Trivia: The son of actor Richard Cusack and younger brother of comic actress Joan Cusack, John Cusack started his career at the age of eight, under the guidance of his theatrically active mother. He made his stage bow with Evanston's Pivan Theatre Workshop and quickly went on to do commercial work, becoming one of Chicago's busiest commercial voice-over artists.Although Cusack began to emerge as an actor during the heyday of the Brat Pack, and appeared in a number of "teen" movies, he managed to avoid falling into the narrowly defined rut the phenomenon left in its wake. After making his film debut in 1983's Class, he had a brief but painfully memorable appearance as a member of Anthony Michael Hall's nerd posse in Sixteen Candles (1984). Bigger and better opportunities came Cusack's way the following year, when he achieved a measure of stardom with his portrayal of a sexually anxious college freshman in The Sure Thing (1985). The same year, he gained further recognition with his starring roles in Better Off Dead (which also granted him a degree of cult status) and The Journey of Natty Gann.Cusack spent the rest of the 1980s carving out a niche for himself as both a solid performer and something of a lust object for unconventional girls everywhere, a status aided immeasurably by his portrayal of lovable underachiever Lloyd Dobler in Cameron Crowe's 1989 ....Say Anything. He also began winning critical acclaim for his parts in more serious films, notably as a disgraced White Sox third baseman in John Sayles' Eight Men Out (1988) and as a con artist in Stephen Frears' The Grifters (1990).Cusack enjoyed steady work throughout the 1990s, with particularly notable roles in Woody Allen's Bullets Over Broadway (1994), which featured him as a struggling playwright; Midnight in the Garden of Good and Evil (1997), in which he starred as a journalist investigating a murder; Grosse Pointe Blank (1997), which cast him as the film's protagonist, a neurotic hit man; and the impressively cast The Thin Red Line, in which he played a World War II soldier. Just about all of Cusack's roles allowed him to showcase his quirky versatility, and the films he did to close out the century were no exception: in 1999 he first starred as an air-traffic controller in the comedy Pushing Tin and then appeared as Nelson Rockefeller in Cradle Will Rock, Tim Robbins' exploration of art and politics in 1930s America; finally, in perhaps his most unique film to date, he starred in Spike Jonze's Being John Malkovich as a puppeteer who discovers a way to enter the mind of the famous actor. The wildly original film turned out to be one of the year's biggest surprise hits, scoring among both audiences and critics. Cusack had yet another triumph the following year with High Fidelity, Stephen Frears' adaptation of Nick Hornby's novel of the same name. The actor, who co-wrote the script for the film in addition to starring in it, earned some of the best reviews of his career for his heartfelt comic portrayal of Rob, the film's well-meaning but oftentimes emotionally immature protagonist. The next year he played opposite Julia Roberts in the showbiz comedy America's Sweethearts. In 2002 he took a lead part in the controversial Hitler biopic Max, and he did a brief cameo for Spike Jonze in Adaptation.The next year he had a couple of hits with the John Grisham adaptation The Runaway Jury, and the psychological thriller Identity. In 2005 he was the lead in the black comedy The Ice Harvest opposite Billy Bob Thornton, as well as the romantic comedy Must Love Dogs.He earned solid reviews in 2007 for the Iraq War drama Grace Is Gone, playing the husband of a woman who dies while serving in the military., and in that same year he starred in the Stephen King adaptation 1408. In 2008 he appeared in and co-wrote the political satire War, Inc. The next year he was the lead in the disaster film blockbuster 2012.Cashing in on his status as an eighties icon, he had a hit in 2010 with the R rated comedy Hot Tub Time Machine, and in 2012 he portrayed Edgar Allan Poe in The Raven.

Trivia: A supporting actor who is probably best known to audiences for his work in High Fidelity, in which he played a shy music geek with a penchant for shoe-gazing and Belle and Sebastian, Todd Louiso began his screen career in the late 1980s. A native of Cincinnati, Ohio, where his father worked as a dancer and choreographer and his mother worked in an advertising agency, Louiso took an early interest in acting. After spending much of his primary and secondary school education in an alternative arts school, he studied film at New York University.Louiso began his career with minor roles in such films as Stella (1989) and Billy Bathgate (1991), the latter of which provided him with an introduction to Tom Stoppard, who was the film's screenwriter. The two formed a friendship which led to Louiso producing and directing the short Fifteen Minute Hamlet, which was based upon Stoppard's play of the same name. The film screened at several festivals, including Sundance, and it earned a fair amount of critical acclaim. While at work on Fifteen Minute Hamlet, Louiso moved to L.A. to further pursue his screen career, and, after appearing in such films as Scent of a Woman (1992), Apollo 13 (1995), and Jerry Maguire (1996), he had his most high profile role to date in Stephen Frears' widely celebrated adaptation of Nick Hornby's High Fidelity (2000).

Trivia: Actor, musician, and cult idol ascendant, Jack Black is known for both the characters he portrays on the screen and as one of the forces behind Tenacious D, a rock band/standup routine that Black has described as "a Smothers Brothers for the Dungeons and Dragons misfits set."A native of Santa Monica, CA, Black attended the University of California at Los Angeles. He got his professional start on the stage, appearing in Tim Robbins' production of Carnage at the 1989 Edinburgh Fringe Festival. He would go on to collaborate with Robbins throughout his career, making his screen debut in the director's 1992 political satire Bob Roberts and appearing in Robbins' Dead Man Walking (1995) and Cradle Will Rock (1999). Black spent the '90s playing supporting and lead roles in a variety of films, including Demolition Man (1993), The Cable Guy (1996), which cast him as the best friend of Matthew Broderick's character, and Jesus' Son (1999), in which Black had a small but extremely memorable role as a pill-popping hospital orderly.In 2000, Black had one of his most recognizable and enthusiastically received screen roles to date in High Fidelity. Stephen Frears' popular adaptation of Nick Hornby's novel of the same name, it featured Black as Barry, a thoroughly obnoxious record-store employee. The part allowed the actor to do some of his own singing, a talent that he had previously inflicted on numerous audience members during his years with the aforementioned Tenacious D. The band, comprised of Black and fellow holy terror Kyle Gass, had existed since 1994, and it had been featured on the TV comedy series Mr. Show and as the subject of their own HBO series entitled (tongue firmly in cheek) Tenacious D: The Greatest Band on Earth. It was only a matter of time before Black stepped up from supporting character to leading man, and with the Farrelly brother's Shallow Hal Black may just have found the ideal vehicle for the successful transition. As a superficial man who falls in love with a 300-pound woman after being hypnotized to see only the "inner beauty" of the opposite sex, Black co-starred alongside Gwyneth Paltrow and Jason Alexander in what promised to be a charmingly offensive addition to the Farrelly canon.Though MTV Films' heavily marketed Orange County (2002) was not a huge commercial success, Black's supporting role as the lead character's slacker brother was well received by critics and long-time fans alike, and the once obscure figure began appearing on media outlets including Saturday Night Live, Primetime Glick, commercials for The Osbournes, and various MTV music and film awards. In 2003, Black starred in his first big hit -- director Richard Linklater's musical comedy School of Rock, which featured Black as a disgruntled heavy metal-guitarist doing a substitute teaching gig for extra cash. Critics were so taken by his performance that he was honored with a Golden Globe nomination.2004 saw Black turn in a cameo in the Will Ferrell vehicle Anchorman, after starring opposite Ben Stiller in director Barry Levinson's black comedy Envy. While the film was a box-office bomb after having its release pushed back several times, Black still had much to celebrate when it was announced he would be taking the lead in Peter Jackson's highly anticipated 2005 remake of King Kong. The epic film helped transition Black from a cult hero to a traditional movie star, though he was still careful to keep his original fans happy. In 2006, he starred in Napoleon Dynamite director Jared Hess' comedy Nacho Libre. The part of a disgruntled monk turned Lucha Libre idol was a perfect fit for the bombastic star, and he followed the performance up with another comic offering for his serious fans as he and Kyle Gass, his partner in Tenacious D, starred in Tenacious D in The Pick of Destiny. This big screen telling of the band's mythical history promised to be full of the over-the-top laughs that rocked fans of the group's HBO series, and also included appearances by rock and metal idols like Ronnie James Dio and Meatloaf, who portrayed Black's dad. Black didn't abandoning straight acting. He would appear in a number of more conventional, and even dramatic roles over the coming years, like in The Holiday and Margot at the Wedding, while still pursuing the broad comedic roles he was known for in full force, with comedies like Be Kind Rewind, Tropic Thunder, Year One, and The Big Year. In 2012, Black reteamed with Richard Linklater for a unique blending of comedy, drama, and crime, playing a congenial southern murder suspect in Bernie.

Trivia: Despite her spotty film work, Lisa Bonet remains one of the more intriguing young character actresses in Hollywood, enjoying a longevity that few former child stars can claim. Born in San Francisco in 1967, Bonet's parents divorced when she was young, and her formative years were spent mostly in New York City and L.A. At age 11, she started auditioning for commercials, and after several years of ads and walk-on TV parts, she landed a plum role in NBC's The Cosby Show. The show was an immediate hit, and Bonet quickly asserted herself as one of the most memorable kids in the Huxtable clan, the outspoken teenager Denise.It became clear that Bonet shared her character's defiant persona when she left Cosby in 1987 for a racy part opposite Mickey Rourke in director Alan Parker's gothic thriller Angel Heart. The role required the 19-year-old Bonet to appear in several graphic sex scenes, some of which had to be cut for mainstream American release. The actress seemed unfazed at the controversy surrounding her appearance in Angel Heart; nonetheless, the part did little to further her big-screen career, and by the end of the year she would return to the safety of episodic TV in the series A Different World. Also in 1987, Bonet married rocker Lenny Kravitz, whose impetuous free spirit and bi-racial upbringing uncannily paralleled her own background.The Bill Cosby-produced World was a bonafide hit, but Bonet quickly lost interest in the show, often showing up late to the set or not at all. Within two years she was gone, opting instead to spend more time with her newborn daughter Zoe. Bonet spent the remainder of the 1980s making infrequent appearances on The Cosby Show, and she made a conscious decision not to act in the early 1990s. In 1993, her marriage to Kravitz fell apart, and to make ends meet in the mid-'90s, she accepted roles in made-for-TV and straight-to-video productions. Around this time, Bonet legally changed her name to Liliquois Moon, though she claimed she would continue to use her birth name for her acting career. She had another child with boyfriend and former yoga instructor Brian Kest before returning to the big screen with a memorable supporting role in 1998's Enemy of the State. Though it appeared that her Hollywood career was once again on-track when director Stephen Frears cast her as a sultry one-night-stand in High Fidelity (2000), Bonet didn't show much interest for getting back in the acting game, and only appeared in a handful of films before returning to television for the short-lived ABC time-traveling cop drama Life on Mars in 2008. In November of 2007 Bonet married her second husband, Conan the Barbarian star Jason Momoa.

Trivia: One of Hollywood's funniest and most underappreciated actresses, Joan Cusack was for years relegated to playing the buddy sidekicks of her more glamorous co-stars and known primarily as John Cusack's older sister. Thanks to a couple of Oscar nominations and strong roles in a number of movies, Cusack finally began getting her due in the late 1990s, earning both recognition and respect for her singular talent.Born in New York City on October 11, 1962, Cusack grew up in the Chicago suburb of Evanston. The daughter of actor and filmmaker Richard Cusack, she and her siblings were encouraged to perform from an early age. As a result, Cusack grew up acting on the stage and training with the Piven Theatre Workshop. She broke into film while still in her teens, getting her start - -and often acting alongside her brother -- in such teen comedies as My Bodyguard (1980) and Sixteen Candles (1984). In 1985 she was offered a part on the Saturday Night Live roster, but felt constrained by the lack of quality material offered to women, and left the show after one season. Gradually getting better supporting work in such films as Broadcast News (1987) and Married to the Mob (1988), Cusack had her screen breakthrough in Working Girl (1988), earning a Best Supporting Actress Oscar nomination for her role as Melanie Griffith's street-smart best friend. More strong notices followed in 1989 for Cusack's work in the drama Men Don't Leave, in which she played a nurse who helps get Jessica Lange's life back on track after her husband's death. Though Cusack would move to Chicago for much of the 90's to focus on her family, she would appear in a handful of memorable titles, like My Blue Heaven (1990), Addams Family Values, Corrina, Corrina, Nine Months, and In & Out. Cusack would amp it up in the coming years, however, with appearances in a slew of popular films like Grosse Point Blank, Runaway Bride, High Fidelity, and Cradle will Rock. As the 2000's rolled onward, Cusack would continue to maintain her status as a go-to character actor, appearing in fims like Friends with Money, My Sister's Keeper and Mars Needs Moms, and on the critically acclaimed series Shameless.

Trivia: Tim Robbins ranks among contemporary cinema's most acclaimed and provocative voices; a multifaceted talent, he has proved so adept at wearing the various hats of actor, writer, and director that no less a figure than the legendary filmmaker Robert Altman declared him the second coming of Orson Welles. Born October 16, 1958, in West Covina, CA, he was the son of folk singer Gil Robbins; raised in Greenwich Village, he made his performing debut alongside his father on a duet of the protest song "Ink Is Black, Page Is White." At the age of 12, Robbins joined the Theater for the New City, remaining a member for the next seven years; he also joined his high-school drama club, an experience which afforded him his first opportunities to direct for the stage. After briefly attending the State University of New York at Plattsburgh, he relocated to Los Angeles to study at UCLA; there he also joined the Male Death Cult, an intramural softball team comprised of his fellow drama students. After graduating, the teammates reunited to form the Actors' Gang, an avant-garde theater troupe noted for productions of works by the likes of Bertolt Brecht and Alfred Jarry. After guest starring on television series including Hill Street Blues and St. Elsewhere, in 1984 Robbins made his film debut with a bit part in the feature Toy Soldiers. His first starring role came in 1985's teen sex romp Fraternity Vacation. Small roles in hits including Top Gun and The Sure Thing followed before a breakout performance as a doltish fastballer in Ron Shelton's hit 1988 baseball comedy Bull Durham. An onscreen romance with co-star Susan Sarandon soon expanded into their offscreen lives as well, and the twosome became one of Hollywood's most prominent couples. A series of starring roles in films including 1989's misbegotten Erik the Viking and 1990s Jacob's Ladder followed, before Altman's 1992 showbiz satire The Player won Robbins Best Actor honors at the Cannes Film Festival. That same year, he wrote, directed, starred, and performed the music in Bob Roberts, a mock-documentary brutally parodying right-wing politics.Upon appearing in Altman's 1993 ensemble piece Short Cuts, Robbins enjoyed starring roles in four major 1994 releases: The Hudsucker Proxy, I.Q., Ready to Wear (Prêt-à-Porter), and the Oscar-nominated The Shawshank Redemption. However, his most acclaimed project to date was 1995's Dead Man Walking, a gut-wrenching examination of the death penalty, which earned him an Oscar nomination for Best Director; Sean Penn, portraying a death-row inmate, garnered a Best Actor nomination while Sarandon won Best Actress honors. After a three-year hiatus from acting, Robbins returned to the screen in 1997 with the comedy Nothing to Lose; he soon announced plans to mount a film adaptation of Cradle Will Rock, the Marc Blitzstein play first staged by Orson Welles six decades earlier. The film, which examined the relationship between art and politics in 1930s America, premiered at the 1999 Cannes Film Festival. That same year, audiences could view Robbins as a clean-cut suburban terrorist opposite Jeff Bridges in Arlington Road, as well as see the fruits of his directorial work in Cradle Will Rock. Robbins opened the year 2000 with a brief but nonetheless fun role as the maddeningly calm Ian in High Fidelity. The early 2000s presented a series of misfires for Robbins -- AntiTrust (2001), Mission to Mars (2000), and Human Nature (2001), writer Charlie Kaufman's eagerly awaited follow-up to Being John Malkovich, fared rather badly in theaters -- though his versatility and respect within the industry remained solid. The polarizing presidential elections of 2002 certainly thrust Robbins into the political spotlight, if not major big-screen successes. After multiple appearances on Politically Incorrect and various awards shows gave Robbins a platform for some of his views concerning the right-wing agenda, the legitimacy of the Bush administration, and the controversial pre-emptive action in Iraq, the planned screening of Bull Durham (and a subsequent appearance from Robbins and Susan Sarandon) for the 15th anniversary of the film at the Baseball Hall of Fame was surprisingly cancelled in what Robbins claimed was a retaliatory measure.By the end of 2003, the controversy was a distant memory with Robbins hitting it big with audiences and critics alike in the film adaptation of Mystic River. The performance, which saw Robbins as a tragic adult who couldn't overcome a devastating childhood, eventually won the actor his second Golden Globe along with his first ever Oscar.Robbins followed up his Oscar win by switching gears substantially. In 2004, audiences could find him as a caricature of a cutthroat PBS newsman in an extended cameo in Anchorman and starring opposite Samantha Morton in the futuristic sci-fi thriller Code 46. In 2004 Robbins wrote and staged a satire about the Iraq war titled Embedded. He returned to the big-screen as the father in the science-fiction family fantasy Zathura. In the same year he turned in a memorable supporting performance as a deranged survivor of an alien attack in Steven Spielberg's War of the Worlds. One year later he played a white police officer in Philip Noyce's anti-Apartheid drama Catch a Fire. And though Robbins' politics seemed to overshadow his celebrity in the first years of the new millennium, film roles in City of Ember and Green Lantern, as well as an appearance on SNL alum Fred Armisen's satirical television series Portlandia kept the longtime actor in the public eye as he continued to hone his directoral skills with the made-for-television movie Possible Side Effects, and episodes of the popular HBO series Treme. Meanwhile, in 2010, Tim Robbins & the Rogue's Gallery Band released their self-titled debut album.

Trivia: One of the most versatile actresses working in film today, Lili Taylor is known for taking on complex, thorny roles that many of her more glamorous colleagues avoid. In the 1990s, she became a staple of the independent film circuit, turning in one engaging performance after another in films like The Addiction (1995), Girls Town (1996), and Pecker (1998). A native of Glencoe, IL, where she was born on February 20, 1967, Taylor was raised in a comfortable middle-class household as the second youngest of six children. She started acting in grade school and briefly attended DePaul University's Goodman Theater School before launching her professional career in local and regional theater. She acted for a time with Evanston's Piven Theater, performing in the company of such future notables as John Cusack, Aidan Quinn, and Jeremy Piven. In 1987, she spent a season on-stage in Czechoslovakia, returning stateside the following year to make her New York City stage debut in a production of What Did He See? That same year, Taylor ventured into feature films with a bit part in the John Hughes comedy She's Having a Baby. Though the role brought Taylor little recognition, she scored big with her sophomore effort, a starring role in Mystic Pizza (1988) as one of three amorous pizzeria girls (the other two were Julia Roberts and Annabeth Gish) working in a small Connecticut coastal town. More recognition followed for Say Anything... (1989), in which Taylor played John Cusack's hilariously obsessive best friend; she continued to shine in films like Bright Angel (1991), in which she was cast as the drifter sister of a jailbird, and in Dogfight (1991), in which she was the obligatory "ugly duckling" who both transformed and was transformed by her reluctant date, River Phoenix. From the late '80s through the 1990s, Taylor proved to be a willing and able ensemble player in the works of several respected directors: Oliver Stone's Born on the Fourth of July (1989), Nancy Savoca's Household Saints (1993), Robert Altman's Short Cuts (1993), and Alan Rudolph's Mrs. Parker and the Vicious Circle (1994). She also did notable work in independent films, starring in Abel Ferrara's The Addiction (1995); Girls Town (1996), a drama about four high school girls trying to cope with everyday hardship, for which she also co-wrote the screenplay; and I Shot Andy Warhol (1996), which cast her in one of her most memorable roles as the mad, murderous Valerie Solanas. In 1998, Taylor played the uncharacteristically glamorous role of an art dealer who tries to seduce the young hero of John Waters' Pecker, and also tried her hand at screwball comedy with Stanley Tucci's The Imposters. Having demonstrated her range in a number of genres, Taylor then took on big-budget horror in 1999 with her starring role in Jan de Bont's The Haunting. However, staying true to her indie loyalties, she could also be seen playing an ordinary woman who begins to lead an extraordinary life in Toni Kalem's adaptation of Anne Tyler's A Slipping Down Life, which premiered at the Sundance Film Festival in January of that year.As the new century began Taylor could be seen alongside her old co-star John Cusack in High Fidelity, and in 2001 she tackled the historical role of Miep Gies in a retelling of Anne Frank. She had a memorable role on the HBO series Six Feet Under. She continued to work steadily in diverse projects such as The Secret, Starting Out in the Evening, Brooklyn's Finest, Public Enemies, and Being Flynn.

Trivia: Like her older half-sister Melissa (Little House on the Prairie), actress Sara Gilbert grew up on a television series, in this case, the long-running ABC sitcom Roseanne (1988-1997). She and her sister and her older half-brother, Jonathon Gilbert, are the third generation of a showbiz family. Her grandfather, Harry Crane, was a writer for The Honeymooners, her grandmother, Julia Crane, was a former Miss Brooklyn and a dancer, and her mother is a producer and talent manager. Gilbert made her professional debut in a television commercial at age six, and from there appeared in the television series Tales of the Apple Dumpling Gang (1982). She then played a small role in the made-for-TV movie Calamity Jane, which starred Jane Alexander. Gilbert's career slowed down after that and she did not appear on television until 1988 when she appeared in Runaway Ralph as part of the ABC Weekend Special. As Darlene Connor in Roseanne, Gilbert believably played a cynical, smart-mouthed, but sensitive foil for Roseanne. Gilbert showed versatility as a confused Daddy's girl who is victimized by a calculating Drew Barrymore in Poison Ivy (1989) and as a Southern child with a dark secret who is befriended by a gentle black man in the well-wrought Sudie and Simpson (1990). Gilbert has been twice nominated for an Emmy and has won three Youth in Film Awards. During the last couple seasons of Roseanne, Gilbert began attending Yale University where she studied art and photography. She has also been an avid supporter for various environmental causes through her affiliation with Earth Communications Office (ECO).She stayed away from acting for the most part until 2007 when she began making occasional appearances on the hit sitcom The Big Bang Theory often playing opposite her former Roseanne co-star Johnny Galecki. In 2010, she created the talk show The Talk, a knockoff of The View, and serves as an executive producer and co-host of the series.

Trivia: Received his first guitar at age 9 as a gift from his mother. Signed a 10-album deal with Columbia in June 1972 at the age of 22 after auditioning for legendary music executive John Hammond, who also discovered Billie Holiday and Bob Dylan. First two albums, Greetings from Asbury Park, N.J. (1973) and The Wild, the Innocent and the E Street Shuffle (1973), didn't sell particularly well at first, but the buzz about his third, Born to Run (1975), was so great that he was famously on the covers of both Time and Newsweek the same week in October 1975. Was inducted into the Rock and Roll Hall of Fame in 1999. Was part of the inaugural class inducted into the New Jersey Hall of Fame in 2008. Made his first arena appearance at the Spectrum in Philadelphia in 1973, opening for the band Chicago. He played there a total of 35 times, which included performances in the spring and fall of 2009, the final year the Spectrum held events before its demolition. Was one of the honorees at the 2009 Kennedy Center Honors. Is often a surprise guest at the annual Asbury Park, NJ, Light of Day concerts, which raise money to battle Parkinson's disease. In 2010, released The Promise: The Darkness on the Edge of Town Story, which included a reissue of his 1978 album, previously unreleased outtakes, a documentary about making the album and DVDs of live performances. Helped E Street Band guitarist Steven Van Zandt celebrate the ninth anniversary of Little Steven's Underground Garage radio show by making his debut appearance on the show in April 2011.

Trivia: Both exotic and classic, Wales-born actress Catherine Zeta-Jones began acting as a child. By ten she was part of the Catholic congregation's performing troupe, and by 18 she was performing professionally in the West End. It was in there that she caught the eye of French director Philippe de Broca, who offered her the lead in his film Les 1001 Nuits in 1989. After traveling to France to film the movie, she returned to Britain, where she landed a starring role in the Yorkshire Television comedy drama series The Darling Buds of May, based on a series of novels by H.E. Bates. The show was a huge hit, and made Zeta-Jones one of the U.K.'s most popular TV actresses. After the series ended in 1993, she steadily found work playing lead roles in TV movies and miniseries such as Catherine the Great and The Cinder Path. She also played supporting roles small films, including Christopher Columbus: The Discovery and Splitting Heirs. The big screen role that undoubtedly put Zeta-Jones on the map, however, came in 1998 when she was cast opposite Anthony Hopkins and Antonio Banderas in 1998's The Mask of Zorro. America was enchanted by the dark-haired actress' charisma and beauty, and she began to be offered better and better roles in American film. She starred in films like Entrapment, The Haunting, and High Fidelity, before taking the prominent role of a white-collar drug kingpin's wife in 2000, in Steven Soderbergh's treatise on the drug war, Traffic. Her performance was impressive to critics and audiences, many of whom felt that she deserved an Oscar nomination.The actress had no time to quibble over awards, however, as she married actor Michael Douglas in November that year, and gave birth to their son Dylan Michael nine months later. Zeta-Jones' took it easy during the next year, appearing only in the romantic comedy America's Sweethearts, but her next project would be the one to cement her as Hollywood royalty: a starring role in the Broadway adaptation Chicago. Few fans were aware of the singing and dancing skills that she'd honed on the musical stage at the beginning of her career, much less that she had sometimes performed with the English National Opera. Her performance blew audiences away, and won her the 2002 Oscar for Best Actress in a Supporting Role. Zeta-Jones lightened things up in 2003, making audiences laugh alongside George Clooney in the Coen Brothers' movie Intolerable Cruelty, then as an airport employee who falls for stranded immigrant Tom Hanks in The Terminal (2004).The actress' screen time, however, began to diminish at about that point, given her decision to shift priorities and hone in on raising a family with Douglas; her film appearances grew decidedly less frequent, and she thus found time to give birth to a baby girl named Carys Zeta Douglas in April of 2003. On the side, however, she continued to appear in occasional commercials, and the paparazzi often published candid photos of the actress in public, baby-in-arms, which held her in the limelight. The motion pictures in which Zeta-Jones appeared during this period took fewer chances by banking off of recent successes (gone, at least temporarily, were the challenges of such films as Chicago and Traffic). Efforts during this period included the blockbuster sequel Ocean's Twelve (with Clooney, 2004), the onscreen reunion with Antonio Banderas The Legend of Zorro and even the musical concert film Tony Bennett: An American Classic, which reunited Zeta-Jones and Chicago wunderkind Rob Marshall.In 2007, she teamed with Shine director Scott Hicks for an Americanized remake of the German-language comedy Mostly Martha, retitled No Reservations. She followed that up with Australian director Gillian Armstrong's period piece Death Defying Acts -- a cinematization of Harry Houdini's 1926 tour of Britain, co-starring Timothy Spall and Guy Pearce, and scripted by Brian Ward and Tony Grisoni. Zeta-Jones returned to the musical fold in Rock of Ages, a 2012 adaptation of the 2006 Broadway show. She next took on several supporting roles, in films like the sports rom-com Playing for Keeps, the psychological thriller Side Effects and the action sequel Red 2.

Trivia: Grew up in an Army family and frequently moved around the U.S. when she was younger; went to high school in Albany, GA. Attended Augusta State University on an athletic scholarship for swimming and cross-country. Moved to New York after her second year of college to pursue a modeling career and worked for Elite and Wilhelmina Models. Made her TV debut in a 1996 episode of Law & Order. Founded a film-production company called Blarma with husband Andy Bates, a producer, cinematographer and editor. Their productions include the 2006 documentary Altered by Elvis. Starred in the Blarma production Girl and a Gun, which won a Best Original Short medallion at the 2008 Washougal International Film Festival in Washington.

Trivia: The daughter of screenwriter Richard Gregson and legendary actress Natalie Wood, Natasha Wagner (also known as Natasha Gregson Wagner) has become recognized as an actress in her own right. Born on September 29, 1970, in Los Angeles, Wagner was six months old when her parents divorced. Her mother next married actor Robert Wagner, who later adopted Natasha.Wagner began appearing onscreen in the early '90s, taking supporting roles in such films as Buffy the Vampire Slayer (1992) and S.F.W. (1994). In 1997, she earned recognition for her portrayal of one of Robert Downey Jr.'s girlfriends in James Toback's Two Girls and a Guy. That same year, she starred in David Lynch's Lost Highway and First Love, Last Rites, which cast her opposite Giovanni Ribisi. Wagner closed out the century with appearances in a number of obscure films that tended to cast her as troubled young women; she changed gears in 2000 with a supporting role in High Fidelity, Stephen Frears' adaptation of Nick Hornby's comedic novel about a record store owner (John Cusack) trying to confront his own adulthood.

Trivia: A performer who carries equal weight in the twin arenas of pop recording and film and television acting, Drake Bell first staked out a career as an actor, signing for his premiere small-screen commercial at age five, in the early '90s. Bell commenced A-list film roles by 1996, when he made a memorable impression as a sports figure's son who bitterly curses agent Tom Cruise in Cameron Crowe's drama Jerry Maguire. Following small guest turns on such blockbuster series as The Drew Carey Show (1997) and Seinfeld (1998), Bell joined the cast of the Nickelodeon variety series The Amanda Show (1999-2002), as a regular member of the program's resident sketch comedy ensemble. In 2002, the show took its final bow, but Bell and co-star Josh Peck received their own spin-off sitcom, also on Nickelodeon: Drake & Josh (2004). Meanwhile, Bell began to pursue musical interests, and established himself as a pop-rock star, thanks in no small part to the tutelage of the Who's Roger Daltrey, whom he met on the set of the 2001 telemovie Chasing Destiny, and who reportedly gave Drake his first music lessons. As a performer, Drake bore self-professed (and unmissable) stylistic ties to the Beatles, as well as echoes of the Beach Boys and Elvis Presley. Bell's recording career in fact neatly dovetailed with the debut of Drake & Josh on two levels: he both recorded the theme song and played a slightly exaggerated version of his guitarist self on the program. The up-and-comer self-produced his first album, Telegraph, in 2005, and its success prompted Universal Records to sign him for a sophomore release, the 2006 It's Only Time. Alongside these efforts, Bell's acting efforts continued unabated, and he geared up for big-screen leads in the 2008 comedies College and Superhero -- the latter an Airplane!-style farce skewering the clichés of superhero movies.

Trivia: Names Marlon Brando and Peter Sellers as two of his biggest acting influences. Has been a member of the Steppenwolf Theatre Company in Chicago and David Mamet's Atlantic Theater Company in New York. First big-screen appearance was in the 1997 romantic comedy Fools Rush In. Made his Broadway debut in 2005, playing Mitch in A Streetcar Named Desire. Auditioned for the role of detective Jimmy McNulty on HBO's The Wire, but was later cast as longshoreman Frank Sobotka. Has been a regular on several other TV series, including Third Watch, Tilt, Smith and True Blood.

Trivia: Onscreen, versatile, multi-talented Beverly D'Angelo is best remembered for playing Ellen Griswold in the National Lampoon "vacation" series of films but she has appeared in over 50 films and also performs on television and the stage. The daughter of successful musicians, D'Angelo was educated in Europe and studied fine arts but left school at age 17 to become an artist at Hanna-Barbera Studios. For a time she was a folk singer and performed in Canadian coffee houses. She later sang rock & roll with the group Elephant. She tried acting in regional theater and during the early '70s appeared frequently on Broadway, making her debut playing Ophelia in the rock musical Rockabye Hamlet. D'Angelo made her film debut playing a bit in the Sentinel (1976). Her most highly regarded film role was that of singer Patsy Cline playing opposite Sissy Spacek's Loretta Lynn in Coal Miner's Daughter (1980). D'Angelo's excellent portrayal won considerable critical acclaim. She imprinted herself into popular culture playing Ellen Griswold in the National Lampoon films Vacation, European Vacation, Christmas Vacation, and Vegas Vacation, and would continue be a consistant presence on screen for years to come, most notably in films like American History X and on the series Entourage.