final roles was as Elie Weisel in the miniseries Madoff. Margulies died in 2016, at age 78.

Trivia: Relatively unknown character actor Kurt Fuller has made a fairly consistent acting career in television and films since the late '80s, mostly playing authority figures. One of his earliest film appearances was as the head television executive in the Hulk Hogan movie No Holds Barred. Mostly working in comedies and dramas, he has also been in action thrillers (Eve of Destruction) and family-oriented adventures (Bingo). He has a lengthy list of television guest star credits, including L.A. Law, Ally McBeal, and The West Wing. In the '90s, he had starring roles in a few short-lived TV series like Capitol News, Timecop, and That's My Bush. After playing Kirk Douglas' son in the comedy Diamonds, he played the adult foil in the teen comedies The New Guy, Scary Movie, and Porn 'n Chicken. In 2002, he played Hogan's Heroes castmember Werner Klemperer in Paul Schrader's Auto Focus; the following year he appeared with Jack Nicholson and Adam Sandler in Anger Management. He had a small part in the Oscar winning biopic Ray, as well as the Will Smith hit The Pursuit of Happyness. He played The Dean in 2009's Van Wilder: Freshman Year, and two years later he was part of the ensemble in Woody Allen's Midnight in Paris.

Trivia: Fresh out of New York's High School of Performing Arts, doe-eyed actress Janet Margolin was cast as an emotionally disturbed teenager in the Broadway production Daughter of Silence. Though the play didn't last long, Margolin's performance won her the similar role of a schizophrenic girl who speaks only in backward rhymes in the 1962 film David and Lisa. This award-winning assignment proved to be the high point of Margolin's career; most of her later roles (Mary of Bethany in 1965's The Greatest Story Ever Told, Gina Lollobrigida's daughter in 1968's Buona Sera Mrs. Campbell etc.) made but minimal demands on her acting skills. Better opportunities came her way in a brace of Woody Allen films, Take the Money and Run (1969) and Annie Hall (1977). On TV, Janet Margolin co-starred in the 1975 detective series Lanigan's Rabbi. Janet Margolin died of ovarian cancer at the age of 50; she was survived by her husband, actor Ted Wass.

Trivia: After stage experience, American actor Richard Foronjy moved on to sporadic film appearances. A distinctly urban type, Foronjy showed up as Corsaro in Serpico (1973), subsequently essaying character parts in Crazy Joe (1974), Fun with Dick and Jane (1977), The Jerk (1978), Rabbit Test (1978), Odd Jobs (1978), The Morning After (1986) and Oscar (1991). Richard Foronjy guested on a piquant installment of the TV sitcom Taxi. He showed up on a Christmas episode as nasty Louie DePalma's (Danny DeVito) even nastier brother.

Trivia: Bobby Brown's first few acting gigs were roles to be remembered. He made his debut, as part of his 1980s boy band New Edition, in Be Somebody or Be Somebody's Fool!, '80s icon Mr. T's bizarre attempt to instill high self-esteem in the children of the decade. New Edition also had a sizeable role in Krush Groove, a biography of rap producer Russell Simmons that also served as the first rock & roll movie to focus firmly on hip-hop. Brown chose to focus on music after these experiences, although he didn't rule out taking the occasional part in movies down the road. Despite his successes in both of these arts, Brown is probably best known as Whitney Houston's bad-boy husband. Brown was born February 5, 1969, in Boston, MA. He grew up in the Boston area and became friends as a kid with Ralph Tresvant. The pair later formed New Edition with three others, which launched Brown into stardom before he quit the group in 1986.Brown took only two acting roles between 1985 and 1995 -- a cameo in Ghostbusters II (for which he also provided a song) and as one of the Three Blind Mice in Shelly Duvall's Mother Goose Rock 'n' Rhyme. He returned to acting in 1995 in Panther, Mario and Melvin van Peebles' look at the Black Panther movement. In between sporadic run-ins with the law and the occasional prison sentence, Brown continued to act, taking roles in A Thin Line Between Love and Hate with Martin Lawrence and Go for Broke with Pras, the least-active member of The Fugees.In 2005, he turned to reality television, starring in his own series, Being Bobby Brown. He frequently dipped back into the medium, with the singing competition Gone Country in 2008 and Celebrity Fit Club in 2010. Brown also appeared on the reality show parody Real Husbands of Hollywood.

Trivia: A British actor with a memorable face, Christopher Neame developed a reputation as a character actor in Hammer Horror films like Lust for a Vampire and Dracula A.D. in the early '70s. Able to convey an imposing feeling on screen, he would also find a niche playing bad guys on British TV shows, particularly those with a military bent, such as Lt. Dick Player on the prisoner drama Colditz, Kaiser Wilhelm II on Edward the King, and Flight Lt. John Curtis on Secret Army. During the '80s, Neame would make numerous appearances on American TV as well, making cameos on The A-Team and The Fall Guy. Neame's performance as Fallon in the 1989 Bond movie License to Kill struck a chord with audiences on both sides of the pond, and he would go on to serve his cult fan base with appearances on Star Trek: Voyager, Babylon 5, and Sliders throughout the '90s. By the 2000's, Neame had all but completely established himself as a veteran genre actor, appearing on The Invisible Man, Star Trek Enterprise, and in the Christopher Nolan film The Prestige.

Trivia: The son of a Los Angeles police officer, American actor/director Richard "Cheech" Marin earned his nickname through his fondness for the Chicano food, specialty cheecharone. An excellent student (if something of a class cutup), Marin entered California State University, only to drop out and hightail it to Canada to avoid the draft. While working as an improvisational comedian with Vancouver's City Work troupe, Marin teamed with Tommy Chong; the Hispanic/Asian duo created the characters of Cheech and Chong, a pair of zoned-out dopers ever in search of the "perfect joint." On the strength of their bestselling record albums, Cheech and Chong were signed for the inexpensive comedy film Up in Smoke (1978), which wound up as one of Warner Bros.' highest-grossing films (not to mention one of its highest, period). As the drug culture lost its momentum, so did the film career of Cheech and Chong, with each of the team's subsequent films making less money than its predecessor. By the time C & C headlined the atrocious The Corsican Brothers (1984), the jig was up. Cheech and Chong split up in 1984 (though they remained friends) and went off to their own projects. While it was Chong who directed many of the team's features, Marin sat in the director's chair for the best of his post-team projects, the 1987 film Born in East L.A, inspired by Cheech's own parody music video. Marin's starring film is Shrimp on the Barbie (1990) contained no drug jokes and fewer laughs (an indication of its quality is the fact that the director had his name removed from the credits in favor of the pseudonymous "Alan Smithee"). Lately regarded as an elder statesman of the counterculture, Marin has kept busy with cameo roles, cartoon voice-overs (Oliver and Company, Ferngully, The Lion King), and a brief stint as a costar of the 1992 TV sitcom "Golden Palace." In 1996, he began co-starring opposite Don Johnson in the television drama Nash Bridges. Around this time he began a fruitful collaboration with independent filmmaker Robert Rodriguez. Marin had a part in Desperado, and played multiple characters in the vampire film From Dusk 'til Dawn for the Austin based maverick. Marin was cast as Kevin Costner's best friend in the golf comedy Tin Cup in 1996. The beginning of the next decade brought Marin an unexpected new audience as he began a series of humorous appearances in family films and lent his vocal talents to a number of animated films. He appeared in all three segments of Rodriguez's Spy Kids series, did vocal work in Good Boy, and voiced one of the Cars in Pixar's film. He also played small parts in John Sayles Silver City, and Bob Dylan's Masked & Anonymous.

Trivia: American actor/writer Brian Doyle-Murray began his professional performing career at Chicago's Second City comedy troupe. Once established, Brian was instrumental in bringing his younger brother Bill into Second City. While Bill Murray's star ascended, Brian stayed busy as a writer and comic character actor. He co-wrote the 1980 comedy hit Caddyshack and had choice supporting roles in such films as Modern Problems (1981), Club Paradise (1986) and National Lampoon's Christmas Vacation (1989). Brian has also appeared to excellent effect in several of his brother Bill's starring features, most recently in the hilarious role of the lugubrious mayor of Punxsutawney in Groundhog Day (1993). One of the staff writers of the earliest years of Saturday Night Live, Brian Doyle-Murray has remained active on television as a guest actor, as a regular on the 1991 sitcom Good Sports, and in such made for TV movies as Babe Ruth (1991).

Trivia: Actress Louise Troy was best known for her work on Broadway, most notably for her Tony-nominated roles in Tovarich (1963) and Walking Happy (1966). Her signature stage role was that of the lead in High Spirits (1964). Troy occasionally guest starred on television series such as Hogan's Heroes (opposite her first husband Werner Klemperer who played Colonel Klink), Room 222, and Kate and Allie. Troy only appeared in two feature films, Yours, Mine and Ours (1968) and The Swimmer (1968). At the time of her death in 1994, Troy was married to actor Douglas Seale.

Trivia: Was in the same grade as journalist Carl Bernstein in high school; Goldie Hawn was one year behind them. In the 1970s, worked as a speech writer and lawyer for presidents Richard Nixon and Gerald Ford. Early big-screen roles included small parts in the comedies Ferris Bueller's Day Off and Planes, Trains and Automobiles. Beginning in 1997, hosted the Daytime-Emmy-winning Comedy Central quiz show Win Ben Stein's Money for several years. Has written columns for a number of major publications, including The Wall Street Journal, The New York Times and The American Spectator. Has authored, co-authored and published dozens of fiction and nonfiction books.

Trivia: Primarily a supporting and character actor, Philip Baker Hall has also played the occasional lead on stage, screen, and television. Hall made his film debut playing a priest in Cowards (1970). He then appeared in three television series during the mid-'70s, including Man From Atlantis (1977). He became best known during the '80s for his portrayal of Richard Nixon in Robert Altman's brilliant Secret Honor (1984), for which Hall also wrote the screenplay. Though the film garnered mixed reviews, the actor's portrayal of Nixon was hailed as a tour de force. Through the '80s and '90s, Hall continued to work steadily in films and on television; his talents were perhaps best, and most famously, utilized by director Paul Thomas Anderson, who cast Hall in substantial roles in Hard Eight (1996), Boogie Nights (1997), and Magnolia (1999), the last of which saw the actor in fine form as a game show host dying of cancer. Hall also had a memorable turn as a private investigator who is far too convinced of the infallibility of his own instincts in Anthony Minghella's The Talented Mr. Ripley (1999); that same year, he gave a strong performance as CBS producer Don Hewitt in Michael Mann's The Insider. Clearly, Hall had no intention of slowing down, and he would spend the next several years remaining extremely active, appearing in such films as The Matador, Rush Hour 3, The Lodger, 50/50, and Mr. Popper's Penguins.

Trivia: The son of directors Ivan Reitman (Stripes, Ghostbusters) and Geneviève Robert (Casual Sex?), Jason Reitman initially essayed bit and supporting on-camera roles, typically in his father's projects -- such films as Ghostbusters (1984), Twins (1988), Kindergarten Cop (1990), and Dave (1993). Reitman took his directorial bow in 2005 with the acerbic satire Thank You for Smoking (2005), starring Aaron Eckhart -- a freewheeling adaptation of Christopher Buckley's tome about a crafty spin doctor for the tobacco lobby. That outing netted rave reviews from critics across the country. Reitman followed it up with Juno (2007), a comedy drama about an teenage girl (Ellen Page) forced to grow up very quickly when she must contend with an unplanned pregnancy after a tryst with a classmate (Michael Cera). The film opened to glowing reviews, and garnered a number of year-end accolades including a Best Director nomination by the Academy for Reitman's work on the project. Reitman's third feature, the comedy/drama Up in the Air starrring George Clooney, again earned glowing reviews, garnering Best Director and Best Screenplay nominations from both the Hollywood Foreign Press (where he won the Screenplay award) and the Academy, with nods from the Writers Guild and the Directors Guild as well. Reviews for Reitman's fourth film Young Adult (which found the director re-teaming with Juno screenwriter Diablo Cody), were a bit more mixed, and though the film wasn't bestowed any major awards, viewers capable of embracing its off-kilter tone were treated to a surprisingly mature drama about a disturbingly immature woman.

Trivia: The genial, slightly stocky Hollywood character actor Kevin Dunn graced the casts of some of the highest grossing and most enjoyable A-listers of the '80s, '90s, and 2000s. With a pleasant (if unremarkable) countenance, this brother of Second City veteran (and onetime Saturday Night Live mainstay) Nora Dunn cut his chops playing everymen in American movies and one-shot television episodes. Kevin Dunn lacked the sketch comedy background of his arguably more famous sibling but quickly chalked up an equally extensive resumé at about the same time.Dunn debuted on camera in the mid-'80s, with a recurring role on the series comedy drama Jack & Mike (1986), co-starring Shelley Hack and Tom Mason, but Alan Parker's harrowing civil-rights drama Mississippi Burning (in which he played Agent Bird) marked his first real breakthrough. From that point on, he became ever-present in such blockbusters as Ghostbusters 2 (1989), Blue Steel (1990), Only the Lonely (1991), Hot Shots! (1991), Chaplin (1992), and Dave (1993). Directors often cast Dunn as an emotional (or political) support to a heavy, such as his brief evocation of Nixon aide (and eventual Christian spokesperson) Chuck Colson in Oliver Stone's biopic Nixon (1995), that of Lou Logan (opposite Nicolas Cage) in Brian De Palma's muddled, flawed paranoid thriller Snake Eyes (1998), and that of Alex (alongside Sean Penn) in the political drama All The King's Men (2006). In 2007, Dunn appeared in the blockbuster action hit Transformers as Ron Witwicky, the father of lead actor Shia LaBeouf's character, Sam. Dunn also had a role in the underperforming Tom Cruise/Robert Redford/Meryl Streep drama Lions for Lambs. In the fall of that year, Dunn found success on the sitcom Samantha Who? as the father of the amnesia-afflicted main character (Christina Applegate).He was part of the cast of Woody Allen's Vicky Cristina Barcelona, and played a bad guy in the runaway train thriller Unstoppable. In 2011 he appeared in the well-reviewed MMA drama Warrior, and the blockbuster Transformers: Dark of the Moon. The next year he was cast in the one and only season of HBO's racetrack set drama series Luck.

Trivia: A go-getter from an early age, actress Chloe Webb, at 16 years old, attended the Boston Conservatory of Drama and Music. Harnessing her gift for mimicry and satire, Webb helped write several sessions of the popular New York review Forbidden Broadway; she appeared prominently in these irreverent productions, as well as many other major stage presentations on both coasts. Webb's film debut was as self-destructive Nancy Spungen in Sid and Nancy (1988), co-starring with great aplomb as Nancy to Gary Oldman's punk rocker Sid Vicious. Webb has continued to essay offbeat performances in offbeat films like The Belly of an Architect (1987), and has been equally effective in such "normal" efforts as Twins (1988), Ghostbusters 2 (1989) (unbilled as a highly suspect alien-abduction victim), and Heart Condition (1990). After partaking in a small part in 1991's Queens Logic alongside Kevin Bacon and John Malkovich, Webb landed a starring role in the acclaimed television feature Lucky Day. In 1992, the actress participated in Alien 3 and went on to play a major supporting role in A Dangerous Woman with Debra Winger. However, Webb wouldn't be seen in a major film role until the next year, when she played the unlucky-in-love Mona Ramsey in director Alastair Reid's lavishly praised Tales of the City. Webb's work in the later half of the '90s was sparse -- she appeared as a supporting actress in Love Affair with Warren Beatty and Annette Bening in 1994, and wouldn't be seen on the big screen again until the 1998 release of modern Western The Newton Boys.