Trivia: The emergence of Dustin Hoffman in 1967 heralded the arrival of a new era of Hollywood stardom. Diminutive, wiry and unassuming, he was anything but the usual matinee idol, yet he quickly distinguished himself among the most popular and celebrated screen performers of his generation. A notoriously difficult talent famous for his battles with directors as well as his total immersion in his performances, Hoffman further battled against stereotypes by accepting roles which cast him firmly as an antihero, often portraying troubled, even tragic figures rarely destined for a happy ending. By extension, he broke new ground for all actors -- not only were stars no longer limited to heroic, larger-than-life characterizations, but in his wake virtually anyone, regardless of their seeming physical limitations, could attain success on the big screen. Born August 8, 1937 in Los Angeles, Hoffman originally studied to become a doctor, but later focused his attentions on acting, performing regularly at the Pasadena Playhouse alongside fellow aspirant Gene Hackman. Upon relocating to New York City, he worked a series of odd jobs, landing the occasional small television role and later touring in summer stock. Frustrated by his lack of greater success, Hoffman once even left acting to teach, but in 1960 he won a role in the off-Broadway production Yes Is for a Very Young Man. After 1961's A Cook for Mr. General, however, he continued to struggle, and did not reappear onstage for several years, in the meantime studying with Lee Strasberg at the Actors' Studio and becoming a dedicated Method actor. Finally, in 1964 Hoffman appeared in a string of theatrical projects including productions of Waiting for Godot and The Dumbwaiter. Two years later he won a Best Actor Obie for his work in The Journey of the Fifth Horse. In 1967 Hoffman made his film debut with a tiny role in the feature The Tiger Makes Out, a similarly brief appearance in Un Dollaro per Sette Vigliachi followed later that same year, as did a highly-acclaimed turn in the theatrical farce Eh? It was here that he was first spotted by director Mike Nichols, who cast him in the lead role in his 1967 black comedy The Graduate. Though 30 at the time of filming, Hoffman was perfectly cast as an alienated college student, and his work won him not only an Oscar nomination but also made him a hugely popular performer with the youth market. His status as a burgeoning counterculture hero was solidified thanks to his work in John Schlesinger's 1969 Academy Award winner Midnight Cowboy, which earned Hoffman a second Oscar bid. While the follow-up, the romance John and Mary, was a disappointment, in 1970 he starred in Arthur Penn's Little Big Man, delivering a superb portrayal of an Indian fighter -- a role which required him to age 100 years. Directed by his longtime friend Ulu Grosbard, 1971's Who Is Harry Kellerman and Why Is He Saying Those Terrible Things About Me? was Hoffman's first outright failure. He next starred in Sam Peckinpah's harrowing Straw Dogs, a film which earned harsh criticism during its original release but which, like much of Peckinpah's work, was later the subject of much favorable reassessment. In 1973 Hoffman co-starred with Steve McQueen in the prison drama Papillon, which returned him to the ranks of box-office success before he starred as the legendary stand-up comedian Lenny Bruce in Bob Fosse's 1974 biography Lenny, a stunning portrayal which earned him a third Academy Award nomination. Another real-life figure followed as Hoffman portrayed Carl Bernstein opposite Robert Redford's Bob Woodward in All the President's Men, Alan J. Pakula's riveting docudrama on the Watergate break-in. Next, Hoffman reteamed with director Schlesinger for 1976's Marathon Man, which cast him alongside Laurence Olivier and scored another major hit. The1978 Straight Time, a pet project helmed by Grosbard, was critically acclaimed but a financial disappointment, and 1979's Agatha pleased neither audiences nor the media. The 1979 domestic drama Kramer vs. Kramer, on the other hand, was a major success with both camps, and Hoffman's portrayal of a divorced father finally earned him an Academy Award on his fourth attempt at the prize. He also won a Golden Globe, as well as honors from the New York and Los Angeles critics. Hoffman's next film, the Sydney Pollack-helmed 1982 comedy Tootsie, was even more successful at the box office. Starring as an out-of-work actor who dresses in drag to win a role on a soap opera, he earned yet another Oscar nomination as the film grossed nearly $100 million during its theatrical release. After a long absence, Hoffman returned to the stage in 1984 to portray Willy Loman in a Broadway revival of Death of a Salesman. A year later, he reprised the performance for a CBS television special, earning an Emmy and another Golden Globe. He did not return to films until 1987, when he shared top billing with Warren Beatty in Elaine May's disastrous comedy Ishtar. In the wake of the big-budget project's chilly audience reception, any number of films were discussed as a follow-up, but after much debate Hoffman finally agreed to co-star with Tom Cruise in Barry Levinson's 1988's Rain Man. His performance as a middle-aged autistic won a second "Best Actor" Oscar, and helped spur the picture to become a major financial as well as critical success. The following year Hoffman again turned to Broadway to star as Shylock in a presentation of The Merchant of Venice, followed by the motion picture Family Business, in which he starred with Sean Connery and Matthew Broderick. After making an unbilled and virtually unrecognizable cameo appearance in Beatty's 1990 comic strip adaptation Dick Tracy, Hoffman starred in the 1991 crime drama Billy Bathgate, the first in a string of films which saw his drawing power gradually diminishing throughout the decade. That same year he starred as Captain Hook opposite Robin Williams' portrayal of an adult Peter Pan in the Steven Spielberg fantasy Hook; after 1992's Hero proved similarly lackluster, Hoffman disappeared from the screen for three years. His comeback film, the adventure tale Outbreak, performed moderately well at the box office, but the follow-up, Michael Corrente's oft-delayed adaptation of the David Mamet drama American Buffalo, saw only limited release. Hoffman next joined an ensemble cast also including Robert De Niro and Brad Pitt in Levinson's 1996 drama Sleepers, trailed a year later by Costa-Gavras' Mad City, Sphere and Wag the Dog followed, the latter of which netted Hoffman another Best Actor nomination for his portrayal of Stanley Motss, a neurotic producer reportedly based on Robert Evans. In 2002, Hoffman appeared in the poignant, psychological drama Moonlight Mile. He continued to take selective but memorable supporting roles throughout the new millennium, playing roles like a dedicated lawyer in Runaway Jury and theatrical producer Charles Frohman in Finding Neverland. In 2004, he provided audiences with laughter in the quirky existential comedy I Heart Huckabees, and in 2005 he played Ben Stiller's eccentric father in the Meet the Parents sequel Meet the Fockers, returning to the part in 2010's Little Fokkers. In 2006, the veteran actor grabbed two more opportunities to play up his trademark brand of quirkiness in the Will Ferrell, Emma Thompson comedy Stranger Than Fiction and played a 243 year old owner or a strangely enchanted toy store in Mr. Magorium's Wonder Emporium. Hoffman also voiced the wise master of Kung Fu Panda in a pair of animated films.

Trivia: An actor whose name became synonymous with all-American entertainment, Tom Cruise spent the 1980s as one of Hollywood's brightest-shining golden boys. Born on July 3, 1962 in Syracuse, NY, Cruise was high-school wrestler until he was sidelined by a knee injury. Soon taking up acting, he found that the activity served a dual purpose: performing satiated his need for attention, while the memorization aspect of acting helped him come to grips with his dyslexia. Moving to New York in 1980, Cruise's first big hit was Risky Business in 1982, in which he entered movie-trivia infamy with the scene wherein he celebrates his parents' absence by dancing around the living room in his underwear. The Hollywood press corps began touting Cruise as one of the "Brat Pack," a group of twenty-something actors who seemed on the verge of taking over the movie industry in the early '80s. Top Gun 1985 established Cruise as an action star, but again he refused to be pigeonholed, and followed it up with a solid characterization of a fledgling pool shark in the Martin Scorsese film The Color of Money in 1986, for which co-star Paul Newman earned an Academy Award. In 1988, he played the brother of an autistic savant played by Dustin Hoffman in Rain Man, a dramatic turn for sure, though Cruise had not yet totally convinced critics he was more than a pretty face.His chance came in 1989, when he played a paraplegic Vietnam vet in Born on the Fourth of July. Though his bankability faltered a bit with the expensive disappointment Far and Away in 1990 (though it did give him a chance to co-star with his-then wife Nicole Kidman), 1992's A Few Good Men brought him back into the game. By 1994, the star was undercutting his own leading man image with the role of the slick, dastardly vampire Lestat in the long-delayed film adaptation of the Anne Rice novel Interview with the Vampire. Although the author was vehemently opposed to Cruise's casting, Rice famously reversed her decision upon seeing the actor's performance, and publicly praised Cruise's portrayal.In 1996, Cruise scored financial success with the big-budget action film Mission: Impossible, but it was with his multilayered, Oscar-nominated performance in Jerry Maguire that Cruise proved once again why he is considered a major Hollywood player. 1999 saw Cruise reunited onscreen with Kidman in a project of a very different sort, Stanley Kubrick's Eyes Wide Shut. The film, which was the director's last, had been the subject of controversy, rumor, and speculation since it began filming. It opened to curious critics and audiences alike across the nation, and was met with a violently mixed response. However, it allowed Cruise to once again take part in film history, further solidifying his position as one of Hollywood's most well-placed movers and shakers.Cruise's enviable position was again solidified later in 1999, when he earned a Best Supporting Actor nomination for his role as a loathsome "sexual prowess" guru in Paul Thomas Anderson's Magnolia. In 2000, he scored again when he reprised his role as international agent Ethan Hunt in John Woo's Mission: Impossible II, which proved to be one of the summer's first big moneymakers. He then reteamed with Jerry Maguire director Cameron Crowe for a remake of Spanish director Alejandro Amenábar's Abre los Ojos titled Vanilla Sky. Though Vanilla Sky's sometimes surreal trappings found the film receiving a mixed reception at the box office, the same could not be said for the following year's massively successful sci-fi chase film Minority Report, directed by Steven Spielberg , or of the historical epic The Last Samurai, directed by Edward Zwick.For his next film, Cruise picked a role unlike any he'd ever played; starring as a sociopathic hitman in the Michael Mann psychological thriller Collateral. He received major praise for his departure from the good-guy characters he'd built his career on, and for doing so convincingly. By 2005, he teamed up with Steven Spielberg again for the second time in three years with an epic adaptation of the H.G. Wells alien invasion story War of the Worlds.The summer blockbuster was in some ways overshadowed, however, by a cloud of negative publicity. It began in 2005, when Cruise became suddenly vocal about his beliefs in Scientology, the religion created by science fiction author L. Ron Hubbard. Cruise publicly denounced actress Brooke Shields for taking medication to combat her postpartum depression, calling going so far as to call the psychological science a "Nazi science" in an Entertainment Weekly interview. On June 24, 2005, he was interviewed by Matt Lauer for The Today Show during which time he appeared to be distractingly argumentative in his insistence that psychiatry is a "pseudoscience," and in a Der Spiegel interview, he was quoted as saying that Scientology has the only successful drug rehabilitation program in the world.This behavior caused a stirring of public opinion about Cruise, as did his relationship with 27-year-old actress Katie Holmes. The two announced their engagement in the spring of 2005, and Cruise's enthusiasm for his new romantic interest created more curiosity about his mental stability. He appeared on The Oprah Winfrey Show on May 23, where he jumped up and down on the couch, professing his love for the newly-Scientologist Holmes. The actor's newly outspoken attitude about Scientology linked to the buzz surrounding his new relationship, and the media was flooded with rumors that Holmes had been brainwashed.Some audiences found Cruise's ultra-enthusiastic behavior refreshing, but for the most part, the actor's new public image alienated many of his viewers. As he geared up for the spring 2006 release of Mission: Impossible III, his ability to sell a film based almost purely on his own likability was in question for the first time in 20 years.Despite this, the movie ended up performing essentially as expected, and Cruise moved on to making headlines on the business front, when -- in November 2006 -- he and corporate partner Paula Wagner (the twin forces behind the lucrative Cruise-Wagner Productions) officially "took over" the defunct United Artists studio. Originally founded by such giants as Douglas Fairbanks and Charles Chaplin in 1921, UA was all but completely defunct. The press announced that Cruise and Wagner would "revive" the studio, with Wagner serving as Chief Executive Officer and Cruise starring in and producing projects.One of the fist films to be produced by the new United Artists was the tense political thriller Lions for Lambs, which took an earnest and unflinching look at the politics behind the Iraq war. This was followed by the World War II thriller Valkyrie. Cruise would find a solid footing as the 2010s progressed, with films like Mission: Impossible - Ghost Protocol and Rock of Ages. Cruise and Holmes would announce they were divorcing in 2012.

Trivia: A stage-trained actress whose brief foray in daytime drama eventually led her into a feature-film career, Lucinda Jenney's star has been on the rise since the early 1980s. Alternating effortlessly between television and film throughout the course of her career, the talented and attractive blonde actress always had a slant toward the dramatic. A Long Island-native whose impressive run in the Broadway production of Gemini (1977-1981) proved the catalyst for her subsequent onscreen career, Jenney's first feature roles came with the made-for-TV efforts First Steps and Out of the Darkness (both 1985). Roles in Peggy Sue Got Married (1986) and Rain Man (1988) were quick to follow, and, in 1989, the actress rounded out her impressive first decade as John Belushi's onscreen wife in the biopic Wired. Though the film was widely panned, it proved Jenney's most substantial role thus far and she escaped relatively unscathed. As the 1990s rolled in, she was nominated for a Best Actress Independent Spirit Award for her performance in 1993's American Heart and a recurring role on the television series High Incident found her gaining something of a following on the small screen. With her performance as one of Demi Moore's sole allies in G.I. Jane (1997), Jenney continued to balance bit roles in such efforts as Leaving Las Vegas (1995) and Thinner (1996) with meatier, more dramatically substantial parts. Supporting roles in high-profile Hollywood releases became increasingly common for Jenney, and following key roles in Thirteen Days (2000) and The Mothman Prophecies (2002), she joined the cast of the acclaimed police drama The Shield. The following year, Jenney appeared in the action thriller S.W.A.T.

Trivia: Blonde, vivacious actress Bonnie Hunt made a memorable film debut as the waitress who drops toothpicks after she is inadvertently intimidated by autistic savant Dustin Hoffman in Rain Man (1989). The sixth of seven children, Hunt was born in Chicago, on September 22, 1964. Her love of acting began in high school and, though she wanted to become a professional actor, her father pushed her toward nursing, the profession she pursued after graduation. Even after her father passed away while she was in nursing school, Hunt continued with the program and upon graduation worked in the oncology ward of Northwestern Memorial Hospital. Working with so many terminally ill cancer patients had a profound effect on her, inspiring her not to wait to pursue her original dream. While still working as a nurse, she landed roles in small plays and began studying at the Second City Improvisational Theater. She worked for a time with a different improv troupe before being invited to join Second City's touring company in 1986. Within a few weeks, she had proven to be such a gifted comedienne that she was promoted to the troupe's first string of performers. Shortly after debuting in Rain Man, Hunt accepted an offer to work with Second City's Los Angeles-based troupe; two months later, she left the troupe and within a few days of her initial unemployment was offered the chance to star in a sitcom on NBC. However, the show, entitled Grand, lasted less than a season. She made a second attempt at television, playing Jonathan Winters' daughter on Davis Rules, but she again found herself unemployed when it was cancelled. In 1992, Hunt made her first appearance on Late Night With David Letterman. The appearance proved to be an important juncture for Hunt as she not only charmed the irascible Letterman, but wowed the audience with her witty stories. Hunt became a personal friend of the talk show host and made frequent return visits. Around 1993, Letterman produced the short-lived CBS sitcom The Building, which Hunt had created and for which she penned 20 episodes. Hunt herself starred along with cronies from her Second City days; with the show's first airing, she became the first woman to write and star in her own series.In film, Hunt had her first starring role in Beethoven (1992), followed by a cameo role as a White House tour guide in the romantic comedy Dave (1993). She has subsequently alternated between supporting and leading roles. One of her best-known parts was the sharp-tongued Laurel in Cameron Crowe's Jerry Maguire (1996). She also appeared in Frank Darabont's The Green Mile (1999) as the wife of a prison security guard (Tom Hanks). In 2000, Hunt added feature film directing and screenwriting to her resume with Return to Me, a romantic comedy starring David Duchovny and Minnie Driver. Hunt also took on a supporting role in the film which went on to become a modest sleeper hit. After trying her hand behind the camera, in 2002 Hunt decided to take her fourth shot at the small screen (1995's The Bonnie Hunt Show was a flop too), producing and starring in ABC's Life With Bonnie. A mix of traditional sitcom and improv, the show proved to be a hit and netted the actress consecutive Best Actress Golden Globe nominations.In the wake of the show's success, Hunt returned to film, starring alongside Steve Martin in 2003's Cheaper by the Dozen. The film saw Hunt play the mother of twelve children and proved to by quite a success, raking in well over $100 million at the box-office. A featured role in Tim Kirkman's episodic indie-drama Loggerheads preceded a trip back into the realm of Pixar magic when Hunt provided the voice of sexy Porche Sally in 2006's computer animation hit Cars. Hunt rejoined Pixar in 2010 to voice Dolly the doll in Toy Story 3, and reprised her role as Sally for Cars 2.

Trivia: A successful character actress most adept at playing matronly types, Beth Grant took her onscreen bow in the late '80s and began tackling innumerable roles in Hollywood features, usually bit parts as housewives, female doctors, or down-home small-town women. Grant received her first feature assignment as a harried mother at a farmhouse in Barry Levinson's Rain Man (1988). She subsequently divided her time between film and television roles, guest-acting on dozens of series and occasionally taking on more extensive small-screen roles, such as on Coach and Jericho. Grant's many big-screen credits include the films Don't Tell Her It's Me (1990), Speed (1994), Donnie Darko (2001), and Little Miss Sunshine (2006). She was particularly memorable in the latter, as one of the snotty and obnoxious pageant judges. Darko represented Grant's first experience working with helmer Richard Kelly; she re-teamed with Kelly for his follow-up, the dystopian black comedy Southland Tales (2005).

Trivia: One of the more versatile American filmmakers of his generation, Barry Levinson's movies showcased subjects as diverse as the immigrant experience, mob intrigue, and political satire. He earned particular acclaim for his semi-autobiographical portraits of life in 1950s Baltimore, a topic that he explored to great effect in Diner, his 1982 directorial debut.Born in Baltimore on June 2, 1942, Levinson was the son of a warehouse manager. Initially intent on a career in the media, he studied Broadcast Journalism in college but didn't remain there long enough to earn a degree. He instead switched his interests to acting and standup comedy, and, after serving a stint as a staff writer on The Carol Burnett Show, he was hired by producer Mel Brooks. The first film to carry a screenwriter credit for Levinson (in the company of several other writers) was Silent Movie (1976); this was followed by Brooks' High Anxiety (1977), which also featured Levinson as a vengeful bellboy in the film's celebrated Psycho-parody scene.Levinson's first directorial job was the low-budget Diner (1982), the first installment of his "Baltimore trilogy" (the others were Tin Men (1987) and Avalon (1990)); Diner served to showcase several stars-to-be, among them Mickey Rourke, Ellen Barkin, Daniel Stern, Paul Reiser, and Michael Tucker. A poignant, critically acclaimed, coming-of-age story, the film helped to establish Levinson as a bankable director; this status was further solidified with such purely commercial projects as The Natural (1984) and Young Sherlock Holmes (1985). In 1988, Levinson tackled one of his most ambitious projects in Rain Man, the remarkable saga of a disaffected yuppie's deepening relationship with his autistic savant brother. An all-around success, the film won numerous Oscars, including Best Picture, Best Director, and Best Actor (Dustin Hoffman).Levinson had little difficulty imposing his own personal stamp on such star-oriented films as Good Morning, Vietnam (1987), starring Robin Williams, and Bugsy (1991), starring Warren Beatty. Although he has made few missteps in his career, Levinson suffered an intensely personal defeat with Toys (1992), a morality tale acted out in a toy manufacturing company. The film had been a pet project of Levinson's for nearly 20 years, and, when finally completed, it proved to be a complete turkey. Similarly disappointing was the director's Jimmy Hollywood (1994); a comedy starring Joe Pesci as a struggling actor, it sank at the box office. He had greater luck with Sleepers (1996), the disturbing tale of four lifelong friends seeking retribution for torture and sexual abuse they suffered as young boys at a reform school. The following year proved to be a banner one, as Levinson had two critically acclaimed hits, one as the producer of Donnie Brasco, starring Johnny Depp as an undercover cop who develops a dangerous friendship with mobster Al Pacino, and the other as the producer/director of the sharp political satire Wag the Dog, starring Dustin Hoffman and Robert De Niro. Following a semi-disastrous foray into science fiction with Sphere (1998), Levinson literally and figuratively returned to his home turf in 1999 with Liberty Heights. The story of two Jewish boys growing up in Baltimore in the '50s, it featured the familiar Levinson themes of family ties, ethnic tension, Cold War anxiety, and the growing pains of a changing society.The 21st century started off in a less than stellar way for Levinson as his comedy An Everlasting Piece struggled to get a release in the United States. He oversaw the end of his highly respected television series Homicide by executive producing a TV-movie in 2000 that helped bring some major storylines to a close. The next year he made the quirky comedy Bandits featuring a love triangle between Bruce Willis, Billy Bob Thornton, and Cate Blanchett. That film was a mild success, but the same could not be said of his next feature, Envy. The Ben Stiller/Jack Black comedy, with a script originally conceived by Larry David, failed to find support from the studio that funded it as well as from audiences. To steady himself, Levinson teamed yet again with Robin Williams for the political satire Man of the Year, about a political comic who ends up running for the Presidnecy. He teamed again with Robert de Niro for the 2008 Hollywood satire What Just Happened, and directed Al Pacino to multiple awards in the made-for-HBO biopic of Jack Kervorkian, You Don't Know Jack.

Trivia: A versatile, no-nonsense actress, Margaret Colin has moved easily between TV and films throughout her career, from such acclaimed series as Chicago Hope to Hollywood blockbusters and independent features.Born in Brooklyn to a large Irish-Catholic family and raised on Long Island, Colin began acting in elementary school. Along with winning a drama scholarship to Hofstra University, Colin studied the craft at the Stella Adler Conservatory and Juilliard. Leaving school for a career in Manhattan, Colin soon landed on the TV daytime dramas Edge of Night and As the World Turns in the early '80s. Colin made the move to feature films playing one of teen icon Molly Ringwald's teachers in Pretty in Pink (1986) and psycho Ray Liotta's wife in Jonathan Demme's off-kilter romance Something Wild (1986). With substantial roles in the TV movies The Return of Sherlock Holmes (1987) and Warm Hearts, Cold Feet (1987), and the cop series Leg Work (1987) created as a vehicle for her, Colin was poised to become a small-screen star. Leg Work, however, didn't last beyond its first season. Nevertheless, Colin remained quite visible, appearing as Tom Selleck's love interest in the wildly popular feature comedy Three Men and a Baby (1987) and earning kudos for her turn as an intrepid investigator in the James Woods legal drama True Believer (1989). Back on the small screen, Colin starred in the well-received docudrama Goodnight, Sweet Wife: A Murder in Boston (1990).Though she decided to start a family with husband and erstwhile daytime TV colleague Justin Deas, Colin continued to work regularly. After sharing screen time with such stars as Demi Moore, Nicolas Cage, and Samuel L. Jackson in the ill-received feature comedies The Butcher's Wife (1991) and Amos and Andy (1993), and appearing as a regular guest on CBS's lauded hospital drama Chicago Hope, Colin landed roles in two high-profile movies. As the President's press secretary and addled scientist Jeff Goldblum's ex, Colin was a key part of the ensemble battling an apocalyptic alien attack in the flashy summer blockbuster Independence Day (1996). Harking back to her family's history in law enforcement, Colin was then cast as N.Y.C. Irish cop Harrison Ford's wife in the political thriller The Devil's Own (1997). Despite the presence of Ford and co-star Brad Pitt, however, The Devil's Own was a financial disappointment. Colin fared better, at least critically, with her role as the title character's mother in the indie teen comedy The Adventures of Sebastian Cole (1998). Cast as John Goodman's wife in CBS's supernatural spy series Now and Again (1999), Colin then seemed to be on the verge of regular TV series work again, but Now and Again failed to live up to the hype. After a handful of roles in independent and TV films, including coming-of-age drama and Sundance Film Festival entrant Blue Car (2002), Colin returned to glossy Hollywood product with an appearance as one of Diane Lane's friends in the infidelity potboiler Unfaithful (2002).

Trivia: Though New York City residents savvy to the off-Broadway stages may be familiar with actor Michael C. Hall as a result of his roles in nearly a dozen productions including Macbeth, Timon of Athens, and Cymbeline, television viewers are more likely to recognize the Emmy-nominated talent as the proprietor (along with his brother, Nate [Peter Krause]) of the Fisher & Sons Funeral Home on the popular HBO drama Six Feet Under. Born in Raleight, NC, in 1971, Hall graduated from Earlham College before receiving his training as an actor in the NYU Master of Fine Arts acting program. His prowess on the stage led him to appear in off-Broadway productions for The New York Shakespeare Festival, and it wasn't long before he was offered a role on Six Feet Under. Though the show's producers had originally cast Krause in the part, the subsequent difficulty they had in casting the character of Nate eventually found Krause tackling that role, while Hall took on the part of David. Of course, fate has a way of working things out for the best sometimes, and both actors hit their stride in the quirky series, with Hall's multi-layered performance as the closeted David, in particular, lending the show both some of its most poignant moments and some of its most humorous. In 2003, Hall attempted to make the leap to feature films with the John Woo action movie Paycheck, and in 2004, he began work on director Timothy Daly's low-key relationship drama Bereft.Though, with the releases of Paycheck and Bereft, it appeared as if the actor who had thus far achieved the most fame as a closeted funeral director on HBO's Six Feet Under was moving away from television in order to focus on feature work, a return to the small screen in the Showtime crime drama series Dexter found Hall dealing in death on the small screen once again. Cast in the title role of a forensics investigator who secretly moonlights as a serial killer, Hall earned critical acclaim and substantial ratings as he made the transition from playing one who sees that the dearly departed get a respectable send-off to portraying one who helps to keep funeral homes in business.He was the bad guy in the action film Gamer in 2009, and appeared in the indie films Peep World and The Trouble With Bliss. Once Dexter ended in 2013, Hall took the opporunity to take a break from the screen for a while, choosing to return to the stage in Hedwig and the Angry Inch, playing the title role.He was married to his Dexter co-star Jennifer Carpenter from 2008-2011, during which time he survived a bout with cancer.

Trivia: A favorite of director Barry Levinson (who once referred to the actor as the his lucky charm), Ralph Tabakin appeared in each of Levinson's films. Theirs was a chance meeting, Tabakin accompanied a group of students to an audition for Diner (1982), Levinson's directorial debut. Born in San Antonio, TX, in 1922, Tabakin was raised in New Orleans, LA, and Richmond, VA. His distinctive features were the result of his World War II tour of duty, that earned him two bronze stars and five purple hearts. Tabakin served as a Federal Aviation Administration engineer following the war, later becoming involved with acting after retirement. Co-founding the Silver Spring Stage and the Maryland Academy of Dramatic Arts, with his wife Madolyn in the late '60s, Tabakin worked in the Washington, D.C. and Baltimore-area theater communities as a director and acting coach, as well as directing the Jewish Community Center of Washington's drama school. After his fateful meeting with Levinson and making his feature debut in Diner, Tabakin appeared almost exclusively in Levinson's films, even taking a recurring role in the director's television creation Homicide: Life on the Street.On May 13, 2000, Ralph Tabakin died of heart disease, in Silver Spring, MD. He was 79.