Trivia: Working as a Disneyland concessionaire in his teens, comedian Steve Martin's first experiences in entertainment were of the party performer variety -- he picked up skills in juggling, tap-dancing, sleight of hand, and balloon sculpting, among other things. He later attended U.C.L.A., where he majored in philosophy and theater before moving on to staff-writer stints for such TV performers as Glen Campbell, the Smothers Brothers, Dick Van Dyke, John Denver, and Sonny & Cher. Occasionally allowed to perform as well as write, Martin didn't go into standup comedy full-time until the late '60s, when he moved to Canada and appeared as a semi-regular on the syndicated TV variety series Half the George Kirby Comedy Hour. As the opening act for rock stars in the early '70s, Martin emulated the fashion of the era with a full beard, shaggy hair, colorful costumes, and drug jokes. Comedians of such ilk were common in this market, however, so Martin carefully developed a brand-new persona: the well-groomed, immaculately dressed young man who goes against his appearance by behaving like a lunatic. By 1975, he was the "Comic of the Hour," convulsing audiences with his feigned enthusiasm over the weakest of jokes and the most obvious of comedy props. His entire act a devastating parody of second-rate comedians who rely on preconditioning to get laughs, Martin became internationally famous for such catch phrases as "Excu-u-use me!," "Happy feet!," and "I am...one wild and crazy guy!" It was fun for a while to hear audiences shout them out even before he'd uttered them, but it wasn't long before Martin was tired of live standup and anxious to get into films. Though Martin had roles in Sgt. Pepper's Lonely Hearts Club Band (1977) and The Muppet Movie, Martin's true screen bow was The Jerk (1979), in which, with the seriousness of Olivier, he portrayed a bumbling, self-described poor black child-turned accidental millionaire. Had he been a lesser performer, Martin could have played variations on The Jerk for the remainder of his life, but he preferred to seek out new challenges. It took nerve to go against the sensibilities of his fans with an on-edge portrayal of a habitual loser in Pennies From Heaven (1981), but Martin was successful, even if the film wasn't. And few other actors could convincingly pull off a project like Dead Men Don't Wear Plaid (1983), wherein, and with utter conviction, he acted opposite film clips of dead movie stars. After a first-rate turn in All of Me (1984), in which he played a man whose body is inhabited by the soul of a woman, Martin's film work began to fluctuate in quality, only to emerge on top again with Roxanne (1987), a potentially silly but ultimately compelling update of Cyrano de Bergerac. Though he participated in a fair amount of misses in the '80s and '90s (Mixed Nuts (1994), Housesitter (1992), Leap of Faith (1992), and Sgt. Bilko (1996), to name a few), Martin was unarguably full of surprises, as witnessed in his unsympathetic portrayal in Planes, Trains and Automobiles (1989), his hilariously evil dentist in Little Shop of Horrors (1986), his angst-ridden father in Parenthood (1989), his smooth-talking Italian in My Blue Heaven, and his callow film producer in Grand Canyon (1991) -- though the public still seemed to prefer his standard comic performances in The Three Amigos (1986), Father of the Bride (1991), and L.A. Story (1991). Martin then went out on yet another artistic limb with A Simple Twist of Fate (1994) -- a film update of that high-school English-class perennial Silas Marner. After starring in a very dark role in David Mamet's The Spanish Prisoner (1997) and an unsuccessful return to comedy in The Out-of-Towners (1999), Martin again won acclaim for Bowfinger, a 1999 comedy-satire that cast him as its titular hero, an unsuccessful movie director trying to make a film without the aid of a real script or real star. Martin -- who also wrote the film's screenplay -- played the straight man against Eddie Murphy, once again impressing critics with his versatility. According to rumor, Martin based Heather Graham's character on former flame Ann Heche.In addition to his Hollywood activities, Martin is well-known for his intellectual pursuits. His play Picasso at the Lapin Agile was produced successfully off-Broadway, and he has contributed numerous humor pieces to The New Yorker magazine, and penned the bestselling novella Shopgirl. Martin was also a featured artist in the PBS documentary series Art 21: Art in the 21st Century and discussed the visual arts as an integral form of self-expression. The 2000's found Martin in a slew of smaller roles, including a cameo as a heckler in Remember the Titans (2000), and a supporting role in director Stanely Tucci's historical comedy drama Joe Gould's Secret (2000). In 2001's Novacaine, Martin found himself playing dentist for the second time in his life, though this dentist would be decidedly less sadistic than the one he had played in camp favorite Little Shop of Horrors (1986). Despite an all-star cast (besides Martin, Novacaine featured Oscar-winner Helena Bonham Carter and Laura Dern) the black comedy was dismally received. Luckily, 2003's odd-couple comedy Bringing Down the House with Queen Latifah, rapper and surprising Oscar nominee for her role in Chicago, fared relatively well in theaters. Martin teamed up with the likes of Brendan Fraser, Jenna Elfman, and Bugs Bunny in Looney Tunes: Back in Action (2003), in which he plays the evil Mr. Chairman, head of the monolithic Acme Corporation. A film version of Shopgirl starring Martin and Claire Danes is currently slated for a 2005 release. Martin would remain a vital comedic actor in the years to come, appearing in films like Baby Mama and It's Complicated.

Trivia: Chevy Chase is often considered one of the most likeable comedic personalities of his generation, even though the immediate popularity he achieved following a single season on Saturday Night Live never translated into more than a couple hit movies, and none after the 1980s. The prematurely balding, intelligent, fast-talking Chase created a couple classic characters, notably Irwin M. Fletcher (aka Fletch) and Vacation's Clark Griswold, but his career is often thought of as plagued by misfires and missed opportunities, rather than touched by comic brilliance.Born on October 8, 1943, in New York City, Cornelius Crane Chase became known as "Chevy" when his grandmother nicknamed him after Chevy Chase, the wealthy Maryland community. The 6'4" future writer and actor was valedictorian of his high school class before attending Bard College, where he earned a B.A. in English. With a pre-celebrity resumé as varied as any (tennis pro, truck driver, bartender), Chase spent his twenties as a comedy writer for such outlets as the Smothers Brothers and National Lampoon, the latter of which eventually led to a lucrative franchise of Vacation movies. Chase's first stint as a performer was with the New York comedy video workshop Channel One, which evolved into the 1974 film Groove Tube. This afforded Chase the necessary exposure to be hired by Lorne Michaels for the first season of Saturday Night Live in 1975.Initially hired on as a writer, Chase soon began appearing in front of the camera as the anchor of the popular Weekend Update segment of the ensemble variety show. With the catchphrase opening "Good evening, I'm Chevy Chase and you're not," and aided by his bumbling impersonation of President Gerald Ford, the actor quickly assumed breakout status, earning Emmys for both his writing and acting. He left after a single season to pursue film opportunities, but did not really strike gold until Caddyshack (1980), in which he played a rich golf pro who oozed confidence and a dry sarcastic wit three steps ahead of anyone else. These would become Chase's trademarks.During the filming of his next project, Modern Problems (1981), Chase was nearly electrocuted when a gag involving landing lights attached to his body short-circuited. The experience sunk him into a deep depression. But he recovered his stride in 1983 with the release of National Lampoon's Vacation, the first of four in an eventual series of epic misadventures of the Griswold family (European Vacation [1985], Christmas Vacation [1989], Vegas Vacation [1997]). As daffy father Clark, Chase turned the film into a huge hit, harnessing a likable befuddlement that kept the series going even as the sequels were increasingly less well received and tiresomely slapstick.Chase's other big hit came in 1985, when he starred as the title character in Fletch, the film widely considered the actor's best and most complimentary of his sharp talent for wordplay. As an undercover newspaper reporter with a quick answer -- not to mention a goofy disguise -- for every situation, Chase created a classic comic hero with a genius for confusing his adversaries. He reprised the role in the lesser sequel Fletch Lives (1989).Chase achieved moderate success by pairing with other Saturday Night Live alums in the mixed-bag comedies Spies Like Us (1985) and Three Amigos! (1986); though these had dedicated fans, they didn't achieve the critical praise of Fletch or Vacation. Despite an all-star cast, Caddyshack II (1988) went nowhere, and by the beginning of the 1990s, Chase had slipped from his status as a reliable comedic performer. Such well-documented failures as Nothing But Trouble (1991) and Cops and Robbersons (1994) became his crosses to bear during a decade that also saw the colossal failure of his Fox comeback variety show, which was canceled two months after it premiered in 1993. Chase was also arrested for drunk driving in 1995, just one incident in a career sometimes checkered by drug and alcohol abuse. In later years, Chase has preferred family oriented films, starring in such features as Man of the House (1995) (opposite Jonathan Taylor Thomas) and the kiddie-on-holiday flick Snow Day (2000). This stance prompted Chase to turn down the comeback-worthy role that won Kevin Spacey an Oscar in American Beauty (1999); had he accepted, it might have resulted in a very different film. As Chase's work has shifted more to the supporting role variety, including Dirty Work (1998) and Orange County (2002), he has seemed more comfortable. A series of appearances in such innocuous comedies as Bad Meat, Goose on the Loose, and Doogal found Chase continuing to plateau, and in 2006 the former SNL heavyweight would take to the lab to help save the world in the children's superhero adventure Zoom. In 2009 Chase was cast as a casually racist and sexist member of the study group at the heart of NBC's sitcom Community, and that program gave him some of the best reviews he'd had in quite some time. He appeared in the 2010 comedy Hot Tub Time Machine, and in 2011's Stay Cool.

Trivia: The son of a steel-executive father and concert violinist mother, Ontario native Martin Short attended McMasters University, where he graduated in 1972 with a degree in social work. If you haven't spotted Short at your local youth center or settlement house, it's because he decided to pursue a performing career, encouraged by his fellow McMasters classmates Eugene Levy and Dave Thomas. Making his professional debut in a 1973 Toronto production of Godspell, Short joined Levy and Thomas at the Second City improv troupe in Edmonton, Alberta in 1977. Two years later, Short made his first film, Lost and Found, and also co-starred on the critically lauded but little-seen American sitcom The Associates. It was while appearing on SCTV Network 90 from 1982 through 1983 and Saturday Night Live from 1984 through 1985 that Short attained stardom with such distinctive comic characterizations as supercilious showbiz promoter Jackie Rogers Jr. and pointy-headed nerd Ed Grimley (this last-named character was spun off into an amusing Saturday morning cartoon series in 1989). He also scored big yocks with his devastating, dead-on impressions of such icons as Jerry Lewis and Katharine Hepburn (a lifelong Jerry Lewis fan, Short was invited to join Lewis as co-host of a cable-TV Martin and Lewis retrospective in 1993; he has yet to share the spotlight with the real Ms. Hepburn). Though an extremely likeable screen presence, the puckish Short has, like many of his Second City brethren, frequently been cast in films far beneath his talents, hitting bottom with 1994's Clifford. Happily, he has been extremely well-served in such films as Three Amigos (1986), Innerspace (1989), and the 1992 remake of Father of the Bride, in which he had an unbearably funny cameo as epicene wedding planner Franck Eggelhoffer. In 1993, Short made his Broadway debut, assuming the old Richard Dreyfuss role in a musical adaptation of the 1977 film The Goodbye Girl. The following year, Martin Short had another go at television, headlining the weekly (but not for long) Seinfeld rip-off The Martin Short Show. Subsequently donning a fat suit as Jiminy Glick in the Comedy Central talk-show parody Primetime Glick, Short skewerd Hollywood ni a way that only an insider could and in 2004 the character took the lead in his own feature -- Jiminy Glick in Lalawood. Meanwhile, guest appearances on Curb Your Enthusiasm, Arrested Development, Damages, Weeds, and How I Met Your Mother kept him busy as ever. Beginnig in 2010, Short voiced The Cat in the Hat in the popular PBS Kids series The Cat in the Hat Knows a Lot About That!, and in 2012 he essayed a variety of wacky characters in the musical comedy I, Martin Short, Goes Home, which found him reunited with a number of his former SCTV co-stars including Joe Flaherty and Eugene Levy.

Trivia: Mexican actor and director Alfonso Arau's first American film role was as bloodthirsty bandit Herrera in Sam Peckinpah's The Wild Bunch (1969), a role he would later parody (albeit with a straight face) in the 1986 comedy Three Amigos! U.S. filmgoers were by and large unaware that Arau had long been a popular vaudeville, theater, and TV performer, and had built his Mexican film reputation as an independent producer/director, beginning with 1969's The Barefoot Eagle. Arau reached the plateau of art-house idolatry when he decided to adapt a novel about the mystical aspects of gourmet cooking, written by his wife Laura Esquivel. The subsequent film, Like Water for Chocolate (1993), ended up as one of the most profitable foreign movies ever exhibited in America and won a number of international awards as well as multiple Silver Ariels, Mexico's equivalent of the Oscar. Arau followed Like Water for Chocolate with A Walk in the Clouds two years later. Arau's first American film as a director, it starred Keanu Reeves as a WWII veteran who poses as the husband of a pregnant young woman in order to help her preserve her standing within her family. Despite great anticipation surrounding its release, the film proved to be a critical and commercial disappointment.

Trivia: The slightly gritty and wizened Cuban-American actor Tony Plana boasts a resumé that is no less than extraordinary. Whatever the limitations of Hispanic typecasting, Plana soared high above them from the time of his debut in the early '80s, seeking out roles in several of Hollywood's most respected and venerable films -- ethnically themed and otherwise. He first culled attention as Rudy in Luis Valdez's stylized, theatrical period piece Zoot Suit (1981), starring a then-unknown Edward James Olmos. Plana's subsequent efforts read like a best-of early-'80s cinema; he tackled An Officer and a Gentleman (1982), Love and Money (1982), Valley Girl (1983), and El Norte (1983), all within a few years of one another. Plana was particularly effective as Fr. Manuel Morantes in John Duigan's wondrous, overlooked biopic Romero (1989, about archbishop and activist Oscar Romero) and as Carlos Bringuier in Oliver Stone's JFK (1991). In the 2000s, Plana unveiled a heightened interest in television, gracing the casts of such series as Ally McBeal and The Drew Carey Show as an occasional guest performer. Plana is best known to younger viewers, however, for two small-screen portrayals: that of cutthroat terrorist Omar in 24, and -- on a very different note, Ignacio -- the widower dad of the title character -- on the comedy drama Ugly Betty. Educationally, Plana trained in the drama programs at Loyola Marymount University and London's Royal Academy of Dramatic Art. He made the leap from acting to directing with two projects: A Million to Juan (1994, co-helmed with Paul Rodriguez) and The Princess and the Barrio Boy (2000). The latter constitutes Plana's directorial debut. It tells of a young well-to-do Hispanic woman (Marisol Nichols) who bucks convention by falling for a working-class boy, and simultaneously attempts to stand in the way of her father's marriage to a wicked lover.

Trivia: The quiet yet dynamic screen presence of actor Joe Mantegna has made him one of the most powerful supporting actors in Hollywood. Born in Chicago, Mantegna made his acting debut in the 1969 production of Hair. He then joined Chicago's Organic Theatre Company. In 1978, he debuted on Broadway in Working; he also helped write Bleacher Bums, an award-winning play. Still, he did not become well-known until he played a recurring role on the TV show Soap. By 1983 he'd returned to Chicago, where he began working with playwright David Mamet. While playing the lead in Mamet's play Glengarry Glen Ross (1983), Mantegna won a Tony. When Mamet began making films, Mantegna became his actor of choice in works such as House of Games (1987) and Homicide (1991). Prior to that, the actor had played small roles in a number of other films. He also continues to play in a variety of movie genres, working with some of Hollywood's top directors. Mantegna turned producer in 1998 with the crime comedy Jerry and Tom. That trend continued on the small screen as Montenga produced such shows as Midway USA's Gun Stories, Shooting Gallery, and QuickBites, but it was his role as a regular on the CBS series Joan of Arcadia that really kept him in the public eye. Continually returning to his recurring role as Fat Tony on The Simpsons over the next decade, Montegna joined the cast of the hit television series Criminal Minds in 2007, and recieved an Emmy nomination for his performance in the successful mini-series The Starter Wife that same year.

Trivia: Character actor and comedian Fred Asparagus played supporting roles in 16 films and guest starred on numerous television series ranging from Cheers to Roseanne to Hunter. Asparagus frequently performed standup comedy.

Trivia: Jon Lovitz is a versatile comedic actor instantly recognizable for his distinctive voice, acerbic wit, pear-shaped body, and hangdog eyes. He studied at the University of California, Irvine, and participated in the Film Actors Workshop. He then went on to do guest spots on TV and had a recurring role on Foley Square. Lovitz also played small roles in Last Resort (1986), and Ratboy (1986), and also provided a voice for the animated feature The Brave Little Toaster (1987). He got his first real break as a regular on TV's Saturday Night Live, where his characters such as Tommy Flanagan of pathological Liars Anonymous, the great Shakespearean ham Master Thespian, and the Devil himself became quite popular. His stint on Saturday Night Live put him in demand as a character actor and television guest star. His friendship with director Penny Marshall helped him get roles in some of her earlier films such as Big (1988), and his role as the fast talking baseball recruiter Ernie "Cappy" Capadino in Marshall's A League of Their Own (1992) earned him widespread acclaim. Lovitz has also appeared as a guest voice on the TV animated show The Simpsons and played lead voice in the critically-acclaimed animated show The Critic on ABC and the Fox Network.In the years following SNL and The Critic, Lovitz remained active with comedic roles in film (High School High, Little Nicky) and television (NewsRadio, Las Vegas), though it his performances in such films as Todd Solandz's acerbic black comedy Happiness and opposite Kevin Spacey in the semi-comedic Jack Abramoff biopic Casino Jack that displayed more range most filmmakers had previously failed to capitalize on. And thought the comic actor was never known to be overtly political, his scathing criticisms of U.S. President Barack Obama on the issue of taxes made headlines across the country in 2012, resulting in an unusually serious appearance on FOX News in which he passionately defended his comments.

Trivia: Lead actor, onscreen from the '80s.

Trivia: Though he perhaps was most famous during the 1960s and 1970s for writing quirky, darkly funny, or sharply satirical songs that often painted vivid portraits detailing the foibles and lives of lifelike characters, there is much more to Randy Newman's music than humor or novelty. Stylistically, his music runs the gamut from classically influenced film scores to R&B-type pop to haunting ballads and, most of all, to his upbeat, subtly orchestrated shuffling amalgam of New Orleans jazz and ragtime. Though his output of recorded music is somewhat sporadic, owing largely to his innate perfectionism, Newman has had a great effect on pop music and those influenced by him include Lyle Lovett, Paul Simon, and Mark Knopfler. Newman's contributions to film scoring have also been large and, in 1995, he received Oscar nominations for Best Song and Best Original Musical or Comedy Score for his work in Toy Story (1995).Newman was born in Los Angeles, during WWII. At the time, his father was overseas serving as an army captain in Italy and Newman's childhood was punctuated by numerous moves throughout the South, where his mother's family and closest friends lived. He was most influenced by the time he spent with his mother's family in New Orleans. Musically, one of his greatest influences was the compositions of his uncle Alfred Newman, one of cinema's finest and most highly regarded film scorists. His two other uncles, Lionel and Emil, were also noted composers. As a boy, Newman frequently visited the soundstages where his uncle worked.Newman began writing songs for Metric, the publishing house for Liberty Records, at age 16, thanks to the influence of his close friend Lenny Waronker, son of company founder Simon Waronker. Songwriting has never been easy for Newman and it took him a long time to find his unique voice. In 1962, he wrote his first music for television, for the episode "Northern Comfort" on the sitcom Dobie Gillis. At the time, he was moonlighting part time at 20th Century Fox, working on an old copy machine, and fetching music for composers. He also found time to compose additional music for such shows as Lost in Space and, most notably, for Peyton Place. He composed his first film score for Cold Turkey (1971), the funny story of an entire town that tries to quit smoking. He did not score another film until Ragtime (1981). The lovely waltzes he composed for this film earned Newman his first Oscar nomination. Over the next few years, he would receive numerous other Academy Award nominations, including one for the song "Make Up Your Mind" that was heard in Ron Howard's The Paper. Finally, after years of writing memorable songs for some of Hollywood's best-loved films, Newman took home a Best Song Oscar for "If I Didn't Have You" from the computer animated film Monsters, Inc. Newman also tried his hand at screenwriting when he collaborated on the script for John Landis' Western spoof The Three Amigos (1986). In 2002 Newman was inducted into the Songwriters Hall of Fame, with a star on the Hollywood Walk of Fame following eight years later.

Trivia: Looking more like the CEO of a law firm than a comedian, Canadian actor Phil Hartman has had a successful career playing against his physical appearance with an off-kilter sense of humor. He entered show business as a graphics designer; among his better-known artistic renderings was the official logo for the rock group Crosby, Stills and Nash. In the early '80s, Hartman was a member of a comedy troupe called the Groundlings, where he made the acquaintance of comedian Paul Reubens. In collaboration with Reubens, Hartman helped create the character of child/man Pee-wee Herman, cowriting the screenplay of Reubens' 1985 movie vehicle Pee-wee's Big Adventure and portraying the grimy Kap'n Karl on the Saturday-morning TV series Pee-wee's Playhouse (1986-90). When asked later on if he was bitter over the way Reubens grabbed all the glory for the Pee-wee concept, Hartman characteristically made a self-deprecating joke, though it was decidedly at Reubens' expense. Before signing with NBC's Saturday Night Live, Hartman appeared as part of a comedy ensemble on the 1985 summer replacement series Our Time. Hartman's greatest comic strength lay in his celebrity impersonations, which he trotted out to maximum effect on both SNL and the Fox cartoon series The Simpsons. Hartman claimed that he had 99 celeb voices in his manifest, including a deadly funny impersonation of President Bill Clinton, which became an audience favorite on SNL and Jay Leno's Tonight Show where he often made guest appearances. Hartman remained with Saturday Night Live from 1986 through 1994, sharing a 1989 Emmy for "outstanding writing;" at the time he left the show (making pointed comments about the deteriorated quality of the writing staff), Hartman had set a record for the largest number of appearances (153) as an SNL regular. In 1995, Phil Hartman began a weekly assignment in the role of a pompous, self-centered (much like Ted Knight's character on The Mary Tyler Moore Show) anchorman on the network sitcom Newsradio. When not appearing on the series, Hartman was a successful TVcommercial voiceover artist and pitchman and also occasionally acted in feature films, including Blind Date (1987), Jingle All the Way (1996) and The Second Civil War (1997). In his personal life, Hartman was totally unlike the characters he usually played and was loved and respected for his humbleness, his affability and his generosity; he frequently donated his time to charities. It was therefore a terrible shock when on May 28, 1998, he was shot to death while sleeping in the bedroom of his Encino, California home. His wife Brynn Hartman committed the murder and then shot herself shortly after police removed the couple's two small children from the premises. Later reports stated that despite putting on a good public face as a couple, the two had been trying for years to resolve their difficulties and that drug and alcohol use on the part of Brynn were a factor in the tragedy.