Trivia: Angela Lansbury received an Oscar nomination for her first film, Gaslight, in 1944, and has been winning acting awards and audience favor ever since. Born in London to a family that included both politicians and performers, Lansbury came to the U.S. during World War II. She made notable early film appearances as the snooty sister in National Velvet (1944); the pathetic singer in The Picture of Dorian Gray (1945), which garnered her another Academy nomination; and the madam-with-a-heart-of-gold saloon singer in The Harvey Girls (1946). She turned evil as the manipulative publisher in State of the Union (1948), but was just as convincing as the good queen in The Three Musketeers (1948) and the petulant daughter in The Court Jester (1956). She received another Oscar nomination for her chilling performance as Laurence Harvey's scheming mother in The Manchurian Candidate (1962) and appeared as the addled witch in Bedknobs and Broomsticks (1971), among other later films. On Broadway, she won Tony awards for the musicals Mame (1966), Dear World (1969), the revival of Gypsy (1975), Sweeney Todd (1979) and, at age 82, for the play Blithe Spirit (2009). Despite a season in the '50s on the game show Pantomime Quiz, she came to series television late, starring in 1984-1996 as Jessica Fletcher in Murder, She Wrote; she took over as producer of the show in the '90s. She returned to the Disney studios to record the voice of Mrs. Potts in Beauty and the Beast (1991) and to sing the title song and later reprised the role in the direct-to-video sequel, The Enchanted Christmas (1997). Lansbury is the sister of TV producer Bruce Lansbury.

Trivia: Specializing in comedic roles, Lynn Redgrave made significant contributions to her illustrious family's five-generation-long reputation for producing fine British actors. The daughter of actors Sir Michael Redgrave and Rachel Kempson and the sister of actors Corin and Vanessa Redgrave, the London-born Redgrave studied acting at the Central School of Music and Drama. She first appeared on-stage in a 1962 production of A Midsummer Night's Dream at the Royal Court Theatre. She was next invited by Sir Laurence Olivier to become one of the first members in Britain's National Theatre. There she appeared in Hamlet opposite her father and Peter O'Toole for three years as well as in many other prestigious productions. Redgrave made her feature-film debut in Tony Richardson's ribald Tom Jones (1963). She then had a starring role in The Girl With Green Eyes (1964), but did not become an international star until she played the plump and pathetic protagonist in Georgy Girl (1966). Her work earned her an Oscar nomination and a Best Actress award from the New York Film Critics and led to her playing leading roles in a number of films on both sides of the Atlantic. In 1974, Redgrave immigrated to the U.S. She eventually lost a lot of weight and became a fine comic actress, noted for her unabashed naughty sense of humor. For a while, she was a popular guest on the television talk show/game show circuit as well as a popular spokesperson for the Weight Watchers diet organization. Her '70s film appearances ran the gamut from Woody Allen's Everything You Always Wanted to Know About Sex, But Were Afraid to Ask (1972) to playing the title role in The Happy Hooker (1975). Redgrave also appeared in television movies and in the series House Calls (1979-1981), Teachers Only (1982-1983), and Chicken Soup (1989). In the late '90s, Redgrave staged a successful one-woman show, Shakespeare for My Father. In 1996, Redgrave won acclaim for her portrayal of the loving astrologer who married troubled pianist David Helfgott in Scott Hicks' Shine. Redgrave died of breast cancer at age 67 in May 2010.

Trivia: Lead, onscreen from the '60s. He was best known as Dusty Farlow in the TV series Dallas. Martin died in 2017, at age 75.

Trivia: After a four-year hitch with the Air Corps, Dean Jones worked the nightclub and cabaret circuit as a blues singer. It was, however, as an actor that Jones was signed to an MGM contract in 1956; he spent the next four years essaying showy supporting roles in films like Tea and Sympathy (1956), Jailhouse Rock (1957) and Torpedo Run (1958). He made his first Broadway appearance in 1960, then went on to star in the TV service sitcom Ensign O'Toole (1962). Jones spent the next several years in light leading-man assignments in such Disney fare as That Darn Cat! (1965), The Ugly Dachshund (1966) The Love Bug (1968) and The Boatniks (1970). He returned to TV in 1970 as host of What's It All About World (1969), then scored a Broadway hit as the central character in the Steven Sondheim musical Company. In 1971, it was back to sitcom-land with the 13-week TVer Chicago Teddy Bears. Throughout the 1970s, Jones became increasingly involved in religious activities; this was reflected to a large degree in his sincere portrayal of Charles Colson in Born Again (1978). He made yet another TV comeback in Disney's Herbie the Love Bug in 1982, the same year that he published his autobiography, Under Running Laughter. Dean Jones remained busy as a film character actor into the 1990s, most delightfully in the atypical role of the vivisection-happy villain in Beethoven (1992). In 1997, he appeared in remakes of both That Darn Cat! and The Love Bug, reprising his role of Jim Douglas in the latter. Jones died in 2015, at age 84.

Trivia: Forrest Tucker occupied an odd niche in movies -- though not an "A" movie lead, he was, nonetheless, a prominent "B" picture star and even a marquee name, who could pull audiences into theaters for certain kinds of pictures. From the early/mid-1950s on, he was a solid presence in westerns and other genre pictures. Born Forrest Meredith Tucker in Plainfield, Indiana in 1919, he was bitten by the performing bug early in life -- he made his debut in burlesque while he was still under-age. Shortly after graduating from high school in 1937, he enlisted in the United States Army, joining a cavalry unit. Tucker next headed for Hollywood, where his powerful build and six-foot-four frame and his enthusiasm were sufficient to get him a big-screen debut in The Westerner (1940), starring Gary Cooper and Walter Brennan. Signed to Columbia Pictures, he mostly played anonymous tough-guy roles over the next two years, primarily in B pictures, before entering the army in 1943. Resuming his career in 1946, he started getting bigger roles on a steady basis in better pictures, and in 1948 signed with Republic Pictures. He became a mainstay of that studio's star roster, moving up to a co-starring role in Sands Of Iwo Jima (1949), which also brought him into the professional orbit of John Wayne, the movie's star. Across the early/middle 1950s, Tucker starred in a brace of action/adventure films and westerns, alternating between heroes and villains, building up a significant fan base. By the mid-1950s, he was one of the company's top box-office draws. As it also turned out, Tucker's appeal was international, and he went to England in the second half of the decade to play starring roles in a handful of movies. At that time, British studios such as Hammer Films needed visiting American actors to boost the international appeal of their best productions, and Tucker fulfilled the role admirably in a trio of sci-fi/horror films: The Crawling Eye, The Cosmic Monsters, and The Abominable Snowman of the Himalayas. Part of Tucker's motivation for taking these roles, beyond the money, he later admitted, was his desire to sample the offerings of England's pubs -- Tucker was a two-fisted drinker and, in those days, was well able to handle the effects of that activity so that it never showed up on-screen. And he ran with the opportunity afforded by those three science fiction movies -- each of those films, he played a distinctly different role, in a different way, but always with a certain fundamental honesty that resonated with audiences. When he returned to Hollywood, he was cast as Beauregard Burnside in Auntie Mame (1958), which was the top-grossing movie of the year. Then stage director Morton De Costa, seeing a joyful, playful romantic huckster in Tucker (where others had mostly seen an earnest tough-guy), picked him to star as Professor Harold Hill in the touring production of The Music Man -- Tucker played that role more than 2000 times over the years that followed. He was also the star of the 1964 Broadway show Fair Game For Lovers (in a cast that included Leo Genn, Maggie Hayes, and a young Alan Alda), which closed after eight performances. The Music Man opened a new phase for Tucker's career. The wily huckster became his image, one that was picked up by Warner Bros.' television division, which cast him in the role of Sgt. Morgan O'Rourke, the charmingly larcenous post-Civil War cavalry soldier at the center of the western/spoof series F-Troop. That series only ran for two seasons, but was in syndicated reruns for decades afterward, and though Tucker kept his hand in other media -- returning to The Music Man and also starring in an unsold pilot based on the movie The Flim-Flam Man (taking over the George C. Scott part), it was the part of O'Rourke with which he would be most closely identified for the rest of his life. He did occasionally take tougher roles that moved him away from the comedy in that series -- in one of the better episodes of the series Hondo, entitled "Hondo And The Judas", he played Colonel William Clark Quantrill very effectively. At the end of the decade, he returned to straight dramatic acting, most notably in the John Wayne western Chisum, in which he played primary villain Lawrence Murphy. That same year, he appeared in a challenging episode of the series Bracken's World entitled "Love It Or Leave It, Change It Or Lose It", playing "Jim Grange," a sort of film-a-clef version of John Wayne -- a World War II-era film star known for his patriotism, Grange is determined to express his political views while working alongside a young film star (portrayed by Tony Bill) who is closely associated with the anti-war movement. Tucker continued getting television work and occasional film roles, in addition to returning to the straw-hat circuit, mostly as Professor Harold Hill. None of his subsequent series lasted very long, but he was seldom out of work, despite a drinking problem that did worsen significantly during his final decade. In his final years, he had brought that under control, and was in the process of making a comeback -- there was even talk of an F-Troop revival in film form -- when he was diagnosed with lung cancer and emphysema. He died in the fall of 1986 at age 67.

Trivia: Dan O'Herlihy studied architecture at the National University of Ireland, but his heart was in the acting highlands. After racking up stage credits with the Gate Theater and the Abbey Players, O'Herlihy turned to films in 1946, impressing critics and filmgoers alike with his breakthrough role in Odd Man Out. He made his American movie bow in Orson Welles' MacBeth (1948), playing the not inconsiderable role of MacDuff; shortly thereafter, he appeared with his MacBeth co-star Roddy MacDowall in an economically budgeted adaptation of Robert Louis Stevenson's Kidnapped. In 1952, he earned an Academy Award nomination for his near-solo starring turn in Luis Bunuel's The Adventures of Robinson Crusoe. Maturing into a versatile character player, he could also be seen as FDR in MacArthur (1977), the frothing-at-the-mouth villain in Halloween 3: Season of the Witch (1983), a benign lizardlike alien in The Last Starfighter (1984), and the dark-purposed cyborg-firm exec in the RoboCop films. His TV credits include blarney-spouting Doc McPheeters in The Travels of Jamie McPheeters (1963), town boss Will Varner in The Long Hot Summer (1965), "The Director" in A Man Called Sloane (1979), intelligence agent Carson Marsh in Whiz Kids (1984), and Andrew Packard in Twin Peaks (1990). Dan O'Herlihy was the brother of director Michael O'Herlihy.

Trivia: While growing up in Chicago, Tom Bosley dreamed of becoming the star left-fielder for the Cubs. As it turned out, the closest Bosley got to organized athletics was a sportscasting class at DePauw University. After additional training at the Radio Institute of Chicago and two years' practical experience in various dramatic radio programs and stock companies, he left for New York in 1950. Five years of odd jobs and summer-theater stints later, he landed his first off-Broadway role, playing Dupont-Dufort in Jean Anouilh's Thieves' Carnival. Steadier work followed at the Arena Theatre in Washington, D.C.; then in 1959, Bosley landed the starring role in the Broadway musical Fiorello!, picking up a Tony Award, an ANTA Award, and the New York Drama Critics Award in the bargain. In 1963, he made his film bow as Natalie Wood's "safe and secure" suitor Anthony Colombo in Love With the Proper Stranger. Occasionally cast as two-bit criminals or pathetic losers (he sold his eyes to blind millionairess Joan Crawford in the Spielberg-directed Night Gallery TV movie), Bosley was most often seen as a harried suburban father. After recurring roles on such TV series as That Was the Week That Was, The Debbie Reynolds Show, and The Sandy Duncan Show, Bosley was hired by Hanna-Barbera to provide the voice of flustered patriarch Howard Boyle on the animated sitcom Wait Til Your Father Gets Home (1972-1973). This served as a dry run of sorts for his most famous series-TV assignment: Howard Cunningham, aka "Mr. C," on the immensely popular Happy Days (1974-1983). The warm, familial ambience of the Happy Days set enabled Bosley to weather the tragic death of his first wife, former dancer Jean Elliot, in 1978. In addition to his Happy Days duties, Bosley was narrator of the syndicated documentary That's Hollywood (1977-1981). From 1989 to 1991, he starred on the weekly series The Father Dowling Mysteries, and thereafter was seen on an occasional basis as down-to-earth Cabot Cove sheriff Amos Tupper on Murder, She Wrote. Reportedly as kind, generous, and giving as his Happy Days character, Tom Bosley has over the last 20 years received numerous honors for his many civic and charitable activities.

Trivia: Moved to New York City to pursue a career in ballet when she was 16. Was Angela Lansbury's understudy for a 1967-68 tour of the musical Mame. Appeared in a 1974 television commercial for Big Wally cleaning spray. Was not present to receive her Emmy Award in 1980 due to an actors' strike. Her Soap costar Richard Mulligan called her "Toots."

Trivia: A top-flight character actor and sometime leading man, Gregory Walcott managed to bridge the tail-end of the studio system, the heyday of series television, and the boom years of the post-studio 1970s, and carve a notable career in the process. He was born Bernard Mattox in 1928 (some sources say 1932) in Wendell, NC, a small town about 10 miles east of the state capitol of Raleigh. After serving in the Army following the end of the Second World War, he decided to try for an acting career and hitchhiked his way to California. He managed to get work in amateur and semi-professional theatrical productions and was lucky enough to be spotted in a small role in one of these by an agent. That resulted in his big-screen debut, in an uncredited role in the 20th Century-Fox drama Red Skies of Montana (1952). With his 6'-plus height, impressive build, and deep voice, Walcott would seem to have a major career in front of him, but the movie business of the 1950s was in a state of constant retrenchment, battling the intrusion of television and the eroding of its audience. For the next three years, he had little but bit parts in films, some of them major productions. His performance as the drill instructor in the opening section of Raoul Walsh's Battle Cry (1955) was good enough to get him a contract with Warner Bros. He subsequently played supporting roles in Mister Roberts (1955) and in independent productions such as Badman's Country (1958), and also started showing up on television with some regularity. And with each new role, he seemed to gather momentum in his career.As luck would have it, however, Walcott's most prominent role of the 1950s ended up being the one he received the lowest fee for doing, and that he also thought the least of, and also one that, for decades, he was loathe to discuss, on or off the record: as Jeff Trent, the hero of Plan 9 From Outer Space. Walcott's work on the magnum opus of writer/producer/director Edward D. Wood, Jr. amounted to less than a week's work, and he was so busy in those days that one can easily imagine him forgetting about it as soon as his end of the shoot was over. And the movie was scarcely even seen on its initial release in the summer of 1959 and went to television in the early '60s in a package that usually had it relegated to "shock theater" showcases and the late-night graveyard (no pun intended). But the ultra-low-budget production, renowned for its eerily, interlocking values of ineptitude and entertainment, has become one of the most widely viewed (and deeply analyzed) low-budget movies of any era in the decades since.As this oddity in his career was starting to gather its fans (some would say fester), Walcott had long since moved on to co-starring in the series 87th Precinct and guest-starring roles in series television. Across the 1960s, he remained busy and had a chance to do especially good work on the series Bonanza, which gave him major guest-starring roles in seven episodes between 1960 and 1972. In one of these, "Song in the Dark" (1962), Walcott even had a chance to show off his singing voice, a talent of his that was otherwise scarcely recognized in a three-decade career. By the late '60s, he had also moved into production work, producing and starring in Bill Wallace of China (1967), the story of a Christian missionary. During the 1970s, Walcott finally started to get movie roles that were matched in prominence to his talent, most especially in the films of Clint Eastwood. He remained busy as a prominent character actor and supporting player -- part of that category of performers that includes the likes of Richard Herd and James Cromwell -- into the 1980s. He had retired by the start of the 1990s, but was called before the cameras once more for an appearance in Tim Burton's movie Ed Wood. Walcott died in 2015, at age 87.

Trivia: Lead actress Cherie Currie has appeared on screen since the '80s.

Trivia: Most "baby boomers" first saw actor James Hampton in the whimsically funny role of bugler Hannibal Dobbs on the mid-1960s sitcom F Troop. Even today, memories of Dobson's earnest but hopelessly inept rendition of "Reveille" and his anguished reaction to public revelation of his character's middle name (Shirley) is enough to bring a warm smile to the lips. During the 1970s, Hampton was unofficially "adopted" by old pal Burt Reynolds, appearing in such Reynolds vehicles as The Longest Yard (1974) and Hustle (1975). James Hampton was afforded star billing for his role as the lycanthropic dad of Michael J. Fox in Teen Wolf (1985), a part he carried over into the film's TV-cartoon spin-off.

Trivia: Already a character player in his 30s, American actor Robert Cornwaithe was frequently called upon to play scientific and learned types in such films as War of the Worlds (1953) and The Forbin Project (1971). He was also busy on TV, portraying lawyers, officials and the like on such series as The Andy Griffith Show, Batman (in the "Archer" episode with Art Carney), Gidget, Laverne and Shirley and The Munsters. Cornwaithe earned his niche in the Science Fiction Film Hall of Fame for his performance in The Thing (1951); grayed up, bearded, and looking suspiciously Russian, the actor played the foolhardy Professor Carrington, whose insipidly idealistic efforts to communicate with the extraterrestrial "Thing" nearly gets him killed. In honor of this performance, Robert Cornwaithe was cast as a similar well-meaning scientist in "Mant," the giant-insect film within a film in Joe Dante's Matinee (1993), wherein Cornwaithe shared screen time with two equally uncredited horror-film icons, William Schallert and Kevin McCarthy.