Trivia: The son of actor Richard Cusack and younger brother of comic actress Joan Cusack, John Cusack started his career at the age of eight, under the guidance of his theatrically active mother. He made his stage bow with Evanston's Pivan Theatre Workshop and quickly went on to do commercial work, becoming one of Chicago's busiest commercial voice-over artists.Although Cusack began to emerge as an actor during the heyday of the Brat Pack, and appeared in a number of "teen" movies, he managed to avoid falling into the narrowly defined rut the phenomenon left in its wake. After making his film debut in 1983's Class, he had a brief but painfully memorable appearance as a member of Anthony Michael Hall's nerd posse in Sixteen Candles (1984). Bigger and better opportunities came Cusack's way the following year, when he achieved a measure of stardom with his portrayal of a sexually anxious college freshman in The Sure Thing (1985). The same year, he gained further recognition with his starring roles in Better Off Dead (which also granted him a degree of cult status) and The Journey of Natty Gann.Cusack spent the rest of the 1980s carving out a niche for himself as both a solid performer and something of a lust object for unconventional girls everywhere, a status aided immeasurably by his portrayal of lovable underachiever Lloyd Dobler in Cameron Crowe's 1989 ....Say Anything. He also began winning critical acclaim for his parts in more serious films, notably as a disgraced White Sox third baseman in John Sayles' Eight Men Out (1988) and as a con artist in Stephen Frears' The Grifters (1990).Cusack enjoyed steady work throughout the 1990s, with particularly notable roles in Woody Allen's Bullets Over Broadway (1994), which featured him as a struggling playwright; Midnight in the Garden of Good and Evil (1997), in which he starred as a journalist investigating a murder; Grosse Pointe Blank (1997), which cast him as the film's protagonist, a neurotic hit man; and the impressively cast The Thin Red Line, in which he played a World War II soldier. Just about all of Cusack's roles allowed him to showcase his quirky versatility, and the films he did to close out the century were no exception: in 1999 he first starred as an air-traffic controller in the comedy Pushing Tin and then appeared as Nelson Rockefeller in Cradle Will Rock, Tim Robbins' exploration of art and politics in 1930s America; finally, in perhaps his most unique film to date, he starred in Spike Jonze's Being John Malkovich as a puppeteer who discovers a way to enter the mind of the famous actor. The wildly original film turned out to be one of the year's biggest surprise hits, scoring among both audiences and critics. Cusack had yet another triumph the following year with High Fidelity, Stephen Frears' adaptation of Nick Hornby's novel of the same name. The actor, who co-wrote the script for the film in addition to starring in it, earned some of the best reviews of his career for his heartfelt comic portrayal of Rob, the film's well-meaning but oftentimes emotionally immature protagonist. The next year he played opposite Julia Roberts in the showbiz comedy America's Sweethearts. In 2002 he took a lead part in the controversial Hitler biopic Max, and he did a brief cameo for Spike Jonze in Adaptation.The next year he had a couple of hits with the John Grisham adaptation The Runaway Jury, and the psychological thriller Identity. In 2005 he was the lead in the black comedy The Ice Harvest opposite Billy Bob Thornton, as well as the romantic comedy Must Love Dogs.He earned solid reviews in 2007 for the Iraq War drama Grace Is Gone, playing the husband of a woman who dies while serving in the military., and in that same year he starred in the Stephen King adaptation 1408. In 2008 he appeared in and co-wrote the political satire War, Inc. The next year he was the lead in the disaster film blockbuster 2012.Cashing in on his status as an eighties icon, he had a hit in 2010 with the R rated comedy Hot Tub Time Machine, and in 2012 he portrayed Edgar Allan Poe in The Raven.

Trivia: Displaying talent both for acting and for appearing at awards ceremonies wearing dresses that attract more attention than the awards themselves, Minnie Driver rose from almost complete obscurity to her position as one of the most visible British actresses of the 1990s over the course of just a few years. Born Amelia Driver in London on January 31, 1971, she was christened "Minnie" by her sister, who was too young to pronounce her little sister's name correctly. Raised in Barbados and schooled in locales as diverse as Paris, Grenoble, and Hampshire, Driver attended the Webber Douglas Academy of Dramatic Art in London, where she studied drama.Driver got her start on the stage and on television and made her big-screen debut in Circle of Friends in 1995. Playing the film's protagonist -- a "big, soft girl," as one of the film's characters calls her -- she was required to gain over 20 pounds for the role. She won critical acclaim for her performance, but had trouble finding more work until she lost the weight. Once she was revealed to be a statuesque beauty in the James Bond film GoldenEye (1995), she soon was being written up in a number of magazine articles that hailed her as one to watch. Critical appreciation for her work in Sleepers and Stanley Tucci's Big Night followed in 1996, and the next year, Driver proved herself capable of handling both comedy and a convincing Midwestern accent in Grosse Pointe Blank. That same year, she had what was possibly her most high-profile role to date in Gus Van Sant's Good Will Hunting. Starring as Matt Damon's brilliant girlfriend (a role she reportedly played offscreen as well), she earned a Best Supporting Actress Oscar nomination for her performance.In 1998, Driver could be seen in The Governess and At Satchem Farm, a romantic comedy she executive produced with her sister, Kate, and actor Nigel Hawthorne. She also ventured into the action realm with Hard Rain. Driver then put her voice to lucrative use, voicing characters in Disney's Tarzan, South Park: Bigger, Longer and Uncut in 1999, and Lady Eboshi in the 1999 English dubbed release of the Japanese film Princess Mononoke. That same year, she took a swing at Oscar Wilde, starring in Oliver Parker's adaptation of Wilde's An Ideal Husband with Rupert Everett, Cate Blanchett, Julianne Moore, and Jeremy Northam. Driver then shed her corset and donned an American accent for her starring role in Bonnie Hunt's Return to Me (2000), a romantic comedy that cast the actress as a woman who falls in love with a widowed architect (David Duchovny) and discovers a surprising secret about the identity of his dead wife.Driver returned to television in 2007, when she co-starred with Eddie Izzard for the FX Network's The Riches, a series following a family squatting in an upscale suburban community. The role earned her nominations for an Emmy Award and Golden Globe Award for Best Lead Actress in a Drama Series in both 2007 and 2008. In 2010, Driver joined actress Hilary Swank in Conviction, a film chronicling the real-life story of a single mother who obtains a law degree to represent her brother, who was wrongfully convicted of murder. The same year, Driver joined Paul Giamatti for which she would earn a Genie Award for Best Supporting Actress. The actress co-starred with a cast including Vera Farmiga and Will Arnett in the 2011 comedy Goats.

Trivia: One of the most vibrant comic personalities of the 1970s and '80s, as well as a noted actor and screenwriter, Dan Aykroyd got his professional start in his native Canada. Before working as a standup comedian in various Canadian nightclubs, Aykroyd studied at a Catholic seminary from which he was later expelled. He then worked as a train brakeman, a surveyor, and studied Sociology at Carleton University in Ottawa, where he began writing and performing comedy sketches. His success as a comic in school led him to work with the Toronto branch of the famed Second City improvisational troupe. During this time -- while he was also managing the hot nightspot Club 505 on the side -- Aykroyd met comedian and writer John Belushi, who had come to Toronto to scout new talent for "The National Lampoon Radio Hour." In 1975, both Aykroyd and Belushi were chosen to appear in the first season of Canadian producer Lorne Michaels' innovative comedy television series Saturday Night Live. It was as part of the show that Aykroyd gained notoriety for his dead-on impersonations of presidents Richard Nixon and Jimmy Carter. He also won fame for his other characters, such as Beldar, the patriarch of the Conehead clan of suburban aliens, and Elwood, the second half of the Blues Brothers (Jake Blues was played by Belushi). Aykroyd made his feature-film debut in 1977 in the Canadian comedy Love at First Sight, but neither it nor his subsequent film, Mr. Mike's Mondo Video, were successful. His first major Hollywood screen venture was as a co-lead in Steven Spielberg's 1941 (1979). But Aykroyd still did not earn much recognition until 1980, when he and Belushi reprised their popular SNL characters in The Blues Brothers, a terrifically successful venture that managed to become both one of the most often-quoted films of the decade and a true cult classic. Aykroyd and Belushi went on to team up one more time for Neighbors (1981) before Belushi's death in 1982. Aykroyd's subsequent films in the '80s ranged from the forgettable to the wildly successful, with all-out comedies such as Ghostbusters (1984) and Dragnet (1987) falling into the latter category. Many of these films allowed him to collaborate with some of Hollywood's foremost comedians, including fellow SNL alumni Chevy Chase, Bill Murray, and Eddie Murphy, as well as Tom Hanks and the late John Candy. In such pairings, Aykroyd usually played the straight man -- typically an uptight intellectual or a latent psycho. He tried his hand at drama in 1989 as Jessica Tandy's son in Driving Miss Daisy and received an Oscar nomination for Best Supporting Actor. During the '90s, Aykroyd's career faltered just a bit as he appeared in one disappointment after another. Despite scattered successes like My Girl (1991), Chaplin (1992), Casper (1995), Grosse Pointe Blank (1997), and Antz (1998), the all-out flops -- The Coneheads (1993), Exit to Eden (1994), Sgt. Bilko (1996) -- were plentiful. Likewise, the long-awaited Blues Brothers sequel, Blues Brothers 2000 (1998), proved a great disappointment. Aykroyd, however, continued to maintain a screen profile, starring as Kirk Douglas' son in the family drama Diamonds in 1999. During the next few years, he found greater success in supporting roles, with turns as a shifty businessman in the period drama The House of Mirth (2000), Woody Allen's boss in The Curse of the Jade Scorpion (2001), pop star Britney Spears' father in her screen debut, Crossroads (2002), and (in a particularly amusing turn) as Dr. Keats in the Adam Sandler/Drew Barrymore comedy 50 First Dates. Aykroyd also appeared in the 2005 Christmas with the Kranks, alongside Tim Allen and I Now Pronounce You Chuck and Larry with Adam Sandler in 2006. He also provided the voice of Yogi Bear in the big screen adaptation of the titular cartoon -- but none of these projects did particularly well with fans. Aykroyd soon planned to revive the smashing success of the Ghostbusters franchise, collaborating with Harold Ramis to create a script and reunite the original four stars. However, ongoing hold-ups, including the public refusal of pivotal member Bill Murray to participate, continued to push the project back. In the meantime, Akroyd played a recurring role on TV shows like According to Jim, The Defenders, and Happily Divorced.Since 1983, Aykroyd has been married to the radiant Donna Dixon, a model who holds the twin titles of Miss Virginia 1976, and Miss District of Columbia 1977; the two co-starred in the 1983 Michael Pressman comedy Doctor Detroit. In Aykroyd's off time, he claims a varied number of interests, including UFOs and supernatural phenomena (his brother Peter works as a psychic researcher), blues music (he co-owns the House of Blues chain of nightclubs/restaurants), and police detective work.

Trivia: As a multi-talented film and stage performer with an intense comic flair, the diminutive and stocky Jewish-American character actor Alan Arkin built a career for himself out of playing slightly gruff and opinionated yet endearing eccentrics. Though not commonly recognized as such, Arkin's ability extends not only beyond the range of the comedic but far beyond the scope of acting. In addition to his before-the-camera work, Arkin is an accomplished theatrical and cinematic director, an author, and a gifted vocalist.Born March 26, 1934, to immigrant parents of Russian and German Hebrew descent, Arkin came of age in New York City, then attended Los Angeles City College in the early '50s and launched his entertainment career as a key member of the folk band the Tarriers, alongside Erik Darling, Carl Carlton, and Bob Carey. Unfortunately, the Tarriers never managed to find a musical foothold amid the 1960s folk boom -- which, despite the success of a European tour in 1957, encouraged Arkin to leave the group and carve out a niche for himself in another arena.Arkin instead turned to stage comedy and joined Chicago's Second City troupe, then in its infancy. (It officially began in 1959.) From there, Arkin transitioned to Broadway roles, and won a Tony and critical raves for his debut, in Carl Reiner's autobiographical seriocomedy Enter Laughing (1963). He followed it up with the lead in Murray Schisgal's surrealistic character comedy Luv, and made his onscreen debut alongside friend and fellow actor Reiner, for Norman Jewison's frenetic social satire The Russians Are Coming! The Russians Are Coming! The picture not only scored with the public and press (and received a Best Picture nod) but netted Arkin a nomination for Best Actor. He lost to Paul Scofield, for the latter's role as Thomas More in A Man for All Seasons.Arkin evinced pronounced versatility by cutting dramatically against type for his next performance: that of Harry Roat, a psychopath who systematically psychologically tortures Audrey Hepburn, in Terence Young's Wait Until Dark (1967). A return to comedy with 1968's Inspector Clouseau (with Arkin in the Peter Sellers role) proved disastrous. Fortunately, Arkin took this as a cue, and shifted direction once again the following year, with his aforementioned portrayal of Singer in The Heart Is a Lonely Hunter -- a gentle and beautiful adaptation of Carson McCullers' wonderful novel. For the effort, Arkin received a much-deserved sophomore Academy Award nomination for Best Actor, but lost to Charly's Cliff Robertson. The '70s brought mixed prospects for Arkin. He debuted as a film director in 1971, with a screen adaptation of Jules Feiffer's jet-black comedy Little Murders -- a theatrical work that Arkin had previously directed, to rave reviews, off-Broadway. A foray into the subject of American apathy in the face of random violence as it escalated during the late '60s and early '70s, the film tells the story of a sociopathically aggressive woman (Marcia Rodd) who wheedles an apathetic photographer-cum-avant-garde filmmaker (Elliott Gould) into marriage. The film divided journalists sharply. Despite initial reservations and objections, the film aged well with time, and has received renewed critical attention in recent years.Arkin's choice of projects over the remainder of the decade varied dramatically in quality -- from the dregs of Gene Saks' Neil Simon cinematization Last of the Red Hot Lovers (1972) and the tasteless police comedy Freebie and the Bean (1974) to the finely wrought, overlooked comedy-mystery The Seven-Percent Solution (1976) and Arthur Hiller's sensational farce The In-Laws (1979). Alongside his film work during the '70s, Arkin authored two best-sellers: the children's book Tony's Hard Work Day (1972) and an exploration of yoga, Half Way Through the Door: An Actor's Journey Towards the Self (1975). In the late '70s, Arkin made a rare television appearance, delighting younger viewers with a wild and gothic starring role on an episode of Jim Henson's Muppet Show.If the 1970s struck Arkin fans as something of a mixed bag, the actor's career choices suffered during the '80s, perhaps because of the paucity of solid comedic roles available in Hollywood during that decade. A brief list of Arkin's film credits during that period render it surprising that he could even sustain his own career throughout such poor choices: Chu Chu and the Philly Flash (1981), Improper Channels (1981), Full Moon High (1982), Bad Medicine (1985), Big Trouble (1985), and Escape from Sobibor (1987). Arkin did make two wonderful contributions to overlooked '80s comedies, however: 1980's Simon and 1985's Joshua Then and Now. In the first picture, directed by fellow Tarrier vocalist (and former Woody Allen co-scenarist) Marshall Brickman, Arkin plays Simon Mendelssohn, a college professor who falls prey to a nutty government think tank run by Max Wright and Austin Pendleton. Although the film remained an obscurity, Joshua delivers some of Arkin's most impressive onscreen work to date, and doubtless enabled him to pull from his own Jewish heritage in developing the character.The public's decision to snub these two pictures may have foreshadowed Arkin's work in the '90s, when he appeared in several fine, but equally overlooked, efforts. These included: Havana (1990), The Rocketeer (1991), Indian Summer (1993), Bullets Over Broadway (1994), the aforementioned Mother Night (1996), Grosse Pointe Blank (1997), and Slums of Beverly Hills (1998). He delivered a searing performance as the "loser" salesman who robs his company of much-sought-after leads, in James Foley's David Mamet cinematization Glengarry Glen Ross (1992), and offered the only memorable contribution to Andrew Davis' fable Steal Big, Steal Little (1995), as "an opportunist who weighs in with the underdogs and learns the true meaning of decency and friendship...[striking] the perfect blend of cynicism, sincerity, and simpatico." Arkin maintained a comparatively lower profile during the early years of the millennium, aside from outstanding contributions to the otherwise dull farce America's Sweethearts (2001), the gripping telemovie The Pentagon Papers (2003), and the historical biopic And Starring Pancho Villa as Himself (2003). In early 2007, Arkin received his first Academy Award nod in 38 years: a Best Actor nomination that he subsequently won for his hilarious turn in the road comedy Little Miss Sunshine. In that movie, Arkin played the grandfather of an über-dysfunctional family, who is ejected from a nursing home for his freewheeling lifestyle. The character's passions include porn and heroin -- elements that, as used by the film's directors, enable Arkin to provide much of the film's fresh and inspired humor. The part earned him rave reviews, and an Oscar for Best Supporting Actor.He appeared in the dog film Marley & Me in 2008, and that same year reteamed with Steve Carell for the big-screen version of Get Smart. He was the executive producer and co-star of the shaggy-dog crime tale Thin Ice in 2010, and the next year he had a brief cameo as a studio tour guide in The Muppets, and appeared in The Change-Up. He had a major part in Ben Affleck's Argo, a thriller about agents attempting to save American hostages held by Iranians by pretending to be making a Hollywood blockbuster. His portrayal of a showbiz producer who helps pull of the scheme, Arkin captured another Oscar nomination for Best Supporting Actor.Alan Arkin has married and divorced three times, to Jeremy Yaffe, to Barbara Dana, and to Suzanne Arkin. In addition to the legacy engendered by his own career resumé, Arkin has fathered something of an acting dynasty; his three sons, Adam, Matthew, and Tony, are all gifted and accomplished actors, with Adam Arkin (Northern Exposure, Chicago Hope) maintaining a somewhat higher profile than his brothers.

Trivia: One of Hollywood's funniest and most underappreciated actresses, Joan Cusack was for years relegated to playing the buddy sidekicks of her more glamorous co-stars and known primarily as John Cusack's older sister. Thanks to a couple of Oscar nominations and strong roles in a number of movies, Cusack finally began getting her due in the late 1990s, earning both recognition and respect for her singular talent.Born in New York City on October 11, 1962, Cusack grew up in the Chicago suburb of Evanston. The daughter of actor and filmmaker Richard Cusack, she and her siblings were encouraged to perform from an early age. As a result, Cusack grew up acting on the stage and training with the Piven Theatre Workshop. She broke into film while still in her teens, getting her start - -and often acting alongside her brother -- in such teen comedies as My Bodyguard (1980) and Sixteen Candles (1984). In 1985 she was offered a part on the Saturday Night Live roster, but felt constrained by the lack of quality material offered to women, and left the show after one season. Gradually getting better supporting work in such films as Broadcast News (1987) and Married to the Mob (1988), Cusack had her screen breakthrough in Working Girl (1988), earning a Best Supporting Actress Oscar nomination for her role as Melanie Griffith's street-smart best friend. More strong notices followed in 1989 for Cusack's work in the drama Men Don't Leave, in which she played a nurse who helps get Jessica Lange's life back on track after her husband's death. Though Cusack would move to Chicago for much of the 90's to focus on her family, she would appear in a handful of memorable titles, like My Blue Heaven (1990), Addams Family Values, Corrina, Corrina, Nine Months, and In & Out. Cusack would amp it up in the coming years, however, with appearances in a slew of popular films like Grosse Point Blank, Runaway Bride, High Fidelity, and Cradle will Rock. As the 2000's rolled onward, Cusack would continue to maintain her status as a go-to character actor, appearing in fims like Friends with Money, My Sister's Keeper and Mars Needs Moms, and on the critically acclaimed series Shameless.

Trivia: Classically trained character actor Jeremy Piven shot to stardom as Ellen DeGeneres' unforgettable, sharp-witted cousin Spence on the ABC sitcom Ellen. Born in New York City on July 26, 1965, Piven is the son of actors Byrne and Joyce Piven. He grew up in Evanston, IL, where his parents founded the Piven Theater Workshop. He studied theater at his parents' school alongside Lili Taylor, Rosanna Arquette, and pal John Cusack. The longtime friends, who began by performing Chekhov at age eight, have collaborated on several films -- including One Crazy Summer (1986), Say Anything (1989), The Grifters (1990), Floundering (1994), Grosse Pointe Blank (1997), and Serendipity (2001). They also co-founded the New Criminals Theater Company in 1989, which is now New Crime Productions, the company behind Grosse Pointe Blank and the Cusack vehicle High Fidelity (2002).A former member of the Second City National Touring Company, Piven made his small-screen debut on Carol Burnett's short-lived variety show Carol and Company in 1990. He went on to play a writer on HBO's The Larry Sanders Show and to appear on Seinfeld before starring as an unemployed father on the short-lived series Pride & Joy. Disney, who produced Pride & Joy, then created a role for him on Ellen. After the sitcom's cancellation in April 1998, Piven landed his own show, the offbeat ABC comedy-drama Cupid. Also starring Piven's real-life neighbor Paula Marshall, Cupid followed the infamous matchmaker after he had been thrown out of heaven for bad behavior and attempted to earn his reentry by uniting 100 couples in true love without using his otherworldly powers. The series won critical acclaim and earned Piven quite a following. Yet, as with many of the network's more innovative shows, ABC mishandled Cupid, shuffling it in and out of prime time until its inevitable cancellation. Undaunted, Piven returned to television a year later to guest star on Will & Grace.While Piven's film career has suffered the same ups and downs as his time on television, it is marked by numerous scene-stealing supporting performances. After making his feature-film debut in Lucas (1986), the actor appeared in Robert Altman's The Player (1992), Cameron Crowe's Singles (1992), and Tim Robbins' Bob Roberts (1992). He fell into a slump with failures like Judgment Night (1993) and Car 54, Where are You? (1994), but became a cult favorite for his portrayal of a campus misfit in P.C.U. (1994). Standout roles opposite Sarah Jessica Parker in Miami Rhapsody (1995), Robert De Niro in Heat (1995), Bill Murray in Larger Than Life (1996), and Morgan Freeman in Kiss the Girls (1997) quickly followed. He then proved to be the only good thing in Peter Berg's Very Bad Things (1998), before playing Nicolas Cage's best friend in The Family Man (2000). Piven took a respectable dramatic turn as a doomed helicopter pilot in Ridley Scott's award-winning Black Hawk Down, but returned to comedy for Old School (2003), a film by the makers of Road Trip (2000).Piven continued his work in entourage and took a starring role in Chappelle's Show director Neal Brennan's farcical comedy The Goods: Live Hard, Sell Hard in 2009. 2011 found the actor playing the dreaded Timekeeper in Spy Kids: All the Time in the World, he would portray another villain, this time in a voice role, for the children's adventure The Pirates! Band of Misfits in 2012.Then, in 2005, Piven scored the iconic role of Ari Gold on the HBO series Entourage. The show turned out to be a massive success, and Piven's profile was raised considerably, making him more of a household name, and helping him to score more interesting roles outside the show, like washed-out magician Buddy Isreal in the 2006 over-the-top action blow-out Smokin' Aces, and Damon Schmidt in the 2007 political thriller The Kingdom. In 2008, he joined the cast of the Guy Ritchie London crime movie RocknRolla.

Trivia: Rubber-faced comic actor and vocal artist extraordinaire Hank Azaria initially plied his trade on the stand-up circuit, then subsequently landed stage appearances and tackled bit parts on television. Azaria scored his breakthrough in 1989 when he began providing a multitude of voices for the Fox network's groundbreaking animated series The Simpsons, an assignment that imparted the performer with an enviable degree of cult stardom. In 1991, Azaria nabbed a major role in the Fox live-action sitcom Herman's Head, which ran until 1994 and gave audiences a glimpse of the man responsible for the vocal intonations of some of the most famous characters to ever corrupt an animator's storyboard.A native of Queens, NY, where he was born into a family of Sephardic Jews on April 25, 1964, Azaria commenced film roles in the late 1980s, coincident with his Simpsons stardom. Work on that program (which, after graduating from a series of crude sketches on The Tracey Ullmann Show to its own animated sitcom, quickly shot up to qualify as the Fox network's most popular enterprise) easily outstripped Azaria's screen work in popularity and visibility for many years. Recurring parts included Indian convenience store owner Apu, quack doctor Nick Riviera, dim-witted bartender Moe, and the idiotic, pig-nosed Springfield Chief of Police, Clancy Wiggum. Though his Simpsons work continued unabated over the years, beginning in the mid-1990s Azaria branched out somewhat, placing a heavier emphasis on live-action portrayals. Even in that venue, however, his work tonally mirrored his animated contributions; he specialized in adroitly handling goofy, over-the-top character parts, often with an ethnic bent. The performer attained visibility and memorability, for example, as the klutzy and scantily-dressed gay houseboy Agador in The Birdcage (1995), Hector, a goofy Hispanic paramour with a permanent effeminate lisp, in Joe Roth's underrated showbiz comedy America's Sweethearts (2001), and Claude, a Gallic beach bum with no qualms about taking off with other men's wives, in John Hamburg's gross-out romantic comedy Along Came Polly (2004).Azaria has also departed from the boundaries of screen comedy from time to time, doing memorable work across genre lines in such films as Great Expectations (1998) (which cast him as Gwyneth Paltrow's lackluster fiancé), Mystery Men (1999) (as the superhero Blue Raja), and Tim Robbins' Cradle Will Rock (1999), a historical drama about art and politics in 1930s New York that cast Azaria as leftist playwright Marc Blitzstein. In 2005, Azaria presided as one of the many off-color monologuists in Penn Jillette's stand-up comedy showcase film The Aristocrats; the performer subsequently provided at least seventeen voices (including his usual series roles) for The Simpsons Movie (2007) and voiced both Abbie Hoffmann and Allen Ginsberg in the animated sequences of Brett Morgen's offbeat documentary Chicago 10 (2007).He appeared in the pre-historic comedy Year One, and provided several voices in Night at the Museum: Battle of the Smithsonian. He played an ethically challenged doctor in Love and Other Drugs, and portrayed Gargamel, the bad guy in the big-screen hit The Smurfs. He was in family film Hop, and lent his prodigious vocal talents to Happy Feet Two. In 2012 he acted in the biopic Lovelace.In July 1999, Azaria married actress Helen Hunt, with whom he co-starred in several episodes of the sitcom Mad About You. The two divorced within eighteen months.

Trivia: First acting role was Scottie in the 1989 movie Crystal Ball. Cites Band of Brothers as the high point in his career.

Trivia: Square-jawed American actor Mitchell Ryan was born in Cincinnati and raised in Louisville, Kentucky. During a 1951 Navy hitch, Ryan was assigned to a special services entertainment unit; he liked the experience so much that he decided to pursue acting as a civilian. He went to New York, accepting bit roles in over two dozen plays; he then moved on to leading roles at the Barter Theatre in Abington, Virginia. More New York work (under the direction of Joseph Papp) followed, and finally Ryan attained a small recurring role on the TV serial Dark Shadows (1966-70). A stage appearance with Irene Papas in Euripedes attracted critical attention and better jobs, including a supporting part in Monte Walsh (1970), Ryan's first film. Jack Webb utilized Ryan quite often in the '70s in his series O'Hara United States Treasury, then hired the actor as one of the four leads of the 1973 series Chase. In 1976 producers top-billed Ryan on the TV series Executive Suite. While the series didn't last, Mitchell Ryan subsequently received solid roles on such TV series as The Chisholms (1980) and High Performance (1983) and in such made-for-TV films as Flesh & Blood (1979) and Margaret Bourke-White (1989).

Trivia: Goodman graduate Barbara Harris was among the earliest members of Chicago's Second City improvisational troupe. Harris' "everybody's best friend" demeanor, her good looks and offbeat sense of humor assured her steady work both off and on Broadway. In 1967 she won a Tony Award for her work in the whimsical Broadway musical The Apple Tree. Harris made her film debut as the heart-on-sleeve social worker Sandra (which happened to be her real first name) in 1965's A Thousand Clowns. She then re-created her Broadway role in the hot-and-cold movie version of Arthur Kopit's Oh Dad, Poor Dad, Mama's Hung You in the Closet and I'm Feeling So Sad. In 1971, Harris was nominated for an Oscar for her performance in Who is Harry Kellerman and Why Is He Saying Those Terrible Things About Me? (did she enjoy selecting films with long-winded titles?) Her subsequent film appearances were as infrequent as they were unpredictable. Only director Robert Altman would have had the inspired notion of casting the very urban Barbara as a country-western wannabe in Nashville (1975); and only Alfred Hitchcock would have come up with the brilliant idea of casting Barbara as a lovably crooked psychic in Family Plot (1976). Both were out-of-left-field casting choices, and both worked superbly -- a tribute not only to the directors' intuition but also to Barbara Harris' boundless versatility.

Trivia: As the eldest member of the Cusack acting dynasty -- the sister of John, Joan, Susie, and Bill Cusack -- Ann Cusack was raised, like her siblings, in the affluent Chicago suburb of Evanston, but achieved fame and success as a comedic actress somewhat later than the others. Born in 1961, Cusack received her formal education at the Piven Theater Workshop (studying basic improvisation with Joyce and Byrne Piven) and later at New York University's Tisch School for the Arts, where she studied dramatic performance under the aegis of the legendary playwright and theatrical and film director David Mamet. Cusack landed her premier feature-film role at the age of 30, as Shirley Baker, a WWII-era baseball player with a more than slight illiteracy problem, in Penny Marshall's summer 1992 comedy A League of Their Own (alongside Tom Hanks, Geena Davis, Madonna, and Rosie O'Donnell). In the process, Cusack imparted to the film some of its biggest and most unanticipated laughs -- no mean feat, given that cast.The turn did not go unnoticed, and parts rolled in steadily for the remainder of the 1990s and into the 2000s. The characterizations began small, with low billing -- such as that of a waitress in Harold Becker's poorly received 1993 thriller Malice, and that of a TV woman in Mike Nichols' 1996 La Cage aux Folles redo The Birdcage. Not long after, however, Cusack received her highest television billing (up through that time) when cast as Karen Foxworthy, TV wife and second-string to redneck-obsessed comedian Jeff Foxworthy, in the second season (1996-1997) of the short-lived sitcom The Jeff Foxworthy Show. Unfortunately, the show folded in 1997.The parts continued unabated, however, in films of varying reception. Cusack teamed up with her brothers John and Bill and sister Joan, as well as Dan Aykroyd and Minnie Driver, in the sadly overlooked dark comedy Grosse Pointe Blank (1997, a work that John co-produced and co-scripted). Ann fared worse (as did the entire cast) by signing on for a re-team with director Mike Nichols in that helmer's 2000 turkey What Planet Are You From?, starring Annette Bening and Garry Shandling. Cusack then made intermittent appearances on such series programs as Charmed and Frasier during the late '90s and early 2000s. In 2006, Cusack essayed the supporting role of Deanna in Aaron Wiederspahn's The Sensation of Sight (2006), a moody, evocative drama (and festival cause célèbre) about a dissatisfied middle-class man (David Strathairn) who drops out of his life and takes a job selling encyclopedias.

Trivia: Filmmaker Pat O'Neill primarily makes experimental films in Los Angeles. He is especially respected for his innovative special effects and use of optical printing, a process by which images are layered over other images in conjunction with animation and computer graphics, a process exemplified in his 1982 film Let's Make a Sandwich. His next work was Water and Power (1989), an image-filled, non-narrative chronicle of life in California's Mono County, home of the once strangely beautiful Mono Lake, a body of water that was destroyed over a ten-year period by the Los Angeles Department of Water and Power for the benefit of the thirsty metropolis. In addition to making his own avant-garde films, O'Neill also provides animation sequences for other Hollywood features.

Trivia: Born Jennifer Mary Butula on September 30, 1971, in Los Angeles, Elfman initially trained as a classical ballerina. However, a foray into acting brought with it new opportunities and Elfman found work in various television shows before being cast in a bit role in Grosse Point Blank in 1997. The same year, she won the role of Dharma in Dharma and Greg and was soon being touted as one of the most exciting new actors on television. She would go on to appear in movies like Can't Hardly Wait, EdTV, Keeping the Faith, Town & Country, and Friends with Benefits. Elfman would also continue to find success on the small screen on shows like Courting Alex and Accidentally on Purpose. If Elfman's last name sounds familiar, it's probably because she is related to Danny Elfman, composer of soundtracks ranging from The Simpsons to Good Will Hunting. The composer is uncle to Bodhi Elfman, whom Jenna Elfman married in 1995.

Trivia: A veteran stuntman who took blows for everyone from John Wayne to Sylvester Stallone, Bobby Bass could be seen getting crashed, smashed, and bashed in some of the most popular Hollywood features ever, including Close Encounters of the Third Kind (1977), Lethal Weapon (1987), and Scarface (1983). A Kentucky native, Bass also served as assistant director on such features as Thelma and Louise (1991), and turned up as an actor in features including Star 80 (1983) and Grosse Point Blank (1997). The stepfather to actress Bo Derek performed dangerous trickery for over 70 films, and received a Stunt Man Award in 1986. On November 7, 2001, Bass died of complications resulting from Parkinson's disease in Los Angeles, CA. He was 65.