Trivia: For better or worse, leading actor Kelsey Grammer's name will probably forever be associated with the pompous, garrulous, and self-absorbed but lovable psychiatrist Frasier Crane, a character Grammer has played on television since he first appeared on the NBC sitcom Cheers, in 1984, as a love interest for Shelley Long. Though Frasier was not intended to become a series regular, Grammer's performance of the blowhard neurotic charmed audiences and he remained with Cheers through its 1993 demise. At the beginning of the 1993-1994 television season, Grammer's character was resurrected in his own show and moved from Boston to Seattle, where he became a radio psychologist and faced a whole slew of folks just waiting to poke metaphorical pins in his hot air balloon. Thanks to excellent performances and top-notch writing, Frasier became as big a hit as its predecessor. Grammer won three Emmy awards and was nominated for seven more (twice for Cheers, once for his guest appearance on a 1992 episode of Wings, four times for Frasier) for playing the character. Born on St. Thomas, one of the U.S. Virgin Islands, Grammer knew extreme tragedy in youth. Following the shooting death of his father when he was a boy, he was raised in New Jersey and then Florida, by his mother and grandfather. His grandfather died before Grammer became a teen. When he was 20, his sister was abducted and violently murdered. Five years later, he lost two half brothers in a diving accident. As a young man, Grammer found comfort in Shakespeare; with his acting debut in a high school production of The Little Foxes came an interest in pursuing drama as a career. He enrolled in Juilliard, but dropped out after two years to work at San Diego's Old Globe Theater, where he gained three years' invaluable experience performing in Shakespearean and classical dramas; afterward, Grammer performed in productions across the country. He eventually made it to Broadway, where he appeared in various productions, including Othello. Prior to playing Frasier, Grammer appeared occasionally on television and had regular roles in three soap operas, including One Life to Live. He continues to occasionally guest star on other series. Fans of the animated satire The Simpsons will recognize his periodic voice characterization as the venomous Sideshow Bob. Miniseries and telemovies in which he has appeared include London Suite and Beyond Suspicion. Grammer made his feature film debut with a small role in Top of the Hill (1989) and had his first starring role in the much-panned comedy Down Periscope (1996). In addition to his Emmy kudos, Grammer has received an American Comedy Award, two Golden Globes, and a People's Choice Award. In 1995, he published his autobiography So Far.Grammer would spend the following years taking on TV roles on shows like Back to You and Boss, but would find even more success as a producer, helping bring shows like The Game, Girlfriends, Hank, Medium, and World Cup Comedy to fruition. In 2014, he returned to acting in a big way, making a cameo appearance in X-Men: Days of Future Past, reprising his role as Beast, playing the bad guy in Transformers: Age of Extinction, and returning to television in the FX series Partners.

Trivia: Although he is best known for his role as anal-retentive psychiatrist extraordinaire Niles Crane on the celebrated sitcom Frasier, David Hyde Pierce has also done considerable work on the stage and screen. Fair, birdlike, and bearing an uncanny resemblance to Frasier co-star Kelsey Grammer, Pierce is one of the entertainment business' finest purveyors of a certain kind of blue-blooded neuroticism, and, in the eyes of some viewers, has even gone so far as to make insecurity perversely sexy.Born in Saratoga Springs, New York, on April 3, 1959, Pierce was raised in what he has described as a "very run-of-the-mill, middle-class" household. When he was eight, he began taking piano lessons, and he decided to pursue a career as a concert pianist. He continued to train until he got to Yale University, where he realized that he was better suited to the acting profession. Following graduation, Pierce moved to New York and did a brief stint as a tie salesman at Bloomingdale's before being cast in a Broadway play. Although the production was a flop, Pierce continued to work on the stage in New York and Chicago for several years and was eventually cast as a suicidal congressman on the short-lived sitcom The Powers That Be in 1992. His work on the show, coupled with his resemblance to Kelsey Grammer, led to his casting on Frasier the following year.Frasier proved to be the turning point in Pierce's career. His portrayal of Niles, aside from winning him a slew of awards, including an Emmy, also provided a number of opportunities for the actor on the big screen. Pierce, who had been acting sporadically in films since the early '80s, could be seen in supporting roles in such '90s films as Sleepless in Seattle (1993), Nixon (1995), in which he played John Dean, and the animated A Bug's Life (1998), for which he provided the voice of a stick insect.As the first decade of the 21st century opened, Pierce began appearing in more and more feature films, selecting an eclectic array of roles that utitlized his strengths without resorting to rehashing the Niles Crane character. Diverse in their genre and theme, the projects also ranged in their levels of success and acclaim. The 2000 comedy Isn't She Great was an abysmal failure, while the indie films Wet Hot American Summer and Full Frontal both left audiences and critics fiercely split. Pierce also continued to flex his voice skills in the animated features Osmosis Jones and Treasure Planet.One of Pierce's best-received roles came in 2003, when he costarred in the tongue-in-cheek comedy Down With Love. While not much of a box-office hit, the film managed to charm many critics with its wall-to-wall homages to 1960s sex-comedies. A year later, Pierce again showed up sans-body, providing the voice of Abe Sapien in the comic-book adaptation Hellboy. He reunited with Hellboy creator Mike Mignola's animated comic adaptation The Amazing Screw-On Head to voice the role of the dreaded Emperor Zombie in 2006, and joined the cast of The Perfect Host in 2010 for a leading role as Warwick Wilson, whose genteel façade hides a deep rage and mental instability.

Trivia: A distinctive-looking, grey-haired British character actor, John Mahoney worked onstage in his teens, and moved to the U.S. at 19. In his mid-30s, while employed as an editor in Chicago, he decided to renew his interest in acting, and he enrolled in classes at a local theater co-founded by playwright David Mamet; he landed a role in a Mamet play and left his job for the part. At the urging of actor John Malkovich, he went on to join Chicago's celebrated Steppenwolf Theater; eventually he appeared in more than 30 plays. For his work in the Broadway play House of Blue Leaves he won a Tony and a Clarence Derwent Award. For his work in the lead role of Orphans (on Broadway and in Chicago) he won a Theater World Award. He still lives in Chicago, and maintains his connection with Steppenwolf. Mahoney debuted onscreen in Mission HIll (1982), but his screen breakthrough came in his fifth film, Barry Levinson's popular comedy Tin Men (1987); afterwards he went on to better parts in more noteworthy movies, and has avoided typecasting in a busy screen career. Mahoney's TV credits include Favorite Son and House of Blue Leaves, in which he reprised his stage role; he has since achieved wide popularity as Martin Crane, Frasier Crane's crochety father, on the NBC sitcom Frasier.

Trivia: Began studying ballet at a very early age, but hurt her ankle when she was 18 and was forced to give it up. Appeared in David Lee Roth's video for "California Girls." Lived for a time with her best friend Faith Ford, whom she met in acting class. Cofounded the production company Bristol Cities with Frasier costar Peri Gilpin in 1998. Since her first pregnancy wasn't written into Frasier, her character, Daphne, was sent off to a fat camp and was said to have lost 9 pounds, 12 ounces---the weight of Jane's daughter when she was born. Made her Broadway debut in Cabaret as Sally Bowles in 2002. Reunited with Fraiser alum Wendy Malick to costar in the TV Land sitcom Hot in Cleveland.

Trivia: With a father who was a famous local radio and television celebrity, a model mother who appeared in television, and a working relationship with Wings producer Roz Doyle in her past, it may all seem like an obscure cosmic joke that pretty Peri Gilpin would rise to fame as radio producer Roz Doyle on the smash television sitcom Frasier, though the longtime actress would likely credit her success to hard work rather than astrological coincidence.Born in Waco, TX, and raised in Dallas, Gilpin began acting on stage with the Dallas Theater Company at the age of eight, a fact that helped her shake stage fright and gain the confidence that would accompany her through numerous future auditions. A Skyline High School graduate, Gilpin later studied acting at both the University of Texas at Austin and London's British-American Academy. Upon returning to the U.S., Gilpin worked as a makeup artist in the Dallas area before taking an apprenticeship with the Williamstown Theater Festival. A chance meeting with actress Blythe Danner resulted in Gilpin gaining some support within the industry, and it wasn't long before Gilpin's dreams were coming true with roles on television's Flesh 'n' Blood and 21 Jump Street. A role on Cheers followed shortly after, and when a spin-off series entitled Frasier became an unexpected hit, Gilpin found the role that would bring her into households across the country on a weekly basis. Appearing frequently on such made-for-television films as The Secret She Carried (1996) and Laughter on the 23rd Floor (2000) while simultaneously essaying her role on Frasier, Gilpin (who was named after the animated Disney character Peri the squirrel) has also loaned her voice to such animated projects as television's Hercules and the computer-animated feature Final Fantasy: The Spirits Within (2001). Throughout the 2000's and 2010's, Gilpin remained active, starring most notably on the dance series Make It or Break It.

Trivia: With a countenance that can effortlessly suggest a beleaguered everyman or a no-nonsense tough, American character actor John Finn has sustained a prolonged and impressively varied career. A New York City native, Finn received one of his earliest assignments under the aegis of Stuart Rosenberg, as Ginty in the ethnic drama (and cult hit) The Pope of Greenwich Village (1984). The actor's resumé over the following ten years packed in a series of key Hollywood films of varying quality -- from the wonderful Ed Zwick drama Glory (1989) and the fine Alan Pakula political thriller The Pelican Brief (1993) to the Bob Clark buddy comedy Loose Cannons (1990). Finn also appeared in occasional telemovies, notably the 1991 Posing: Inspired by Three Real Stories, as Jimmy Lanahan, the husband of homemaker-turned-Playmate Meredith Lanahan (Lynda Carter). After appearances on such hit series as The X-Files, Frasier, and NYPD Blue, and parts in the major studio releases Catch Me If You Can and Analyze That (2002), Finn landed one of his first regular series roles, playing Lieutenant John Stillman on the popular detective program Cold Case.

Trivia: Fell in love with acting at the age of six during an elementary school play.Previous jobs include bio-tech assistant, bartender, masseuse, car saleswoman and archivist.Studied acting with Austin Pendleton, Geraldine Page, Bobby Lewis and Michael Schulman; and at Circle Rep Lab.Is a member of New Circle Theatre Company, Barefoot Theatre Company and 9th Floor Playwrights.Is an skilled singer and songwriter.Plays guitar.Is able to do British, New York, Russian, German and Southern accents.

Trivia: Farce, satire, and parody come together with Vaudeville roots and manic energy to create the Mel Brooks style of comedy. Born Melvin Kaminsky to a Russian Jewish family in Brooklyn, NY, the writer/producer/director/actor was one of very few people to win an Oscar, Emmy, Grammy, and Tony award. After serving in the U.S. Army during World War II, he worked as a standup comic at resorts in the Catskills and started writing comedy. Along with Woody Allen, Neil Simon, and others, he wrote for Sid Caesar's Your Show of Shows, which later became Caesar's Hour. Teaming up with fellow staff writer Carl Reiner, he developed the award-winning "2000 Year Old Man" comedy skit, which led to several recordings, television appearances, and a 1998 Grammy. He and writer Buck Henry also created the spy-parody TV series Get Smart (1965-1970) starring Don Adams. During this time, he produced theater, married actress Anne Bancroft, and made his first film: an Oscar-winning animated short parody of modern art called The Critic. He then put together a screenplay based upon his experiences working with Broadway executives that led to his feature-length debut The Producers. He cast stage legend Zero Mostel in the lead role and got B-movie producer Joseph Levine to put up the funds, but the movie didn't get distributed until Peter Sellers saw it and encouraged its release. Brooks ended up winning an Oscar for Best Screenplay and, in 2000, adapted the film into a highly successful Broadway musical. By 1970, after the release of his next film The Twelve Chairs, Hollywood thought his work was "too Jewish." In 1974, Brooks made the marketable move toward parodies with the Western spoof Blazing Saddles, winning him a Writer's Guild award and introducing his stock actors Harvey Korman and Madeline Kahn. Finding his niche, he would continue to make parodies throughout his career by spoofing horror (Young Frankenstein), silent movies (Silent Movie), Hitchcock (High Anxiety), historical epics (History of the World -- Part I), and science fiction (Spaceballs). Working simultaneously as writer, director, and lead actor, Brooks started to generate negative press about his excessive style. In 1983, appearing opposite Bancroft, he concentrated on just acting for the remake of the Ernst Lubitch classic To Be or Not to Be. He continued working with his production company Brooksfilms during the '80s as an executive producer on projects as varied as The Fly, The Elephant Man, Solarbabies, and 84 Charing Cross Road (starring Bancroft). His brief stray into non-parody films in 1991 (Life Stinks) was universally dismissed, so he returned to form with Robin Hood: Men in Tights and Dracula: Dead and Loving It. Other than the occasional cameo or random appearance as voice talent, Brooks spent the late '90s winning awards and playing Uncle Phil on the NBC series Mad About You. In 2001, the Broadway musical version of The Producers (starring Nathan Lane and Matthew Broderick) led to a successful national tour and broke a new record by winning one Grammy and 12 Tony awards. The stage version would lead to a new big screen adaptation in 2005, creating a whole new generation of fans. Over the coming years, Brooks would lend his voice to Spaceballs: The Animated Series and Jakers! The Adventures of Piggley Winks.

Trivia: At age 13, singer Rosemary Clooney crossed the river from her Kentucky hometown to Cincinnati, Ohio, where she and her sister Betty sang on a local radio station. In 1949 Clooney was signed to a solo record contract by Columbia musical director Mitch Miller. Two years later, she scored her first hit, the Ross Bagdasarian novelty song "Come On'a My House," which she reprised in her first film, The Stars are Singing (52). Paramount hoped to turn Clooney into a movie star, but after Here Come the Girls (53), Red Garters (54) and White Christmas (54), she grew weary of Hollywood. Concentrating on television, Clooney headlined several network series, and also starred in her own 39-week syndicated variety show in 1955, which was distinguished by its offbeat guest-star lineup (including such non-musical celebs as Buster Keaton and Boris Karloff!) As her career began diminishing in the 1960s, her reliance upon alcohol increased, culminating in a highly publicized stay in a California psychiatric ward. Happily she recovered, successfully launching a whole new career on the concert stage as a jazz vocalist. In 1977, Clooney wrote a grimly revelatory autobiography, This for Remembrance, which was later adapted into a TV biopic starring Sondra Locke. Rosemary Clooney was for many years married to stage and film star Jose Ferrer; she is the mother of actor Miguel Ferrer, the sister of TV talk host Nick Clooney, and the aunt of TV's ER heartthrob George Clooney.

Trivia: An innovative journalist and producer, Dominick Dunne began his career as a powerful figure in media directly following his return from a term of service in World War II. Settling in Hollywood, Dunne directed Playhouse 90 and became the vice president of the production company Four Star Television. He would continue to hold both professional and social sway until 1979, when addiction and other emotional issues motivated him to relocate to Oregon. He subsequently suffered a great loss when his daughter, actress Dominique Dunne, who was well known for her role in Poltergeist, was murdered. Dunne eventually began writing for Vanity Fair magazine, where he became famous for fictionalizing famous Hollywood related crimes, and went on to host a TV show called Dominick Dunne's Power, Privilege, and Justice on CourtTV exploring similar stories. In 2009, Dunne passed away at the age of 83.

Trivia: As the son of comedians Jerry Stiller and Anne Meara Ben Stiller's decision to establish himself as a comic writer and actor surprised almost no one.Born in New York City on November 30, 1965, Stiller began to shoot his own comic films from the age of ten. After high-school graduation, Stiller attended UCLA and landed bit parts in several features, notably the Steven Spielberg-directed, Tom Stoppard and Menno Meyjes-scripted, late 1987 opus Empire of the Sun.Meanwhile, Stiller continued to turn out comedy shorts, including the 30-minute Elvis Stories (1989), a spoof of obsessive Elvis fans featuring an already-established John Cusack. One of Stiller's shorts, a Tom Cruise parody called The Hustler of Money, won him a spot as a writer and player on Saturday Night Live in 1989. His stint on the show was short-lived, but led to his own eponymous series, The Ben Stiller Show, first on MTV (1990) and later on Fox (1992-1993). The program failed to draw a substantial audience, and folded within a couple of months on each network, but Stiller netted an Emmy for comedy writing in 1993.The following year, Stiller debuted as a feature film director with the twentysomething angst romcom Reality Bites (1994), in which he also starred alongside Winona Ryder and a memorably grungy Ethan Hawke. The film was a relative critical and commercial success and scored with Gen-Xers; unfortunately, Stiller's next directorial effort, 1996's The Cable Guy failed to register with critics and audiences. After a small part as nursing-home orderly Hal in the Adam Sandler comedy Happy Gilmore (1996), Stiller rebounded with a starring role in David O. Russell's Flirting With Disaster (1996). The relatively positive reception afforded to that comedy helped to balance out the relative failure of Stiller's other film that year, If Lucy Fell. It was not until two years later, however, that Stiller truly stepped into the limelight. Thanks to starring roles in three wildly, wickedly different films, he emerged as an actor of versatility, equally adept at playing sensitive nice guys and malevolent hellraisers. In the smash gross-out comedy There's Something About Mary (1998), Stiller appeared as the former type, making comic history for outrageous sight gags that involved misplaced bodily fluids and mangled genitalia. That same summer, Stiller did time as a gleefully adulterous theatrical instructor in Neil LaBute's jet-black evisceration of contemporary sexual mores, Your Friends and Neighbors. Finally, Stiller starred in the intensely graphic and disturbing addiction drama Permanent Midnight, earning critical acclaim for his portrayal of writer-cum-heroin addict Jerry Stahl -- a personal friend of the Stiller family from Stahl's days scripting the TV series ALF. Now fully capable of holding his own in Hollywood, with the license to prove it, Stiller starred alongside William H. Macy, Paul Reubens, Hank Azaria, and pal Janeane Garofalo in the fantasy comedy Mystery Men (1999) as the leader of a group of unconventional superheroes. Stiller also landed a supporting role in The Suburbans, a comedy about the former members of a defunct new wave band. The following year, Stiller starred as a rabbi smitten with the same woman as his best friend, a Catholic priest (Edward Norton), in the well-received romantic comedy Keeping the Faith (2000), which Norton also co-produced and directed. Stiller found his widest audience up to that point, however, with the Jay Roach-directed madcap comedy Meet the Parents. As the tale of a nutty father-in-law to be (Robert De Niro) who wreaks unchecked havoc on his daughter's intended (Stiller) via covert CIA operations and incessant interrogation, this disastrously humorous tale of electrical interference gone wild scored with ticket-buyers and qualified as the top box-office draw during the holiday season of 2000.In the autumn of 2001, Stiller brought one of his most popular MTV Video Music Awards incarnations to the big screen in the outrageously silly male-model comedy Zoolander, in which he successfully teamed with (real-life friend) Owen Wilson to carry stupidity to new heights.In 2001 Stiller once again teamed with Wes Anderson collaborator Wilson for the widely praised comedy drama The Royal Tenenbaums. Cast as the estranged son of eccentric parents who returns home, Stiller infused his unmistakable comic touch with an affecting sense of drama that found him holding his ground opposite such dramatic heavies as Gene Hackman and Anjelica Huston. Though his work in 2002 offered little more than a few cameo performances and some vocal contributions to various animated children's shows, the busy comedic actor returned to the big screen for the 2003 comedy Duplex, directed by Danny DeVito. Though the film pairs Stiller and Hollywood bombshell Drew Barrymore as a couple willing to go to horrific extremes to land the much-desired eponymous living space, reviews were unkind and the comedy died a quick death at the box office. Stiller's next film -- the romantic comedy Along Came Polly -- fared considerably better on a fiscal level, but suffered from an implausible premise.Spring 2004 promised a rebound when the electrifying duo of Stiller and Owen Wilson returned to the big screen with director Todd Phillips' celluloid recycling job Starsky & Hutch. Though Stiller and Wilson seemed the ideal pair for such a conceptually rich re-imagining of 1970s television, and the film boasted wonderful villainous turns by rapper Snoop Dogg and Vince Vaughn, reviews were once again lackluster and the film struggled to find an audience. Yet Starsky & Hutch did actually reap a profit, which (in a business sense) placed it miles ahead of Stiller's next film. Released a mere two months after Starsky & Hutch, the Barry Levinson comedy Envy sports a wacky premise; it explores the comic rivalry that erupts between two longtime friends and neighbors when one invents a product that makes dog excrement disappear. It also boasts a marvelous cast, replete with Stiller, the maniacal Jack Black, and the brilliant Christopher Walken. But for whatever reason (speculated by some as the film's inability to exploit the invention at the story's center) the film's sense of humor failed to catch fire and Envy died a quick box-office death. Stiller fared better with the ribald, anarchic summer 2004 comedy Dodgeball: A True Underdog Story, starring himself, Vince Vaughn, and Rip Torn. For the following two years, Stiller once again contented himself largely with bit parts (2004's Anchorman: the Legend of Ron Burgundy, 2006's Tenacious D in the Pick of Destiny) until the Christmas 2006 release A Night at the Museum. In this effects-heavy fantasy, adapted from the popular children's book by Milan Trenc, Stiller plays Larry Daley, the new night watchman at New York City's Museum of Natural History, who discovers that the exhibits all spring to life after hours, from a giant skeletal Tyrannosaurus Rex to a waxen Teddy Roosevelt -- and seem content to hold Larry hostage. The effort split critical opinion, but shot up to become one of the top three box-office draws during the holiday season of 2006.Meanwhile, Stiller signed on to team with the Farrelly brothers for The Heartbreak Kid (2007), a remake of the 1972 Elaine May comedy of the same title; he also produced Blades of Glory, a comedy with Will Ferrell and Jon Heder as rival figure-skating champions vying with one another for Olympic gold. He wrote, directed and starred in the hit comedy Tropic Thunder (2008) as a moronic Hollywood actor toplining a war film, voiced Alex in the same year's animated picture Madagascar: Escape 2 Africa, and in 2009, reprised his Larry Daley role for Night at the Museum: Battle of the Smithsonian. Stiller's emphasis on sequels then continued with 2010's Little Fockers and 2012's Madagascar 3. In 2013, Stiller picked up the role originally made famous by Danny Kaye, as the lead in the remake The Secret Life of Walter Mitty, which Stiller also directed and produced. The following year, he appeared in the next film in the Night at the Museum series, Secret of the Tomb.

Trivia: Eric Stoltz has appeared in a number of major and minor features and on television. While growing up, the pale, slender, and red-haired Stoltz spent time in American Samoa. His interest in acting began in high school where he not only acted in productions, but also occasionally accompanied them on piano. While attending U.S.C., Stoltz studied theater arts but left the program to study under Stella Adler, William Taylor, and Peggy Feury. Afterward, Stoltz spent a season in Edinburgh performing with an American repertory company. Upon his return stateside, Stoltz appeared in the television movie version of humorist Erma Bombeck's novel The Grass Is Always Greener Over the Septic Tank (1978). He would appear in three more television films before making his film debut in Amy Heckerling's Fast Times at Ridgemont High (1982) alongside such other would-be stars as Sean Penn, Anthony Edwards, and Jennifer Jason Leigh. From there, Stoltz appeared in a series of low-budget films such as Running Hot (1982) and Surf 2 (1984), and he might well have remained at that level had he not been cast as Rocky Dennis in Peter Bogdanovich's Mask (1986). Playing a young teen suffering from lionitis, a terminal disease that drastically deforms the skull, Stoltz had to wear pounds of makeup and prosthetics (the makeup won Oscars for designers Zoltan Elek and Michael Westmore) that left him with only his voice, his eyes, and his body with which to convey emotions. Starring opposite Cher, who played his drug-addicted biker-chick mother, Stoltz gave a moving performance that earned him critical and audience acclaim. But though it made Stoltz popular, full-fledged stardom eluded him and he continued appearing in moderately successful and low-budget films, including John Hughes' romantic drama Some Kind of Wonderful (1987). In addition to his film work, Stoltz has had a busy Broadway career that began in 1988 with a Tony-nominated starring role in a revival of Thornton Wilder's Our Town, and a sporadic television career making guest appearances on such series as Mad About You and in TV movies. Stoltz has occasionally produced films such as Mr. Jealousy (1997). In 2002 Stoltz reteamed with Killing Zoe director Rogery Avery for the pitch-black college comedy The Rules of Attraction, and the following decade found him increasingly active on the small screen with roles in Will & Grace, Close to Home, Grey's Anatomy, and the 2009 Battlestar Galactica spin-off Capricia. Meanwhile, back on the silver screen, Stoltz earned accolades for his leading role as a conflicted barber of German heritage forced to suppress his American patriotism after moving his family to a post-World War II military base which houses a German POW camp.