Trivia: One of the precious few actors of the "pretty boy" school to survive past the 1950s, Robert Wagner was the son of a Detroit steel executive. When his family moved to Los Angeles, Wagner's original intention of becoming a businessman took second place to his fascination with the film industry. Thanks to his dad's connections, he was able to make regular visits to the big studios. Inevitably, a talent scout took notice of Wagner's boyish handsomeness, impressive physique, and easygoing charm. After making his unbilled screen debut in The Happy Years (1950), Wagner was signed by 20th Century Fox, which carefully built him up toward stardom. He played romantic leads with ease, but it wasn't until he essayed the two scene role of a shellshocked war veteran in With a Song in My Heart (1952) that studio executives recognized his potential as a dramatic actor. He went on to play the title roles in Prince Valiant (1954) and The True Story of Jesse James (1956), and shocked his bobby-soxer fan following by effectively portraying a cold-blooded murderer in A Kiss Before Dying (1955). In the early '60s, however, Wagner suffered a series of personal and professional reverses. His "ideal" marriage to actress Natalie Wood had dissolved, and his film career skidded to a stop after The Pink Panther (1964). Two years of unemployment followed before Wagner made a respectable comeback as star of the lighthearted TV espionage series It Takes a Thief (1968-1970). For the rest of his career, Wagner would enjoy his greatest success on TV, first in the mid-'70s series Switch, then opposite Stefanie Powers in the internationally popular Hart to Hart, which ran from 1979 through 1983 and has since been sporadically revived in TV-movie form (a 1986 series, Lime Street, was quickly canceled due to the tragic death of Wagner's young co-star, Savannah Smith). On the domestic front, Wagner was briefly wed to actress Marion Marshall before remarrying Natalie Wood in 1972; after Wood's death in 1981, Wagner found lasting happiness with his third wife, Jill St. John, a longtime friend and co-worker. Considered one of Hollywood's nicest citizens, Robert Wagner has continued to successfully pursue a leading man career into his sixties; he has also launched a latter-day stage career, touring with his Hart to Hart co-star Stefanie Power in the "readers' theater" presentation Love Letters. He found success playing a henchman to Dr. Evil in the Austin Powers movies, and in 2007 he began playing Teddy, a recurring role on the hit CBS series Two and a Half Men.

Trivia: Terry Moore was born Helen Koford; during her screen career she was billed as Helen Koford, Judy Ford, Jan Ford, and (from 1949) Terry Moore. She debuted onscreen at age 11 in 1940 and went on to play adolescent roles in a number of films. As an adult actress, the well-endowed Moore fell into the late-'40s/early-'50s "sexpot" mold, and was fairly busy onscreen until 1960; after that her screen work was infrequent, though she ultimately appeared in more than a half-dozen additional films. She claimed she was secretly wed to billionaire Howard Hughes in 1949, and that they were never divorced; for years she sued Hughes's estate for part of his will, and finally was given an undisclosed sum in an out-of-court settlement. She wrote a book detailing her secret life with Hughes from 1947-56, The Beauty and the Billionaire, in 1984. For her work in Come Back, Little Sheba (1952) she received a "Best Supporting Actress" Oscar nomination. She co-produced the film Beverly Hills Brat (1989), in which she also appeared.

Trivia: Born Luis Antonio Damaso De Alonso, this Mexican-born Latin lover appeared in silent and sound films. He trained to be a bullfighter (his father's profession) but gave it up for acting after his family moved to the U.S. At age 13 he debuted onscreen as an extra; he made his screen acting debut seven years later in The Plastic Age (1925). In the mid '20s he frequently played dashing romantic leading men, notably in Camille (1927) opposite Norma Talmadge. In the sound era he played leads and then later character and supporting roles in many films; he continued working until the late '70s. He was married to actress Constance Bennett.

Trivia: Though descended from a highly respected family of Irish politicians and civil servants, actor J. Carroll Naish played every sort of nationality except Irish during his long career. Naish joined the Navy at age sixteen, and spent the next decade travelling all over the world, absorbing the languages, dialects and customs of several nations. Drifting from job to job while stranded in California, Naish began picking up extra work in Hollywood films. The acting bug took hold, and Naish made his stage debut in a 1926 touring company of The Shanghai Gesture. Within five years he was a well-established member of the theatrical community (the legendary actress Mrs. Leslie Carter was the godmother of Naish's daughter). Naish thrived during the early days of talking pictures thanks to his expertise in a limitless variety of foreign dialects. At various times he was seen as Chinese, Japanese, a Frenchman, a South Seas Islander, Portuguese, an Italian, a German, and a Native American (he played Sitting Bull in the 1954 film of the same name). Many of his assignments were villainous in nature (he was a gangster boss in virtually every Paramount "B" of the late 1930s), though his two Oscar nominations were for sympathetic roles: the tragic Italian POW in Sahara (1943) and the indigent Mexican father of a deceased war hero in A Medal For Benny (1954). Naish continued to flourish on radio and television, at one point playing both a priest and a rabbi on the same anthology series. He starred in both the radio and TV versions of the melting-pot sitcom "Life with Luigi," essayed the title role in 39 episodes of "The New Adventures of Charlie Chan" (1957), and played a comedy Indian on the 1960 sitcom "Guestward Ho." Illness forced him to retire in 1969, but J. Carroll Naish was cajoled back before the cameras by quickie producer Al Adamson for the 1970 ultracheapie Dracula vs. Frankenstein; even weighed down by bad false teeth, coke-bottle glasses and a wheelchair, Naish managed to act the rest of the cast right off the screen.

Trivia: Rough-hewn American leading man Richard Boone was thrust into the cold cruel world when he was expelled from Stanford University, for a minor infraction. He worked as a oil-field laborer, boxer, painter and free-lance writer before settling upon acting as a profession. After serving in World War II, Boone used his GI Bill to finance his theatrical training at the Actors' Studio, making his belated Broadway debut at age 31, playing Jason in Judith Anderson's production of Medea. Signed to a 20th Century-Fox contract in 1951, Boone was given good billing in his first feature, Halls of Montezuma; among his Fox assignments was the brief but telling role of Pontius Pilate in The Robe (1953). Boone launched the TV-star phase of his career in the weekly semi-anthology Medic, playing Dr. Konrad Steiner. From 1957 through 1963, Boone portrayed Paladin, erudite western soldier of fortune, on the popular western series Have Gun, Will Travel. He directed several episodes of this series. Boone tackled a daring TV assignment in 1963, when in collaboration with playwright Clifford Odets, he appeared in the TV anthology series The Richard Boone Show. Unique among filmed dramatic programs, Boone's series featured a cast of eleven regulars (including Harry Morgan, Robert Blake, Jeanette Nolan, Bethel Leslie and Boone himself), who appeared in repertory, essaying different parts of varying sizes each week. The Richard Boone Show failed to catch on, and Boone went back to films. In 1972 he starred in another western series, this one produced by his old friend Jack Webb: Hec Ramsey, the saga of an old-fashioned sheriff coping with an increasingly industrialized West. In the last year of his life, Boone was appointed Florida's cultural ambassador. Richard Boone died at age 65 of throat cancer.

Trivia: American stage actress Angela Clarke entered films in 1949. Though only in her early 40s, Angela cornered the market in grey-haired matriarch roles, usually with accompanying ethnic accent. One of her best-remembered parts in this capacity was Harry Houdini's Jewish mama Mrs. Weiss in Houdini (1953). Clark also made a strong impression as Bob Hope's disapproving Italian aunt-in-law in the 1955 biopic The Seven Little Foys. Angela Clarke was busy in films and TV until the early 1980s, essaying supporting roles in such movies as Blindfold (1966) and Harrad Summer (1974).

Trivia: The younger brother of Gunsmoke star James Arness, American actor Peter Graves worked as a musician and radio actor before entering films with 1950's Rogue River. At first, it appeared that Graves would be the star of the family, since he was cast in leads while brother Jim languished in secondary roles. Then came Stalag 17 (1953), in which Graves was first-rate as a supposedly all-American POW who turned out to be a vicious Nazi spy. Trouble was, Graves played the part too well, and couldn't shake the Nazi stereotype in the eyes of most Hollywood producers. Suddenly the actor found himself in such secondary roles as Shelley Winters' doomed husband in Night of the Hunter (1955) (he was in and out of the picture after the first ten minutes), while sibling James Arness was riding high with Gunsmoke. Dissatisfied with his film career, Graves signed on in 1955 for a network kid's series about "a horse and the boy who loved him." Fury wasn't exactly Citizen Kane, but it ran five years and made Graves a wealthy man through rerun residuals--so much so that he claimed to be making more money from Fury than his brother did from Gunsmoke. In 1966, Peter Graves replaced Steven Hill as head honcho of the force on the weekly TV adventure series Mission: Impossible, a stint that lasted until 1973. Though a better than average actor, Graves gained something of a camp reputation for his stiff, straight-arrow film characters and was often cast in films that parodied his TV image. One of the best of these lampoonish appearances was in the Zucker-Abrahams comedy Airplane (1980), as a nutty airline pilot who asks outrageous questions to a young boy on the plane (a part the actor very nearly turned down, until he discovered that Leslie Nielsen was co-starring in the film). Peter Graves effortlessly maintained his reliable, authoritative movie persona into the '90s and 2000s, and hosted the Biography series on A&E, for which he won an Emmy; he also guest-starred on programs including Cold Case, House and American Dad. Graves died of natural causes in March 2010, at age 83.

Trivia: American actor Jay Novello began his film career with Tenth Avenue Kid (1938). Small, wiry and mustachioed, Novello found a home in Hollywood playing shifty street characters and petty thieves; during the war he displayed a friendlier image as a Latin-American type, appearing as waiters and hotel clerks in innumerable Good Neighbor films set south of the border. Once the war was over, it was back to those scraggly little characters, even in such period pieces as The Robe (1953), in which Novello played the unsavory slave dealer who sold Victor Mature to Richard Burton. Adept in TV comedy roles as meek milquetoasts and henpecked husbands, Novello was a particular favorite of Lucille Ball, who used the actor prominently in both I Love Lucy (first as the man duped by the "Ethel to Tillie" seance, then as a gondolier in a later episode) and The Lucy Show (as a softhearted safecracker). Jay Novello remained active in films into the '60s, as scurrilous as ever in such fantasy films as The Lost World (1960) and Atlantis, the Lost Continent (1961); he also stayed busy in such TV programs as The Mothers in Law, My Three Sons and McHale's Navy, playing a recurring role in the latter series as a resourceful Italian mayor.

Trivia: The brunette daughter of British-born writer-producer Leon Gordon (Freaks [1932], Mrs. Parkington [1944]), Gloria Gordon began her decade-long screen career playing bits in her father's productions of The Green Years (1946) and That Forsyte Woman (1949). The highlight of her screen career was a supporting role in the Florida-lensed Cinemascope adventure Beneath the 12-Mile Reef (1953). She is not to be confused with another, much older Gloria Gordon, who died in 1962 and was the mother of actor Gale Gordon (Dennis the Menace).

Trivia: The son of actors Harry Carey and Olive Golden, Harry Carey Jr. never answered to "Harry" or "Junior"; to his friends, family and film buffs, he was always "Dobe" Carey. Raised on his father's California ranch, the younger Carey spent his first six adult years in the Navy. While it is commonly assumed that he made his film debut under the direction of his dad's longtime friend John Ford, Carey in fact was first seen in a fleeting bit in 1946's Rolling Home, directed by William Berke. It wasn't until his third film, Three Godfathers (dedicated to the memory of his father) that Carey worked with Ford. Honoring his promise to Harry Sr. that he'd "look after" Dobe, Ford saw to it that the younger Carey was given a starring assignment (along with another of the director's proteges, Ben Johnson), in Wagonmaster (1950). Though he handled this assignment nicely, exuding an appealing earnest boyishness, Carey wasn't quite ready for stardom so far as the Hollywood "higher-ups" were concerned, so he settled for supporting roles, mostly in westerns. John Ford continued to use Carey whenever possible; in 1955's The Long Gray Line, the actor has a few brief scenes as West Point undergraduate Dwight D. Eisenhower. Carey was also featured on the "Spin and Marty" segments of Walt Disney's daily TVer The Mickey Mouse Club (1955-59). In later years, Carey's weather-beaten face was seen in choice character assignments in films ranging from The Whales of August (1987) to Back to the Future III (1990); he was also hired by such John Ford aficionados as Peter Bogdanovich, who cast Carey as an old wrangler named Dobie (what else?) in Nickelodeon (1976), and as an ageing bike-gang member named Red in Mask (1985). In 1994, Harry Carey Jr. published his autobiography, Company of Heroes. Carey died of natural causes at age 91 in late December 2012.

Trivia: Diminutive, frequently mustached character actor Charles Wagenheim made the transition from stage to screen in or around 1940. Wagenheim's most memorable role was that of "The Runt" in Meet Boston Blackie (1941), a part taken over by George E. Stone in the subsequent "Boston Blackie" B-films. Generally cast in unsavory bit parts, Wagenheim's on-screen perfidy extended from Hitchcock's Foreign Correspondent (1940) to George Stevens' Diary of Anne Frank (1959), in which, uncredited, he played the sneak thief who nearly gave away the hiding place of the Frank family. Wagenheim kept his hand in the business into the 1970s in films like The Missouri Breaks (1976). In 1979, 83-year-old Charles Wagenheim was bludgeoned to death by an intruder in his Hollywood apartment, five days before another veteran actor, Victor Kilian, met the same grisly fate.