Trivia: Perhaps the most definitive descriptor for Kiefer Sutherland's career is not any particular niche he's carved for himself, but rather his versatility. From the perfected subtleties he has portrayed in supporting roles, to his command of the screen as a star, Sutherland has covered abundant ground. His roles have ranged from deeply psychological, such as the medical student in Flatliners, to upbeat and authoritative, like the sheriff in Picking Up the Pieces. In addition to his talent on the big screen, Sutherland has earned directorial credits, as well as a Golden Globe Award in 2001 for Best Actor in a TV Drama.Kiefer Sutherland and his twin sister, Rachel, were born to acting parents Donald Sutherland and Shirley Douglas in the U.K. on December 21, 1966. In 1971, his parents divorced, and Sutherland moved from their home in L.A. to Toronto with his mother. Just six years later, he was appearing in theatrical performances, including a production of Throne of Strow. His first film appearance occurred in 1983, in Max Dugan Returns, with a scene featuring Sutherland alongside his father Donald Sutherland.The 1980s brought the beginning of what would become Kiefer Sutherland's lengthy list of film credits. Most notable were his roles in The Bay Boy -- a 1930s coming-of-age story set in Nova Scotia -- for which he won a Genie Award in 1984, and the Rob Reiner drama Stand by Me (1986) in which he played a scene-stealing bully. He appeared in The Lost Boys in 1987, also starring Jason Patric. In 1988, at age 20, Sutherland married Camelia Kath, who was 14 years his senior, and the couple had a daughter named Sarah Jude that same year. The marriage lasted for two years.Flatliners, 1990's groundbreaking psychodrama, starred Sutherland with Kevin Bacon, William Baldwin, and Julia Roberts. The story involved four medical students experimenting with death, attempting to actually die to experience the after-life, and then be revived by their peers. The unique story line and strong performances earned the stars a lot of attention for the film. Sutherland and Roberts engaged in an offscreen romance, which endured for some time after shooting had wrapped.In 1992, Sutherland starred in the blockbuster A Few Good Men, also starring Tom Cruise, Jack Nicholson, Demi Moore, and Kevin Bacon. Within a year, he made his directorial debut with the made-for-television drama Last Light, in which he also starred as a prison inmate. He was married a second time, to Kelly Winn, in 1996, but the relationship had ended by 2000.In the late '90s, his career picked up pace, with multiple acting and directing credits occurring within single years. The year 1997 featured Sutherland as Joey in a modern film noir called The Last Days of Frankie the Fly, and as director of the psycho-thriller Truth or Consequences, N.M. In A Soldier's Sweetheart, adapted from a story by Vietnam-vet writer Tim O'Brien, he played the narrator of the flashbacks, in 1998. That same year, he starred in the science fiction-mystery film Dark City with Jennifer Connelly and Rufus Sewell. His second self-directed TV movie, Woman Wanted, was one of four projects released crediting his name in 1999. He also appeared in a German film called After Alice, the psychotic drama Ground Control with Kristy Swanson and Kelly McGillis, and the thriller The Break Up starring Bridget Fonda.Shifting gears from the deep, psychosomatic, and eerie tones of his late-'90s films, Sutherland played the sheriff in 2000's Picking Up the Pieces. Featuring David Schwimmer, Cheech Marin, and Sharon Stone, the film was a satirical comedy infused with screwball humor, with a notable appearance by Woody Allen. Again revisiting a more dramatic genre, Sutherland starred in Fox's revolutionary action series 24 as antiterrorism agent Jack Bauer. With each 1-hour episode told in real time, the 24 episode season represented a single day in the show's chronology. Immediately garnering rave reviews and a rabid core fanbase, the series became a hit and in 2001, Sutherland's role on the program earned him recognition as Best Actor in a TV Drama at the Golden Globe Awards. The innovative series would continue to collect awards and nominations as it was renewed for successive seasons which each followed the single-day format, but took place months or sometimes years later in the timeline.As he continued to star on 24, Sutherland parlayed the show's success into some higher-profile film roles. In 2003, he played the menacing villain in the thriller Phone Booth, and the following year, he played another bad-guy opposite Ethan Hawke and Angelina Jolie in Taking Lives. 24 continued to be the actor's main gig, however, and by the time he began season six in 2006, the of character Jack Bauer had become a cultural icon as the ultimate anti-hero: and a man capable of doing or enduring anything in the name of justice, protection, or even vengeance. In addition to his work on 24, Sutherland took on a variety of voice roles (Monsters vs Aliens, Twelve, Marmaduke), and co-starred with Kristin Dunst in Lars von Trier's Melancholia (2011).

Trivia: Born October 28th, 1967, Georgia native Julia Roberts was raised in a fervently pro-theater environment. Her parents regularly hosted acting and writing workshops, and both of the Roberts children (Julia and her brother Eric) showed an interest in the performing arts at an early age. Ironically enough, Eric was the first to break into film; in 1978, one year after their father died of lung cancer at 47, Eric Roberts starred in director Frank Pierson's psychological drama King of the Gypsies. Though her older brother would go on to have a solid acting career, it was, of course, Julia Roberts who earned a spot among Hollywood's elite.After making her film debut in Blood Red -- which wouldn't be released until 1989, despite having been completed in 1986 -- and appearing in several late '80s television features, Roberts got her first real break in the 1988 made-for-cable drama Satisfaction. That role, consequently, led to her first significant supporting role -- a feisty pizza parlor waitress in 1989's Mystic Pizza with Annabeth Gish, Lili Taylor, and a then 19-year-old Matt Damon. While Mystic Pizza was not a star-making film for Roberts, it certainly helped earn her the credentials she needed to land the part of Shelby, an ill-fated would-be mother in Steel Magnolias. The 1989 tearjerker found her acting alongside Sally Field and Shirley MacLaine, and culminated in an Oscar nomination for Roberts. While the success of Steel Magnolias played no small part in launching Roberts' career, and undoubtedly secured her role in the mediocre Flatliners (1990) with former flame Kiefer Sutherland, it was director Garry Marshall's romantic comedy Pretty Woman with Richard Gere that served as her true breakthrough role. Roberts' part in Pretty Woman (a good-hearted prostitute who falls in love with a millionaire client) made the young actress a household name and cemented what would become a permanent spot in tabloid fodder. Roberts broke off her engagement with Sutherland in 1991, just three days before they were scheduled to be married, and surprised the American public in 1993, when she began her two-year marriage to country singer Lyle Lovett. Roberts' personal life kept her name in the spotlight despite a host of uneven performances throughout the early '90s (neither 1991's Dying Young or Sleeping With the Enemy garnered much acclaim), as did a reputed feud with Steven Spielberg during the filming of Hook (1991). Luckily, Roberts made decidedly less embarrassing headlines in 1993, when her role alongside future Oscar winner Denzel Washington in The Pelican Brief reaffirmed her status as a dramatic actress. Her career, however, took a turn back to the mediocre throughout the following year; both Prêt-à-Porter and I Love Trouble proved commercial flops, and Mary Reilly (1996) fizzled at the box office as well. The downward spiral reversed directions once again with 1996's Michael Collins and Conspiracy Theory with Mel Gibson, and led to several successful comic roles including Notting Hill with Hugh Grant, Runaway Bride, and most notably, My Best Friend's Wedding with Rupert Everett and a then virtually unknown Cameron Diaz. Roberts' biggest success didn't present itself until 2000, though, when she delivered an Oscar-winning performance playing the title role in Steven Soderbergh's Erin Brockovich. The film, based on the true story of Erin Brockovich, a single mother who, against all odds, won a heated battle against corporate environmental offenders, earned Roberts a staggering 20-million-dollar salary. Officially the highest paid actress in Hollywood, Roberts went on to star in 2001's America's Sweethearts with Billy Crystal, Catherine Zeta-Jones, and John Cusack, as well as The Mexican with Brad Pitt. While on the set of The Mexican, Roberts met cameraman Danny Moder, whom she would marry in 2001 almost immediately after ending a four-year relationship with fellow actor Benjamin Bratt. Indeed, 2001 was a banner year for Roberts; in addition to America's Sweethearts and The Mexican, Roberts starred in the crime caper Ocean's Eleven, in which she rejoined former co-stars Brad Pitt and Matt Damon, and acted for the first time with George Clooney and Don Cheadle. Julia Roberts worked with Soderbergh once again in 2002's Full Frontal, which, despite a solid cast including Mary McCormack and Catherine Keener, among others, did not even begin to fare as well as Erin Brockovich. Confessions of a Dangerous Mind (2002), which featured Roberts as a femme fatale alongside George Clooney, Sam Rockwell, and Drew Barrymore did much better, and preceded 2003's Mona Lisa Smile with young Hollywood's Julia Stiles, Kirsten Dunst, and Maggie Gyllenhaal. In 2004, Roberts signed on for the sequel to Ocean's Eleven -- the aptly titled Ocean's Twelve. A supporting performance in the animated 2006 feature The Ant Bully marked the glamorous Hollywood beauty's first foray into the world of animation, which she would continue for Christmas of 2006 with the role of everone's favorite selfless spider in Charlotte's Web. In the coming years, Roberts would reteam with Tom Hanks for Charlie Wilson's War in 2007, and then again for Larry Crowne in 2011. In the meantime, the A-lister would keep busy with a critically acclaimed performance in 2010's Eat, Pray, Love, in which she portrayed a divorcee on a journey of self discovery, and 2012's retelling of Snow White, Mirror, Mirror.

Trivia: Rarely can it be said that an actor is so recognized and of such prominence that a game can be played by connecting him to just about any other celebrity simply through referencing his resumé. Any film buff has most likely participated in a round of Six Degrees of Kevin Bacon, and it's likely that if their opponent was an avid cinephile they came out on the losing end of the match. This should come as no surprise, considering Bacon's extensive and diverse body of work. Born in Philadelphia, PA, in 1958, Bacon received his education at The Circle in the Square (where he became the youngest student to appear in a production) and Manning Street Actor's Theater after leaving home at the age of 18. Two years later, Bacon made his feature debut as the smarmy Chip Diller in director John Landis' beloved frat-house epic Animal House. Following in the next few years with minor roles in such seemingly forgettable films as Hero at Large and Friday the 13th (both 1980), Bacon would re-create his off-Broadway role of a drug-addicted male prostitute in Forty Deuce the same year that he made a memorable appearance as the troubled Timothy Fenwick in Barry Levinson's Diner (1982). Though he had appeared in a few major films and displayed an intriguing range of abilities, it was 1984's Footloose that brought Bacon his breakthrough role. As the big-city boy crusading against the puritanical constraints against dancing imposed by a well-meaning but overbearing fundamentalist minister, Bacon became a teen icon -- an image that, though it propelled him to stardom, would prove difficult to shed. Following Footloose's success with a series of curious failures such as Quicksilver (1986) and White Water Summer (1987), it was on the set of Lemon Sky (also 1987) that Bacon would meet future wife Kyra Sedgwick; the couple exchanged wedding vows the following year. Though he would appear in a few other failed-but-interesting, audience-pleasing thrillers such as Tremors (1989) and Flatliners (1990) in the following years, it was with his role in conspiracy theorist Oliver Stone's JFK (1991) that Bacon found his career revived and began to shed his heartthrob image. Narrowly escaping the Brat Pack trappings of his '80s contemporaries, subsequent roles after JFK may not have all scored direct hits at the box office for Bacon, but audiences were now well aware of his talents and thirsted for more. Bacon would again prove his substantial range in the true story of a brutalized prison inmate opposite Gary Oldman in 1995's Murder in the First. His performance as the disillusioned and broken prisoner, accentuated by his famished and frail skeletal figure, was followed by an equally challenging reality-based role as a member of the troubled Apollo 13 (1995) lunar mission team in director Ron Howard's widely praised film. Proving that he could play sleaze as successfully as slice-of-life, Bacon took a turn for the worse as the sadistic reform-school guard responsible for the rape of a trio of young boys in Sleepers (1996) and as a cop investigating accusations of rape in director John McNaughton's raunchy sex-thriller Wild Things. Bacon's entertaining turn as a receptive father tangled in a mind-bending murder mystery in Stir of Echoes (1999) gained positive reviews, though the intelligent and subtle shocker withered in the shadow of another similarly themed thriller, The Sixth Sense. Though he wasn't visible for the majority of the film, Bacon fell into psychotic territory as the malicious genius consumed by his discovery of the key to invisibility in Paul Verhoeven's sadistic Hollow Man (2000). After an uncredited supporting role in the independent comedy Novocaine, Bacon once again went for the throat in Trapped; and though audiences were generally entertained by the film, it ultimately fell victim to a quick death at the box office due to poor timing (numerous stories of child abductions had been making headlines at the time Trapped was released). Of course with an actor such as Bacon, it was only a matter of time before he once again tackled a substantial dramatic role, and with the release of Mystic River in 2003 audiences found him doing just that. Adapted from the novel of the same name by author Dennis Lehane and directed by Clint Eastwood, Mystic River provided audiences with a brutal, slow-burning study in the effects of violence and the nature of revenge, withBacon's turn as a sympathetic detective playing pitch perfect opposite a mournful performance by Sean Penn. That same year, Bacon showed up in an uncredited role in the Jane Campion thriller In the Cut before taking the lead in the emotional drama The Woodsman.Bacon would continue to work on a variety of projects over the coming years, appearing in everything from the tense period thriller Where the Truth Lies to the ensemble rom-com Crazy, Stupid, Love, to the superhero flick X-Men: First Class. Soon however, the actor found himself hungry for a more substantial project, and he found it with the Billy Bob Thornton directed drama Jane Mansfield's Car in 2012, which found him acting alongside heavyweights like Robert Duvall and John Hurt. In 2013, Bacon turned to television, headlining Fox's drama The Following.In addition to his film work, Bacon has frequently toured with brother Michael, playing upbeat country-folk rock under the alliterate moniker the Bacon Brothers.

Trivia: Bright and articulate actor William Baldwin, a graduate in political science from State University of New York at Binghamton, left the political arena of Capitol Hill to become an actor after his older brother, Alec Baldwin, became a successful movie star. For his first couple of years in Hollywood, William could only find work in advertisements. He got his first break when he was hired to play Robert Chambers in the television movie The Preppie Murder (1989). That year, Baldwin made his big-screen debut playing a small role in Oliver Stone's Born on the Fourth of July. In 1990, Baldwin had his first major role playing opposite Richard Gere in Internal Affairs. He then had a leading role in the dark sci-fi-fantasy Flatliners (1990). A major hit, Baldwin showed the makings of a real star, following up with Backdraft (1991) and the ill-received Sliver (1993). But though he has demonstrated considerable talent and an appealing boyish sexuality, the major stardom enjoyed by Alec Baldwin has thus far eluded him, though he continues to work steadily in films, such as Curdled (1997). Baldwin's other brothers, Daniel and Stephen, are also actors.

Trivia: A hulking character actor who brings new meaning to the concept of versatility, Oliver Platt has appeared in a dizzying array of films that make him instantly recognizable but not instantly placeable to the average filmgoer. Since making his screen debut as an oily Wall Street drone in Mike Nichols' Working Girl (1988), Platt has lent his talents to almost every conceivable genre, including period dramas, political comedies, children's films, and campy horror movies.The son of a U.S. Ambassador, Platt was born in Windsor on January 12, 1960, Platt and his family soon moved to Washington, D.C. Thanks to his father's job, he had an exceptionally itinerant childhood. By the time he was 18, he had attended 12 different schools in places as diverse as Tokyo, the Middle East, and Colorado. Long interested in acting, Platt received a BA in drama from Boston's Tufts University; following graduation, he remained in Boston for three years to pursue his stage career. In 1986 he moved to New York, where he performed in a number of off-Broadway productions and had the lead in the 1989 Lincoln Center production of Ubu. Following his screen debut in Working Girl, Platt began finding steady work in such films as Married to the Mob (1988), Postcards from the Edge (1990), Beethoven (1992) -- which featured him and future collaborator Stanley Tucci as puppy thieves -- and Benny and Joon (1993). He also proved himself adept at cheesy period drama in The Three Musketeers (1993), which cast him as Porthos, and at all-out comedy, as demonstrated by his turn as a struggling comic in Funny Bones (1995). Rarely cast as a leading man, Platt has always been visible in substantial supporting roles, equally comfortable at portraying nice guys, bad guys, and just flat out weird guys alike. As Ashley Judd's suitor in Simon Birch (1998), he was the straight man, while in The Impostors (1998), his second collaboration with Tucci (two years earlier he served as associate producer for the latter's Big Night), he again displayed his capacity for broad physical comedy as a struggling actor who finds himself a stowaway on an ocean liner. In Dangerous Beauty (1998), Platt was able to exercise his nasty side as a bitter nobleman-turned-religious zealot in 16th-century Venice; that same year, his capacity for exasperated quirkiness was displayed in Bulworth, which cast him as Warren Beatty's put-upon, coke-snorting campaign manager.1999 proved to be a somewhat disappointing year for Platt, as two of his films, Three to Tango (which featured him as a gay architect) and the schlock-horror Lake Placid, which cast him as an idiosyncratic mythology expert, were both critical and commercial flops. A third film that year, Bicentennial Man -- in which Platt played the scientist who turns the titular robot (Robin Williams) into a man -- fared somewhat better. The following year, Platt's comic abilities were again on display in Gun Shy, in which he hammed it up as a bottom-rung mafioso with an overblown ego.Fortunately for the workhorse actor, the 2000s seemed to prove the boost -- and exposure -- his sagging career needed. Earning back to back Emmy nominations in 2006 and 2007 for his performance opposite former Tufts University classmate Hank Azaria in the weekly dramedy Huff, Platt was also nominated for a Screen Actor's Guild Award for his turn as New York Yankees owner George Steinbrenner in the TV mini-series The Bronk is Burning (2007). With 2008 came yet another Ammy nomination -- this time for his guest role on the hit FX series Nip/Tuck -- and in 2009 he appeared as Nathan Detroit in the Broadway revival of Guys and Dolls. Other notable television appearances from this phase of Platt's career included a recurring character on the seriocomic HBO series Bored to Death and a prominent role as the husband of a suburban housewife diagnosed with cancer in the Showtime comedy drama series The Big C.

Trivia: Benjamin Mouton credits his high school teacher Novalyne Price Ellis for inspiring him to become a professional actor. Years after graduation, he would appear in a movie based upon her memoirs of her relationship with fantasy writer Robert E. Howard, The Whole Wide World (1996). After high school, he studied at New York City's American Academy of Dramatic Arts. In 1984, he received the school's coveted Jehlinger award. Shortly after graduation, Mouton heeded the advice of mentors and moved to Los Angeles in hopes of building a film career. He made his feature film debut starring opposite Jennifer Jason Leigh and Eric Stoltz in Sister, Sister (1987). In addition to his film work, Mouton occasionally appears on television, making guest appearances on shows such as L.A. Law and E.R.

Trivia: Displaying a sort of weary Botticelli beauty and a crisp brand of intelligence, Hope Davis has made a name for herself portraying good women wronged by bad men. Playing such characters in her two breakthrough films, The Daytrippers and Next Stop Wonderland, Davis displayed a remarkable blend of lovable bitterness and cynical charm, endearing herself to legions of art house filmgoers who recognized an unmistakable ring of truth in her performances.Born in Englewood, NJ, Davis had a childhood that was notable in part for her friendship with her neighbor across the street, Mira Sorvino. Davis' first brush with acting came when the two girls -- then eight or nine -- wrote a play and performed it for their neighbors. The actress' next encounter with fame came some years later, in the rather dubious form of her bit part as one of Billy Baldwin's used-and-abused girlfriends in the 1990 film Flatliners. Following a bit role as a French ticket agent in the same year's Home Alone, Davis had yet another dubious brush with fame in Kiss of Death (1995), in a role memorable for the sole reason that it required Davis to be bench-pressed by co-star Nicolas Cage. The following year brought with it more auspicious work in The Daytrippers, an independent comedy in which Davis played the suspicious wife of philandering Stanley Tucci. Co-starring Parker Posey, Liev Schreiber, and Anne Meara, the film was a hit on the independent circuit, but Davis would strike even more indie gold in 1998 with her starring role in Brad Anderson's Next Stop Wonderland. Critics adored her performance as Erin, a nurse recovering from a major -- and bitterly hilarious -- breakup with her activist boyfriend (played with joyful loathsomeness by Philip Seymour Hoffman).By this time, the actress had established a niche for herself in the realm of quirky, independently minded films, and she would continue to appear in similar films over the years, like Mumford, About Schmidt, American Splendor, Proof, Charlie Bartlett, The Lodger, and Synechdoche, New York. Davis would also make succesful runs on the small screen, with Six Degrees, In Treatment, and the HBO mini series Mildred Pierce.

Trivia: A successful character actress most adept at playing matronly types, Beth Grant took her onscreen bow in the late '80s and began tackling innumerable roles in Hollywood features, usually bit parts as housewives, female doctors, or down-home small-town women. Grant received her first feature assignment as a harried mother at a farmhouse in Barry Levinson's Rain Man (1988). She subsequently divided her time between film and television roles, guest-acting on dozens of series and occasionally taking on more extensive small-screen roles, such as on Coach and Jericho. Grant's many big-screen credits include the films Don't Tell Her It's Me (1990), Speed (1994), Donnie Darko (2001), and Little Miss Sunshine (2006). She was particularly memorable in the latter, as one of the snotty and obnoxious pageant judges. Darko represented Grant's first experience working with helmer Richard Kelly; she re-teamed with Kelly for his follow-up, the dystopian black comedy Southland Tales (2005).

Trivia: An earthy brunette whose small-town beauty made her ideal for roles in such features as Doc Hollywood (1991) and Indian Summer (1993), actress Julie Warner has moved from memorable television appearances in Star Trek: The Next Generation and 21 Jump Street to headlining roles in such films as Wedding Bell Blues and White Lies (both 1996); and though her feature career appears to be gaining considerable steam, Warner's star still shines bright on such popular television series as Family Law and Baseball Wives. Julie Warner was born in New York City in 1965; her father was a musical arranger who penned jingles for such products as Tic-Tacs, and her mother a freelance booking agent. Attending the prestigious Dalton School at age 12, it was there that Warner would form a longtime friendship with fellow actress Mary Stuart Masterson. Though Warner may not have gotten the role in Pretty Baby that her manager had encouraged her to read for, Warner would make a lasting impression a few years later when she was cast in the enduring soap opera Guiding Light. After graduating from Brown University with a theater arts degree in 1987, Warner would essay numerous television roles before moving into feature films with such efforts as Flatliners (1990) and Doc Hollywood (1991). Warner's burgeoning talent and natural beauty found her slowly climbing the credits in the mid-'90s, and with roles in such efforts as The Puppet Masters she was gaining positive critical attention as well. Alternating between film and television on the cusp of the new millennium, Warner had yet to find her true breakout role, though a part in the series Baseball Wives ensured she would remain a familiar face to television viewers in the meantime.