Trivia: Brash and brassy comedian Roseanne is a one-of-a-kind talent who during her career has undergone many substantial changes that have transformed her from trailer-trash queen to one of the most powerful women in Hollywood. Around age 18, Roseanne Barr moved to a Colorado hippie commune where she met Bill Pentland. They married in 1973 and moved to Denver, where they struggled to support their three subsequent children. By the mid-'70s, Roseanne was working as both a cocktail waitress and a window dresser to help feed her family. Impressed by her quick, caustic wit and funny insights into women, men, and domestic life, friends and patrons suggested she take her stories on-stage at a local comedy club. It was on-stage where she honed her famous characterization of the dumpy, domineering, and earthy "Domestic Goddess." Within a few years, Roseanne had become one of the most popular standup acts in Denver, and in 1983 she headed for Hollywood to further her career. She quickly landed a gig at The Comedy Store and then appeared on the ABC television special Funny. During rehearsal, she was spotted by a talent scout from The Tonight Show, who promptly booked her for an appearance. It was a great success. In 1988, her innovative and distinguished television sitcom, Roseanne, debuted on ABC and centered on the struggles of an overweight, domineering mother and her raucous, working-class family that is often on the brink of financial and personal crisis but always manages to somehow hang together. Roseanne and her brood were real people facing real problems that weren't always neatly solved in 30 minutes. The shows were often simultaneously poignant and hilarious; until its last two seasons, Roseanne topped the ratings, and won numerous awards and honors. During the course of the show, the many changes in Roseanne's personal life were reflected on the air. When she underwent breast-reduction surgery, her character did too. When she married Tom Arnold in 1990, he became a part of her show and she proudly billed herself as Roseanne Arnold. When the marriage broke up, he disappeared and she began billing herself only as Roseanne. She eventually married her bodyguard Ben Thomas and at the age of 43 had herself impregnated via in vitro fertilization. Her character, Roseanne Conner, also got pregnant. Even the plastic surgeries she has had on her face have received some treatment on the show, in this case via the opening credits, wherein her photographs from the past nine seasons reflect her change from the frowzy to the almost glamorous. Her series ended in May 1997. Though best known for her television work and live performances, Roseanne has also made periodic stabs at a movie career; she made her debut as a vengeful housewife opposite Meryl Streep in the comedy She-Devil (1989). The film received decidedly mixed reviews, and Roseanne's subsequent film appearances have been in cameos or small supporting roles. Over her career, Roseanne has received numerous awards, including an Emmy, several People's Choice Awards, Golden Globes, and an American Comedy Award. She was the fourth woman ever to become the star attraction at a Friar's Club celebrity roast. Back in the late '80s through the early '90s, Roseanne's tumultuous personal life, her often public and ill-timed abrasive nature coupled with her phenomenal popularity made her a favorite target of tabloid newspapers. Never one to shy away from such issues, she tells her own story in two books, the best-selling My Life As a Woman (1989) and My Lives (1994). She has also been frequently skewered by critics and wags who have difficulty accepting the fact that through sheer force of will, she has been able to overcome all obstacles to become a powerful and successful woman.

Trivia: It is hardly necessary to enumerate the accomplishments, patriotic services, charitable donations, awards, medals, and honorariums pertaining to Bob Hope, a man for whom the word "legend" seems somehow inadequate. Never mind that he was born in England; the entertainer unquestionably became an American institution.Hope's father was a stonemason and his mother a one-time concert singer; when he was two, his parents moved him and his brothers to Cleveland, where relatives awaited. Since everyone in the Hope clan was expected to contribute to the family's income, he took on several part-time jobs early in life. One of these was as a concessionaire at Cleveland's Luna Park, where Hope had his first taste of show business by winning a Charlie Chaplin imitation contest. (He later claimed he'd gotten his brothers to strong-arm all the neighborhood kids to vote for him). At 16, Hope entered the work force full-time as a shoe salesman for a department store, then as a stock boy for an auto company. At night, he and a friend picked up spare change singing at local restaurants and saloons, and, for a brief time, he was an amateur boxer, calling himself "Packy East." Picking up dancing tips from older vaudevillians, Hope decided to devote himself to a show business career, first in partnership with his girlfriend Mildred Rosequist, then with a pal named Lloyd Durbin. Comedian Fatty Arbuckle, headlining a touring revue, caught Hope and Durbin's comedy/dancing act and helped the boys get better bookings. Following the accidental death of Durbin, Hope found another partner, George Byrne, with whom he developed a blackface act. After several career reversals, Hope and Byrne were about to pack it in when they were hired to emcee Marshall Walker's Whiz Bang review in New Castle, PA. As the more loquacious member of the team, Hope went out on-stage as a single and got excellent response for his seemingly ad-libbed wisecracks. It was in this and subsequent vaudeville appearances that Hope learned how to handle tough audiences by having the guts to wait on-stage until everyone in the crowd had gotten his jokes; he was still using this technique seven decades later. Dropping his blackface makeup and cannibalizing every college humor magazine he could get his hands on, Hope took on yet another partner (Louise Troxell) in 1928 and started getting choice vaudeville bookings on the Keith Circuit. A year later, he was given a movie screen test, but was told his ski-slope nose didn't photograph well. With material from legendary gagster Al Boasberg, Hope appeared as a single in The Antics of 1931, which led to a better theatrical gig with Ballyhoo of 1932, in which he was encouraged to ad-lib to his heart's content. He then went back to vaudeville and squeezed in his first radio appearance in 1933 before being hired as the comedy second lead in an important Jerome Kern Broadway musical, Roberta. During the long run of this hit, Hope met and married nightclub singer Dolores Reade, who became still another of his on-stage partners when the play closed and Hope yet again returned to vaudeville. He scored a major success in Ziegfeld Follies of 1936, which spotlighted his talent for sketch comedy, and then co-starred with Ethel Merman and Jimmy Durante in Red, Hot and Blue. In 1937, he was brought to Hollywood for Paramount's The Big Broadcast of 1938, in which he duetted with Shirley Ross in the Oscar-winning song "Thanks for the Memory," which became his signature theme from then on. Hope's first few years at Paramount found him appearing in relatively sedate comedy leads, but with The Cat and the Canary (1939) he solidified his screen persona as the would-be great lover and "brave coward" who hides his insecurities with constant wisecracking. In 1940, Hope was teamed with Bing Crosby and Dorothy Lamour for Road to Singapore, the first of the still-uproarious "Road" series that featured everything from in-jokes about Bob and Bing's private lives to talking camels. While continuing to make money at the box office, Hope was also starring in his long running NBC radio program, which was distinguished by its sharp topical humor and censor-baiting risqué material. But it was not so much his show business earnings as his profitable real estate deals and holdings that formed the basis of Hope's immense personal fortune. In the midst of all his media clowning during World War II, Hope worked tirelessly as a U.S.O. entertainer for troops in the U.S. and abroad -- so much so that he was unable to make any films at all in 1944. In 1950, Hope inaugurated a long-term television contract with NBC, which resulted in more than 40 years worth of periodic specials that never failed to sweep the ratings. He also later hosted (and occasionally starred in) an Emmy-winning '60s anthology series, Bob Hope Presents The Chrysler Theatre. With his film box-office receipts flagging in the early '50s (audiences didn't quite buy the idea of a 50-year-old man playing a 30-ish girl chaser), Hope took the advice of writer/directors Norman Panama and Melvin Frank and attempted a dramatic film role as Eddie Foy Sr. in The Seven Little Foys (1955). He succeeded in both pulling off the character and in packing a relatively maudlin script with humanity and humor. Hope's last "straight" film part was as New York City Mayor Jimmy Walker in Beau James (1957), in which he again acquitted himself quite nicely. Having long taken a percentage of profits on his Paramount releases, Hope became his own producer in 1957, which at first resulted in such fine pictures as Alias Jesse James (1959) and The Facts of Life (1960, with frequent co-star Lucille Ball). But the quality of Hope's films took a depressing downward spiral in the '60s, and even hard-core Hope fans were hard-pressed to suffer though such dogs as Boy, Did I Get a Wrong Number! (1966) and The Private Navy of Sgt. O'Farrell (1968). It has been theorized that Hope was too wealthy and much too busy with a multitude of other projects to care about the sorry state of his films. Besides, even the worst of the Hope pictures posted a profit, which to him evidently meant more than whether or not the films were any good. His last feature film appearance was a 1985 cameo in Spies Like Us, a spoof of the road pictures he made with Crosby. In 1991, he again traveled overseas to entertain U.S. troops -- this time in Saudi Arabia during the first Gulf War. Though Hope's only onscreen appearances through the remainder of the decade would prove archival in origin, generations of fans would later show their appreciation for his enduring career in the 2003 television special 100 Years of Hope and Humor. Hope proved too frail to attend the celebration in person, though his friends and family assured the public that the star was indeed overwhelmed at the outpouring of public affection.On Sunday, July 27, 2003, the world lost one of its most beloved comic talents when Bob Hope died of pneumonia in Taluca Lake, CA. He was 100.

Trivia: While still recognizable for his recurring role as Captain Crane on The A-Team, former character actor Carl Franklin is now one of Hollywood's most versatile writer/directors. After a string of mind-numbing television roles forced him to go behind the camera in 1986, he has worked in every genre from war film to family drama and has been the force behind such different works as One False Move (1991), Devil in a Blue Dress (1995), and One True Thing (1998).Franklin grew up in Richmond, CA, a working-class suburb of San Francisco. His father died before he was born, and he was raised by his mother, a homemaker, and his stepfather, a carpenter. As a teenager, Franklin excelled in school and dreamed of becoming a lawyer or teacher. He earned a scholarship to the University of California at Berkeley, where he studied history and began hanging around the theater department in an effort to meet girls. He soon caught the acting bug and moved to New York City immediately after graduation.Franklin began his acting career on-stage at the New York Shakespeare Festival, performing in Cymbeline, Timon of Athens, and Twelfth Night. He went on to appear at New York's Lincoln Center and Joseph Papp Public Theater, and Washington, D.C.'s Arena Stage. Franklin made his film debut in the comedy Five on the Black Hand Side (1973), before finding steady work on television. From 1974 to 1973, he guest-starred on The Streets of San Francisco, Good Times, The Incredible Hulk, The Rockford Files, and Trapper John, M.D. He also starred opposite Stacy Keach on the short-lived detective show Caribe and with Roddy McDowall on the doomed sci-fi series Fantastic Journey. After a two season stint on The A-Team from 1983 to 1985, Franklin grew increasingly unsatisfied with acting. While continuing to appear on shows like MacGyver and Riptide, he attempted to write and produce a film independently, mortgaging and losing his house in the process. Then, in 1986, at age 37, he enrolled in the American Film Institute's directing program.At AFI, Franklin discovered his own style while studying the films of celebrated European and Japanese directors. His master's thesis, Punk (1989), an intense 30-minute short about a downtrodden African-American boy dealing with his budding sexuality, impressed filmmaker Roger Coreman, who hired Franklin as an apprentice at his production company, Concorde Films. Like Coreman's previous protégé's, Martin Scorsese, Francis Ford Coppola, and Peter Bogdanovich, Franklin learned ways of fast-paced low-budget filmmaking, writing screenplays in under two weeks and shooting them only days later. Often working on location in the Philippines or Peru, he wrote, directed, and produced (and sometimes even acted in) a series of limited releases and straight-to-video flicks, including Nowhere to Run (1989), Eye of the Eagle 2: Inside the Enemy (1989), and Full Fathom Five (1990).After completing his tenure at Concorde, Franklin wrote and directed One False Move (1991), an independent crime thriller about three Los Angeles drug dealers who seek refuge in Arkansas after a murderous drug deal. The film starred Billy Bob Thornton, Cynda Williams, and Michael Beach as the outlaws and Bill Paxton as the Arkansas sheriff awaiting their arrival, but had little commercial value at the time. As a result, its distributor, IRS Media, gave the film a minor and ineffective advertising campaign. Yet, rave reviews and positive word-of-mouth quickly made One False Move a surprise hit. Gene Siskel and Roger Ebert voted it the Best Film of the Year, and Franklin's work earned him a New Generation Award from the Los Angeles Film Critics Association, an Independent Spirit Award for Best Director, and an MTV Movie Award for Best New Filmmaker.The success of One False Move put Franklin on the short list of Hollywood directors. Producers brought every type of script to his attention -- Disney even asked him to remake That Darn Cat (1965). For his next project, he settled on the HBO miniseries Laurel Avenue (1993), a drama about a working-class African-American family in St. Paul, MN. The well-received series starred John Beasley and Mary Alice, and featured cameos by Franklin's daughter, Caira, and son, Marcus. He went on to write and direct Devil in a Blue Dress (1995), his heralded adaptation of African-American crime novelist Walter Mosley's novel. The film featured Oscar-winner Denzel Washington as a private detective in 1940s Los Angeles, with Tom Sizemore, Don Cheadle, and Jennifer Beals in supporting roles. Devil in a Blue Dress was a critical favorite, but failed at the box office.Looking to do something completely different, Franklin then signed onto direct One True Thing (1998), an adaptation of Pulitzer Prize-winning journalist Anna Quindlan's autobiographical story of a New York journalist (Renee Zellweger) who is forced to return home when her mother (Meryl Streep) becomes fatally ill. He followed up this adventurous move with another, directing the high-profile courtroom drama High Crimes (2002), starring Ashley Judd, Jim Caviezel, and Morgan Freeman, before reuniting with Denzel Washington for the thriller Out of Time (2003).

Trivia: Martin Mull intended to become a painter when he enrolled in the Rhode Island School of Design, but his Scaramouche-like sense of the ridiculous led to a career as a nightclub comedian. The deceptively conservative-looking Mull is widely recognized as one of the most accomplished satirists in show business. Even before he gained TV fame, Mull's barbed comedy albums had earned him a following on the college campus circuit. His first major TV assignment was Mary Hartman Mary Hartman (1976-77), where he was seen as Garth Gimble, an ill-tempered wife beater who ended up being impaled by a Christmas tree. When Mary Hartman Mary Hartman producer Norman Lear developed the spin-off series Fernwood Tonight in 1977, Mull was brought back as glad-handing emcee Barth Gimble, Garth's twin brother. In films since 1978, Mull is often called upon to portray an underhanded or vacillating CEO (vide Mister Mom). His well-groomed mustache and tweedy appearance served him well as Colonel Mustard in the 1985 movie version of the venerable board game Clue. Back on television, Mull has etched such indelible comic characterizations as Leon Carp, Roseanne Connor's gay boss, on Roseanne (1988- ), and the leading roles of Martin Crane in Domestic Life (1984) and Dr. Doug Lambert in His & Hers (1990). In collaboration with Allan Rucker, Martin Mull was the creator/writer of a devastating series of lampoonish "cultural studies" books and TV specials, under the blanket title The History of White People in America.

Trivia: Ottawa-born Sarah Chalke first gained notoriety in 1993 when, at the beginning of the show's sixth season, she was cast on ABC's hit sitcom Roseanne as oldest daughter Becky, a role that had previously been filled by Alicia Goranson, who exited the show for college. Chalke continued to play Becky for two seasons until Goranson returned, but the two actresses took turns playing the character throughout the season. Goranson left again before the show's ninth and final season, and Chalke resumed the role full-time.Following the end of Roseanne, Chalke took on a role in the Canadian series Nothing Too Good for a Cowboy. While that show only lasted nine episodes, it would only be a couple more years before the actress found herself on another hit series. In 2001, she was cast as Elliot Reid, the female lead opposite Zach Braff on the cult hit NBC medical comedy Scrubs. The massively successful show would run until 2010, earning Chalke legions of fans.In addition to her series television work, Chalke has acted in a number of made-for-TV movies and small independent films over the years. In 2007 she had her first role in a high-profile Hollywood movie with a supporting turn alongside Jon Heder and Diane Keaton in the comedy Mama's Boy. She would also find continued success on the small screen, with starring roles on shows like Mad Love, a recurring gig on Cougar Town and guest spots on shows like Grey's Anatomy and Angie Tribeca.

Trivia: Michael Fishman is best known for his first role as D.J. on the sitcom Roseanne. Taking on the part in 1988 when he was just seven, the Cuban-born actor stayed with the series until 1997, and subsequently experimented with only a few other acting projects, such as appearances on Seinfeld and Walker, Texas Ranger.

Trivia: Born on a Belgian army base, curly brown-haired Johnny Galecki grew up in Chicago and started acting professionally at the age of 12. He made his feature film debut in 1988 as River Phoenix's little brother in A Night in the Life of Jimmy Reardon. He then assumed the role of Rusty Griswold in National Lampoon's Christmas Vacation, and gained his first regular role on a TV series as Robert Ulrich's son in American Dreamer. In 1991, he starred in the made-for-TV movie Backfield in Motion, co-starring the production team of Roseanne and Tom Arnold. The next year, Galecki joined the cast of Roseanne as Darlene's sensitive and put-upon boyfriend David Healy. He stayed on the show until its final season in 1997, although he wasn't on very much during its last few years. His other television credits include several guest appearances, leading roles in made-for-TV movies, and a part on the short-lived Head of the Class spin-off Billy. After Roseanne ended, he got back into features with small parts in I Know What You Did Last Summer, Bean, and Suicide Kings. He continued playing slightly effeminate sensitive males in The Opposite of Sex and Morgan's Ferry. After bit parts in Bounce, Playing Mona Lisa, and Vanilla Sky, Galecki played a leading role in the comedy thriller Bookies, which premiered at the 2003 Sundance Film Festival. In 2007 he landed the leading role in the sitcom The Big Bang Theory and it grew to be one of the most popular shows on TV, earning Galecki Emmy, Golden Globe, and Sag nominations in 2011 for his work on the show. He maintained his movie career in projects such as Hancock and In Time.

Trivia: Like her older half-sister Melissa (Little House on the Prairie), actress Sara Gilbert grew up on a television series, in this case, the long-running ABC sitcom Roseanne (1988-1997). She and her sister and her older half-brother, Jonathon Gilbert, are the third generation of a showbiz family. Her grandfather, Harry Crane, was a writer for The Honeymooners, her grandmother, Julia Crane, was a former Miss Brooklyn and a dancer, and her mother is a producer and talent manager. Gilbert made her professional debut in a television commercial at age six, and from there appeared in the television series Tales of the Apple Dumpling Gang (1982). She then played a small role in the made-for-TV movie Calamity Jane, which starred Jane Alexander. Gilbert's career slowed down after that and she did not appear on television until 1988 when she appeared in Runaway Ralph as part of the ABC Weekend Special. As Darlene Connor in Roseanne, Gilbert believably played a cynical, smart-mouthed, but sensitive foil for Roseanne. Gilbert showed versatility as a confused Daddy's girl who is victimized by a calculating Drew Barrymore in Poison Ivy (1989) and as a Southern child with a dark secret who is befriended by a gentle black man in the well-wrought Sudie and Simpson (1990). Gilbert has been twice nominated for an Emmy and has won three Youth in Film Awards. During the last couple seasons of Roseanne, Gilbert began attending Yale University where she studied art and photography. She has also been an avid supporter for various environmental causes through her affiliation with Earth Communications Office (ECO).She stayed away from acting for the most part until 2007 when she began making occasional appearances on the hit sitcom The Big Bang Theory often playing opposite her former Roseanne co-star Johnny Galecki. In 2010, she created the talk show The Talk, a knockoff of The View, and serves as an executive producer and co-host of the series.

Trivia: Actress Alicia Goranson probably remains most famous for her first professional acting role, playing Becky on the sitcom Roseanne. She started with the series in 1988 when she was 14 and stuck with the show until 1995, when she left to pursue an education at Vassar College, though she would sporadically reappear to play the character over the next few years, sharing the role with actress Sarah Chalke. Goranson would go on to appear in projects like 1999's Boys Don't Cry and the 2005 indie comedy Love, Ludlow.

Trivia: Matriculating from Illinois State University, actress Laurie Metcalf was one of the charter members of Chicago's groundbreaking Steppenwolf Theatre troupe. She moved on to New York in the early '80s, winning a 1984 Theatre World Award and an Obie for her performance in Balm in Gilead. In films since 1985, the flexible Metcalf has been seen in director Susan Seidelman's Desperately Seeking Susan (1985) and Making Mr. Right (1987), and also in several other highly regarded productions, notably Uncle Buck (1989), JFK (1991), and Mistress (1992). Metcalf is best known to the TV-watching public for her Emmy-winning portrayal of Roseanne Conner's police-officer sister, Jackie Harris, on the long-running sitcom Roseanne. In 1997, following the demise of her television series, Metcalf turned in a deliciously over-the-top performance as the tightly wound aspiring reporter Debbie Salt in Scream 2. In the decades to come, Metcalfe would find success on shows like Norm and The Big Bang Theory, as well as movies like Stop-Loss Georgia Rule. Despite her hectic schedule, Laurie Metcalf still finds time for an occasional return-to-the-womb appearance at the Steppenwolf Theatre, usually in the company of fellow Steppenwolfians John Malkovich, Gary Sinise, and/or Glenne Headly.