Trivia: One of the greatest comic talents of his generation, Peter Sellers had an exceptional gift for losing himself in a character -- so much so that, beyond his remarkable skill as a performer and his fondness for the humor of the absurd, it's difficult to draw a connection between many of his best performances. While his fondness for playing multiple roles in the same film may have seemed like a stunt coming from many other actors, Sellers had the ability to make each character he played seem distinct and different, and while he was known and loved as a funnyman, only in a handful of roles was he able to explore the full range of his gifts, which suggested he could have had just as strong a career as a dramatic actor.Born Richard Henry Sellers on September 8, 1925, Sellers was nicknamed "Peter" by his parents, Bill and Agnes Sellers, in memory of his brother, who was a stillbirth. Bill and Agnes made their living as performers on the British vaudeville circuit, and Sellers made his first appearance on-stage only two days after his birth, when his father brought out his infant son during an encore. As a child, Sellers studied dance at the behest of his parents when not occupied with his studies at St. Aloysius' Boarding and Day School for Boys. Sellers also developed a knack for music, and in his teens began playing drums with local dance bands. Shortly after his 18th birthday, Sellers joined the Royal Air Force, and became part of a troupe of entertainers who performed at RAF camps both in England and abroad. During his time in the service, Sellers met fellow comedians Spike Milligan, Harry Secombe, and Michael Bentine; after the war, they found work as performers with the British Broadcasting Corporation, and Sellers hoped to follow suit. After several failed auditions, Sellers struck upon the idea of calling Roy Speer, a BBC producer, posing as one of the network's top actors. Sellers gave Sellers an enthusiastic recommendation, and Speer gave him a spot on the radio series Show Time.After he signed on with the BBC, Sellers became reacquainted with Milligan, Secombe, and Bentine, and together they comprised the cast of The Goon Show, which upon its debut in 1949 became one of Great Britain's most popular radio shows; the absurd and often surreal humor of the Goons would prove to be the first glimmer of the British Comedy Movement of the '60s and '70s, paving the way for Beyond the Fringe and Monty Python's Flying Circus. The Goon Show provided Sellers with his entry into film acting, as he appeared in several short comedies alongside Milligan and Secombe, as well as the feature film Down Among the Z Men (aka The Goon Movie). Sellers also married for the first time during the height of Goon-mania, wedding Anne Howe in the fall of 1951. Sellers won his first significant non-Goon screen role in 1955, with the classic Alec Guinness comedy The Ladykillers, but his first international hit would have to wait until 1958, when he appeared in George Pal's big-budget musical Tom Thumb. In 1959, Sellers appeared in the satiric comedy I'm All Right, Jack, which earned him Best Actor honors from the British Film Academy; the same year, Sellers enjoyed a major international success with The Mouse That Roared, in which he played three different roles (one of them a woman). While a bona-fide international comedy star, Sellers had a hard time finding roles that made the most of his talents, and it wasn't until after a handful of unremarkable features that he received a pair of roles that allowed him to truly shine. In 1961, Sellers starred as an Indian physician in The Millionairess opposite Sophia Loren, based on a play by George Bernard Shaw (Sellers and Loren would also record a comic song together, "Goodness Gracious Me," which was a hit single in Britain), and a year later Stanley Kubrick cast him as Claire Quilty in his controversial adaptation of Vladimir Nabokov's novel Lolita.1964 would prove to be a very big year for Peter Sellers; he would marry actress Britt Ekland in February of that year (his marriage to Anne Howe ended in divorce in 1961), and he starred in four of his most memorable films: Dr. Strangelove, or How I Learned to Stop Worrying and Love the Bomb, which reunited him with Stanley Kubrick and gave him star turns in three different roles; The World of Henry Orient, a comedy which won a small but devoted cult following; The Pink Panther, in which Sellers gave his first performance as the bumbling French detective Inspector Clouseau, and that film's first sequel, A Shot in the Dark. Sellers, who was described by many who knew him as a workaholic, maintained a busy schedule over the next ten years, but while the quality of his own work was consistently strong, many of the films he appeared in were sadly undistinguished, with a handful of exceptions, among them I Love You, Alice B. Toklas, The Wrong Box, and The Optimists. Sellers' appeal at the box office began to wane, and his love life took a beating as well -- he divorced Britt Ekland in 1968 and married Miranda Quarry in 1969, only to see that marriage end in 1971. But Sellers made a striking comeback in 1974 with The Return of the Pink Panther, in which he revisited his role as Inspector Clouseau. The film was a massive international hit, and Sellers would play Clouseau two more times, in The Pink Panther Strikes Again and The Revenge of the Pink Panther, though he became critical of the formulaic material in the films and would begin writing a script for a sixth Pink Panther film without the input of Blake Edwards, who had written and directed the other films in the series.In 1977, Sellers took his fourth wife, actress Lynne Frederick, and he managed to rack up a few moderate box-office successes outside the Pink Panther series with Murder by Death and The Prisoner of Zenda. But in 1979, Sellers gave perhaps his greatest performance ever as Chance, a simpleton gardener whose babblings about plants are seen as deep metaphors by those around them, in a screen adaptation of Jerzy Kozinski's novel Being There -- a project Sellers had spent the better part of a decade trying to bring to the screen. The film won Sellers a Golden Globe award and a National Board of Review citation as Best Actor, while he also received an Academy Award nomination in the same category. While Being There seemed to point to better and more ambitious roles for Sellers, fate had other plans; the actor, who had a long history of heart trouble, died of a heart attack on July 24, 1980, not long after completing The Fiendish Plot of Dr. Fu Manchu, a disastrous comedy whose direction was taken over by Sellers midway through the shoot (though the original director received sole credit). Two years after his death, Peter Sellers would return to the screen in a final Pink Panther adventure, The Trail of the Pink Panther, which Blake Edwards assembled from outtakes and discarded scenes shot for the previous installments in the series.

Trivia: Born Herbert Charles Angelo Kuchacevich ze Schluderpacheru, Herbert Lom enjoyed a successful acting career in his native Czechoslovakia, principally in theater. He made his screen debut in Zena Pod Krizem (1937) and made one more movie in Czechoslovakia before emigrating to England in 1938. He acted at The Old Vic in London, among other companies, before turning to British films, where his good looks, cultured accent and mannerisms, and intense eyes got him cast in such unusual roles as Napoleon Bonaparte (in The Young Mr. Pitt) in between slightly more anonymous parts. Lom's real breakthrough role was in Compton Bennett's 1946 psychological drama The Seventh Veil, as Dr. Larsen, the psychiatrist treating neuroses of the pianist portrayed by Ann Todd. Lom might have become a kind of Eastern (or Middle) European successor to Charles Boyer, but he was too good an actor to limit himself to romantic parts; instead, he was more like a Czech Jean Gabin. Lom often played highly motivated villains in the 1950s and '60s, most notably in Jules Dassin's Night and the City (1950), in which he brought surprising humanity to the role of a brutal, vengeful gangster, and Sidney Gilliat's State Secret (1950). He reprised the role of Napoleon in King Vidor's sprawling 1956 production of War and Peace, and was a memorably humane, well-spoken Captain Nemo in the Ray Harryhausen production of Mysterious Island (1961); he also played the title role in a 1962 production of The Phantom of the Opera, but Lom's best movie during this period -- despite having some of his shortest screen time -- was Anthony Mann's El Cid, in which he played the Muslim leader Ben Yussuf. He counter-balanced this work with a newly revealed flair for comedy, utilized in the Pink Panther movies, starting with A Shot in the Dark, where his long-suffering bureau chief Dreyfus was forever dreading Inspector Clouseau's latest blunder. He was also Simon Legree in the 1965 German musical production of Uncle Tom's Cabin (as Onkel Tom's Hütte). During the late '60s and '70s, he began appearing in horror films of various types, following a path similar to that blazed by his British-born contemporary Michael Gough. He has kept his hand in gentler and more complex roles, however, including that of the sardonically humorous Soviet bureau chief in Ronald Neame's Hopscotch (1980), and a sympathetic physician in David Cronenberg's The Dead Zone (1983). In 2012, Lom passed away in his sleep at the age of 95.

Trivia: With her luxurious, sun-streaked, long mane of curly blond hair, voluptuous and beautiful Dyan Cannon is an actress who is hard to miss. She has been in films and occasionally on television since making her debut opposite Art Carney in The Ding-a-Ling Girl, a presentation on the television series Playhouse 90. Born Samille Diane Friesen in Tacoma, WA, Cannon got her start as a showroom model in L.A. following two years of study in anthropology at the University of Washington. Thanks to the help of writer/producer Jerry Wald, who came up with her stage name (which was originally Diane Cannon), she landed a contract at MGM and made her feature film debut playing Wiggles, a troubled high school student in This Rebel Breed (1960). She then appeared in The Rise and Fall of Legs Diamond (1960). After a couple appearances on Broadway and some work on television, Cannon met and fell in love with Cary Grant, who was 38 years her senior. While involved with him, she placed her acting career on hold. The two married in 1965 and she bore him a daughter. Three years later, Grant and Cannon went through a bitter public divorce. In 1969, Cannon returned to films in the then-controversial sex comedy Bob & Carol & Ted & Alice and won the Best Supporting Actress award from the New York Film Critics. Her role also won her an Oscar nomination. The 1970s were her most active period as an actress and Cannon appeared frequently in films. In 1978, she earned another Best Supporting Actress nomination for playing a conniving, adulterous wife in Heaven Can Wait. By the early '80s, Cannon sharply curtailed her feature-film career, but did appear in a few television movies and miniseries. In 1976, Cannon wrote, produced, directed, and even helped edit a 42-minute film sponsored by the American Film Institute. Titled Number One, Cannon designed it to teach children about sexuality and their bodies. It earned an Oscar nomination for best live-action short. Cannon has since directed two more films, including The End of Innocence, which is based on her autobiography. Cannon returned to acting on a limited basis in the 1990s and continued to appear on television in such outings as Arnold Schwarzenegger's Christmas in Connecticut (1992) and features such as Out to Sea (1997).Cannon would appear in several films and TV shows over the coming years, memorably appearing on shows like Ally McBeal and Three Sisters.

Trivia: Though born in close proximity to Hollywood, Robert Webber chose to head East to launch his acting career shortly after World War II. On Broadway from 1948, Webber made his film bow in 1950's Highway 501, playing the first of many villains. His career moved in fits and starts until he was cast by director Sidney Lumet as Juror Number 12 in the 1957 filmization of Twelve Angry Men. Webber flourished in the 1960s, mostly playing outwardly charming but inwardly vicious types; who could forget his torturing of Julie Harris in Harper (1966), grinning all the while and saying lines like "I just adore inflicting pain"? A personal favorite of director Blake Edwards, Webber was given roles of a more comic nature in such Edwards films as Revenge of the Pink Panther (1978), 10 (1969), and S.O.B (1981). One of Robert Webber's better later roles was as the father of erstwhile private eye Maddie Ross (Cybill Shepherd) on the cult-favorite TV series Moonlighting.

Trivia: Born in England and raised in Shanghai, actor Burt Kwouk can best be described as a funnier variation of Bruce Lee. To be sure, many of his acting assignments have called for straight interpretations, notably his roles in such films Satan Never Sleeps (1961) and The Brides of Fu Manchu (1965). But Kwouk is best known for his role as karate champ Cato Fong, right-hand man of the hapless Inspector Clouseau (Peter Sellers). Trained by his boss to attack without warning (the better to keep Clouseau on guard and in shape), Cato has invariably done his job too well, kicking and chopping at the Inspector at the most inopportune times -- when Clouseau is making love, for example. As Cato, Bert Kwouk has appeared in the Blake Edwards-directed Clouseau films A Shot in the Dark (1964), Return of the Pink Panther (1975), The Pink Panther Strikes Again (1978) and Revenge of the Pink Panther (1979), and has guest-starred in two pastiche films made after Peter Sellers' death, Curse of the Pink Panther (1981) and Trail of the Pink Panther (1982). Outside the aegis of Blake Edwards, Kwouk has taken action-oriented parts in films like Rollerball (1980) and Air America (1990). For several years in the '80s, Kwouk played a Japanese commandant on the British TV series Tenko. Kwouk continued to work steadily through the 2010s, including a recurring role on Last of the Summer Wine. He died in 2016, at age 85.

Trivia: He began acting in plays in his early teens, and was already a veteran by the time he joined Orson Welles's Mercury Theater in 1938; among his Mercury credits was a role in the infamous War of the Worlds radio broadcast. Like many Mercury performers, he followed Welles to Hollywood and debuted onscreen in Citizen Kane (1941). In a sporadically busy film career, he went on to play many character roles over the next four decades; he was often cast as insensitive, no-nonsense types, and sometimes played gangsters. He began a second career in the mid '50s as a TV director.

Trivia: Forceful leading actor Robert Loggia left plans for a journalistic career behind when he began his studies at New York's Actors Studio. His first important Broadway assignment was 1955's The Man with the Golden Arm; one year later, he made his first film, Somebody Up There Likes Me. In 1958 he enjoyed a brief flurry of TV popularity as the title character in "The Nine Lives of Elfego Baca," a multipart western originally telecast on Walt Disney Presents. His next weekly TV assignment was as a good-guy burglar in 1967's T.H.E. Cat. A fitfully successful movie leading man, Loggia truly came into his own when he cast off his toupee and became a character actor, often in roles requiring quiet menace. As Richard Gere's bullying father, Loggia dominated the precredits scenes of An Officer and a Gentleman (1981), and was equally effective as the villain in Curse of the Pink Panther (1982) and as mafia functionaries in Scarface (1983) and Prizzi's Honor (1985). He was nominated for an Oscar for his portrayal of a two-bit detective in The Jagged Edge (1985). The most likeable Robert Loggia screen character thus far is his toy manufacturer in Big (1988), the film in which Loggia and Tom Hanks exuberantly dance to the tune of "Heart and Soul" on a gigantic keyboard. Loggia would remain an active force on screen for decades to come, appearing in movies like Opportunity Knocks, Independence Day, and Return to Me, as well as TV shows like Mancuso, FBI, Wild Palms, and Queens Supreme. Loggia passed away in 2015, at age 85.

Trivia: British comic actor Graham Stark has contributed innumerable cameo roles to both films and television. His busiest era was the '60s, during which time he appeared in such class-A productions as Becket (1964) and Alfie (1966). Seldom arising above the "also in the cast" ranks, Graham Stark was memorable in a role for which he had his back to the camera for the most part and said little more than "Oui, monsieur." Stark was Hercule Lajoy, Inspector Clouseau's stonefaced assistant, in A Shot in the Dark (1964), and as such he sat in passive obesciance as Clouseau (Peter Sellers) toted up the clues in a murder case and barked "Facts, Hercule! Facts!" -- just before falling on his face or pinching his fingers.

Trivia: British actor Tony Beckley played supporting roles and leads in a number of films. With his slim build, dark hair, and intense eyes, he was often cast as a sly villain. Beckley made his debut playing Poins in Orson Welles' Falstaff: Chimes at Midnight (1966).

Trivia: Despite the Mediterranean flavor of her name, actress Adrienne Corri was born in Scotland and made her 1948 stage debut in London. A strikingly attractive redhead, Adrienne was often cast in seductive roles. Few of her big-budget films gave her much opportunity; she seemed more at home in such science fiction and horror items as Devil Girl from Mars (1954), Corridors of Blood (1958), The Tell-Tale Heart (1960) and Vampire Circus (1971). In films until 1979, Adrienne Corri was most spectacularly featured in Stanley Kubrick's A Clockwork Orange (1971), in which futuristic punk Malcolm McDowell ritualistically rapes her while dancing to the tune of "Singin' In the Rain"

Trivia: Voluptuous blonde British leading lady Sue Lloyd made her entree into films in 1963. Lloyd was particularly in the many espionage films of the sixties, notably as Michael Caine's vis-a-vis in The Ipcress File. She also appeared on the weekly TV spy yarn The Baron, as sexy secret agent Cordelia Winfield. She also essayed the role of Vanessa in The Stud and The Bitch, two steamy 1979 films based on novels by Jackie Collins. Sue Lloyd remained active in films into the 1990s.

Trivia: Cockney of birth and Cockney in nature, actor Alfie Bass made his first stage appearance in 1939, in the Unity Theatre production Plant in the Sun. Bass began acting before the camera in wartime British documentaries. While his stage career embraced Shakespeare and Shaw, Bass usually showed up in films as slang-spewing, pragmatic working class types. His movie credits include The Boys in Brown (1950) The Hasty Heart (1950), The Night My Number Came Up (1952), Help (1965), Alfie (1966), A Funny Thing Happened on the Way to the Forum (1966) and Moonraker (1979). Alfie Bass was starred in the award-winning 1955 short subject The Bespoke Overcoat, and in 1967's The Fearless Vampire Killers he raised many a chuckle as the Jewish vampire who is impervious to the traditional crucifix.

Trivia: After studying at RADA, London-born Douglas Wilmer made his 1945 stage debut in repertory at Rugby. One year later, Wilmer made his first London theatrical appearance. Though most closely associated with classical roles, he scored one of his biggest stage successes in a contemporary work, One Way Pendulum (1959). Wilmer's film work includes the role of Nayland Smith in two of Christopher Lee's Fu Manchu films. He also repeated his British-TV characterization of Sherlock Holmes in Gene Wilder's The Adventure of Sherlock Holmes' Smarter Brother (1977). In addition, Douglas Wilmer was seen in the Ray Harryhausen epics Jason and the Argonauts (1963, as Pelius) and Golden Voyage of Sinbad (1979, as the Vizier); his last film to date was the 1983 Bond flick Octopussy.

Trivia: Elisabeth Welch was a black American actress/singer who followed in the footsteps of her contemporaries Adelaide Hall, Josephine Baker, Paul Robeson, and Buddy Bradley, making her way from the United States to a major career in England. Born and raised in New York City, she studied for the stage and made her debut in the theatrical revue Blackbirds of 1928. She later appeared on-stage in Paris and then returned to New York, in a show called The New Yorkers, her featured number the Cole Porter song "Love for Sale." Such was the demand for her services, that Welch was off to England in 1933 for her London debut in Dark Doings; she followed this up later that same year in the Cole Porter show Nymph Errant, in which she sung the song "Solomon." Welch was received so well in England that she made it her home permanently, and enjoyed the kind of multi-tiered career that would have been virtually impossible for a black woman in America. On radio, her soft, sweet voice made her a star in the series Soft Lights and Sweet Music in 1934, and she also moved from Nymph Errant into the musical Glamorous Night; the movies also welcomed her, beginning in 1934 in Death at Broadcasting House, but it was her next two films that solidified her screen legacy, as she played opposite Paul Robeson in two of his best vehicles, Song of Freedom (1936) and Big Fella (1937). At times, even in England, she was limited onscreen to portraying a cabaret singer, as in the 1938 drama Over the Moon and the 1943 thriller Alibi; but when Welch got a real acting role, she could cut a memorable figure onscreen, such as her portrayal of Beulah, the cabaret hostess in the 1945 chiller Dead of Night. Welch actually spent a good chunk of WWII performing with Sir John Gielgud's company entertaining troops on Gibraltar and in other combat areas, but she managed to work in stage performances in works such as Arc de Triomphe in 1943, and she headlined the 1945 London Palladium revue Happy and Glorious, which enjoyed an 18-month run that carried it almost a year past the end of the war. Welch was still working regularly as a singer and actress in the (and her) '70s, appearing in movies such as Revenge of the Pink Panther, Arabian Adventure, and Derek Jarman's The Tempest, in which she portrayed a Goddess and sang "Stormy Weather," which (with apologies to Lena Horne) was something of a signature tune for her in England.

Trivia: With the ability to speak several different languages, British character actor Arnold Diamond was frequently cast as a foreigner or an official on many television shows and in films.

Trivia: Character actor Michael Ward popped up as a cameo performer in numerous British films of the '50s, '60s, and '70s. He made his first film appearance in Sleeping Car to Trieste (1945).

Trivia: Aristocratic German character actor Ferdy Mayne was from his teen years onward a resident of England, where he studied at RADA and Old Vic. Mayne made his professional theatrical bow in 1936, and was first seen on a London stage in 1943. At first billed as "Ferdi Mayne" for his radio and film appearances, he alternated between "Ferdy" and "Ferdinand" in his later works. Of his many film roles, Mayne is best-known for his portrayal of class-conscious vampire Count Von Krolock in Roman Polanski's The Fearless Vampire Killers (in 1975, he went on tour in a theatrical revival of Dracula). He was also seen as Hungarian producer Alexander Korda in A Man Called Intrepid (1979) and as kidnapped scientist Dr. Laprone in Revenge of the Pink Panther.

Trivia: After attending City College of New York, Marc Lawrence studied acting with Eva Le Gallienne. Among the many stage productions in which Lawrence appeared were Sour Mountain and Waiting for Lefty. First signed for films by Columbia in 1932, Lawrence's scarred face and growly voice made him indispensable for gangster parts, though he generally displayed an intelligence far higher than the average goon or gunman. Though usually limited to villainy, Lawrence was not always confined to urban roles, as witness his successful portrayals of a mountaineer in Shepherd of the Hills (1942) and a western saddle tramp in The Ox-Bow Incident (1943). The actor's own favorite role was Corio in 1947's Captain from Castille. During the House UnAmerican Activities Committee investigations of the 1950s, Lawrence reluctantly offered testimony implicating several of his coworkers as alleged communist sympathizers; the experience virtually destroyed his American career and left him embittered and defensive (he would always refuse to be interviewed by historians of the "Blacklist" era, referring to them as "ghouls"). Lawrence was forced to seek out work in Europe, where he'd emerge in the early 1960s as a director of crime films and spaghetti westerns. Back in the U.S. in the 1980s, Lawrence made several TV appearances and showed up in such films as The Big Easy (1987) and Newsies (1992), typecast once more as gangsters. In 1993, Lawrence privately published his memoirs, in which for the first time in print he addressed his dark days as an HUAC "friendly witness."

Trivia: Fans of John Cleese's hilarious BBC TV sitcom Fawlty Towers (1975 and 1979) will best remember supporting actor Andrew Sachs for playing Manuel the waiter, but Sachs' career began well before that. A rather tiny fellow, Sachs was born in Germany and came to Britain, breaking into films in the late '50s. After finding fame with Fawlty Towers in the '70s, Sachs remained a strong presence in British television series for the next couple of decades, in shows like Every Silver Lining and Coronation Street, as well as doing extensive voice-over and narration work. Sachs died in 2016, at age 86.