Trivia: Liz Sheridan is an actress mostly associated with comedic roles, and best known for her portrayal of Helen Seinfeld, the mother of Jerry Seinfeld, on the series Seinfeld. Born in Westchester County and raised on the Upper East Side of Manhattan, she graduated from Mamaroneck High School. Sheridan started out in entertainment as a dancer, and was also a pianist and singer. During the early '50s, she crossed personal paths with James Dean; the two became very close, and this period in her life was recounted in Sheridan's book Dizzy and Jimmy: My Life With James Dean (2000). She lived in the Caribbean from 1953 until the mid-'60s, when she returned to New York to embark on an acting career, principally on-stage. Sheridan made a small number of television appearances, on programs such as Kojak, but her real TV career didn't begin until the 1980s, when she started getting guest roles shows such as Gimme a Break, St. Elsewhere, The A-Team, Hill Street Blues, and Scarecrow & Mrs. King, as well as in various made-for-television movies and miniseries, interspersed with the occasional feature film such as Star 80 (1983) and Legal Eagles (1986). She was probably most visible during this period in the role of Selma the housekeeper in the pilot episode of Moonlighting (1985). In 1986, Sheridan became a regular on the series Alf, which ran for four seasons, portraying Mrs. Ochmonek. At the end of that run, she auditioned for and won the role of Helen Seinfeld on Seinfeld. As Jerry Seinfeld's well-meaning but slightly high-strung mother, always trying to mediate between the generations in her family, she revealed a delightful range of comedic skills, working alongside such diverse talents as Jerry Seinfeld, Michael Richards, Barney Martin, Julia Louis-Dreyfuss, Jason Alexander, et al. In the years since the cancellation of the series, she has continued to work regularly in television and feature films, primarily portraying matronly and grandmother-type roles.

Trivia: Forever associated with his ongoing voice work as Homer J. Simpson on Matt Groening and James L. Brooks' long, long-running Fox animated sitcom The Simpsons, Dan Castellaneta is well-reputed for his modest, unassuming presence in real life and his paradoxical ability to spin characters -- seemingly from out of nowhere -- that instantly take on lives of their own. Groening once famously remarked that "Dan can do everything, and he practically does....You might never notice him, but then he opens his mouth and he completely creates one character after another.'' Born in 1957, Castellaneta grew up in the small town of Oak Grove, IL, in the northwestern corner of the state, near the Iowa border. As a self-described introvert who developed and honed a facility for slipping into the guise of characters to entertain and make social situations easier (read: class clown), Castellaneta nevertheless diverged from this path in college and worked toward a career as a high-school art teacher via his studies at Northern Illinois University. Then, one of Castellaneta's professors (perhaps sensing some dissatisfaction) wisely admonished him to only work at a field, and in a job, that he loved. Castellaneta reasoned that acting fit the bill, and auditioned for the infamous sketch comedy troupe Second City shortly after graduation. The troupe hired him, and in time, the skills that the actor projected led to his involvement on the then-fledgling Fox network's sketch comedy series The Tracey Ullman Show, which premiered on Sunday, April 5, 1987. Castellaneta joined Ullman, Julie Kavner, Joe Malone, Sam McMurray, and for a time Anna Levine in live-action skits that parodied all aspects of Western culture.As a most unusual aspect of her program, Ullman opted to feature crudely animated, offbeat segments as Monty Python-style transitions between the individual sketches. The episodes in question were drawn by Gabor Csupo and Groening (at that time, comic-strip artist of growing infamy known for his Life Is Hell series starring a buck-toothed, bug-eyed rabbit named Bucky). Although the subjects of the shorts initially varied, within a few months they began to focus exclusively on a hyper-dysfunctional blue-collar family called the Simpsons; Kavner and Castellaneta voiced parents Homer and Marge Simpson, respectively. Those segments gained such massive popularity that they eventually outshone that of the Ullman show itself (which wrapped in September 1990), and executive producer James L. Brooks, following this cue, decided to spin off the Simpsons into their own weekly animated series. Kavner and Castellaneta, of course, followed Brooks to the new program, joined in time by longtime Brooks acquaintance Harry Shearer, as well as Nancy Cartwright, Yeardley Smith, Hank Azaria, and numerous others.The Simpsons premiered on Fox on December 17, 1989, and became not simply a hit but a phenomenon. It shot up to instantly become one of the highest-rated series on television, and attained iconic status. The program scored as a cause célèbre not simply with children (as expected) but with adult viewers as well, who appreciated the show's ability to skewer all aspects of society and culture. (It generated a billion-dollar marketing boom as well -- an onslaught of Bart Simpson-themed T-shirts, watches, dolls, beach towels, and everything else under the sun.) The program also drew an onslaught of celebrity guests -- everyone from Larry King to Tony Bennett to Beverly D'Angelo and Linda Ronstadt. Castellaneta himself will forever be tied to Homer Simpson -- the lunkheaded, potbellied, beer-swilling, donut-loving nuclear-plant worker with not a whole lot upstairs, and a thoroughly crass lifestyle, but also a big, soft heart (a quality which Castellaneta's co-workers insist that he alone brought to the character). But hardcore Simpsons cultists and even its less attentive devotees will realize that Castellaneta voices not only Homer (as mentioned), but also the gravelly voiced, booze-swilling, womanizing clown Krusty; local drunk Barney Gumble; Scottish elementary-school groundskeeper Willie; the octogenarian family patriarch Grampa Simpson; and innumerable others. Certainly, it would be difficult to imagine a program that took fuller advantage of Castellaneta's versatility with characterizations.Alongside The Simpsons, Castellaneta has also pursued a career as a live-action film and television performer, and spent most of the late '80s, '90s, and 2000s vacillating between the two mediums. His career on the big screen began at least a year prior to his involvement with Ullman and co., when he debuted with a bit part as Brian in the now-forgotten Garry Marshall dramedy Nothing in Common (1986), starring Jackie Gleason, Tom Hanks, Eva Marie Saint, and Sela Ward. In 1989, Castellaneta landed bit parts in two wildly different films: one as a maître d' in the Jim Belushi cop comedy K-9, and another (as one of Danny DeVito's clients) in the James L. Brooks-produced jet-black marital farce The War of the Roses. Castellaneta temporarily withdrew from live-action cinematic work in the early '90s, before returning to audiences as the narrator in Super Mario Bros. (1993) and Phil in Warren Beatty's Love Affair (1994). As the Castellaneta's career continued, he then segued into cinematic animated voice-over work (doubtless encouraged by the ongoing success of The Simpsons), doing voices in such features as 2000's Rugrats in Paris (under the aegis of old colleague Gabor Csupo) and Hey Arnold! The Movie (2002). In 2007, Castellaneta extended his Homer characterization to the big screen with his work on The Simpsons Movie -- the first cinematic appearance of Groening's famous animated family.As for television, Castellaneta appeared as a supporting actor in numerous sitcoms during the 1990s. These included ALF (as Steve Michaels in the 1990 episode "Stayin' Alive"), Married...with Children (as Pete in the 1990 episode "The Dance Show"), Wings (as George Wexler in the 1994 episode "Moonlighting"), and Murphy Brown (as Tony Lucchesi in the 1995 episode "Specific Overtures.") He also voiced Genie (inheriting the role from Robin Williams) on the animated Aladdin TV series. Of the Simpsons cast, Castellaneta is one of the only actors to regularly do on-stage comedic improvisation alongside his series work. He is married to Simpsons writer Deb Lacusta, whom he wed in 1987.He continued to work steadily in animated films such as Rugrats in Paris: The Movie and Hey Arnold! The Movie, and landed traditional acting parts every once in a while in movies as diverse as the indie comedy I Want Someone to Eat Cheese With and the Will Smith drama The Pursuit of Happyness. In 2007 he voiced nearly 20 different parts in The Simpsons Movie. He also landed a part in JJ Abrams 2011 Spielberg-influenced family sci-fi film Super 8.

Trivia: Anne Meara started out and ended up a distinguished dramatic actress--and in between, scored high marks as a comedienne, playwright and screenwriter. Launching her career in summer stock in 1950, Meara won an Obie Award for her intensely dramatic performance in the 1955 off-Broadway production Maedchen in Uniform; during this period, she was also a semi-regular on the NBC TV daytime soaper The Greatest Gift. Auditioning for an opera in 1954, she met another struggling actor, Jerry Stiller; they were married the following year. Forming the comedy team of Stiller & Meara, The team skyrocketed to stardom via their many appearances on such 1960s variety series as The Ed Sullivan Show and The Steve Allen Show. One of their richest sources of material was the difference in their ethnic backgrounds, especially in their famous "Hershey Horowitz/Mary Elizabeth Doyle" routines (an Irish Catholic, Meara converted to Judaism upon her marriage to Stiller). They also appeared together on Broadway, in the supporting cast of the 1971 sitcom The Paul Lynde Show, and in an obscure 1975 syndicated TV comedy "filler" series Take Five With Stiller and Meara. On her own, Meara has provided comic and noncomic support to several films, including Lovers and Other Strangers (1970), The Out-of-Towners (1970) and Fame (1980). She starred in the 1975 TV lawyer series Kate McShane, and co-starred as tavern owner Mae on The Corner Bar (1973), divorced airline stewardess Sally Gallagher on the 1976-77 season of Rhoda, acid-tongued cook Veronica Rooney on Archie Bunker's Place (1979-83), and mother-in-law Dorothy Halligan on Alf (1987). In 1983, Meara won the Writers Guild "outstanding achievement" award for her script for the made-for-TV feature Another Woman, and ten years later was nominated for a Tony Award for her portrayal of Marthy in the Broadway revival of Eugene O'Neill's Anna Christie. Anne Meara is the mother of comic actor Ben Stiller and worked with her son in his directorial feature debut, Reality Bites (1994), Zoolander (2001) and Night at the Museum (2006). She recurred on Sex and the City, playing Miranda's mother-in-law, Mary, and later reprised the role in the feature film. Meara died in 2015, at age 85.

Trivia: From the late '60s through the mid-'70s, first on I Dream of Jeannie and later on The Bob Newhart Show, Bill Daily was one of the most visible comic acting talents in television, despite the fact that he'd always intended on a career in music. Born in Des Moines, IA, in 1928, he was raised by his mother with help from several aunts and uncles after the death of his father and he gravitated toward music as a teenager. Following a stint in the army in the late '40s, Daily became a professional musician, playing upright bass with different groups in the Midwest, and he eventually added little bits of stand-up comedy to his repertory in the course of performing. He hooked up with an NBC station in Chicago, first working behind the camera as a writer and musician and then doing comedy on the air. Eventually, he became a regular guest as a comedian on The Mike Douglas Show, which originated from Chicago. From there, he was discovered by Steve Allen who brought him onto his show as a comedian and sidekick. Daily subsequently credited his musical side with providing him with the sense of timing to become a successful comedian. During the early and mid-'60s, Daily moved into acting roles on programs like Bewitched -- on which he debuted in a straight dramatic role, in a Christmas episode in which he was highly effective -- and was given a small role in the pilot of I Dream of Jeannie. That part, of Major Roger Healy, turned into the co-starring role after the program's first season. Following five successful seasons on that program, he moved to The Bob Newhart Show as Howard Borden, providing comedic support similar to the part he'd played on I Dream Of Jeannie, as Newhart's befuddled, constantly jet-lagged next door neighbor. Daily has only ever appeared in two feature films, both of them comedies -- the made-for-television In Name Only in 1969, as a carefree bachelor (clearly modeled after one aspect of his character on I Dream of Jeannie) and in Disney's release of The Barefoot Executive in 1971. Since the first Bob Newhart series left the air, his television appearances have been infrequent and always in supporting, guest starring roles, although he did appear on Nick-at-Nite helping to promote The Bob Newhart Show when it aired on the channel. He has since reportedly become a theatrical actor and director in the Albuquerque, NM, area.

Trivia: Originally aspired to be an evangelistic singer. Caught the acting bug in high school when he played the dad in Bye Bye Birdie. Attended Oklahoma Baptist University on a music scholarship, but departed for Los Angeles after a couple of years. Big break came when he landed the role of Monroe Ficus on Too Close for Comfort in 1980. Famously paired with Tammy Faye Messner for a 1996 talk show titled The Jim J. and Tammy Faye Show. Has played five different roles in theatrical productions of Hairspray, most notably on Broadway as Wilbur Turnblad. Is an active AIDS advocate and has been HIV-positive for more than 20 years.

Trivia: Leading lady of television and films, Judy Landers made her feature-film debut in The Yum-Yum Girls (1976) and appeared in her first television show, Happy Days (in 1974), as a guest star. Landers spent the bulk of her career in low-budget films. TV series in which she was a regular include Vega$ (1978) and B.J. and the Bear (1981). She and her sister, Audrey Landers, have appeared together in two films, The Tennessee Stallion (1978) and Ghost Writer (1989).