Trivia: Bearing the kind of sensitive-man good looks that have led many to think he would be perfect for a career as a tortured, latte-chugging intellectual, Ethan Hawke instead emerged in the 1990s as both a talented actor and a thinking girls' poster boy. In addition to acting, Hawke penned two novels -- The Hottest State, which is rumored to be based on a former relationship he had with singer/songwriter Lisa Loeb, and the best-selling Ash Wednesday. Born November 6, 1970, in Austin, TX, to teenage parents who separated when he was a toddler, Hawke was raised by his mother. The two led an itinerant existence until she married again, and the family settled in Princeton Junction, NJ. There Hawke began to study acting at Princeton's McCarter Theatre, and at the age of 14, he made his film debut in Explorers (1985). A sci-fi fantasy flick that starred the actor alongside River Phoenix, it didn't make much of an impact upon its theatrical release, but thanks to the presence of both Hawke and Phoenix, it went on to a second life on cable.Following his debut, Hawke stopped acting professionally to attend Carnegie Mellon University. His college career didn't last long, however; while still a student, Hawke was chosen to play one of the young protagonists of Peter Weir's Dead Poets Society. The 1989 film, which marked the beginning of Robin Williams' turn toward more dramatic roles, was a success, and Hawke, in his role as the shy, cringing Todd Anderson, made prep school angst look so photogenic that he soon had something of a teenage following. After starring as Ted Danson's son in Dad the same year, Hawke went on to make a string of movies that allowed him to demonstrate his talent but never quite propelled him further into the realm of stardom. White Fang (1991) provided him with a go at adventure by casting him as a young gold miner who forms a bond with the titular canine, while Waterland (1992) had Hawke plumbing the depths of mild delinquency as the troublesome student of an emotionally estranged Jeremy Irons. Unfortunately, almost nobody saw Waterland, and the same could be said of Hawke's other film that year, the WWII drama A Midnight Clear. Lack of an audience obscured the actor's strong performances in both films, and it was not until 1994 that he began to gain recognition for something besides Dead Poets Society. In that year, Hawke created something of a reputation for himself, both on- and offscreen. Offscreen, he became tabloid fodder when he was caught dancing with a then-married Julia Roberts and thus gained a certain -- if fleeting -- kind of notoriety. On screen, the actor starred in Ben Stiller's Reality Bites, portraying the kind of goateed, ennui-mired, more-sensitive-than-thou slacker that helped get him labeled as such in real life. Matters weren't helped when, that same year, the actor published The Hottest State, a meditation on love from the point-of-view of an angst-ridden twentysomething that was scorned by many critics as pretentious posturing.After starring as another sensitive student of life in Richard Linklater's romantic talkathon Before Sunrise (1995), Hawke went back to his sci-fi roots with Gattaca (1997), a near-future parable about the dangers of genetic engineering. Although the film was a relative disappointment, it did present Hawke with an introduction to co-star Uma Thurman, whom he married in 1998 and had a daughter with later that same year. Also in 1998, the actor starred opposite Gwyneth Paltrow in an adaptation of Charles Dickens' Great Expectations; despite mixed reviews, the film heightened Hawke's profile while further establishing him as one of the leading interpreters of sensitive-boy artistic angst. After a starring turn as one of the titular Newton Boys alongside Matthew McConaughey, Skeet Ulrich, and Vincent D'Onofrio in Richard Linklater's neglected 1998 Western, Hawke took on an entirely different role in 1999. Starring in Scott Hicks' Snow Falling on Cedars, he portrayed a journalist investigating the murder of a Japanese-American man in post-WWII Washington State. The same year, he appeared in Joe the King, the directorial debut of his friend and Midnight Clear co-star Frank Whaley.In addition to his film work, Hawke has remained active in the theater. He was the artistic director of the now-defunct Malaparte, a New York theater company that he co-founded with a group of actors including Robert Sean Leonard, Frank Whaley, and Josh Hamilton. He has also worked behind the camera, directing the music video for Lisa Loeb's "Stay" in 1994.Hawke subsequently earned some of the best reviews of his career to date as the title character of Michael Almereyda's 2000 adaptation of Hamlet. Set in modern-day New York, the film allowed Hawke to give the famously tortured prince a slackerish spin that more than one critic noted seemed to come naturally to the actor. The following year, he could be seen in an altogether different feature, portraying a rookie cop opposite Denzel Washington in Training Day, Antoine Fuqua's gritty cop drama. He also collaborated again with director Linklater, first for Tape, a drama co-starring Robert Sean Leonard and wife Thurman, and then for Waking Life, a groundbreaking animated feature in which the actor reprised the role of Before Sunrise's Jesse. 2001 also marked Hawke's first significant foray behind the camera as the director of Chelsea Walls, a multi-character drama about various artists living in New York's famed Chelsea Hotel.In 2002, Hawke played alongside Frank Whaley in The Jimmy Show and made an appearance on the hit television drama Alias the next year. The year 2003 was not a banner one for the actor -- after rumors of an affair between Hawke and a young model began circulating among various television and print tabloids, Uma Thurman announced their official separation after five years of marriage. In 2004, Hawke starred with Angelina Jolie in director D.J. Caruso's Taking Lives and reprised his Before Sunrise role opposite Julie Delpy in Linklater's sequel Before Sunset, a film which also provided the long-time actor with his first screenwriting credit.Hawke appeared in several moderately successful films throughout 2005 and 2006 (Assault on Precinct 13, The Hottest State, Fast Food Nation), but found himself back in the limelight for 2007's crime thriller Before the Devil Know You're Dead, in which the actor played one of two brothers involved in a plan to rob their parents' jewelry store. The film would win the Best Picture from the American Film Institute. He found success yet again for his role in the 2008 crime drama What Doesn't Kill You. The film, which also stars Mark Ruffalo and Donnie Wahlberg, features Hawke as a street-hardened young adult struggling to rise above the dog-eat-dog lifestyle to which he has become accustomed. In 2009 Hawke starred in Daybreaker, in which he played a vampire sympathetic to the human plight, and worked with Don Cheadle, Wesley Snipes, and Richard Gere for his role as a narcotics officer in the crime thriller Brooklyn's Finest.In 2013 Hawke scored a minor hit as the star of the horror film The Purge. In that same year he returned with Julie Delpy and Richard Linklater with Before Midnight, their sequel to Before Sunset, which garnered Hawke a second Oscar nomination in the Best Adapted Screenplay category. He returned to Oscar contention in 2014, this time in the Best Supporting Actor category for playing the father in Linklater's Boyhood.

Trivia: Known for the darkly eccentric characters he often plays, Willem Dafoe is one of the screen's more provocative and engaging actors. Strong-jawed and wiry, he has commented that his looks make him ideal for playing the boy next door -- if you happen to live next door to a mausoleum.Although his screen persona may suggest otherwise, Dafoe is the product of a fairly conventional Midwestern upbringing. The son of a surgeon and one of seven siblings, he was born on July 22, 1955 in Appleton, Wisconsin. Dafoe began acting as a teenager, and at the age of seventeen he enrolled at the University of Wisconsin in Milwaukee. Growing weary of the university's theatre department, where he found that temperament was all too often a substitute for talent, he joined Milwaukee's experimental Theatre X troupe. After touring stateside and throughout Europe with the group, Dafoe moved to New York in 1977, where he joined the avant-garde Wooster Group. Dafoe's 1981 film debut was a decidedly mixed blessing, as it consisted of a minor role in Michael Cimino's disastrous Heaven's Gate . Ultimately, Dafoe's screen time was cut from the film's final release print, saving him the embarrassment of being associated with the film but also making him something of a nonentity. He went on to appear in such films as The Hunger (1983) and To Live and Die in L.A. (1985) before making his breakthrough in Platoon (1986). His portrayal of the insouciant, pot-smoking Sgt. Elias earned him Hollywood recognition and a Best Supporting Actor Oscar nomination.Choosing his projects based on artistic merit rather than box office potential, Dafoe subsequently appeared in a number of widely divergent films, often taking roles that enhanced his reputation as one of the American cinema's most predictably unpredictable actors. After starring as an idealistic FBI agent in Mississippi Burning (1988), he took on one of his most memorable and controversial roles as Jesus in Martin Scorsese's The Last Temptation of Christ (1988). Dafoe then portrayed a paralyzed, tormented Vietnam vet in Born on the Fourth of July (1989), his second collaboration with Oliver Stone. Homicidal tendencies and a mouthful of rotting teeth followed when he played an ex-marine in David Lynch's Wild at Heart (1990), before he got really weird and allowed Madonna to drip hot wax on his naked body in Body of Evidence (1992). Following a turn in Wim Wenders' Faraway, So Close in 1993, Dafoe entered the realm of the blockbuster with his role as a mercenary in Clear and Present Danger (1994). That same year, he earned acclaim for his portrayal of T.S. Eliot in Tom and Viv, one of the few roles that didn't paint the actor as a contemporary head case. His appearance as a mysterious, thumbless World War II intelligence agent in The English Patient (1996) followed in a similar vein. In 1998, Dafoe returned to the contemporary milieu, playing an anthropologist in Paul Auster's Lulu on the Bridge and a member of a ragingly dysfunctional family in Paul Schrader's powerful, highly acclaimed Affliction. He then extended his study of dysfunction as a creepy gas station attendant in David Cronenberg's eXistenZ (1999). After chasing a pair of killers claiming to be on a mission from God in The Boondock Saints, Dafoe astounded audiences as he transformed himself into a mirror image of one of the screens most terrfiying vampires in Shadow of the Vampire (2000). A fictional recount of the mystery surrounding F.W. Murnau's 1922 classic Nosferatu, Dafoe's remarkable transformation into the fearsome bloodsucker had filmgoers blood running cold with it's overwhelming creepiness and tortured-soul humor. After turning up as a cop on the heels of a potentially homicidal yuppie in American Psycho that same year, the talented actor would appear in such low-profile releases as The Reconing and Bullfighter (both 2001), before once again thrilling audiences in a major release. As the fearsome Green Goblin in director Sam Raimi's long-anticipated big-screen adaptation of Spider-Man Dafoe certainly provided thrills in abundance as he soared trough the sky leaving death and destruction in his wake. His performace as a desperate millionare turned schizphrenic supervillian proved a key component in adding a human touch to the procedings in contrast to the dazzling action, and Dafoe next headed south of the border to team with flamboyant director Robert Rodriguez in Once Upon a Time in Mexico. Dafoe impressed critics with his performance of John Carpenter in the Bob Crane biopic Auto Focus. In 2003 he voiced one of the fish in the dentist's tank in Finding Nemo, and the next year he reprised his role as the Green Goblin in Spider-Man 2. He played a small role for Martin Scorsese in 2004's The Aviator, and had a memorable supporting turn in Wes Anderson's The Life Aquatic with Steve Zissou that same year. In 2005 he appeared in Lars Von Trier's Manderlay. He appeared in Spike Lee's successful heist thriller Inside Man. In 2007 he appeared as a film director in Mr. Bean's Holiday. In 2009 he reteamed with two different directors he's worked with before; he voiced the role of the rat in Wes Anderson's Fantastic Mr. Fox, and played a husband in Lars Von Trier's audience-dividing Antichrist. In 2012 he lent his vocal talents to the infamous Disney flop John Carter.

Trivia: A native of Melbourne, Victoria, glamorous Aussie actress Isabel Lucas ascended to fame on the crest of her portrayal of Tasha Andrews in the long-running, teen-oriented Australian soap Home and Away (1988); she signed with the program in 2003. Like numerous colleagues from the Australian silver screen, Lucas eventually made the crossover to Hollywood stardom, first with a U.S.-Australian co-production of the vampire outing Daybreakers (starring fellow countryman Sam Neill, in addition to A-listers Ethan Hawke and Willem Dafoe) and then with a substantial role in the effects-heavy Hollywood opus Transformers: Revenge of the Fallen (2009).

Trivia: One of the most famous film personalities to hail from the South Pacific, New Zealand-bred actor Sam Neill possesses the kind of reassuring handsomeness and soft-spoken strength that have made him an ideal leading man. Born Nigel Neill to a military family in Omagh, Northern Ireland, Neill relocated to New Zealand in 1953 at the age of six. There he picked up the nickname that would become his stage name, and attended both the University of Canterbury and the University of Victoria before beginning his acting career. Neill labored as a director/editor/screenwriter for the New Zealand National Film Unit for several years; he made his first movie in 1975 and scored his first significant film success four years later as the romantic lead opposite Judy Davis in director Gillian Armstrong's My Brilliant Career. Shortly thereafter, Neill was brought to England under the sponsorship of star James Mason (who undoubtedly recognized the marked similarity between his acting style and Neill's). The actor's subsequent movie work included two memorable collaborations with actress Meryl Streep and director Fred Schepisi: Plenty (1985) and A Cry in the Dark (1988). Neill's British TV credits were highlighted by his starring role in the unorthodox espionage drama Reilly: Ace of Spies (1983), for which he won the British television BAFTA Best Actor award. He also began working on American films during the '80s, including the 1981 Omen sequel The Final Conflict (in which he demonstrated a considerable breadth of range as Satan's son Damien) and the 1987 TV miniseries Amerika. Neill also kept busy with projects down under, with perhaps his most memorable film being Dead Calm (1989), a masterfully crafted thriller that starred the actor as Nicole Kidman's husband.Neill truly came to international prominence during the '90s (as evidenced by his guest spot as a cat burglar on an episode of The Simpsons). He experienced a bumper-crop year in 1993, portraying the raptor-fearing Dr. Alan Grant in Steven Spielberg's blockbuster Jurassic Park, before returning to New Zealand to portray Holly Hunter's taciturn, unexpectedly violent husband in The Piano (1993). He was also honored with the Order of the British Empire that same year. Neill continued to work on a wealth of diverse international projects throughout the rest of the decade, notably John Duigan's Sirens (1994), which cast him as a '30s bohemian artist; the Australian satire Children of the Revolution (1996), reuniting him with Judy Davis; Revengers' Comedies (1997), which cast him as a suicidal businessman; the acclaimed miniseries Merlin (1998), in which he played the titular wizard; Robert Redford's The Horse Whisperer (1998), as the husband of Kristin Scott Thomas (the two had previously co-starred in Revengers' Comedies); and Bicentennial Man (1999), which featured the actor as the head of a family who purchases an uncannily human robot played by Robin Williams.Though Neill was notably absent from the 1997 sequel The Lost World: Jurassic Park, the second sequel in the series, 2001's Jurassic Park III, found the stalwart actor once again fleeing ornery dinosaurs on a tropical island and living to tell the tale. A turn as Victor Komarovsky in the made-for-TV remake of Doctor Zhivago quickly followed, and over thecourse of the next decade Neill would alternate frequently between television (Triangle, Merlin's Apprentice) and film (Wimbledon, Dayberakers), while still managing to land the occasional meaty role in projects like The Tudors (2007) and Dean Spanley (2008). In 2011, Neill brought an impressive air of menace to the ecological thriller The Hunter with his turn as an outwardly benevolent Aussie with a dark secret, and the following year he returned to television as a federal agent on the trail of convicts who mysteriously vanished without a trace in Alcatraz. In addition to acting and managing a New Zealand winery, Neill directed an acclaimed 1995 documentary about the New Zealand film industry, Cinema of Unease: A Personal Journey by Sam Neill.

Trivia: Film debut was playing Gino in 1983's Moving Out. In 2009, performed in the Vanessa Amorosi's music video for the song "Snitch". Was an entrant for the 2011 Who's Who In Australia list. In a 2012 episode of Who Do You Think You Are, travelled to Italy in to discover more about his Italian heritage. Co-owns a cafe called Expresso Alley in Melbourne.

Trivia: Aussie actress Claudia Karvan lived out one of the most unconventional of childhoods as the daughter of two nightclub proprietors in the seedy, adult-oriented Kings Cross district of Sydney. Though she spent a short period dabbling in rebellious and somewhat edgy behavior, she remained inherently intellectual and heavily gravitated to literature as a primary source of fascination. Karvan moved into film at the tender age of nine, when a friend's father cast her in a prominent role in the family oriented drama Molly. Numerous additional assignments followed, culminating with a lead as a wayward abandoned adolescent whose path intersects with that of the mother who abandoned her (Judy Davis) in white-hot director Gillian Armstrong's slice-of-life drama High Tide (1987). Karvan scored even greater acclaim and popularity as one of the stars of the 90210-like Australian series drama The Secret Life of Us, about a group of trendy twenty-somethings, and then produced and co-starred in a follow-up series about similar characters in their thirties, entitled My Way. Meanwhile, Karvan's feature work continued; projects included the 1992 Redheads, the 1994 Tales of Erotica, and the 2000 outing Risk. In 2008 Karvan lent her voice to the groundbreaking claymation feature $9.99, opposite Geoffrey Rush, Anthony LaPaglia, and Secret Life co-star Samuel Johnson.

Trivia: New Zealand-born Michael Dorman scored his first big break in 2002 when he was cast in the Australian series The Secret Life of Us. He would stick with the show until 2005 before going on to appear in a number of other Australian projects, like the 2008 horror film Acolytes and 2009's Prime Mover. In 2010, Dorman made the transition to American cinema, with a role in the vampire movie Daybreakers.