Trivia: After spending the 1980s playing a series of drug addict and character parts, Samuel L. Jackson emerged in the 1990s as one of the most prominent and well-respected actors in Hollywood. Work on a number of projects, both high-profile and low-key, has given Jackson ample opportunity to display an ability marked by both remarkable versatility and smooth intelligence.Born December 21, 1948, in Washington, D.C., Jackson was raised by his mother and grandparents in Chattanooga, TN. He attended Atlanta's Morehouse College, where he was co-founder of Atlanta's black-oriented Just Us Theater (the name of the company was taken from a famous Richard Pryor routine). Jackson arrived in New York in 1977, beginning what was to be a prolific career in film, television, and on the stage. After a plethora of character roles of varying sizes, Jackson was discovered by the public in the role of the hero's tempestuous, drug-addict brother in 1991's Jungle Fever, directed by another Morehouse College alumnus, Spike Lee. Jungle Fever won Jackson a special acting prize at the Cannes Film Festival and thereafter his career soared. Confronted with sudden celebrity, Jackson stayed grounded by continuing to live in the Harlem brownstone where he'd resided since his stage days. 1994 was a particularly felicitous year for Jackson; while his appearances in Jurassic Park (1993) and Menace II Society (1993) were still being seen in second-run houses, he co-starred with John Travolta as a mercurial hit man in Quentin Tarantino's Pulp Fiction, a performance that earned him an Oscar nomination. His portrayal of an embittered father in the more low-key Fresh earned him additional acclaim. The following year, Jackson landed third billing in the big-budget Die Hard With a Vengeance and also starred in the adoption drama Losing Isaiah. His versatility was put on further display in 1996 with the release of five very different films: The Long Kiss Goodnight, a thriller in which he co-starred with Geena Davis as a private detective; an adaptation of John Grisham's A Time to Kill, which featured him as an enraged father driven to murder; Steve Buscemi's independent Trees Lounge; The Great White Hype, a boxing satire in which the actor played a flamboyant boxing promoter; and Hard Eight, the directorial debut of Paul Thomas Anderson.After the relative quiet of 1997, which saw Jackson again collaborate with Tarantino in the critically acclaimed Jackie Brown and play a philandering father in the similarly acclaimed Eve's Bayou (which also marked his debut as a producer), the actor lent his talents to a string of big-budget affairs (an exception being the 1998 Canadian film The Red Violin). Aside from an unbilled cameo in Out of Sight (1998), Jackson was featured in leading roles in The Negotiator (1998), Sphere (1998), and Deep Blue Sea (1999). His prominence in these films added confirmation of his complete transition from secondary actor to leading man, something that was further cemented by a coveted role in what was perhaps the most anticipated film of the decade, Star Wars: Episode I - The Phantom Menace (1999), the first prequel to George Lucas' Star Wars trilogy. Jackson followed through on his leading man potential with a popular remake of Gordon Parks' seminal 1971 blaxploitation flick Shaft. Despite highly publicized squabbling between Jackson and director John Singleton, the film was a successful blend of homage, irony, and action; it became one of the rare character-driven hits in the special effects-laden summer of 2000.From hard-case Shaft to fragile as glass, Jackson once again hoodwinked audiences by playing against his usual super-bad persona in director M. Night Shyamalan's eagerly anticipated follow-up to The Sixth Sense, Unbreakable (2000). In his role as Bruce Willis' brittle, frail antithesis, Jackson proved that though he can talk trash and break heads with the best of them, he's always compelling to watch no matter what the role may be. Next taking a rare lead as a formerly successful pianist turned schizophrenic on the trail of a killer in the little-seen The Caveman's Valentine, Jackson turned in yet another compelling and sympathetic performance. Following an instance of road rage opposite Ben Affleck in Changing Lanes (2002), Jackson stirred film geek controversy upon wielding a purple lightsaber in the eagerly anticipated Star Wars II: Attack of the Clones. Despite rumors that the color of the lightsaber may have had some sort of mythical undertone, Jackson laughingly assured fans that it was a simple matter of his suggesting to Lucas that a purple lightsaber would simply "look cool," though he was admittedly surprised to see that Lucas had obliged him Jackson eventually saw the final print. A few short months later filmgoers would find Jackson recruiting a muscle-bound Vin Diesel for a dangerous secret mission in the spy thriller XXX.Jackson reprised his long-standing role as Mace Windu in the last segment of George Lucas's Star Wars franchise to be produced, Star Wars Episode III: Revenge of the Sith (2005). It (unsurprisingly) grossed almost four hundred million dollars, and became that rare box-office blockbuster to also score favorably (if not unanimously) with critics; no less than Roger Ebert proclaimed it "spectacular." Jackson co-headlined 2005's crime comedy The Man alongside Eugene Levy and 2006's Joe Roth mystery Freedomland with Julianne Moore and Edie Falco, but his most hotly-anticipated release at the time of this writing is August 2006's Snakes on a Plane, a by-the-throat thriller about an assassin who unleashes a crate full of vipers onto a aircraft full of innocent (and understandably terrified) civilians. Produced by New Line Cinema on a somewhat low budget, the film continues to draw widespread buzz that anticipates cult status. Black Snake Moan, directed by Craig Brewer (Hustle and Flow) dramatizes the relationship between a small-town girl (Christina Ricci) and a blues player (Jackson). The picture is slated for release in September 2006 with Jackson's Shaft collaborator, John Singleton, producing.Jackson would spend the ensuing years appearing in a number of films, like Home of the Brave, Resurrecting the Champ, Lakeview Terrace, Django Unchained, and the Marvel superhero franchise films like Thor, Iron Man, and The Avengers, playing superhero wrangler Nick Fury.

Trivia: An edgy comic who skyrocketed to comedy fame with his memorably side-splitting appearance in Spike Lee's The Original Kings of Comedy, Bernie Mac may have seemed an unlikely candidate for a television sitcom, but with the debut of The Bernie Mac Show, the inventive comedian began on a high note, leaving many pondering the apparent overnight success of the comedian who had ostensibly come from nowhere to become a ubiquitous presence. Born Bernard Jeffrey McCullough in Chicago, IL, Mac was a member of a large extended family living under one roof, which provided the energetic youngster with plenty of fuel for refining his ability to perform dead-on impressions and humorously recall memorable family occurrences. Time spent as a gopher for performers at the Regal Theater also served as a primer for his showbiz aspirations (as well as a cautionary warning of the destructive temptations that go along with fame). Mac's first experiences with standup came at the age of eight, when he performed a routine about his grandparents at the dinner table in front of the congregation at church. Though it resulted in some strict reprimanding from his grandmother, he had the audience feeding out of his palm and the young impressionist quickly had the epiphany that humor meant more to him than the sting of discipline. From that point on, Mac refined and developed his comic abilities on the tracks of Chicago's El trains and in local parks. Though he earned a modest keep from his public performances, Mac craved the legitimacy of the club circuit and he began to perform professionally in 1977. After early film work -- including memorable appearances in Above the Rim (1994) and The Walking Dead (1995), which followed on the heels of his big-screen debut in 1992's Mo' Money -- Mac was offered and appeared in the television series Midnight Mac in 1995. Hesitation as to the neutering of his material made the comedian leery of television, and the show didn't last. The comic actor earned more attention when he turned up frequently the following year in television's Moesha, though mainstream acceptance was still four years and numerous bit film parts away. Following The Original Kings of Comedy, Mac began to develop an idea for a sitcom that revolved around similar family experiences and retained the edge that had initially shocked his audiences into laughter. In 2001, he debuted the family sitcom The Bernie Mac Show, and it was a success, running for five seasons. 2001 would indeed prove to be the year of the Mac as he also took on a substantial role in director Steven Soderbergh's Ocean's 11. He reprised that character in the two Ocean's sequels, as well as lead roles as a vice presidential candidate in the Chris Rock political satire Head of State and as a washed-up baseball player in 2004's Mr. 3000. 2007 saw Mac in a more serious role as a kindly janitor in the inspirational sports drama Pride. Upon his death in August 2008 of complications from pneumonia, Soul Men, in which he stars alongside Samuel L. Jackson as a soul singer embarking on a reunion tour, had yet to hit theaters.­

Trivia: So elegant and striking that she deservedly won Ebony magazine's Celebrity Beauty of the Month designation in January 2004 -- with the asset of outstanding dramatic instincts -- actress Sharon Leal achieved stardom in the early 2000s with her multi-season portrayal of no-nonsense schoolteacher Marilyn Sudor on David E. Kelley's groundbreaking small-screen drama Boston Public. The daughter of a Filipino military policeman and an African-American homemaker, raised by a succession of stepfathers, Leal graduated from Roosevelt School of the Arts in Fresno, CA, in 1990, and subsequently landed two ongoing dramatic roles, on the daytime soap Guiding Light and the prime-time UPN drama Legacy (1998). The Public role arrived two years after that, with Leal cast in the program from its inception; after the series folded, the actress segued into movie roles, with turns in the smash musical Dreamgirls (2006) and Tyler Perry's comedy drama Why Did I Get Married? (2007). She had prominent roles in Soul Man, the sequel to Why Did I Get Married, and in Woman Thou Art Loosed: On the 7th Day.

Trivia: Born June 26, 1970, as the youngest of five children, Hayes has since compared his suburban Chicago upbringing to "being raised by a family of wild dingoes." After high school in Glen Ellyn, Illinois, he attended Illinois State University, where he supported himself as a classical pianist and performed in a pop band. Following his graduation, where he was awarded a degree in performance and conducting, he went to work in the Chicago theater. For several years, he served as the musical director of the Pheasant Run Theater, often acting in productions in addition to writing music for them. He was also a member of the famed Second City improvisational group and performed standup comedy in clubs in Chicago and Los Angeles. While still living in Chicago, Hayes began finding TV work, notably in the series Silk Stalkings. In 1998, he made his film debut in Billy's Hollywood Screen Kiss, in which he played the title character, a gay photographer in search of love. The film received both a favorable reception at Sundance and a wide art house release. It was while he was at Sundance promoting the movie that Hayes was asked to audition for the part of the straightlaced lawyer Will in the upcoming Will & Grace. Preferring the role of Will's friend Jack, Hayes auditioned for that part instead, and subsuquently became a full fledged star for his portrayal of the beloved character. Following the show's eight year run, Hayes would enjoy a variety of projects, appearing in films like The Bucket List, Soul Men, and The Three Stooges.After logging several high-profile guest runs on TV shows like Up All Night and Smash, Hayes tried to mount his television comeback with his own show, Sean Saves the World, in 2013. The show only lasted on season, but Hayes quickly rebounded by joining the cast of The Millers in season 2. He also launched a successful production company, executive producing shows like Grimm, Hot in Cleveland and The Soul Man, and created the game show Hollywood Game Night.

Trivia: Was an Army brat who lived in Germany for 10 years. Mother is from Trinidad. Won breaking and popping dance contests as a preteen. Posted sketch/parody videos on YouTube that became very popular. Made a series of viral commercials with Dr. Dre and LeBron James. Has a production company called Lejan Entertainment, Inc.

Trivia: A character actress who has used her blond, voluptuous features to shrewd comic effect, Jennifer Coolidge appeared in some of the most celebrated film and TV comedies of the 1990s. Perhaps best known by mainstream audiences for her role as Stifler's mom in American Pie (1999), she has also done equally memorable work in films like Christopher Guest's Best in Show (2000), which cast her as the lesbian trophy-wife of a frail and oblivious old multimillionaire.Originally hailing from Boston, Coolidge began her professional acting career when she moved to New York, where she became a member of the Gotham City Improv group. Work with the group led her to Los Angeles, where she continued to nurture a career in improvisational acting as a member of the Groundlings, the city's legendary improv troupe. In the early '90s, Coolidge broke into television-acting through spots on various shows, including Seinfeld and the animated King of the Hill, and segued into films with her debut in the forgettable 1997 comedy Trial and Error. The actress earned her first dose of recognition for her scene-stealing cameo as a high school student's seductive mother in the blockbuster comedy American Pie. The breakout role made Coolidge a mainstay in the realm of comedy, and she would henceforth appear in numerous projects a year, most memorably in Best in Show, Zoolander, Legally Blonde, A Cinderella Story, For Your Consideration, and on shows like 2 Broke Girls and The Secret Life of the American Teenager.

Trivia: A prodigious musical performer often tagged as neo-soul, John Legend (born John Roger Stephens on December 28th, 1978 in Springfield, OH) began learning piano and singing gospel tunes at age five. Upon finishing high school early (at age 16), Legend enrolled at the University of Pennsylvania in Philadelphia and caught his first taste of commercial success given his prominent appearance as a pianist on the 1998 Lauryn Hill tune "Everything Is Everything". After college, Legend moved to New York and struck gold in the Manhattan-area music scene, with session appearances on albums by artists including Kanye West (who gave Legend his stage name), Alicia Keys, and Janet Jackson; Legend's debut solo album, Get Lifted, emerged in late 2004 and made him an instant sensation. The immediate follow-ups -- 2006's Once Again and 2008's Evolver -- received equal acclaim. The majority of Legend's early on-camera appearances were, unsurprisingly, tied to his music. These included the concert films John Legend: Live at the House of Blues (2005), Tony Bennett: An American Classic (2006), and John Legend: Live from Philadelphia (2008). With the 2008 comedy Soul Men, however, Legend branched out into acting roles; he was cast opposite Samuel L. Jackson and Bernie Mac as musician Marcus Hooks. Legend continued to straddle the music and film worlds, appearing on soundtracks, including winning an Academy Award (shared with Common) for Best Song for "Glory" from the film Selma (2014).

Trivia: A major figure in American soul music, Isaac Hayes also enjoyed a long and memorable career as an actor and film composer. His score for the motion picture Shaft made him the first African-American to win an Academy Award for music, and was one of the first examples of a pop-based film score that developed a life of its own in the marketplace. Isaac Hayes was born in Covington, TN, on August 20, 1942. Born to a family of sharecroppers, Hayes was raised by his grandparents, and developed an interest in music early in life, joining the church choir at the age of five. By the time he was a teenager, Hayes had also learned how to play piano, organ, and saxophone, but he was forced to drop out of school after the family had moved to Memphis when his grandfather developed a disability. Hayes began performing with a variety of local R&B groups in Memphis, including the Teen Tones, Sir Calvin and His Swinging Cats, and Sir Isaac and the Doo-Dads, as well as working a variety of day jobs. In time, Hayes began attending night school, and received his high-school diploma at the age of 21.In 1962, Hayes cut his first record for a local label, and in 1964 he'd worked his way up to playing keyboards with the house band at Stax Records, just then establishing themselves as one of the South's premier soul music labels. At Stax, Hayes began writing songs with David Porter, and together they penned a long string of hits for Sam & Dave, including "Soul Man," "Hold On, I'm Coming," and "When Something Is Wrong With My Baby," as well as hits for Johnnie Taylor and Carla Thomas. Having established himself as a songwriter, Hayes began to step into the spotlight as a recording artist in 1967 with his first solo album, Presenting Isaac Hayes. While the album was reasonably well received, it was Hayes' second effort, Hot Buttered Soul, that established him as a unique talent in soul music, with its lush, lengthy, and languidly funky interpretations of such songs as "Walk on By" and "By the Time I Get to Phoenix" (the latter clocking in at an epic 18 minutes). Several more successful albums followed, and in 1970, Hayes was approached to write his first film score by, of all people, Norman Mailer; Mailer went through a brief fling as an experimental filmmaker, and he hired Hayes to provide music for his third cinéma vérité feature, Maidstone.In 1971, Hayes would write his second film score, which would make a much greater impact. Shaft, directed by famed photojournalist Gordon Parks, was a gritty tale of a tough private eye squaring off against both the cops and the mob in New York City, but with a primarily African-American cast, an unusual thing in 1971, and Hayes' score, which blended streetwise grooves with a brassy orchestral backing, became an instant sensation. Shaft's soundtrack album, as well as the single "Theme From Shaft," were major chart successes, and Hayes won an Academy Award for Best Musical Score.While Hayes was certainly proud of his achievements, at one point he'd shown an interest in playing the lead in Shaft as well as writing the music, and after displaying an estimable amount of screen charisma in several concert films (including Wattstax and Save the Children), he was cast alongside Fred Williamson and Lino Ventura in the Italian blaxploitation-style drama Uomini Duri (released in America as Three Tough Guys); Hayes also wrote music for the film. Later that same year, Hayes scored a solo starring role in Truck Turner, but just as his acting career began taking hold, the bottom began to fall out of the blaxploitation market, and Hayes went back to making music, not scoring another film role until Escape From New York in 1981.In the mid-'80s, Hayes returned to acting, and appeared in no fewer than 25 theatrical and television features between 1986 and 1996; most were low-budget genre fare, but several more notable films appeared on his resumé, including the blaxploitation parody/tribute I'm Gonna Git You Sucka!, Mel Brooks' Robin Hood: Men in Tights, Mario Van Peebles' African-American Western Posse, and Once Upon a Time...When We Were Colored, a evocative look at life in a small Southern town in the 1940s. Hayes' acting career got an unexpected boost in 1997, when he was asked to provide the voice of Chef on the animated television series South Park. Originally intended to appear in one episode, Chef went over so well that he became a regular character on the series, and remained with the show for nine years. Hayes also continued to land a number of higher profile film roles in films like Reindeer Games, the 2000 remake of Shaft, and the independent venture Hustle & Flow, for which he was nominated for a Screen Actors' Guild Award. When not busy with acting projects, Hayes continued to play concerts and record new material; he was also a literacy activist, a supporter of children's charities around the world, and operated a pair of successful restaurants in Chicago and Memphis. Hayes died on August 10, 2008.

Trivia: Mike Epps' name has become synonymous with a particular style of humor, through his appearance with several other African-American artists in the same genre. Epps earned a large portion of his fame through his credits in several Ice Cube films, including Next Friday (also starring Chris Tucker), How High (with Redman and Method Man), Friday After Next, and All About the Benjamins. Aside from featuring Ice Cube, the common thread of these films was the hilarious prominence of marijuana-smoking comic characters like the ones portrayed by Epps.Born in Indianapolis, IN, into a large family, Epps' natural comedic ability was encouraged at an early age, and he began performing standup as a teenager. He moved to Atlanta where he worked at the Comedy Act Theater, before moving to New York City to star in Def Comedy Jam in 1995. His first major film role came just two years later when he starred in Vin Diesel's Strays, a dramatic portrayal of relationships and drugs. In 1999, he made an appearance on the HBO mafia series The Sopranos.In addition to his aforementioned film work with Ice Cube, Epps had several other feature-film appearances. In 2000, he was featured in Bait, starring Jamie Foxx and David Morse, and in the jail-comedy 3 Strikes. He performed the voice of Sonny in Dr. Dolittle 2, starring Eddie Murphy, in 2001. As he gained more recognition, his comedic talent began to blossom, as demonstrated in his two 2002 features: Kevin Bray's All About the Benjamins, an action-packed comedy, and the sequel-to-the-sequel, Friday After Next, in which he starred as Day-Day. He took over the part of Ed Norton in the big-screen remake of The Honeymooners, and had a major supporting role in the Petey Green biopic Talk to Me. He had a part in the smash 2009 comedy The Hangover, had a big part in Next Day Air, and a turn in Lottery Ticket. In addition to his acting, he kept churning out comedy specials.In 2012 he was one of the stars of Whitney Houston's last movie Sparkle, and played a teacher in the comedy Mac + Devin Go to High School. He reprised his role in The Hangover Part III and played the love interest in the HBO film Bessie. Epps also had a presence in TV, appearing in series like Survivor's Remose and Being Mary Jane, and playing the title role in the remake of Uncle Buck.

Trivia: With his rotund build and Eastern-European looks, Armenian-American player Ken Davitian seemed tailor-made for character roles. For the majority of his first decade onscreen, however, Davitian appeared in fairly lackluster movies, such as Talkin' Dirty After Dark (1991), Bikini Summer (1991), Sexual Intent (1994), and The Silence of the Hams (1994). His fate changed just a bit around the turn of the millennium -- first on the small screen, with guest appearances in such blockbuster series as ER and Gilmore Girls, and then cinematically, when Borat (2006) creators brought him on board that mockumentary farce as Azamat Bagatov, Borat Sagdiyev's (Sacha Baron Cohen) devoted producer (who performs a rather deviant and embarrassing act in a hotel room). Not long after, the producers of the 2008 big-screen vehicle Get Smart (based on the popular 1960s TV spy comedy) tapped Davitian for a choice role in that movie.

Trivia: Actor Jackie Long made his mark with supporting performances in such big-screen outings as Idlewild (2006) and ATL (2006), then essayed a portrayal of Trotter in Tom Brady's farcical send-up of sports movies, The Comebacks (2007).