Trivia: A self-described B-movie actor, Bruce Campbell can claim to have scaled the casualty-littered mountain of cult movie stardom. First attaining more notoriety than fame for his performance in Sam Raimi's The Evil Dead (1983), which he also executive produced, Campbell went on to star in that movie's two sequels and a number of other schlock-tastic films. He has also occasionally ventured into more reputable territory, thanks to such films as the Coen brothers' The Hudsucker Proxy (1994).Hailing from Royal Oak, MI, where he was born June 22, 1958, Campbell attended Western Michigan University. When he was only 21, he and two of his Detroit friends, Sam Raimi and Rob Tapert, scraped together 350,000 dollars to make a low-budget horror film. The result, completed piecemeal over four years, was The Evil Dead, an exuberantly awful piece of filmmaking that featured Campbell as its demon-battling hero. The film first earned notoriety in England, and after being personally endorsed by author Stephen King when it was screened at Cannes, it was eventually released in the U.S. in 1983.The Evil Dead II: Dead By Dawn followed in 1987, and the third installment in the series, Army of Darkness, was released in 1992. Both were enthusiastically embraced by fans of the series and less so by critics, but one thing that impressed both groups was Campbell's work in both films, thanks in part to his uncanny ability to make it through an entire performance without blinking once.In addition to the Evil Dead films, Campbell has acted in a number of other low-budget films, and, in the case of the Coens' The Hudsucker Proxy and a blink-and-you-miss-it cameo in Fargo (1996), a handful of fairly respectable projects as well. He has also acted frequently on television, most notably in the weekly Western The Adventures of Brisco County, Jr. and Jack of all Trades. In 2001 Campbell made his literary debut with If Chins Could Kill: Confessions of a B-Movie Actor. A humorously detailed account of his rise to B-movie stardom, If Chins Could Kill detailed, among other things, Campbell's uniquely diverse fanbase as well as his relationship with longtime friend and frequent collaborator Sam Raimi. When fans embraced the freewheeling semi-autobiography with more zeal than even Campbell himself may have anticipated, a succesful speaking tour was soon followed by a sophomore novel, the satirical Make Love the Bruce Campbell Way. A highly fictionalized look at what it may be like for Campbell to land a substantial role in a high-profile Hollywood production, Make Love the Bruce Campbell way found the sarcastic B-movie idol hobnobbing with co-star Richard Gere and offering directorial advice to veteran director Mike Nichols. Yet Campbell was hardly one to forget where his bread was truly buttered, and following his brief literary detour, it was time to head back to the big screen for a pair of memorable cameos in pal Raimi's Spider-Man and Spider-Man 2, the longtime actor and emerging producer was finally ready to make his feature directorial debut with the outlandish sci-fi comedy The Man with the Screaming Brain. Despite helming the occasional Xena and Hewrcules episode, Campbell had yet to tackle feature films and when the opportunity arose to direct a script that he himself had written, everything just seemed to fall into place. Though the critics weren't so kind, fans were more than willing to indulge as their favorite film and television star finally got a chance to shine on his own. After voicing his most famous character in a pair of Evil Dead videogames, it was finally time for Campbell to return to the role of Ash on the big screen - albiet in a decidedly meta-manner - when he stepped into the role of an actor named Bruce Campbell who is mistaken for the demon-slayer that he played in the movies and forced to to battle with the legions of hell in the 2006 horror comedy They Call Me Bruce; a film that also afforded Campbell his sophomore feature directorial credit. That same year, Campbell would also team with May director Lucky McKee for the chilling horror film The Woods. Campbell found television success in the role of a good natured ex-Navy Seal on Burn Notice beginning in 2007, and lent his voice to animated features including Cloudy with a Chance of Meatballs and Cars 2. Campbell reunited with Raimi for Oz the Great and Powerful (2013), and helped produce the 2013 revamp of The Evil Dead.

Trivia: A performer widely regarded as one of the most distinguished and eloquent actors of his or any generation, Ossie Davis combined an overwhelming amount of dramatic talent and instinct (evident via both stage and film work) with an indomitable fervor for social crusade. A native of Cogdell, GA, and a graduate of Howard University, Davis moved to Harlem at an early stage and trained with the Rose McClendon players. The actor then drew a considerable amount of attention -- alongside wife since 1948 Ruby Dee -- for helping to spearhead the American civil rights movement in the 1940s, over 20 years before it caught fire with the general public and mass media. Their combined efforts culminated in involvement with the triumphant March on Washington of August 1963, where Dr. Martin Luther King Jr. delivered his iconic "I Have a Dream" speech. In subsequent years, Davis also helped Dr. King raise money for the Freedom Riders and delivered a poignant eulogy at the funeral of Malcolm X. Meanwhile, Davis and Dee both established themselves as forces in theater and on film. Davis himself debuted on Broadway in 1946, and took his film bow with the 1950 No Way Out, but 13 years passed before his sophomore cinematic effort, the 1963 Gone Are the Days -- an adaptation of his own play Purlie Victorious. Unfortunately, the actor spent much of the '60s appearing in programmers that were either underappreciated (Shock Treatment, 1964) or unworthy of his talents (Sam Whiskey, 1969), and didn't fully realize his potential until he scripted and directed the 1970 Cotton Comes to Harlem, a gritty crime comedy (with a predominantly African-American cast including Godfrey Cambridge and Redd Foxx) that almost singlehandedly jump-started the blaxploitation movement and predated Sweet Sweetback and Shaft by a year. Several additional directorial projects followed throughout the 1970s and '80s and found Davis growing deeper and more profound, and setting his sights higher; these included the ambitious -- if not quite successful -- Kongi's Harvest (1971) and the finely-wrought, socially charged coming-of-age drama Black Girl (1972), arguably Davis' best film. Unfortunately, Davis' third and fourth efforts behind the camera, Gordon's War (1973) and Countdown at Kusini (1976), disappointed on many counts, relegating him (for better or worse) back to acting. He appeared in the racially themed, made-for-television dramas Roots (1977), King: The Martin Luther King Story (1978, in which he played Dr. King Sr.), and Roots: The Next Generations (1979), then -- around a decade later -- achieved a career resurgence thanks to the intelligence and bravura of wunderkind Spike Lee, who cast Davis in six major films: School Daze (1988), Do the Right Thing (1989), Jungle Fever (1991), Malcolm X (1992, as an off-camera narrator), Get on the Bus (1996), and She Hate Me (2004). Two of those films also included Dee in the cast. Davis also enjoyed a renewed profile on television during the early '90s when he was tapped to play a regular character on the charming and laid-back Burt Reynolds sitcom Evening Shade (1990-1994); he portrayed Ponder Blue, the series' narrator and the owner of a barbecue restaurant. Davis remained not only active but astonishingly prolific over the following ten years. Subsequent projects included small supporting roles in Grumpy Old Men (1993), The Client (1994), and Doctor Dolittle (1998), and participation in a series of documentaries, among them Christianity: The First Thousand Years (1998) and We Shall Not Be Moved (2001). Davis died in February 2005, in Miami, while shooting the movie Retirement. He was 87. Davis and Dee co-authored a dual autobiography, In This Life Together, in 1998.

Trivia: American leading man Larry Pennell kicked off his film career in 1955. Pennell briefly became a TV idol when he co-starred with Ken Curtis in the widely syndicated adventure series Ripcord (1962). He later spoofed his macho image as conceited, image-conscious movie star Dash Riprock on The Beverly Hillbillies. Larry Pennell kept busy into the 1990s in character roles and cameos, most memorably as Clark Gable in the 1980 TV movie Marilyn: The Untold Story.

Trivia: Lead actor, onscreen from 1985.