Trivia: A professional model since high school, Pamela Sue Martin began appearing in theatrical films in 1971. She achieved stardom in the 1977 TV series The Hardy Boys/Nancy Drew Mysteries, playing Carolyn Keene's teenaged sleuth Nancy Drew. Quitting the series over creative difference, Martin began cultivating a sexier, more adult screen image in films like The Lady in Red. She spent much of the early 1980s in the role of Fallon Carrington Colby in the prime-time TV serial Dynasty; her character wound up being killed in a car crash, only to be revived in the person of Emma Samms on the Dynasty spin-off The Colbys. In 1984, Pamela Sue Martin both starred in and co-scripted the feature film Torchlight.

Trivia: During the 1970s, '80s, and '90s, Patrick Duffy quickly evolved into one of prime time's old standbys for handsome, sturdy, dependable, and reliable leading men. Two key patterns hallmarked the majority of Duffy's career choices: he culled his broadest appeal and most substantial workload on television in lieu of the big screen, and exceedingly rare were those occasions in which he played a villain. In terms of audience recognition, Duffy maintained his strongest ties with two ongoing series roles -- his famous portrayal of Southfork Ranch stalwart Bobby Ewing on the blockbuster CBS prime-time soap Dallas (1978-1991), and a subsequent tenure as Frank Lambert on the ABC "TGIF" Friday-night sitcom Step by Step (1991-1998). Born born March 17, 1949, in Townsend, MT, as the second child of two saloonkeepers, Duffy grew up in dire poverty. He attended high school in Everett, WA, then attended the actor's training program at the nearby University of Washington, graduating in 1971. The actor relocated to Southern California and began receiving screen credit only a few years after college, initially with roles in telemovies such as the 1976 Last of Mrs. Lincoln and the lead in the short-lived television series Man from Atlantis (as a half-man, half-fish). Dallas, of course, brought Duffy his big break, and as its ratings shot skyward, turning it into not simply the number one program on the air but an international phenomenon, Duffy's character became intertwined with the program's legacy. The series' premise is by now iconic -- it dealt with the Ewing family, a wealthy Texas oil clan with a history rooted in scandal. Its patriarch, John Ross "Jock" Ewing Sr. (Jim Davis), had driven himself into fabulous wealth by cheating his business partner out of a fortune and his one true love, with whom he started a family and launched an entire oil dynasty. Passing on the family torch were three sons: J.R. Ewing (Larry Hagman), the megalomaniacal evil brother; Bobby Ewing (Duffy), the decent and moral brother, who had married the daughter of his father's partner; and the weak-willed Gary (Ted Shackelford), who grappled continually with emotional problems and quickly snagged his own series.As Bobby, Duffy attained popularity second only to that of co-star Hagman -- popularity that prompted national headlines when Duffy opted to leave the program at the end of the 1984-1985 season. Series producer created and aired a scenario where he was killed by a hit-and-run driver, but the audience demand for Bobby Ewing grew so overwhelming during the following season that -- in an obvious bid to re-boost ratings and extend Dallas' longevity -- Hagman personally summoned Duffy to re-join the series. The writers then reposited the entire 1985-1986 season as the bad dream of Bobby's on-camera wife, Pam (Victoria Principal)! It may have seemed far-fetched to many, but as an attempt to bring the actor back to the program and draw a larger audience, it worked like a charm.Not long after Dallas finally wrapped in May 1991, Duffy turned up on ABC's aforementioned Step by Step, a kind of unofficial update of The Brady Bunch; he played Frank Lambert, a divorced Wisconsin contractor with several kids who impulsively married a widowed beautician (Suzanne Somers) with several tykes of her own. Episodes dealt with the complications wrought when the two clans moved under the same roof together. As produced by William Bickley and Michael Warren, that program also connected with a large audience. It folded in 1998.Duffy acted in several Dallas telemovies during Step by Step's run, and then ushered in guest roles on numerous additional series, including Touched by an Angel, Justice League, and Family Guy. Additional made-for-television feature credits in the late '90s and early to mid-2000s included such outings as Heart of Fire (1997), Don't Look Behind You (1998), Desolation Canyon (2006), and Falling in Love with the Girl Next Door (2006). Duffy landed another series assignment in 2006 with an ongoing role -- that of Stephen Logan Sr. -- on the CBS daytime drama The Bold and the Beautiful.

Trivia: Born in Missouri, entertainer Dick Van Dyke was raised in Danville, Illinois, where repeated viewings of Laurel & Hardy comedies at his local movie palace inspired him to go into show business. Active in high school and community plays in his teens, Van Dyke briefly put his theatrical aspirations aside upon reaching college age. He toyed with the idea of becoming a Presbyterian minister; then, after serving in the Air Force during World War II, opened up a Danville advertising agency. When this venture failed, it was back to show biz, first as a radio announcer for local station WDAN, and later as half of a record-pantomime act called The Merry Mutes (the other half was a fellow named Philip Erickson). While hosting a TV morning show in New Orleans, Van Dyke was signed to a contract by the CBS network. He spent most of his time subbing for other CBS personalities and emceeing such forgotten endeavors as Cartoon Theatre. After making his acting debut as a hayseed baseball player on The Phil Silvers Show, Van Dyke left CBS to free-lance. He hosted a few TV game shows before his career breakthrough as co-star of the 1959 Broadway review The Girls Against the Boys. The following year, he starred in the musical comedy Bye Bye Birdie, winning a Tony Award for his portrayal of mother-dominated songwriter Albert Peterson (it would be his last Broadway show until the short-lived 1980 revival of The Music Man). In 1961, he was cast as comedy writer Rob Petrie on The Dick Van Dyke Show, which after a shaky start lasted five seasons and earned its star three Emmies.He made his movie bow in the 1963 filmization of Bye Bye Birdie, then entered into a flexible arrangement with Walt Disney Studios. His best known films from that era include Mary Poppins (1964), Lt. Robin Crusoe, USN and The Comic, in which he played an amalgam of several self-destructive silent movie comedians. His TV specials remained popular in the ratings, and it was this fact that led to the debut of The New Dick Van Dyke Show in 1971. Despite the creative input of the earlier Dick Van Dyke Show's maven Carl Reiner, the later series never caught on, and petered out after three seasons. A chronic "people pleaser," Van Dyke was loath to display anger or frustration around his co-workers or fans, so he began taking solace in liquor; by 1972, he had become a full-fledged alcoholic. Rather than lie to his admirers or himself any longer, he underwent treatment and publicly admitted his alcoholism -- one of the first major TV stars ever to do so. Van Dyke's public confession did little to hurt his "nice guy" public image, and, now fully and permanently sober, he continued to be sought out for guest-star assignments and talk shows. In 1974, he starred in the TV movie The Morning After, playing an ad executive who destroys his reputation, his marriage and his life thanks to booze. After that Van Dyke, further proved his versatility when he began accepting villainous roles, ranging from a cold-blooded wife murderer in a 1975 Columbo episode to the corrupt district attorney in the 1990 film Dick Tracy. He also made several stabs at returning to weekly television, none of which panned out--until 1993, when he starred as Dr. Mark Sloan in the popular mystery series Diagnosis Murder. He made a few more movie appearances after Diagnosis Murder came to an end, most notably as a retired security guard in the hit family film Night at the Museum. As gifted at writing and illustrating as he is at singing, dancing and clowning, Van Dyke has penned two books, Faith, Hope and Hilarity and Those Funny Kids. From 1992 to 1994, he served as chairman of the Nickelodeon cable service, which was then sweeping the ratings by running Dick Van Dyke Show reruns in prime time. Van Dyke is the brother of award-winning TV personality Jerry Van Dyke, and the father of actor Barry Van Dyke.

Trivia: Formerly of the RADA and Royal Shakespeare Company, British leading man Ben Cross made an impressive film debut as Olympic athlete Harold Abrahams in Chariots of Fire (1981). Cross' participation in this Oscar-winning film immediately opened up new professional doors and increased his asking price. But he was not about to blindly capitalize on his new fame; he turned down 100,000 dollars to play Prince Charles in a made-for-TV movie in favor of appearing for a comparative pittance in a BBC miniseries adaptation of A.J. Cronin's The Citadel. He has continued to select film, stage, and TV roles on the basis of quality rather than monetary potential. One exception may be Cross' acceptance of the role of centuries-old vampire Barnabas Collins in the failed 1991 revival of the cult-favorite TV series Dark Shadows.

Trivia: One of the most famous film personalities to hail from the South Pacific, New Zealand-bred actor Sam Neill possesses the kind of reassuring handsomeness and soft-spoken strength that have made him an ideal leading man. Born Nigel Neill to a military family in Omagh, Northern Ireland, Neill relocated to New Zealand in 1953 at the age of six. There he picked up the nickname that would become his stage name, and attended both the University of Canterbury and the University of Victoria before beginning his acting career. Neill labored as a director/editor/screenwriter for the New Zealand National Film Unit for several years; he made his first movie in 1975 and scored his first significant film success four years later as the romantic lead opposite Judy Davis in director Gillian Armstrong's My Brilliant Career. Shortly thereafter, Neill was brought to England under the sponsorship of star James Mason (who undoubtedly recognized the marked similarity between his acting style and Neill's). The actor's subsequent movie work included two memorable collaborations with actress Meryl Streep and director Fred Schepisi: Plenty (1985) and A Cry in the Dark (1988). Neill's British TV credits were highlighted by his starring role in the unorthodox espionage drama Reilly: Ace of Spies (1983), for which he won the British television BAFTA Best Actor award. He also began working on American films during the '80s, including the 1981 Omen sequel The Final Conflict (in which he demonstrated a considerable breadth of range as Satan's son Damien) and the 1987 TV miniseries Amerika. Neill also kept busy with projects down under, with perhaps his most memorable film being Dead Calm (1989), a masterfully crafted thriller that starred the actor as Nicole Kidman's husband.Neill truly came to international prominence during the '90s (as evidenced by his guest spot as a cat burglar on an episode of The Simpsons). He experienced a bumper-crop year in 1993, portraying the raptor-fearing Dr. Alan Grant in Steven Spielberg's blockbuster Jurassic Park, before returning to New Zealand to portray Holly Hunter's taciturn, unexpectedly violent husband in The Piano (1993). He was also honored with the Order of the British Empire that same year. Neill continued to work on a wealth of diverse international projects throughout the rest of the decade, notably John Duigan's Sirens (1994), which cast him as a '30s bohemian artist; the Australian satire Children of the Revolution (1996), reuniting him with Judy Davis; Revengers' Comedies (1997), which cast him as a suicidal businessman; the acclaimed miniseries Merlin (1998), in which he played the titular wizard; Robert Redford's The Horse Whisperer (1998), as the husband of Kristin Scott Thomas (the two had previously co-starred in Revengers' Comedies); and Bicentennial Man (1999), which featured the actor as the head of a family who purchases an uncannily human robot played by Robin Williams.Though Neill was notably absent from the 1997 sequel The Lost World: Jurassic Park, the second sequel in the series, 2001's Jurassic Park III, found the stalwart actor once again fleeing ornery dinosaurs on a tropical island and living to tell the tale. A turn as Victor Komarovsky in the made-for-TV remake of Doctor Zhivago quickly followed, and over thecourse of the next decade Neill would alternate frequently between television (Triangle, Merlin's Apprentice) and film (Wimbledon, Dayberakers), while still managing to land the occasional meaty role in projects like The Tudors (2007) and Dean Spanley (2008). In 2011, Neill brought an impressive air of menace to the ecological thriller The Hunter with his turn as an outwardly benevolent Aussie with a dark secret, and the following year he returned to television as a federal agent on the trail of convicts who mysteriously vanished without a trace in Alcatraz. In addition to acting and managing a New Zealand winery, Neill directed an acclaimed 1995 documentary about the New Zealand film industry, Cinema of Unease: A Personal Journey by Sam Neill.

Trivia: American actor Douglas Fairbanks Jr. was the son of film star Douglas Fairbanks Sr. Fairbanks Jr. made his acting debut in 1923's Stephen Steps Out, which was remarkable only in how quickly it went out of circulation. Young Fairbanks was more impressive as Lois Moran's fiancé in 1926's Stella Dallas, though it did give Fairbanks Sr. pause to see his teenaged son sporting a Fairbanksian mustache. Even as a youth, Fairbanks' restlessness would not be satisfied by mere film work; before he was 20 he'd written an amusing article about the Hollywood scene for Vanity Fair magazine. In 1927, Fairbanks appeared in a stage play, Young Woodley, which convinced detractors that he truly had talent and was not merely an appendage to his father's fame. When talking pictures came in, he demonstrated a well-modulated speaking voice and as a result worked steadily in the early 1930s. Married at that time to actress Joan Crawford, Fairbanks was a fixture of the Tinseltown social whirl, but he had a lot more going for him than suspected; in 1935 he offered the earliest evidence of his sharp business savvy by setting up his own production company, Criterion Films--the first of six such companies created under the Fairbanks imprimatur. Fairbanks had his best role in 1937's The Prisoner of Zenda, in which he was alternately charming and cold-blooded as the villainous Rupert of Hentzau. Upon his father's death in 1939, Fairbanks began to extend his activities into politics and service to his country. He helped to organize the Hollywood branch of the William Allen White Committee, designed to aid the allied cause in the European war. From 1939 through 1944, Fairbanks, ever an Anglophile, headed London's Douglas Voluntary Hospitals, which took special care of war refugees. Fairbanks was appointed by President Roosevelt to act as envoy for the Special Mission to South America in 1940, and one year later was commissioned as a lieutenant j.g. in the Navy. In 1942 he was chief officer of Special Operations, and in 1943 participated in the allied invasion of Sicily and Elba. Fairbanks worked his way up from Navy lieutenant to commander and finally, in 1954 to captain. After the war's end, the actor spent five years as chairman of CARE, sending food and aid to war-torn countries. How he had time to resume his acting career is anybody's guess, but Fairbanks was back before the cameras in 1947 with Sinbad the Sailor, taking up scriptwriting with 1948's The Exile; both films were swashbucklers, a genre he'd stayed away from while his father was alive (Fairbanks Sr. had invented the swashbuckler; it wouldn't have been right for his son to bank on that achievement during the elder Fairbanks' lifetime). Out of films as an actor by 1951 (except for a welcome return in 1981's Ghost Story), Fairbanks concentrated on the production end for the next decade; he also produced and starred in a high-quality TV anthology, Douglas Fairbanks Jr. Presents (1952-55), which belied its tiny budget with excellent scripts and superior actors. Evidently the only setback suffered by Fairbanks in the last forty years was his poorly received appearance as Henry Higgins in a 1968 revival of My Fair Lady; otherwise, the actor managed to retain his status as a respected and concerned citizen of the world, sitting in with the U.S. delegation at SEATO in 1971 and accruing many military and humanitarian awards. He also published two autobiographies, The Salad Days in 1988 and A Hell of a War in 1993. Fairbanks, Jr. died on May 7, 2000, of natural causes.

Trivia: Woefully underappreciated American actress Annette O'Toole combined intelligence, wit, and delicate, often teasing allure with a girl-next-door magnetism that served her impeccably, both during her ingenue years and well into adulthood. Born in 1953, the scarlet-haired Houston native followed the lead of her dance studio owner mother by practicing her footwork with stunning determination. Annette's family moved to the City of Angels before her 14th birthday, where she shifted gears from dancing to acting, enrolled in drama courses, and landed guest roles in such series as The Partridge Family and Hawaii Five-O. In 1974, O'Toole tackled her first major feature role -- that of sweet-hearted beauty pageant contestant Doria Houston (otherwise known as Miss Anaheim) in Michael Ritchie's legendary satire Smile (1975). She did stellar work opposite Robby Benson in the romantic comedy One on One (1977), which premiered to favorable critical reviews, but a similar effort with Gary Busey a few years later, called Foolin' Around (1980), failed to display like chemistry. For better or worse, O'Toole's big break arrived in 1982, when she was cast opposite Christopher Reeve as Lana Lang in Superman 3; the film, of course, clocked in as an enormous stinker, overbloated to the point of absurdity, with O'Toole providing its only saving grace. That film imparted bittersweet undercurrents to O'Toole's life; it brought her the greatest character identification of her career, to be certain, but (along with an ill-advised appearance in Paul Schrader's awful 1982 movie Cat People), may have contributed to keeping her offscreen for several years. She rebounded with force in Armyan Bernstein's outstanding sex comedy Cross My Heart, as one of two romantic leads opposite Martin Short. The late 1987 release displayed the wit, charisma, and intelligence of both of its stars (and incorporated a hilarious nod to Superman 3, suggesting that Bernstein and Gail Parent may have written the role specifically for O'Toole), but for some unascertainable reason, failed to connect with an audience. O'Toole then signed for roles in the Alan Rudolph comedy-mystery Love at Large (1989) and the horrific Stephen King telemovie It (1990), which found the actress, along with John Ritter, Richard Thomas, and others, squaring off against homicidal clown Pennywise (Tim Curry). Her next major feat came in the late '90s, when she played Lisa, the spunky ex-wife of the police detective title character (Don Johnson) on the series Nash Bridges (1996-2001). She then achieved recognition by playing a different Superman role than the one previously essayed -- that of Clark Kent's mother, Martha -- on the popular prime-time series Smallville (2001). At about the same time, O'Toole made headlines by marrying her second husband, comedian and actor Michael McKean (Laverne & Shirley, This Is Spinal Tap), in 1999. The two co-authored a song for the Christopher Guest mockumentary A Mighty Wind (2003), entitled "A Kiss at the End of the Rainbow," in which McKean co-starred sans O'Toole. In a particularly memorable bit, the couple performed that number together on-stage at the 2004 Academy Awards ceremony.

Trivia: From her film debut in 1966's Marlowe until she left Hollywood in 1969, brunette leading lady Gayle Hunnicutt was typecast in sexpot roles. She was often cast as a golddigger on the prowl for wealthy, older men, ranging from Raymond Burr in PJ (1968) to Jed Clampett (Buddy Ebsen) on TV's The Beverly Hillbillies. Upon relocating to England in 1970 with her then-husband David Hemmings, Hunnicutt began to be taken seriously as an actress. Among Gayle Hunnicutt's more prestigious credits are the TV miniseries A Man Called Intrepid (1979), The Martian Chronicles (1980) and A Woman of Substance (1985).

Trivia: The son of actress Viveca Lindfors and director Don Siegel, Tabori made his film debut as a child in Lindfors' 1958 drama Weddings and Babies. He began acting in theater in the '60s, and by the end of the decade was playing bit parts in films such as Siegel's Coogan's Bluff, Bob Fosse's Sweet Charity; and Peter Yates' John and Mary. In the '70s, Tabori starred in John Erman's Making It and Tom Gries' Journey Through Rosebud; his other notable films include John Dexter's Sidelong Glances of a Pigeon Kicker and Claudia Weill's Girlfriends. A regular stage actor, Tabori has also worked frequently in television, including productions of Arthur Miller's A Memory Of Two Mondays and Christopher Fry's The Lady's Not For Burning, as well as numerous television films, such as the Aldous Huxley adaptation Brave New World and Gries' The Glass House and QBVII.