Trivia: Relatives of famous people rarely have the chops to overcome nepotism cries, but Jason Schwartzman, nephew of Francis Ford Coppola, is one actor who does.Schwartzman was born June 26, 1980, to producer Jack Schwartzman and actress Talia Shire, the latter best known as Rocky Balboa's love interest Adrian. He graduated from the Windwood School in 1999 and continued to live with his mom and two brothers at their home in the Los Angeles area.Chosen at the tail end of an exhausting casting search, Schwartzman burst into the film industry with his deft, hilarious portrayal of chronic overachiever Max Fischer in Wes Anderson's critically acclaimed Rushmore (1998). Since then, the young actor kept a low profile, opting to spend time with his band Phantom Planet, which recorded an album for Epic Records. Keeping with his geek-chic nature, he also chose small, quirky roles in television, such as his guest appearance as a slimy fake-ID dealer on NBC's tragically short-lived series Freaks and Geeks or his work in spoofs for the 1999 MTV Movie Awards.He maintained his credibility in the independent scene during the next couple of years, appearing in Spun, and acting in his cousin Roman Coppola's CQ. After a role on the short-lived, though critically acclaimed, Fox sitcom Cracking Up in 2003, Schwartzman began kicking his film career into high gear. After a role in the quirky 2004 David O. Russell ensemble comedy I Heart Huckabees, the young actor appeared in 2005's big-screen version of Bewitched with Will Ferrell. He then played a lovable slacker in the intimate, critically acclaimed dramedy Shopgirl, appearing with Claire Danes and Steve Martin, who wrote the novella that the script was adapted from. In 2006, Schwartzman joined the cast of his cousin Sophia Coppola's biopic Marie Antoinette, playing French king Louis XVI opposite star Kirsten Dunst. Then in 2007, he re-teamed with Wes Anderson, starring in and co-writing The Darjeeling Limited, a film about three brothers taking a soul-searching train ride through India. The film got mixed reviews, but reception to it was positive overall, setting Schwartzman up nicely for his next film, The Marc Pease Experience, in which he played the title role of a former high-school musical star who's stuck living in the past.He voiced the role of Ash in Fantastic Mr. Fox in 2009 which turned out to be a busy year for him as he co-starred in Funny People, and became the star of the HBO comedy Bored to Death. He had a brief but memorable turn in Scott Pilgrim vs. the World in 2010, and two years later he teamed up with Anderson yet again in Moonrise Kingdom.

Trivia: Of the many performers to leap into films from the springboard of the television sketch comedy series Saturday Night Live, Bill Murray has been among the most successful and unpredictable, forging an idiosyncratic career allowing him to stretch from low-brow slapstick farce to intelligent adult drama. Born in Wilmette, IL, on September 21, 1950, Murray was an incorrigible child, kicked out of both the Boy Scouts and Little League. At the age of 20, he was also arrested for attempting to smuggle close to nine pounds of marijuana through nearby O'Hare Airport. In an attempt to find direction in his life, he joined his older brother, Brian Doyle-Murray, in the cast of Chicago's Second City improvisational comedy troupe. He later relocated to New York City, joining radio's National Lampoon Hour. Both Murray siblings were also in a 1975 off-Broadway spin-off, also dubbed The National Lampoon Hour; there Murray was spotted by sportscaster Howard Cosell, who recruited him for the cast of his ABC variety program, titled Saturday Night Live With Howard Cosell. On the NBC network, a program also named Saturday Night Live was creating a much bigger sensation; when, after one season, the show's breakout star Chevy Chase exited to pursue a film career, producer Lorne Michaels tapped Murray as his replacement. Murray too became a celebrity, developing a fabulously insincere and sleazy comic persona which was put to good use in his first major film, the 1979 hit Meatballs. He next starred as the famed gonzo journalist Hunter S. Thompson in the film biography Where the Buffalo Roam, a major disaster. However, 1980's Caddyshack was a masterpiece of slob comedy, with Murray memorable as a maniacal rangeboy hunting the gopher that is slowly destroying his golf course. The film launched him to the ranks of major stardom; the follow-up, the armed services farce Stripes, was an even bigger blockbuster, earning over 40 million dollars at the box office. Murray next appeared, unbilled, in 1982's Tootsie before starring with Dan Aykroyd and Harold Ramis in 1984's Ghostbusters. The supernatural comedy was one of the decade's biggest hits, earning over 130 million dollars and spawning a cartoon series, action figures, and even a chart-topping theme song (performed by Ray Parker Jr.). Murray now ranked among the world's most popular actors, and he next fulfilled a long-standing dream by starring in and co-writing an adaptation of the W. Somerset Maugham novel The Razor's Edge. Few fans knew what to make of his abrupt turn from broad farce to literary drama, however, and as a result the film flopped. Murray spent the next several years in self-imposed exile, making only a cameo appearance in the 1986 musical comedy Little Shop of Horrors. After much deliberation, he finally selected his comeback vehicle -- 1988's Scrooged, a black comic retelling of Dickens' A Christmas Carol. While it performed moderately well, it was not the smash many predicted. Nor was 1989's Ghostbusters II, which grossed less than half of the first picture. The 1990 crime comedy Quick Change, which Murray co-directed with Howard Franklin, was also a disappointment, but 1991's What About Bob? was an unqualified hit. In 1993, Murray earned his strongest notices to date for Groundhog Day, a sublime comedy directed by longtime conspirator Ramis. Beginning with 1994's acclaimed Ed Wood, in which he appeared as a transsexual, Murray's career choices grew increasingly eccentric; in 1996 alone, he starred in the little-seen Larger Than Life as a motivational speaker, co-starred as a bowling champion in Kingpin, and appeared as himself in the family film Space Jam. In 1998, Murray took on a similarly eccentric role in Wes Anderson's Rushmore. Playing a business tycoon competing with an equally eccentric 15-year-old (Jason Schwartzman) for the affections of a first grade teacher (Olivia Williams), Murray did some of his best work in years and won the Best Supporting Actor award from the New York Film Critics Circle. The film's success helped to put the actor back in the forefront, and he drew further exposure that year from his appearance as a sleazy lawyer in the relentlessly trashy Wild Things. The following year, he could be seen in Cradle Will Rock, Tim Robbins' look at the often contentious relationship between art and politics in 1930s America.Though the mere thought of Murray as Polonius in a film adaptation of William Shakespeare's Hamlet may have elicited dumbounded looks and confused laughter early in his career, that was precisely how the versatile thespian ushered in the new millennium in director Micheal Almereyda's modern updating of the classic drama. Subsequently landing laughs as the superspy point person Bosley in the big screen adaptation of the classic 1970's television hit Charlie's Angels, Murray's interpretation of the character would be taken over by popular comic Bernie Mac in the film's 2003 sequel. After taking a brief voyage into gross-out territory with the Farrelly brother's Osmosis Jones in 2001, a re-teaming with Rushmore director Anderson resulted in a small but memorable supporting performance in the same year's The Royal Tenenbaums. In 2003 Murray essayed the role that would offer what was perhaps his most heartfelt combination of personal drama and touching comedy to date in director Sofia Coppola's acclaimed indie film Lost in Translation. Cast as a washed up American actor who strikes up a tentative friendship with the young wife of a superstar photographer while on a stay in Japan to endorse a popular brand of whiskey, Murray's low-key charm proved the perfect balance to co-star Scarlett Johansson's youthful malaise. Virtually across the board, critics were bowled over by the subtle depth of Murray's performance, leading to Best Actor honors from The New York Film Critics Circle, The Boston Society of Film Critics, The Los Angeles Film Critics Association, The San Francisco Film Critics Circle, The National Society of Film Critics, The Golden Globes, and The Independent Spirit Awards. But the one award that remained elusive to Murray was Oscar. Though nominated, the prize ultimately went to Sean Penn for Mystic River.In 2004, along with providing the voice for a CGI version of Garfield the cat, Murray once again teamed up with director Wes Anderson, starring as as a world-renowned oceanographer in The Life Aquatic with Steve Zissou. While The Life Aquatic was met with mixed reviews, Murray's performance in the 2005 Jim Jarmusch film Broken Flowers netted virtually unanimous acclaim. Over the next several years, Murray would maintain his selective film career, appearing in acclaimed films like Get Low, Passion Play, and Moonrise Kingdom.

Trivia: A struggling stage actress when she was cast in the Kevin Costner epic The Postman (1997), British actress Olivia Williams survived the film's meltdown with her reputation relatively intact. The daughter of lawyers, Williams earned a degree in English at Cambridge University before studying acting for two years with the Bristol Old Vic Theatre School. Her training led to several stage roles, as well as to work with the Royal Shakespeare Company in both Stratford-upon-Avon and London. A four-month tour of Richard III featuring Ian McKellen brought Williams to the United States, and, following a supporting role in the made-for-TV adaptation of Emma (1997), she again found herself stateside to work on The Postman. Fortunately for Williams, she rebounded from The Postman with her role as Miss Cross, the fought-over love interest of a precocious 15-year-old and an embittered millionaire in the acclaimed comedy Rushmore (1998). She could be seen the next year starring opposite Bruce Willis in the enormously successful supernatural thriller The Sixth Sense. She continued to work steadily in films such as Born Romantic, The Man from Elysian Fields, A Knight's Tale, and Peter Pan. She was excellent in An Education as a sympathetic teacher, appeared in short-lived Joss Whedon series Dollhouse, and starred in Roman Polanski's politically-tinged thriller The Ghost Writer. In 2011 she had a main role in the action film Hanna and appeared as Countess Vronsky in Joe Wright's 2012 adaptation of the classic Anna Karenina.

Trivia: Growing up in Scotland, the descendent of Irish immigrants, Brian Cox always felt an affinity to American cinema that eventually led him to pursue his career stateside. Born on June 1, 1946, in Dundee, Scotland, Cox knew he wanted to act from an early age, but identified more with the characters portrayed in American films than in "zany British comedies," to use his phrase. While working at the local theater, where he started by mopping the stage, the 15-year-old Cox would watch the actors and study their styles to separate the wheat from the chaff. He attended drama school in London and got caught up in British theater and television during the 1970s. Cox landed on Broadway in the early '80s, but found more closed doors than open ones. It was while performing a play transplanted from the U.K. that a casting agent for Michael Mann's Manhunter (1986) noticed him. The film would become the first cinematic treatment of Thomas Harris' Hannibal Lecter (spelled "Lecktor" at the time) character, which Anthony Hopkins would make his own in Silence of the Lambs (1991). Cox was cast in the role, paving the way for the success that had eluded him until his 40th year.Despite the breakthrough, Cox remained better identified with television than film during the late '80s and early '90s, though his roles significantly increased in number. His initiation to regular film work came through appearances in two 1995 sword epics, Braveheart and Rob Roy. Over the latter half of the 1990s he materialized in character-actor roles -- police officers, doctors, fathers -- in such films as The Long Kiss Goodnight (1996), Kiss the Girls (1997), Rushmore (1998), and The Minus Man (1999). Although he appears more often in American than British cinema, Cox has also paid homage to his Scottish and Irish roots, such as playing an IRA heavy in Jim Sheridan's The Boxer (1997).In 2001, Cox secured major acclaim -- and an American Film Institute nomination for best supporting actor -- with the release of L.I.E., the debut film of director Michael Cuesta. Like Todd Solondz' critical darling Happiness (1998), the film presents a child molester (Cox) as one of its major characters without condemning him, if not actually leaving him altogether unjudged. Cox's complicated, intense portrayal enabled such shades of gray, raising the character above the bottom rung of the morality food chain.As the decade continued, so did Cox's visibility in bigger hollywood films. In 2002 alone, he took on substantial roles in The Bourne Identity, The Rookie, The Ring, The 25th Hour, and Adaptation, a film that saw him stealing scenes with an appropriately over-the-top turn as blowhard screenwriting guru Robert McKee. The following year audiences could see him in the blockbuster comic-book sequel X2: X-Men United, and in 2004 he starred alongside Brad Pitt and Orlando Bloom in the epic retelling of the Iliad, Troy. He returned to the Bourne franchise for The Bourne Supremacy, and appeared in the thriller Red Eye. He was the psychiatrist in the comedy Running With Scissors, and in 2007 portrayed Melvin Belli in David Fincher's Zodiac. He was cast in the geriatric action film Red, and joined up with Wes Anderson a second time to lend his voice to a bit part in Fantastic Mr. Fox. In 2011 Ralph Finnes tapped Cox to play Menenius in his big-screen adaptation of The Bard's Coriolanus.

Trivia: Fair-haired and often mustached character actor Seymour Cassel began making film and TV appearances as scruffy hippie types in the 1960s. He studied at the American Theatre Wing and the Actor's Studio before making his film debut in John Cassavetes' first film, Shadows (1959), for which he also served as associate producer. He then co-starred with Cassavetes in Too Late Blues (1961) and The Killers (1964). When Cassavetes turned to directing full-time, he utilized Cassel's talents as often as possible. The actor was Oscar-nominated for his portrayal of an aging hippie in Faces (1968) and later played Moskowitz in Minnie and Moskowitz (1971). A somewhat heavier Seymour Cassel continued as a character actor over the next few decades with roles in Tin Men, Colors, and the made-for-TV movie Blood Feud. In the '90s, he played Sam Catchem in Warren Beatty's Dick Tracy, dog-sled adventurer Skunker in the Disney classic White Fang, and a chauffeur in Indecent Proposal. His role as the shyster Joe in the black comedy In the Soup also earned special recognition at Sundance. Cassel then appeared in two romantic comedies with director Andrew Bergman: It Could Happen to You and Honeymoon in Vegas. For the rest of the '90s, his career prospered with small, but memorable, roles in such independent comedies and dramas as Things to Do in Denver When You're Dead, Trees Lounge, and Dream for an Insomniac. During this period, he developed a rapport with filmmaker Wes Anderson, who would cast him in many of his projects. Cassel would play Max Fisher's barber father in Rushmore, Royal's friend Dusty in The Royal Tenenbaums, and Steve's late friend Esteban in The Life Aquatic, Cassel would also continue to work consistently in all areas of film, appearing notably in comedies like Stealing Harvard, Stuck on You, Beer League, and L!fe Happens.

Trivia: Was chosen from twenty thousand other hopefuls in a nationwide casting call launched by John Hughes and Warner Bros for the title role in 1993's Dennis The Menace.Previously served as Vice President of Sales at Earth Unlimited, LLC, a distributor of Proterra and Sealife products.Was a member of the Pi Kappa Alpha Fraternity at UCLA.Became a Doctoral Student at the Institute of the Environment and Sustainability, UCLA in 2016.Is a marine biologist.

Trivia: Although he made his film debut in the acclaimed independent film Bottle Rocket, actor Luke Wilson, born on September 21st, 1971, initially got more recognition for his real-life role as Drew Barrymore's boyfriend than for his acting. Fortunately for Wilson, his onscreen talents outlasted his relationship with Barrymore, and he has enjoyed steady employment and increasing visibility through substantial roles in a number of films.A native Texan, Wilson was born in Dallas in 1971. The son of an advertising executive and a photographer, he was raised with two brothers, Owen and Andrew. The three would all go on to make their careers in film, with Wilson discovering his love of acting while a student at Occidental College. In 1993, the brothers Wilson collaborated with Wes Anderson to make Bottle Rocket, which was initially a 15-minute short. The gleefully optimistic story of three Texans who aspire to become successful thieves, Bottle Rocket premiered at the 1993 Sundance Festival, where it attracted the attention of director James L. Brooks. With Brooks' help, the short became a full-length feature film released in 1996. That same year, Wilson also appeared in the coming-of-age drama Telling Lies in America.After large roles in three 1998 comedies, Bongwater, Home Fries, and Best Men (the latter two co-starring Barrymore), Wilson went on to star in another three comedies the following year. The first, Dog Park, was a Canadian film directed by Kids in the Hall alum Bruce McCulloch and featured Wilson as one of a group of twenty-somethings undergoing the trials and tribulations of love. Blue Streak starred the actor as the sidekick of robber-turned-policeman Martin Lawrence, while Kill the Man (which premiered at the 1999 Sundance Festival) cast him as the owner of a small copy center competing with a large chain store across the street.Though he would stick closely to comedy through 2001 with roles in Charlie's Angels (2000) and Legally Blonde (2001), Wilson took a turn for the sinister in the thrillers Preston Tylk and Soul Survivors (both 2001), before reteaming with his brother Owen and Wes Anderson to give one of his most memorable performances as Richie, the suicidal tennis pro in The Royal Tenenbaums.In 2003, Wilson reprised two past roles, appearing in both Charlies Angels: Full Throttle and Legally Blonde 2: Red, White and Blonde. That same year, he also scored a hit as one of the stars of Todd Phillips' Old School. 2004 saw Wilson embark on The Wendell Baker Story, a film he stars in, co-directs with brother Andrew Wilson, and co-writes with brother Owen Wilson. Laced with supporting roles and cameos from such iconic friends as Harry Dean Stanton, Kris Kristofferson, and Eddie Griffin, this quirky low-budgeter made the festival rounds in 2005-6 and the responses were encouragingly supportive; Variety's Joe Leydon observed, "The co-directing Wilson siblings smartly refrain from pushing anything too hard or too often, making the unpredictable eruptions of straight-faced absurdity all the more effective. Luke Wilson is extremely engaging in lead role." Many praised the Wilson brothers' directorial and scriptwriting intuition and their willingness to take risky-yet-triumphant gambles onscreen.Wilson joined the cast of early 2006's box-office sleeper hit The Family Stone, a family drama with an ensemble that includes Diane Keaton, Craig T. Nelson and Sarah Jessica Parker; the remainder of the year sees Wilson appearing in a string of supporting roles in light and dark comedies. In a minor performance in May 2006's Hoot, Wilson plays Officer David Delinsky, who attempts to sabotage a plot by local children to blow up a pancake house. His appearance in July 2006's My Super Ex-Girlfriend marks director Ivan Reitman's return to the big screen since 2001's box-office disappointment Evolution; it stars Uma Thurman as a superhero who gets even with her ex-beau (Wilson) after he casts her aside. He also highlights summer 2006's Mini's First Time, a black comedy about an incestuous daughter and stepfather who have the mother committed to a mental hosiptal; co-stars include Jeff Goldblum and Carrie-Anne Moss. Idiocracy, directed by cult fave (and Beavis and Butthead creator) Mike Judge, has Wilson as a moron hurled a thousand years into the future by the U.S. Government, only to discover he is the most intelligent person on the planet.In the tradition of 8mm, 2007's jet-black paranoid thriller Vacancy will co-star Wilson and Sex and the City's Sarah Jessica Parker as husband-and-wife who check into a hotel and unwittingly become the targets of a snuff film, while, in that same year's semi-spoof Dallas (2007) (adapted from the early-eighties TV sensation and directed by Gurinder Chadha) Wilson will tentatively co-star as Bobby Ewing, alongside Jennifer Lopez as Sue Ellen, Shirley MacLaine as Miss Ellie, and John Travolta as the infamous J.R.. Wilson's additional film roles throughout 2007 include Barry Munday (an indie pic helmed by Chris d'Arienzo and adapted from Frank Hollon's novel Life is A Strange Place, about a chauvinist who wakes up and discovers his own emasculation); and Last Seduction helmer John Dahl's mafioso comedy You Kill Me. In 2010, Wilson appeared in the films Death at a Funeral and Middle Men.

Trivia: Hailed in Entertainment Weekly's 2000 Hot Issue as a mature female sex symbol, transplanted Dane Connie Nielsen also revealed that she could act in the Best Picture-winning blockbuster Gladiator (2000).Raised in Copenhagen, Nielsen trained to be a singer and dancer, as well as an actress. She began performing at age 15, with her mother, in local shows and headed to Paris when she was 18, to pursue her career in earnest. After stints in Italy and South Africa, the multi-lingual Nielsen finally landed in New York; she made her English language film debut as a terrorized passenger in the made-for-TV thriller Voyage (1993).Nielsen really began to attract Hollywood's attention, however, with her performance as the sizzlingly seductive, redheaded daughter of Satan (Al Pacino) in the supernatural potboiler The Devil's Advocate (1997). Along with smaller roles in the drug addiction drama Permanent Midnight (1998) and Wes Anderson's Rushmore (1998) (as the gorgeous mother of Max's friend Dirk), Nielsen landed her first starring role in 1998, as a planet pioneer who nurses Kurt Russell back to health in the science fiction actioner Soldier. Following roles in the low profile thriller Dark Summer (1999) and the higher profile Brian De Palma sci-fi saga Mission to Mars (2000), Nielsen notched a critically acclaimed hit with Ridley Scott's sword and sandal epic Gladiator. As the emperor's sister Lucilla, Nielsen got to hold her own against Joaquin Phoenix's scenery-chewing Commodus while falling in love with and quietly championing Russell Crowe's steely Maximus, proving that she could do more than just look good in Gladiator's Roman chic. Moving ever-closer to widespread recognition, Nielsen played a member of a family who attracts a menacing photo clerk (a dark turn by funnyman Robin Williams) in the taut thriller One Hour Photo. Alternating between smaller independent films and big-budget Hollywood extravaganzas, Nielsen turned up in Demonlover before turning back to the bright lights of Tinseltown with Basic and The Hunted (both 2003). Nielsen has one son.