Trivia: While still in high school, American actor Timothy Hutton, son of actor Jim Hutton, toured with his father in a stage production of Harvey. After high school he moved to southern California and managed to land roles in several TV films, notably Friendly Fire and Young Love, First Love (both 1979). He debuted onscreen as a troubled teenager in Robert Redford's first directorial effort, Ordinary People (1980). For his work in that film he won an Oscar for Best Supporting Actor, at the time the youngest actor to earn such an honor. Hutton soon became typecast as sensitive, somewhat wimpy youths in a string of major films, a mold he didn't break out of until the late '80s. Despite his auspicious beginning, most of Hutton's films have been financially unsuccessful. In 1984 he made his New York stage debut in Orpheus Descending, and in 1990 starred on Broadway in the hit romance Prelude to a Kiss. He has also done some directing, including an episode of the TV show Amazing Stories and a rock video made by the band The Cars. He married and divorced actress Debra Winger.

Trivia: Actress Amy Madigan is the daughter of Chicago political commentor John Madigan, well known in the Windy City for his WBBM radio signoff, "John Madigan...News Radio Ssssseventy-eight." After studying piano at the Chicago Conservatory and philosophy at Milwaukee's Marquette University, Madigan spent the next decade as a touring rock musician. In the late 1970s, she began preparing for an acting career at L.A.'s Lee Strasberg Institute, making her TV bow on an episode of Hart to Hart. While she may have looked like a standard blonde ingenue, Madigan's endearingly raspy voice and '60s-style ebullience secured her a series of offbeat leading roles, culminating with her performance as Kevin Costner's ex-activist wife in Field of Dreams (1989). In 1985, Amy Madigan was Oscar-nominated for her performance as Gene Hackman's embittered daughter in Twice in a Lifetime. She is married to actor Ed Harris, with whom she has co-starred in Places in the Heart (1984) and Alamo Bay (1985). Madigan would continue to act in the decades to come, memorably starring on Carnivale and Grey's Anatomy.

Trivia: Raised in Chicago by his divorced mother, Michael Rooker lived a hand-to-mouth existence until his teens. Rooker successfully auditioned for the Goodman School, and upon graduation, appeared in Chicago-area stage productions. He made a spectacular film debut in the sociopathic title role of Henry: Portrait of a Serial Killer, which was filmed in 1986 but not given a general release until four years later. Henry established Rooker as a gifted purveyor of "don't screw with me" roles, such as chief "Black Sox" conspirator Chick Gandil in Eight Men Out (1988). Michael Rooker's more rugged film assignments of the 1990s included Cliffhanger (1993) and Tombstone (1994).

Trivia: A renowned theater actress, Julie Harris also augmented her reputation with strong performances in a number of film and TV roles, despite her aversion to the Hollywood "glamour star" trip. Born to a well-to-do Grosse Pointe, Michigan, family, Harris opted to pursue acting at Yale Drama School rather than make her society debut at age 19. She landed her first Broadway part one year later. Harris' career was truly launched at age 25, however, by her star-making performance as troubled pre-teen tomboy Frankie in Carson McCullers' play The Member of the Wedding in 1950. Reprising her role in the film adaptation of The Member of the Wedding (1952), Harris scored an Oscar nomination for Best Actress in her first major film appearance. Though she did not win, she did win the first of five Tony Awards in 1952 for her Broadway turn as Berlin cabaret singer Sally Bowles in I Am a Camera. Along with the well-received film version of I Am a Camera in 1955, Harris starred in perhaps her best-known film that same year: Elia Kazan's East of Eden. As initially-coquettish Abra, Harris became a sensitive yet sensible romantic lead opposite an anguished James Dean in his legendary debut. With this trio of films, Harris became part of the 1950s cinematic turn toward performative "realism" exemplified by Method actor icons Dean and Marlon Brando (despite her own impatience with the Method after an Actors Studio stint).Harris continued to avoid typecasting by playing a number of different roles in TV, theater, and movie productions throughout the subsequent decades. On film, Harris showed her considerable range as a kindly social worker in the film version of Rod Serling's teleplay Requiem for a Heavyweight (1962), one of the highly disturbed human guinea pigs in the original (and far superior) version of The Haunting (1963), a frustrated nightclub chanteuse in the Paul Newman p.i. vehicle Harper (1966), and a troubled wife in Reflections in a Golden Eye (1967). On stage, Harris' specialty became playing famous women throughout history, including Tony-award winning performances as Joan of Ark in The Lark (1956), Mary Todd Lincoln in The Last of Mrs. Lincoln (1973) (adapted for TV in 1976), and Emily Dickinson in The Belle of Amherst (1977).After surviving a bout with cancer in 1981, Harris achieved considerable fame with a new audience by playing Lilimae Clements on the TV nighttime serial Knot's Landing from 1981 to 1988. After she left the show, Harris returned to films, after nearly a decade, as Sigourney Weaver's friend in Gorillas in the Mist (1988). Harris kept busy throughout the 1990s with supporting roles in several films, including Housesitter (1992) and the George A. Romero/Stephen King chiller The Dark Half (1993), as well as starring roles onstage and in TV films, including Ellen Foster (1997). She was awarded the National Medal of the Arts in 1994. Harris would continue to act throughout the decades to come, memorably appearing in TV movies like Little Surprises and Love is Strange. Harris retired from on-screen acting in 2009, and eventually passed away in 2013. She was 87.

Trivia: Canadian actor Robert Joy has been appearing in films on both sides of the Canada/U.S. border since the 1970s. He has always been a welcome presence, even when the scripts took pains not to make him feel welcome. As Susan Sarandon's husband in Atlantic City (1981), Joy stuck around just long enough to be bumped off by drug dealers. And as demented socialite Harry K. Thaw in Ragtime (1981), Joy existed principally to shoot Stanford White (Norman Mailer) full of holes and then get thrown in the looney bin. One of Robert Joy's largest, and most unorthodox, film assignments was as the would-be political demagogue (and one-time flamenco dancer) in the Newfoundland-based The Adventures of Faustus Bidgood (1986). Over the next several years, Joy would continue to remain an ongoing force on screen, appearing in films like Joe Somebody, Pretty Persuasion, Land of the Dead, and Superhero Movie. He would find success with a starring role on the long running crime proceedural CSI: NY.

Trivia: Rutanya Alda, born Rutanya Skrastins in Riga, Latvia, has been steadily appearing in American films since the late '60s. Alda, who was known as Ruth Alda in her earlier films, has also performed on stage and television in the U.S.

Trivia: Lead actress Chelsea Field first appeared onscreen in the late '80s.

Trivia: Cadaverous, hollow-eyed Royal Dano made his theatrical entree as a minor player in the Broadway musical hit Finian's Rainbow. Born in New York City in 1922, he manifested a wanderlust that made him leave home at age 12 to travel around the country, and even after he returned home -- and eventually graduated from New York University -- he often journeyed far from the city on his own. He made his acting debut while in the United States Army during World War II, as part of a Special Services unit, and came to Broadway in the immediate postwar era. In films from 1950, he received his first important part, the Tattered Soldier, in John Huston's 1951 adaptation of Stephen Crane's The Red Badge of Courage. Thereafter, he was often seen as a Western villain, though seldom of the cliched get-outta-town variety; in Nicholas Ray's Johnny Guitar (1954), for example, he fleshed out an ordinary bad-guy type by playing the character as a compulsive reader with a tubercular cough. He likewise did a lot with a little when cast as Mildred Natwick's deep-brooding offspring in Hitchcock's The Trouble With Harry. With his deep, resonant speaking voice and intense eyes, Dano could make a recitation of the telephone book sound impressive and significant, and some of his non-baddie characters include the prophet Elijah, who predicts the destruction of the Pequod and the death of Ahab, in Huston's Moby Dick (1956), Peter in The King of Kings (1961) and Mayor Cermak in Capone (1975); in addition, he played Abraham Lincoln in a multipart installment of the mid-'50s TV anthology Omnibus written by James Agee. On the small screen, the producers of The Rifleman got a huge amount of mileage out of his talent in five episodes in as many seasons, most notably in "Day of Reckoning" as a gunman-turned-preacher. He also appeared in memorable guest roles in the high-rent western series The Virginian, The Big Valley, and Bonanza, and had what was probably his best television role of all as the tragically insensitive father in the two-part Little House On The Prairie episode "Sylvia." Toward the end of his life, Royal Dano had no qualms about accepting questionable projects like 1990's Spaced Invaders, but here as elsewhere, he was always given a chance to shine; one of Dano's best and most bizarre latter-day roles was in Teachers (1982), as the home-room supervisor who dies of a heart attack in his first scene -- and remains in his chair, unnoticed and unmolested, until the fadeout.

Trivia: A successful character actress most adept at playing matronly types, Beth Grant took her onscreen bow in the late '80s and began tackling innumerable roles in Hollywood features, usually bit parts as housewives, female doctors, or down-home small-town women. Grant received her first feature assignment as a harried mother at a farmhouse in Barry Levinson's Rain Man (1988). She subsequently divided her time between film and television roles, guest-acting on dozens of series and occasionally taking on more extensive small-screen roles, such as on Coach and Jericho. Grant's many big-screen credits include the films Don't Tell Her It's Me (1990), Speed (1994), Donnie Darko (2001), and Little Miss Sunshine (2006). She was particularly memorable in the latter, as one of the snotty and obnoxious pageant judges. Darko represented Grant's first experience working with helmer Richard Kelly; she re-teamed with Kelly for his follow-up, the dystopian black comedy Southland Tales (2005).