Trivia: Best known as the rumpled television detective Columbo, character actor Peter Falk also enjoyed a successful film career, often in association with the groundbreaking independent filmmaker John Cassavetes. Born September 16, 1927, in New York City, Falk lost an eye at the age of three, resulting in the odd, squinting gaze which later became his trademark. He initially pursued a career in public administration, serving as an efficiency expert with the Connecticut Budget Bureau, but in the early '50s, boredom with his work sparked an interest in acting. By 1955, Falk had turned professional, and an appearance in a New York production of The Iceman Cometh earned him much attention. He soon graduated to Broadway and in 1958 made his feature debut in the Nicholas Ray/Budd Schulberg drama Wind Across the Everglades.A diminutive, stocky, and unkempt presence, Falk's early screen roles often portrayed him as a blue-collar type or as a thug; it was as the latter in 1960's Murder Inc. that he earned a Best Supporting Actor Oscar nomination, a major career boost. He was nominated in the same category the following year as well, this time as a sarcastic bodyguard in Frank Capra's Pocketful of Miracles. In 1962, Falk won an Emmy for his work in the television film The Price of Tomatoes, a presentation of the Dick Powell Theater series. The steady stream of accolades made him a hot property, and he next starred in the 1962 feature Pressure Point. A cameo in Stanley Kramer's 1963 smash It's a Mad, Mad, Mad, Mad World preceded Falk's appearance in the Rat Pack outing Robin and the Seven Hoods, but the film stardom many predicted for him always seemed just out of reach, despite lead roles in 1965's The Great Race and 1967's Luv.In 1968, Falk first assumed the role of Columbo, the disheveled police lieutenant whose seemingly slow and inept investigative manner masked a steel-trap mind; debuting in the TV movie Prescription: Murder, the character was an immediate hit, and after a second telefilm, Ransom for a Dead Man, a regular Columbo series premiered as part of the revolving NBC Mystery Movie anthology in the fall of 1971, running for seven years and earning Falk a second Emmy in the process. In the meantime, he also continued his film career, most notably with Cassavetes; in 1970, Falk starred in the director's Husbands, and in 1974 they reunited for the brilliant A Woman Under the Influence. In between the two pictures, Falk also returned to Broadway, where he won a Tony award for his performance in the 1972 Neil Simon comedy The Prisoner of Second Avenue. In 1976, Cassavetes joined him in front of the camera to co-star in Elaine May's Mikey and Nicky, and directed him again in 1977's Opening Night.After Columbo ceased production in 1978, Falk starred in the Simon-penned mystery spoof The Cheap Detective, followed by the William Friedkin caper comedy The Brink's Job (1978). After 1979's The In-Laws, he starred two years later in ...All the Marbles, but was then virtually absent from the screen for the next half decade. Cassavetes' 1986 effort Big Trouble brought Falk back to the screen (albeit on a poor note; Cassavetes later practically disowned the embarrassing film) and and in 1987 he starred in Happy New Year along with the Rob Reiner cult favorite The Princess Bride. An appearance as himself in Wim Wenders' masterful Wings of Desire in 1988 preceded his 1989 resumption of the Columbo character for another regular series; the program was to remain Falk's focus well into the next decade, with only a handful of film appearances in pictures including 1990's Tune in Tomorrow and a cameo in Robert Altman's The Player. After the cancellation of Columbo, he next turned up in Wenders' Desire sequel Far Away, So Close before starring in the 1995 comedy Roommates. Falk continued to work in both film and television for the next decade and a half, starring in various Columbo specials through 2003, appearing with Woody Allen in the made-for-TV The Sunshine Boys in 1997, and playing a bar owner caught up in mafia dealings in 1999's The Money Kings. Other projects included the Adam Sandler-produced gangster comedy Corky Romano (2001), the Dreamworks animated family film A Shark Tale (as the voice of Ira Feinberg), and the Paul Reiser-scripted, Raymond de Felitta-directed comedy-drama The Thing About My Folks (2005). In 2007, Falk starred opposite Nicolas Cage and Julianne Moore in Lee Tamahori's sci-fi thriller Next. That same year, Falk announced to the public that he had Alzheimer's disease. He died in June 2011 at age 83.

Trivia: Raised in Bronxville, N.Y., the granddaughter of renowned architect Frank Lloyd Wright, Anne Baxter took up acting at the age of 11 with Maria Ouspenskaya, debuting on Broadway two years later (in Seen but Not Heard); she continued working on Broadway until her screen debut at age 17 in Twenty-Mule Team (1940), a minor Western featuring Wallace Beery and Marjorie Rambeau. Charming if not beautiful, she tended to play shy and innocent types and gave a few outstanding performances, such as that with Bette Davis in All About Eve (1950); she and Davis were both nominated for the Best Actress Oscar, but it went to Judy Holliday. Her "breakthrough" film was Orson Welles's The Magnificent Ambersons (1942), leading to many more roles in the next few years. At home in a variety of parts, she won the Best Supporting Actress Oscar in 1946 for her work in The Razor's Edge. Although she has worked with many of Hollywood's most celebrated and accomplished directors (Welles, Hitchcock, Lang, Mankiewicz, Wilder Wellman), after the mid-'50s she tended to get poor roles in mediocre movies. Baxter left Hollywood in 1961 for an isolated cattle station in Australia, an experience she described in her critically-acclaimed book Intermission: A True Story. She made a few more films, but her major work was as Lauren Bacall's replacement as Margo Channing in Applause, the musical version of All About Eve; having played Eve in the film, she now assumed the role earlier held by Davis. Baxter also did some TV work, including a part in the early '80s series Hotel. She was married from 1946-53 to actor John Hodiak, whom she met while filming Sunday Dinner for a Soldier (1944).

Trivia: Mel Ferrer dropped out of Princeton University in his sophomore year to become an actor in summer stock; meanwhile he worked as an editor for a small Vermont newspaper and wrote a children's book. He debuted on Broadway in 1938 as a chorus dancer; two years later, he made his debut as an actor. A bout with polio interrupted his career and lead him to work in radio, first as a small-station disc jockey and later as a writer, producer, and director of radio shows for NBC. Having not acted in any films, Ferrer directed his first movie, The Girl of the Limberlost, in 1945; the year in which he also returned to Broadway. After assisting John Ford on the film The Fugitive (1947), he debuted onscreen in Lost Boundaries (1949). Ferrer went on to appear in numerous movies, where he was usually cast as a sensitive, quiet, somewhat stiff leading man; his best-known role was as the lame puppeteer in Lili (1953). He continued to direct films, most of which were unexceptional, then began producing in the late '60s. Since 1960 he has worked primarily in Europe, appearing infrequently in American film and TV productions. His third wife was actress Audrey Hepburn, whom he directed in Green Mansions (1959). He later produced her film Wait Until Dark (1967).

Trivia: Kevin McCarthy and his older sister Mary Therese McCarthy both found careers in the entertainment industry, though in very different arenas -- Mary became a best-selling novelist, and Kevin became an actor after dabbling in student theatricals at the University of Minnesota. On Broadway from 1938 -- Kevin's first appearance was in Robert Sherwood's Abe Lincoln in Illinois -- McCarthy was critically hosannaed for his portrayal of Biff in the original 1948 production of Death of a Salesmen (who could tell that he was but three years younger than the actor playing his father, Lee J. Cobb?) In 1951, McCarthy re-created his Salesman role in the film version, launching a movie career that would thrive for four decades. The film assignment that won McCarthy the hearts of adolescent boys of all ages was his portrayal of Dr. Miles Bennell in Invasion of the Body Snatchers (1956). Bennell's losing battle against the invading pod people, and his climactic in-your-face warning "You're next!, " made so indelible an impression that it's surprising to discover that McCarthy's other sci-fi credits are relatively few. Reportedly, he resented the fact that Body Snatchers was the only film for which many viewers remembered him; if so, he has since come to terms with his discomfiture, to the extent of briefly reviving his "You're next!" admonition (he now screamed "They're here!" to passing motorists) in the 1978 remake of Invasion of the Body Snatchers. He has also shown up with regularity in the films of Body Snatchers aficionado Joe Dante, notably 1984's Twilight Zone: The Movie (McCarthy had earlier played the ageless title role in the 1959 Zone TV episode "Long Live Walter Jamieson") and 1993's Matinee, wherein an unbilled McCarthy appeared in the film-within-a-film Mant as General Ankrum (a tip of the cap to another Dante idol, horror-movie perennial Morris Ankrum). Kevin McCarthy would, of course, have had a healthy stage, screen and TV career without either Body Snatchers or Joe Dante; he continued showing up in films into the early 1990s, scored a personal theatrical triumph in the one-man show Give 'Em Hell, Harry!, and was starred in the TV series The Survivors (1969), Flamingo Road (1981), The Colbys (1983) and Bay City Blues (1984).

Trivia: Tall (6'2"), sandy-haired American leading man Frank Converse studied at Carnegie Tech before launching his acting career with stage, commercial and soap-opera assignments. Converse became a star by way of a TV series that literally died before it was born. Thirteen episodes of Coronet Blue, in which Converse played an amnesiac pursued by mysterious assassins, were filmed in 1965, then shelved when no room could be cleared on CBS' fall schedule. Most of these episodes were telecast as a 1967 summer replacement series, sparking an intensely loyal fan following for Converse; by that time, however, he was committed to the weekly cop series NYPD and could not continue with Coronet Blue, thus his fans never did find out who his character really was or why he was being chased all over the country. Active in all aspects of entertainment, Frank Converse has been most visible on television: he starred on the prime time series Movin' On (1974-75), The Family Tree (1983), Dolphin Cove (1989), and for several years was a regular on the ABC daytime drama One Life to Live.

Trivia: The daughter of playwright/screenwriter Allan Scott, actress Pippa Scott attended Radcliffe and UCLA before training at the Royal Academy of Dramatic Art in London. Scott made her Broadway bow in Child of Fortune, then worked steadily in the various live TV anthologies of the 1950s. Signed to a Warner Bros. contract in 1956, she made her first screen appearance as Lucy Edwards in the John Ford classic The Searchers. Alternating between TV, films and Broadway throughout the 1950s and 1960s, Scott amassed an impressive resumé, ranging from a starring assignment in the New York company of John Osborne's Look Back in Anger to recurring roles on such TV series as Mr. Lucky (1959-60) and The Virginian (1962-63 season only). Segueing gracefully into character roles in the 1970s, Scott was seen as the nursery-teacher lady friend of seasoned cop Jack Warden on the 1976 TV weekly Jigsaw John. Pippa Scott served as producer of the 1989 film Life on the Edge.

Trivia: Not to be confused with variety-show host Willie Bryant, American general purpose actor William Bryant kept busy in outdoors films. He was featured in such westerns as Ride Beyond Vengeance (1966), Heaven with a Gun (1969) and John Wayne's Chisum (1970). His additional non-western credits include Gable and Lombard (1976), Mountain Family Robinson (1977) (in a leading role) and Corvette Summer (1977). From 1976 through 1978, William Bryant costarred as Lieutenant Shilton on the Robert Wagner/Eddie Albert TV detective series Switch, and also appeared for a time as Lamont Corbin on the daytime serial General Hospital.

Trivia: American performer Sidney Miller started out as a child actor in such films as Penrod and Sam (1930), The Penguin Pool Murder (1932) and The Mayor of Hell (1933). Miller's pronounced ethnic features precluded stardom in a Hollywood that celebrated blonde, blue-eyed children, but he brought a welcome touch of urbanity to his supporting and minor roles. In 1938, Miller attained one of his better roles as Mo Kahn in Boys Town, in which he acted with his longtime friend Mickey Rooney. Again featured with Rooney in Babes in Arms, an unbilled Miller was allowed to play the piano in accompaniment to Rooney's makeshift stage show and even got to do a couple of celebrity imitations. In the '40s, Miller specialized in portraying nerdish college freshmen (notably in Columbia's Glove Slingers two-reelers) and streetwise intellectuals (as in The East Side Kids' Mr. Wise Guy). He also toured USO bases and hospitals in a pantomime-boxing sketch with fellow child performer Frank Coghlan Jr. With the advent of television, Miller gained a measure of fame as Donald O'Connor's accompanist/cohort in several of O'Connor's TV series and in his subsequent nightclub act. Miller gave up performing briefly in the mid '50s when he assumed the directing chores on the daily TV series Mickey Mouse Club; perhaps due to his own experiences as a child actor, Miller saw to it that the kids were treated professionally but with dignity, and also insisted that stage mothers be banned from the set. Later on in the '60s, Miller directed four grown-up adolescents on several episodes of the music/comedy tver The Monkees. Sidney Miller made an acting comeback in the early '70s with such films as Which Way to the Front? (as Hitler!) and Everything You Always Wanted to Know About Sex (But Were Afraid to Ask) (1972); Miller was also on hand as director for the syndicated New Mickey Mouse Club in 1977. Sidney Miller was married to Dorothy Green; their son is actor Barry Miller.

Trivia: Along with composer Max Steiner and cinematographer James Wong Howe, American costume designer Edith Head was one of the few behind-the-scenes movie technicians that the general public knew by name. Holding a BA from the University of California at Berkeley and an MA from Stanford, Ms. Head spent her early professional years as a language and art teacher. Reportedly, she also tried her luck as a movie starlet in 1923. While attracted to films, Ms. Head was more at home designing for them than appearing in them. She joined the costume department of Paramount in 1932, graduating to head designer in the late '30s. Her name was attached to virtually every prestige production turned out by the studio over the next thirty years, including the autonomously-produced films of Cecil B. DeMille; Ms. Head gained DeMille's lifelong respect by being one of the few Hollywoodites who refused to kowtow to him. Many of Ms. Head's movie designs gained popularity in the public sector, notably Dorothy Lamour's formfitting sarong, Veronica Lake's peekaboo haircut, and Bette Davis' off-the-shoulder evening gown for All About Eve (1950). Nominated for 40 Academy Awards (all after 1947, the first year of the Best Costume Design category) Ms. Head won the prize for All About Eve, The Heiress (1949), Samson and Delilah (1949), A Place in the Sun (1951), Roman Holiday (1953), Sabrina (1954), The Facts of Life (1960) and The Sting (1973). She also designed many of the gowns worn by the other Oscar recipients. After 35 years at Paramount, Ms. Head was signed by Universal in 1967, where she remained until her death. Because of her first-hand experience with four decades' worth of changing fashions, Ms. Head was indispensible to such period films of the '70s as The Sting, Gable and Lombard (1976) and W.C. Fields and Me (1977). In 1980, she deliberately copied many of the creations of her Hollywood rivals for the Steve Martin comedy Dead Men Don't Wear Plaid, in which Martin interacted with clips from classic films of the '40s. Ms. Head died shortly after finishing this assignment; when Dead Men Don't Wear Plaid was released in 1982, it carried a dedication to Edith Head.

Trivia: Began composing music at age 6. Wrote and published a novel before becoming a filmmaker. A lover of jazz music, he sometimes worked under pseudonyms taken from jazz musicians, like Clifford Brown and James P. Johnson. Often wrote his own scripts and worked as his own cameraman. Was named in the Guinness Book of World Records as the most prolific director in the world. Had his own production company, Manacoa Films.