Trivia: Angela Lansbury received an Oscar nomination for her first film, Gaslight, in 1944, and has been winning acting awards and audience favor ever since. Born in London to a family that included both politicians and performers, Lansbury came to the U.S. during World War II. She made notable early film appearances as the snooty sister in National Velvet (1944); the pathetic singer in The Picture of Dorian Gray (1945), which garnered her another Academy nomination; and the madam-with-a-heart-of-gold saloon singer in The Harvey Girls (1946). She turned evil as the manipulative publisher in State of the Union (1948), but was just as convincing as the good queen in The Three Musketeers (1948) and the petulant daughter in The Court Jester (1956). She received another Oscar nomination for her chilling performance as Laurence Harvey's scheming mother in The Manchurian Candidate (1962) and appeared as the addled witch in Bedknobs and Broomsticks (1971), among other later films. On Broadway, she won Tony awards for the musicals Mame (1966), Dear World (1969), the revival of Gypsy (1975), Sweeney Todd (1979) and, at age 82, for the play Blithe Spirit (2009). Despite a season in the '50s on the game show Pantomime Quiz, she came to series television late, starring in 1984-1996 as Jessica Fletcher in Murder, She Wrote; she took over as producer of the show in the '90s. She returned to the Disney studios to record the voice of Mrs. Potts in Beauty and the Beast (1991) and to sing the title song and later reprised the role in the direct-to-video sequel, The Enchanted Christmas (1997). Lansbury is the sister of TV producer Bruce Lansbury.

Trivia: The great-grandson of a famous and influential 19th century Minnesota senator, actor William Windom was born in New York, briefly raised in Virginia, and attended prep school in Connecticut. During World War II, Windom was drafted into the army, which acknowledged his above-the-norm intelligence by bankrolling his adult education at several colleges. It was during his military career that Windom developed a taste for the theater, acting in an all-serviceman production of Richard III directed by Richard Whorf. Windom went on to appear in 18 Broadway plays before making his film debut as the prosecuting attorney in To Kill a Mockingbird. He gained TV fame as the co-star of the popular 1960s sitcom The Farmer's Daughter and as the James Thurber-ish lead of the weekly 1969 series My World and Welcome to It. Though often cast in conservative, mild-mannered roles, Windom's offscreen persona was that of a much-married, Hemingway-esque adventurer. William Windom was seen in the recurring role of crusty Dr. Seth Haslett on the Angela Lansbury TV series Murder She Wrote.

Trivia: Often introduced as "one of America's most familiar faces," it's likely that you've caught a glimpse of Ron Masak either in one of his over 300 appearances in various television shows, on that commercial that lingers in the back of your memory somewhere (he was once blessed with the moniker "king of commercials" and was the voice of the Vlassic Pickle Stork for 15 years), or maybe in one of his 15 feature film appearances. Whatever you might recognize him from, if you don't remember his name, he's the guy that you know you've seen somewhere before, but just might not be able to place where. A native of Chicago, IL (he was once offered a contract with the Chicago White Sox by Hall-of-Famer Rogers Hornsby), Masak was classically trained as an actor at the Windy City's own CCC. A tireless performer, Masak found an initial platform for his talents in the Army, where he toured the world entertaining in an all-Army show in which he served as writer, performer, and director. Masak became well-known not only for his acting abilities, but for the fact that he was a dedicated performer who never missed a show. Proving himself adept at roles ranging from Shakespeare to his almost decade-long stint as the sheriff on Murder She Wrote, Masak thrived in theater and in commercial work around Chicago in the late '50s and early '60s.After a few minor roles in such television series as Bewitched, I Dream of Jeannie, The Monkees, and The Flying Nun (not to mention what many consider to be one of the earliest Elvis impersonations on the Spade Cooley Show in 1958), Masak was spotted by producer Harry Ackerman early in his career and went to California to audition for a lead in a pilot. Though that particular prospect fell through, Masak was introduced to John Sturges, a meeting which resulted in his feature debut in the cold-war thriller Ice Station Zebra (1968). Masak's work as an emcee is another testament to his universal appeal and versatile likeability; he has served as host for some of the biggest names in show business, including such talents as Kenny Rogers and Billy Crystal. Masak also starred in four of the most successful sales motivational videos of all time, including Second Effort with Vince Lombardi and Ya Gotta Believe with Tommy Lasorda (which Masak also wrote and directed). The first recipient of MDA's Humanitarian of the Year Award, Masak's work as field announcer for the Special Olympics and his eight-year stint as host of The Jerry Lewis Telethon represents only a fraction of his remarkable work as a compassionate philanthropist, and though Masak's film work may not be as prolific or as frequent as his extensive television work, his roles in such films as Tora! Tora! Tora! (1970) are always memorable and constantly ring true with an appeal that often leaves a lasting impression, even though his screen time may be brief and his characters secondary.

Trivia: The son of actors Bill Williams and Barbara Hale, curly-haired leading man William Katt is fond of noting that he made his movie "debut" while residing in his mother's womb during filming of Lorna Doone (1951). After attending Orange Coast College, Katt pursued a career as a musician. He then made his formal acting bow in summer stock and small TV roles. Among Katt's film credits are the role of the high-school jock date of telekinetic wallflower Sissy Spacek in Carrie (1977), and one-half of the title role in Butch and Sundance, The Early Days (1979). From 1981 through 1983, Katt played the reluctant-superhero protagonist (originally named Ralph Hinkley, redubbed Ralph Hanley after the '81 assassination attempt on Ronald Reagan) on TV's Greatest American Hero. Beginning in 1987, Katt played the recurring role of detective Paul Drake Jr. in the periodic Perry Mason TV movies, co-starring with his mother Barbara Hale, who resumed her "Della Street" characterization from the original 1961-66 Mason run. Katt also worked on the scripts of several of these latter-day Masons. More recently, William Katt was a regular on the 1991 Farrah Fawcett-Ryan O'Neal TV sitcom Good Sports.

Trivia: Every actor or actress with a substantial degree of public recognition can attest to a big break; for Andrea Roth, that break arrived in the form of Rescue Me (2004), a smash-hit seriocomedy on the FX channel where the actress played Janet Gavin, the estranged ex-wife of brash, acid-mouthed firefighter Tommy (Denis Leary). It marked one of the first roles to secure the Canadian actress' national reputation, but -- in actuality -- only the tail end of a series of parts that stretched back to 1981. Roth debuted auspiciously, that year, with the role of Amy in the Australian sports drama The Club, directed by Bruce Beresford and scripted by David Williamson (Don's Party). Many projects followed over the next three decades, but more often than not, Roth appeared to be stuck in a rut and saddled with exploitative pap -- such as the made-for-television Canadian thriller Psychic, the 1998 big-screen feature Burn, and the 2002 gorefest Sasquatch. Rescue Me unquestionably lifted Roth's reputation by several notches and oriented her toward more respected material. In 2007, Roth also appeared in the Jet Li action vehicle War, about a federal agent unwittingly caught in a turf war between the yakuza and a violent triad. In the years to follow, Roth would find continued success on the small screen, starring on the series Ringer.

Trivia: The daughter of a traveling salesman, actress Carroll Baker joined a dance company after one year of college, then worked as a magician's assistant. After a brief marriage to a furrier, she went to Hollywood to act, but was unable to get anything more than a bit role (in 1953's Easy to Love) and so left for New York. At first finding work only in commercials (plus a walk-on in the Broadway play Escapade), in 1954 she enrolled at the Actors Studio; there she met director Jack Garfein, whom she married the following year (they were divorced in 1969). After her appearance in a few TV dramas and Robert Anderson's play All Summer Long (1955), she was noticed by Warner scouts and subsequently cast in James Dean's vehicle Giant (1956). Her success continued that same year when her role as the thumb-sucking wife in Baby Doll (1956) earned her an Academy Award nomination for Best Actress. She also delivered an exemplary lead performance in director Irving Rapper's The Miracle (1959). With the success of Marilyn Monroe, Hollywood started looking for other Monroe "types" and producers began grooming Baker for the role, as is evident from her work in such films as The Carpetbaggers (1964); in 1965, she played the doomed title role in the film Harlow, another attempt to cast her in the Monroe mold. However, she never caught on with American audiences; in the late 60s, she moved to Italy and began appearing in Italian productions. In 1977 she made her London stage debut in W. Somerset Maugham's Rain, then made a few Hollywood and UK pictures in the late 70s and 80s, as well as putting in a "camp" appearance in Andy Warhol's Bad (1977) and a more straightlaced role as the mother of Dorothy Stratten in Star 80.

Trivia: While growing up in Chicago, Tom Bosley dreamed of becoming the star left-fielder for the Cubs. As it turned out, the closest Bosley got to organized athletics was a sportscasting class at DePauw University. After additional training at the Radio Institute of Chicago and two years' practical experience in various dramatic radio programs and stock companies, he left for New York in 1950. Five years of odd jobs and summer-theater stints later, he landed his first off-Broadway role, playing Dupont-Dufort in Jean Anouilh's Thieves' Carnival. Steadier work followed at the Arena Theatre in Washington, D.C.; then in 1959, Bosley landed the starring role in the Broadway musical Fiorello!, picking up a Tony Award, an ANTA Award, and the New York Drama Critics Award in the bargain. In 1963, he made his film bow as Natalie Wood's "safe and secure" suitor Anthony Colombo in Love With the Proper Stranger. Occasionally cast as two-bit criminals or pathetic losers (he sold his eyes to blind millionairess Joan Crawford in the Spielberg-directed Night Gallery TV movie), Bosley was most often seen as a harried suburban father. After recurring roles on such TV series as That Was the Week That Was, The Debbie Reynolds Show, and The Sandy Duncan Show, Bosley was hired by Hanna-Barbera to provide the voice of flustered patriarch Howard Boyle on the animated sitcom Wait Til Your Father Gets Home (1972-1973). This served as a dry run of sorts for his most famous series-TV assignment: Howard Cunningham, aka "Mr. C," on the immensely popular Happy Days (1974-1983). The warm, familial ambience of the Happy Days set enabled Bosley to weather the tragic death of his first wife, former dancer Jean Elliot, in 1978. In addition to his Happy Days duties, Bosley was narrator of the syndicated documentary That's Hollywood (1977-1981). From 1989 to 1991, he starred on the weekly series The Father Dowling Mysteries, and thereafter was seen on an occasional basis as down-to-earth Cabot Cove sheriff Amos Tupper on Murder, She Wrote. Reportedly as kind, generous, and giving as his Happy Days character, Tom Bosley has over the last 20 years received numerous honors for his many civic and charitable activities.

Trivia: As a youngster, wanted to be a stuntman after watching Steve McQueen in Bullitt (1968). Realized acting was more up his alley after appearing in a Baton Rouge stage production of N. Richard Nash's The Rainmaker in 1981. In 2004, founded production company Ransack Films, which produced The Season Before Spring (2008), a full-length documentary about the first post-Hurricane Katrina Mardi Gras in New Orleans. Launched the Web site www.locationtalent.com, an online directory for cast, crew and entertainment-industry workers listed by geographical location, in 2007. Was honored by self-improvement magazine Exceptional People in 2010 for his career and humanitarian work.