Trivia: Born October 28th, 1967, Georgia native Julia Roberts was raised in a fervently pro-theater environment. Her parents regularly hosted acting and writing workshops, and both of the Roberts children (Julia and her brother Eric) showed an interest in the performing arts at an early age. Ironically enough, Eric was the first to break into film; in 1978, one year after their father died of lung cancer at 47, Eric Roberts starred in director Frank Pierson's psychological drama King of the Gypsies. Though her older brother would go on to have a solid acting career, it was, of course, Julia Roberts who earned a spot among Hollywood's elite.After making her film debut in Blood Red -- which wouldn't be released until 1989, despite having been completed in 1986 -- and appearing in several late '80s television features, Roberts got her first real break in the 1988 made-for-cable drama Satisfaction. That role, consequently, led to her first significant supporting role -- a feisty pizza parlor waitress in 1989's Mystic Pizza with Annabeth Gish, Lili Taylor, and a then 19-year-old Matt Damon. While Mystic Pizza was not a star-making film for Roberts, it certainly helped earn her the credentials she needed to land the part of Shelby, an ill-fated would-be mother in Steel Magnolias. The 1989 tearjerker found her acting alongside Sally Field and Shirley MacLaine, and culminated in an Oscar nomination for Roberts. While the success of Steel Magnolias played no small part in launching Roberts' career, and undoubtedly secured her role in the mediocre Flatliners (1990) with former flame Kiefer Sutherland, it was director Garry Marshall's romantic comedy Pretty Woman with Richard Gere that served as her true breakthrough role. Roberts' part in Pretty Woman (a good-hearted prostitute who falls in love with a millionaire client) made the young actress a household name and cemented what would become a permanent spot in tabloid fodder. Roberts broke off her engagement with Sutherland in 1991, just three days before they were scheduled to be married, and surprised the American public in 1993, when she began her two-year marriage to country singer Lyle Lovett. Roberts' personal life kept her name in the spotlight despite a host of uneven performances throughout the early '90s (neither 1991's Dying Young or Sleeping With the Enemy garnered much acclaim), as did a reputed feud with Steven Spielberg during the filming of Hook (1991). Luckily, Roberts made decidedly less embarrassing headlines in 1993, when her role alongside future Oscar winner Denzel Washington in The Pelican Brief reaffirmed her status as a dramatic actress. Her career, however, took a turn back to the mediocre throughout the following year; both Prêt-à-Porter and I Love Trouble proved commercial flops, and Mary Reilly (1996) fizzled at the box office as well. The downward spiral reversed directions once again with 1996's Michael Collins and Conspiracy Theory with Mel Gibson, and led to several successful comic roles including Notting Hill with Hugh Grant, Runaway Bride, and most notably, My Best Friend's Wedding with Rupert Everett and a then virtually unknown Cameron Diaz. Roberts' biggest success didn't present itself until 2000, though, when she delivered an Oscar-winning performance playing the title role in Steven Soderbergh's Erin Brockovich. The film, based on the true story of Erin Brockovich, a single mother who, against all odds, won a heated battle against corporate environmental offenders, earned Roberts a staggering 20-million-dollar salary. Officially the highest paid actress in Hollywood, Roberts went on to star in 2001's America's Sweethearts with Billy Crystal, Catherine Zeta-Jones, and John Cusack, as well as The Mexican with Brad Pitt. While on the set of The Mexican, Roberts met cameraman Danny Moder, whom she would marry in 2001 almost immediately after ending a four-year relationship with fellow actor Benjamin Bratt. Indeed, 2001 was a banner year for Roberts; in addition to America's Sweethearts and The Mexican, Roberts starred in the crime caper Ocean's Eleven, in which she rejoined former co-stars Brad Pitt and Matt Damon, and acted for the first time with George Clooney and Don Cheadle. Julia Roberts worked with Soderbergh once again in 2002's Full Frontal, which, despite a solid cast including Mary McCormack and Catherine Keener, among others, did not even begin to fare as well as Erin Brockovich. Confessions of a Dangerous Mind (2002), which featured Roberts as a femme fatale alongside George Clooney, Sam Rockwell, and Drew Barrymore did much better, and preceded 2003's Mona Lisa Smile with young Hollywood's Julia Stiles, Kirsten Dunst, and Maggie Gyllenhaal. In 2004, Roberts signed on for the sequel to Ocean's Eleven -- the aptly titled Ocean's Twelve. A supporting performance in the animated 2006 feature The Ant Bully marked the glamorous Hollywood beauty's first foray into the world of animation, which she would continue for Christmas of 2006 with the role of everone's favorite selfless spider in Charlotte's Web. In the coming years, Roberts would reteam with Tom Hanks for Charlie Wilson's War in 2007, and then again for Larry Crowne in 2011. In the meantime, the A-lister would keep busy with a critically acclaimed performance in 2010's Eat, Pray, Love, in which she portrayed a divorcee on a journey of self discovery, and 2012's retelling of Snow White, Mirror, Mirror.

Trivia: American actor Dermot Mulroney is decidedly in tune with the 1990s: his film characters are often eccentric, unpredictable, and total strangers to personal hygiene. Curiously, when called upon to appear as a scruffy street kid in Where the Day Takes You (1992), Mulroney seemed a bit too squeaky-clean. An alumnus of Northwestern University, he first made moviegoers' acquaintance in 1988 with Sunset and as part of the Brat Pack western Young Guns. In the acclaimed Longtime Companion (1990), Mulroney played a collar-and-tie type who was still essentially an outsider due to the character's homosexuality and vulnerability to AIDS. Much of Mulroney's subsequent work has gone largely unseen, including the dismal Bad Girls (1994).

Trivia: Model-turned-actress Cameron Diaz seemed to come out of nowhere when she made her 1994 screen debut opposite Jim Carrey in The Mask. However, her unusual beauty -- the result of her Cuban-American and Anglo-German-Native-American parentage -- helped to ensure that she would not be soon forgotten.Born in San Diego, CA, on August 30, 1972, Diaz left school at 16 to become a model. For the next five years, she traveled the globe, working in Japan, Australia, Mexico, Morocco, and Paris. As a model for the Elite Agency, she did commercial work for such products as Coke, Nivea, and L.A. Gear. She returned to California at the age of 21 and was unknown in the film industry when cast in her breakthrough role as the target of Jim Carrey's hyper-animated lust in The Mask. Following the hoopla surrounding her performance -- or, more specifically, her physical appearance -- in the film, Diaz opted to take acting lessons and appear in a series of small, independent films, including The Last Supper (1995), She's the One (1996), and Feeling Minnesota (1996). After starring opposite Ewan McGregor in Danny Boyle's A Life Less Ordinary (1997), Diaz further endeared herself to audiences and critics with her performance in My Best Friend's Wedding (1997). Proving herself an acceptable foil for the film's star, Julia Roberts, she went on to greater success in the Farrelly brothers' There's Something About Mary in 1998. Starring as the film's titular heroine, Diaz turned in an audience-pleasing performance in the cheerfully bawdy film, which proved to be one of the year's biggest box-office successes. The same year, Diaz cameoed in Fear and Loathing in Las Vegas and starred as Jon Favreau's unhinged fiancée in the black comedy Very Bad Things. Now fully established as one of Hollywood's hottest properties, she accepted leads in 1999's Being John Malkovich, in which she played puppeteer John Cusack's wife, and Any Given Sunday, in which she played the president and co-owner of a football team in Oliver Stone's paean to American football.In 2000, Diaz joined Drew Barrymore and Lucy Liu in Charlie's Angels, the much-hyped big-screen remake of the television classic. A comically self-aware and fairly faithful adaptation of the original series, Charlie's Angels served up Matrix-style action with retro-sensibilities, propelling the franchise into the new millennium. The following year found Diaz endearing herself to younger audiences as the voice of Princess Fiona in the animated box-office smash Shrek, as well as using her wide-eyed innocence to horrific effect in the Tom Cruise mindbender Vanilla Sky. Headlining the ill-fated comedy The Next Best Thing in 2002, Diaz would take a historical trip to the birthplace of America in director Martin Scorsese's Gangs of New York before becoming the second (after Julia Roberts) actress to join the "20-Million-Dollar Club" with Charlie's Angels: Full Throttle. Like its predecessor, the film performed well at the box office, and Diaz further proved her box-office clout in 2004 when another sequel, Shrek 2, became the third-highest grossing film of all time.Diaz switched gears altogether in 2005 when she headed to the small screen, hosting and producing the MTV reality show Trippin'. With its focus on ecology and conservation, the program found the actress and her celebrity pals traipsing the globe to explore various natural environments. Diaz also remained a strong presence in Hollywood during the Christmas season of 2005 in the well-received Curtis Hanson film In Her Shoes. In this picture -- adapted from the Jennifer Weiner novel by Susannah Grant -- Diaz plays the beautiful yet thoroughly harebrained and irresponsible Maggie, sister of the prim, proper, and conservative attorney Rose (Australian import Toni Collette), with whom she comes to blows during their ill-advised stint as roommates. As Maggie discovers a grandmother that she never knew existed (Shirley MacLaine) and travels to Florida to bond with the woman, Rose experiences a significant romantic breakup and decides to change careers. A long-buried and dormant secret from the past then comes to light that reunites the women and forges a path to reconciliation. In Her Shoes struck box-office gold and won the hearts of many critics. And though it surprised just about everyone who foresaw a dopey, lame-brained romantic comedy, assiduous devotees of Hanson's career were perhaps less shocked given the director's keen intelligence and marvelous track record.Diaz maintained a relatively low profile throughout 2006, following up the Hanson film with yet another lightly comic dissection of contemporary relationships, Nancy Meyers' Holiday, followed by a voice-only turn in Dreamworks' tertiary installment of the Shrek franchise, Shrek the Third. Never shy about doing what her fans love, Diaz was soon signing on for more romantic comedies, starring alongside Ashton Kutcher in 2008's What Happens in Vegas and 2009's My Sister's Keeper. For her next project, however, Diaz tried something out of the ordinary, working with Donnie Darko director Richard Kelly for the supernatural thriller The Box. While not well received, the movie reminded critics and fans of Diaz's wide range. As the 2010's rolled onward, the actress proved that her charm was as strong with audiences as ever, most notably in action fare like Knight and Day, and comedies like the deliciously naughty Bad Teacher. In 2014, Diaz had a resurgent year, with the comedies The Other Woman and Sex Tape, before tackling the iconic role of Miss Hannigan in the remake of Annie.

Trivia: A wickedly debonair blend of Cary Grant and Joan Crawford, British actor Rupert Everett almost single-handedly conquered Hollywood with his turn as the man who dances off into the sunset with Julia Roberts in My Best Friend's Wedding. As the handsome, elegant, and gay George, Everett (who had been openly gay for some years) ushered in a different kind of gay sensibility in Hollywood, one that, rather than begging audiences for acceptance, flatly told them to get over it.Born in Norfolk, England, to a wealthy family on May 29, 1959, Everett was sent away for schooling at the age of seven. Taught by Benedictine monks at Amplesforth College, he was a good student and trained to be a classical pianist. After he discovered acting at the age of 15, he dropped out of school and ran off to London, where he supported himself as a prostitute for a couple of years (something he admitted in a 1997 interview with US magazine) and eventually enrolled at the Central School of Speech and Drama. Unfortunately, Everett clashed frequently with instructors and eventually dropped out, choosing to flee to Scotland. It was there that he got his first professional job as an apprentice with the Citizen's Theatre of Glasgow, and in the early '80s, his career began to bud. In 1982, he created the role of Guy Bennett for the West End production of Another Country, which also featured a very young Kenneth Branagh. Everett won raves for his portrayal of the younger version of real-life spy Guy Burgess, and in 1984 re-created the role for the play's film version. The following year, he starred with Miranda Richardson in Dance With a Stranger, turning in a strong performance in the critically acclaimed film. Although it seemed Everett's career was on the rise, the actor unfortunately opted for near-nonentity status with his 1987 U.S. film debut in Hearts of Fire, a rock & roll drama co-starring Bob Dylan. Following this flop, Everett disappeared for a while, taking up residence in Paris and writing a semi-autobiographical novel, Hello, Darling, Are You Working?.In 1991, Everett resurfaced with a lead role in The Comfort of Strangers opposite Natasha Richardson before appearing in 1993's Inside Monkey Zetterland, a film featuring a bizarre title, large ensemble cast (which included Patricia Arquette and Sandra Bernhard), and miserable reviews. Everett's subsequent feature, Prêt-à-Porter (1994), also featured an unconventional title, a large ensemble cast (including Julia Roberts, Sophia Loren, Stephen Rea, and Tim Robbins), and miserable reviews, but in its favor, it also featured a director named Robert Altman. Furthermore, Everett actually managed to make a favorable impression as a philandering fashion house scion, favor that was magnified, during the same year, with his hilarious turn as the fat and lazy Prince of Wales in Nicholas Hytner's The Madness of King George. However, for all of the positive attention he received, Everett incurred only bafflement with his next two films, the Italian schlock-fest Dellamorte, Dellamore (1994) and Dunston Checks In (1996), in which the actor starred with Faye Dunaway and an orangutan.1997 marked the turning point in Everett's career, as it brought with it his star-making role in My Best Friend's Wedding. The actor caused something of a sensation among male and female filmgoers alike, who wanted more of the handsome actor with the languorous wit. They got more of him the following year, in Shakespeare in Love, in which Everett had a supporting role as playwright Christopher Marlowe, and in B. Monkey, in which he played Jonathan Rhys Meyers' criminal lover. 1999 proved to be a very fruitful year for the actor -- who by this time was being hailed as Hollywood's Gay Prince -- as it featured the actor in leading roles in three films. He first played Oberon in Michael Hoffman's A Midsummer Night's Dream, in which he was part of an all-star cast including Michelle Pfeiffer, Kevin Kline, Christian Bale, and Calista Flockhart. Next came Oliver Parker's adaptation of Oscar Wilde's An Ideal Husband, for which Everett netted positive reviews in his central role as the delightfully idle Lord Goring. Finally, he camped and vamped it up as the resident villain of Inspector Gadget, once again demonstrating to audiences why it could feel so good to be so bad.In 2000 he appeared opposite Madonna in the comedy The Next Best Thing. Two years later he was cast in The Importance of Being Earnest, and followed that up with parts in Stage Beauty, Separate Lies, and People as well as lending his voice to effects heavy and animated projects like The Chronicles of Narnia and Shrek the Third. In 2011 he had a scene-stealing turn in the period sex comedy Hysteria.

Trivia: Catholic University was the alma mater of American actor Philip Bosco -- or would have been if he hadn't been expelled. Bosco would not collect a college degree until age 27, after a long stint as an Army cryptographer. Most comfortable in classical stage roles, Bosco has found it expedient to don modern garb for most of his movie work. After a one-shot screen appearance in 1968's A Lovely Way to Die, Bosco didn't step before the movie cameras again until 1983, making up for the lost years with supporting appearances in such films as Trading Places (1983), The Pope of Greenwich Village (1984), Three Men and a Baby (1987), Working Girl (1988) and Shadows and Fog (1992). Philip Bosco won a Tony Award for his performance in the popular door-slamming farce Lend Me a Tenor.

Trivia: Rarely garnering a lead role, M. Emmet Walsh has become one of the busiest character actors in Hollywood, using his ruddy, seedy appearance to embody countless low-life strangers with unsavory agendas. In his rare sympathetic roles, he's also capable of generating genuine pathos for the put upon plight of struggling small-timers. His effortless portrayals have made him a welcome addition to numerous ensembles, even if many viewers can't match a name to his recognizable mug. In fact, his work is so well thought of that critic Roger Ebert created the Stanton-Walsh Rule, which states that no film featuring either Walsh or Harry Dean Stanton can be altogether bad.Contrary to his frequent casting as a Southerner, Walsh is a native New Yorker, born on March 22, 1935, in Ogdensburg, NY. As a youth he attended the prestigious Tilton School in New Hampshire, and went on to share a college dorm room with actor William Devane. He graduated from the Clarkson University School of Business, but it was not until his thirties that he discovered his true calling: acting. He first popped up in Midnight Cowboy (1969), and has worked steadily ever since, some years appearing in as many as eight motion pictures, other years focusing more on TV movies. Working in relative anonymity through the '70s and early '80s, appearing in films ranging from Serpico (1973) to Slapshot (1977) to Blade Runner (1982), Walsh landed his meatiest and most memorable role in Joel and Ethan Coen's remarkable debut, Blood Simple (1984). Without batting an eye, Walsh exuded more casual menace as the amoral private detective doggedly pursuing his own self-interest than a host of typecast villains could muster in their entire careers. His role was key to creating a stylish noir that would launch the careers of two modern masters. It earned him an Independent Spirit Award.Blood Simple did not markedly alter Walsh's status as a supporting actor, as he went on to appear in this capacity in Fletch (1985), Back to School (1986), and Raising Arizona (1987), his next collaboration with the Coens, in which his bull-slinging machinist scores riotously with less than a minute of screen time. One of the first appearances of the kindly Walsh was in 1988's Clean and Sober, in which he plays a recovering alcoholic helping Michael Keaton through the same struggle.As he crept into his late fifties and early sixties, the stature of Walsh's films diminished a little, if not his actual workload. Continuing to dutifully pursue his craft throughout the early '90s, Walsh again returned to a higher profile with appearances in such films as A Time to Kill (1996), William Shakespeare's Romeo + Juliet (1996), and My Best Friend's Wedding (1997). More as a reaction to the ineptitude of the movie than Walsh's performance, Ebert called into question his own Walsh-Stanton Rule in his review of Wild Wild West, the 1999 Will Smith-Kevin Kline debacle in which Walsh is one of the only tolerable elements. In the years to come, Walsh would remain active on screen, appearing in films like Youth in Revolt and providing the voice of Olaf on the animated series Pound Puppies.

Trivia: Injecting both sexy vitality and strong-minded intelligence into every role she plays, Rachel Griffiths is one of the screen's most interesting and unpredictable actresses. Since her breakthrough role as Rhonda in the 1994 Muriel's Wedding, Griffiths -- whose looks recall an off-kilter amalgam of Juliette Lewis and Juliette Binoche -- has earned international appreciation for her work, particularly in the form of the Oscar nomination she received for her performance in Hilary and Jackie (1998). Born in Newcastle, New South Wales, Australia, on June 4th, 1968, Griffiths grew up in Melbourne with her art consultant mother and two older brothers. A 1990 graduate of Victoria College, where she earned a Bachelor of Education degree in drama and dance, she began her career as a member of Woolly Jumpers, Inc., a community theatre group. She had her first success as the creator and performer of Barbie Gets Hip, which played at the 1991 Melbourne International Film Festival. Griffiths' true breakthrough came courtesy of her film debut in P.J. Hogan's sleeper hit Muriel's Wedding. As the fast-living best friend of the film's titular heroine (Toni Collette), Griffiths gave a scene-stealing performance that earned her both the Australian Film Critics Award and the Australian Film Institute Award for best supporting actress. She followed this triumph in 1996 with a drastically different role, that of the earthy, ill-mannered pig farmer wife of the titular protagonist (Christopher Eccleston) in Michael Winterbottom's Jude. After returning to Australia to star in two back-to-back comedies, Cosi (which had Griffiths sharing the screen with Muriel co-star Collette) and Children of the Revolution (both 1996), Griffiths re-teamed with director Hogan for a supporting role in My Best Friend's Wedding (1997). Her first major Hollywood film, it overshadowed her starring role in that same year's My Son the Fanatic, a romantic comedy that featured the actress in a tough, dynamic portrayal of a London prostitute who becomes involved with a Pakistani taxi driver (Om Puri). Griffiths finally earned overdue recognition with her portrayal of the real life Hilary Du Pre, sister of famed cellist Jaqueline Du Pre, in Hilary and Jackie (1998). Cast opposite Emily Watson as Jackie, she gave a strong, understated performance and more than managed to hold her own against the prodigiously talented Watson, whose own performance was tremendously vibrant and forceful. The two actresses complemented one another so perfectly that they both earned Oscar nominations, Watson for Best Actress and Griffiths for Best Supporting Actress.Griffiths found further success as the first-time director of Tulip, a short film about a man's readjustment to life after his wife's death. The film earned awards at a number of international film festivals and established Griffiths as a promising filmmaker. However, she quickly returned to working on the other side of the camera, starring in such little-seen films as Among Giants (1998), a romantic drama in which she played an Australian hitchhiker who finds adventure in the wilds of Sheffield. Back in Australia, Griffiths won lavish acclaim for her role in Me Myself I (1999), in which she starred as a young woman who gets the opportunity to experience her own life in a parallel universe. Although the film came in for decidedly mixed reviews, critics were almost unanimous in their agreement over the strength of Griffiths' performance. The following year she could be seen in Blow Dry, a British comedy about two competing hair salons that featured her as a salon owner who becomes romantically involved with the ex- wife (Natasha Richardson) of her business rival.Turning up opposite Johnny Depp in Blow the same year, Griffiths' rise to international stardom continued it's ascent as she took home the Best Supporting Actress in a television series award for her role in HBO's Six Feet Under. Although her career has assumed international proportions, Griffiths has remained involved with the arts and politics of her native country. In addition to her continued work in the Australian theatre and television, she has earned a reputation for her stance in Melbourne politics: in 1997, in protest of the development of a casino in one of Melbourne's neighborhoods, she stood outside of the casino wearing only a loincloth and a banner reading "Need Not Greed," before dropping the banner and baring her chest to a crowd of enthusiastic onlookers and disgruntled policemen.Griffiths was praised for her role in the Australian family drama Deluge in 2003, and continued her role in Six Feet Under until the show concluded after five seasons. The actress went a different direction in 2006, when she played a strong, yet compassionate mentor to a street smart dancer in Step Up. Griffiths returned to the television screen during 2006 and 2007 for a lead role in ABC's family drama Brothers & Sisters.

Trivia: As the impresario of her own front-yard theater troupe at the tender age of 12, there wasn't much question as to which direction the later career of actress Carrie Preston was headed. Serving as everything from stage hand to starlet made it clear to all that her dedication to theater ran deep even at such an early age; eventually, Preston would graduate from the sound stage to the bright lights of Broadway opposite many of her generation's finest classically trained actors. Born and raised the daughter of an artist and art therapist mother and a geo-technical engineer father in Macon, GA, the stage-smitten youngster later earned a Bachelor of Fine Art from the University of Evansville. After continuing her education with an acting diploma from Juilliard, Preston found a choice early career role as Miranda (opposite Patrick Stewart) in a Shakespeare-in-the Park production of The Tempest. Seeking her fortune out West, Preston found roles in such popular films as My Best Friend's Wedding (1997) and Mercury Rising (1998) while frequently returning to the New York stage between film roles. After once again re-teaming with Tempest co-star Stewart in a Guthrie Theater production of Who's Afraid of Virginia Woolf?, the avid outdoors woman continued developing her film career with appearances in Cradle Will Rock, Guinevre (both 1999), and The Legend of Beggar Vance (2000). Though her roles on television were previously limited to appearances in Sex and the City and Spin City, Preston later took a more committed dedication to the small screen when she turned up alongside popular television chef Emeril Lagasse in the series Emeril in 2001.In the several years to come, Preston would find success in films like Vicky Christina Barcelona and Doubt, as well as on shows like The Good Wife and the monumentally successful True Blood.

Trivia: Susan Sullivan is an Emmy-nominated actress who has proved equally adept at drama or comedy. She is best known for her eight years portraying Maggie Gioberti on the television series Falcon Crest, a prime-time network soap opera in a vein similar to that of Dallas and Dynasty, but she has also shown her comedic skills on sitcoms such as It's a Living and The George Carlin Show. Born Susan Michaela Sullivan in New York City in 1942 (some sources say 1944), she put herself through college by working as a Playboy bunny in the early '60s. Indeed, Sullivan was among the first Playboy bunnies employed by the newly opened Playboy Club in New York; as she has recalled in interviews, this was a most intellectually impressive and ambitious array of women, somewhat different from what the Playboy bunnies subsequently became, many of them aspiring to careers in law and other professions, and financing their educations by working at the club. Her television career began when she joined the cast of the daytime drama Another World in the role of Lenore Curtin, who she portrayed for four seasons. Sullivan based her career in New York, and was appearing in an off-Broadway play when she was spotted by an agent who offered to represent her if she moved to Hollywood. She accepted and thus began her career in prime-time television. Sullivan (who was sometimes billed as Susan J. Sullivan early in her career to distinguish her from another late-'60s actress named Susan Sullivan) appeared on television series such as Medical Center, McMillan & Wife, Kojak, and Petrocelli during the early '70s before landing the role that would establish her acting credentials, as Peter Strauss' lover in Rich Man, Poor Man--Book II (1976), which earned her an Emmy nomination. That same year, she moved into feature films, playing opposite Charlton Heston in Jack Smight's feature film Midway; she only had ten minutes of screen time in the movie, but hers were some of the best and most dramatically involving scenes in a movie that was otherwise largely devoid of character development or depth. Her sequences were used exclusively for the two-part television version of the movie, which means that theatrical audiences never saw her; Sullivan's scenes were missing from every home video version of the film until the October 2001 DVD reissue of Midway, which contained her footage. She spent most of the rest of the '70s in good guest-starring roles on series such as Taxi (where, in the episode "What Price Bobby," she proved herself capable of getting laughs and being sexually provocative at the same time, portraying an amorously predatory theatrical agent), and she turned in an exceptional dramatic performance in the pilot film for The Incredible Hulk, portraying a research scientist and friend of stricken hero David Banner (Bill Bixby). Her star continued to rise when she was cast in the lead role, as a gynecologist, in the made-for-television feature Having Babies and a sequel, which led to Sullivan playing the lead role in the subsequent ABC network series of the same name. From there, she was cast in the sitcom It's a Living, playing the most mature and sensible member of a group of waitresses at an upscale restaurant. It was after leaving It's a Living in 1981 that Sullivan earned the lead role of Maggie Gioberti on the drama Falcon Crest, which she played for eight seasons. Since leaving that series in 1989, a year before the end of its run, Sullivan has continued to act in both comedy and drama, and appeared on television on behalf of various charitable causes, as well as serving as the commercial spokesperson for Tylenol. She was a co-star on the George Carlin Show and has appeared on sitcoms such as Dharma & Greg. In the 2st century she found a regular gig voicing Hippolyta on the animated Justice League series, and enjoyed recurring roles on both The Drew Carey Show and Castle.

Trivia: Earned a dance scholarship to UCLA. Studied theater abroad at King's College in London. Got her start in film as a dancer in such movies as The Big Lebowski (1998) and Austin Powers: The Spy Who Shagged Me (1999). Landed her first speaking role in Deuce Bigalow: Male Gigolo (1999). Played the recurring role of Rosalee on the NBC drama Grimm during the first season and was promoted to series regular for the second season. Involved with the Surfrider Foundation, which works to conserve the ocean and beaches.

Trivia: Studied at the Piven Workshop in Evanston, IL. Joined the Shattered Globe Theatre in Chicago in 1998. Was nominated for a Joseph Jefferson award for his work in the Shattered Globe Theatre's production of Frozen Assets. Made his Broadway debut in the 2006 production of The Caine Mutiny Court-Martial.

Trivia: The balding, likeable, nervous-looking character actor Paul Giamatti is the son of the author, Yale president, and Major League Baseball commissioner A. Bartlett Giamatti. After earning his M.F.A. in Drama from Yale, the younger Giamatti got started on his acting career with small film parts and TV guest spots. He quickly became a recognizable face but his name was not yet well-known in Hollywood, while on-stage he appeared in lead roles for Broadway productions of The Three Sisters and The Iceman Cometh. Giamatti's film breakthrough came in 1997 with the role of media executive Kenny (aka "Pig Vomit") in the Howard Stern movie Private Parts. In his next few films, he played small yet funny parts like the inept mob henchman in Safe Men, the slave-peddling ape in Planet of the Apes, and the bellboy in My Best Friend's Wedding. He then got starring roles in the HBO movies Winchell (opposite fellow character actor Stanley Tucci) and If These Walls Could Talk 2. Giamatti seemed to get good parts in both independent films (Storytelling, Confidence) and in major studio blockbusters (Big Momma's House, Big Fat Liar). After playing the real-life eccentric Bob Zmuda in Milos Forman's Man on the Moon, he got his first major starring role in 2003 as the leading real-life eccentric Harvey Pekar in American Splendor, which won the Grand Jury Prize at the Sundance Film Festival. The same year he starred in the FX original movie The Pentagon Papers with James Spader.Many thought Giamatti was more than deserving of an Academy Award nomination for his role in American Splendor, but when the nods were announced his name was absent. Nonetheless, he received even more raves for his next film. As the wine-loving love-lorn lead in Sideways, Giamatti wowed critics and increased his popularity with audiences exponentially. However, despite the overwhelming accolades and multiple Oscar nominations for the film, Giamatti was again ignored by the Academy.Next up, Giamatti returned to supporting work with a role in director Ron Howard's acclaimed 2005 biopic of boxer Jim Braddock, Cinderella Man. Playing the concerned, passionate manager to Russell Crowe's headstrong underdog, Giamatti finally received some belated Academy attention, even if he lost the 2005 Best Supporting Actor prize to popular favorite George Clooney. No matter, since Giamatti was already at work on his next leading man project in M. Night Shyamalan's Lady in the Water. Of course his role as the befuddled apartment complex supervisor attempting to protect a mysterious woman who emerges from the swimming pool in Shyamalan's eagerly-anticipated fairy-tale thriller still only seemed like the beginning of an incredibly productive period that continued to capitalize on Giamatti's post-Sideways success, and with an exhausting six films featuring the actor scheduled for release in 2006 alone, the actor previously content essaying supporting roles found himself increasingly gravitating towards the status of leading man. Still, it wasn't all big budget blockbusters for the screen's most well-known wine connisseur, and with a prominant role as an obsessive falconer in writer/director Julian Goldberger's 2006 adaptation of author Harry Crews 1973 novel The Hawk is Dying, Giamatti delivered the distinct message that his career was still very much about the creativity afforded to actors and not necessarily the financial payoff. An additional role in the romantic fantasy adventure The Illusionist that same year found Giamatti taking a trip back to turn-of-the-century Vienna to play a conflicted police inspector whose outward obligations to the aristocracy belie his growing suspicions that they may be covering up an especially confounding murder. With a voice that was equally as recognizable as his distinctive face, Giamatti began lending his vocal chords to a variety of animated projects including Robots, The Ant Bully, The Haunted World of El Superbeasto and the curiously titled Amazing Screw-on Head as well. Unrelenting in the coming years, Giamatti would continue to take on a wide range of memorable character roles in interesting films like Shoot Em Up, John Adams, Cold Souls, The Last Station, The Hangover Part II, The Ides of March and Rock of Ages.

Trivia: California native Harry Shearer was one of the busier child actors of the 1950s. He appeared in such films as The Robe (1953) (as the boy David) and Abbott and Costello Go to Mars (1953); he could be heard on such radio programs as Suspense, Lux Radio Theatre, and the Jack Benny Show; and among his many TV guest roles was the character who would evolve into Eddie Haskell in the 1955 Leave It to Beaver pilot. After attending U.C.L.A., Shearer flourished as a standup comedian and comedy writer. He was frequently employed on the writing staff for such TV laughspinners as Laverne and Shirley and America 2Night; he also worked both sides of the camera in the 1984 rockumentary parody This Is Spinal Tap, co-starring as rock idol Derek Smalls and co-writing the script with director Rob Reiner and fellow cast members Christopher Guest and Michael McKean. In league with another top satirist, Albert Brooks, Shearer concocted the screenplay for another faux documentary, 1979's Real Lampoon. During the 1984-1985 TV season, Shearer joined the Not Ready for Prime Time Players on NBC's Saturday Night Live. The soft-spoken, saturnine Harry Shearer is most famous however for lending his voice to the Fox Network cartoon series The Simpsons.

Trivia: Lettered in baseball, basketball and football in high school. First stage role was in college, playing the lead role in King Lear. Served four years in the Air Force after college, including a stint in Vietnam in 1967-68. Was a radio disc jockey in Texas. Made his film debut in 1976's Keep My Grave Open. Appeared in legendary sports movies Hoosiers (1986), Major League (1989) and Rudy (1993). Character name in both Basic Instinct and The Sopranos was Capt. Talcott.

Trivia: Paul Adelstein originated in Chicago, and traveled that well-tread road of so many aspiring actors: he waited tables while working toward the proverbial big break. A stint as a server at the Windy City's Café du Midi helped him put food on the table, while -- in off-hours -- he trained with John Cusack's New Crimes stage ensemble and at the Piven Theatre Workshop in Evanston. Following a one-episode appearance on television's ER (1999) and involvement in the short-lived series Cupid (1998-1999), Adelstein signed on to work for Harold Ramis, in the director's late 2000 remake Bedazzled -- and tackled multiple roles in the picture. Adelstein collaborated with the Coen Brothers and fellow ER vet George Clooney on their late 2003 divorce comedy Intolerable Cruelty, and played opposite John Travolta and Vince Vaughn in the poorly received crime comedy Be Cool (2005), then participated in two series: the 2005 Prison Break (as a federal agent) and the 2007 Private Practice (as a key member of a Santa Monica medical team). He maintained a film career by appearing in the indie films The Missing Person and Frenemy. Once Private Practice wrapped in 2013, he stayed in the Shonda Rimes family with a reccuring gig on Scandal, and also landed a series regular role on Girlfriends' Guide to Divorce.