Trivia: Initially known as a teen idol thanks to his role on 21 Jump Street and tortured pretty-boy looks, Johnny Depp survived the perils of adolescent heartthrob status to earn a reputation as a respected adult actor. His numerous collaborations with director Tim Burton, as well as solid performances in a number of critically acclaimed films, have allowed Depp to carve a niche for himself as a serious, if idiosyncratic performer, a real-life role that has continuously surprised critics intent on writing him off as just another photogenic Tiger Beat casualty.Born in Kentucky and raised in Florida,Depp had the kind of upbringing that would readily lend itself to his future portrayals of brooding lost boys. After his parents divorced when he was 16, he dropped out of school a year later in the hopes of making his way in the world as a musician. Depp fronted a series of garage bands; the most successful of these, the Kids, was once the opening act for Iggy Pop. During slack times in the music business, Depp sold pens by phone. He got introduced to acting after a visit to L.A. with his former wife, who introduced him to actor Nicolas Cage, who encouraged Depp to give it a try. The young actor made his film debut in 1984's A Nightmare on Elm Street (years after attaining stardom, Depp sentimentally played a cameo in the last of the Elm Street series), and his climb to fame was accelerated in 1987, when he replaced Jeff Yagher in the role of Officer Tom Hanson, a cop assigned to do undercover duty by posing as a student in crime-ridden Los Angeles-area high schools, in the Canadian-filmed Fox TV series 21 Jump Street (1987-90). Biding his time in "teen heartthrob" roles, Depp was first given a chance to exhibit his exhausting versatility in the title role of Tim Burton's fantasy Edward Scissorhands (1990).Following the success of Edward Scissorhands, the actor made a conscious effort never to repeat himself. He continued to gain critical acclaim and increasing popularity for his work, most notably in Benny & Joon (1993), What's Eating Gilbert Grape, Ed Wood and Dead Man. Depp continued to ascend the Hollywood ranks. He would continue to play quirky character roles, starring turn as Hunter S. Thompson's alter ego in Terry Gilliam's trippy adaptation of Fear and Loathing in Las Vegas (1998), and teaming with Burton again to play a decidedly mincing Icabod Crane in Sleepy Hollow. Depp's charm still made him a natural romantic lead, however, as he proved in Chocolat.In what was perhaps his most surprising departure since Fear and Loathing in Las Vegas, Depp shed his oftentimes angst-ridden persona for a role as flamboyant pirate Jack Sparrow in 2003's Pirates of the Caribbean. Essaying the crusty role in the manner of a drunken, debauched rock star -- Depp publicly admitted Keith Richards was his inspiration -- the actor added a dose of off-kilter fun to an above-average summer thrill ride, and found himself with his biggest hit and first Oscar nomination ever.The role effectively made Depp both a character actor and full-fledged leading man, and he would continue to appear in several films over the coming years that allowed him to star in large scale productions, playing decidedly quirky characters. Films like Secret Window, Finding Neverland, Charlie and the Chocolate Factory, Sweeney Todd, Public Enemies, and a slew of massively successful Pirates of the Caribbean sequels would prove again and again how taken audiences were with the star, always playing the hero, but with an unconventional twist.Despite this massive success (or maybe as a result), Depp's career suffered a downswing after a string of critical and commercial flops. Films like The Tourist (opposite Angelina Jolie), Dark Shadows (a rare misstep with Tim Burton) and The Lone Ranger failed to connect with audiences and critics alike and left many to wonder when Depp's career would recover. He continued to have a strong presence in the film industry, though, and in 2016, reprised his role as the Mad Hatter in Alice Through the Looking Glass and began work on a fourth Pirates movie.

Trivia: An imposing and highly memorable presence on the Broadway stage, actor Frank Langella has won only a fraction of the acclaim he's received in the theater for his film career; still, his brooding good looks and his ability to play both villains and comic foils with a touch of menace has made him a welcome (and increasingly familiar) fare to film buffs. Frank Langella was born in Bayonne, NJ, on New Year's Day, 1940. Langella caught the acting bug when he was 11, after playing an elderly man in a school play on the life of Abraham Lincoln, and he went on to earn a degree in Theater from Syracuse University. After studying acting with Elia Kazan, Langella began working with regional theater companies in the East Coast and the Midwest, and in 1963, made his New York stage debut when he landed the leading role in an off-Broadway revival of The Immoralist. Between 1964 and 1966, Langella would win three Obie awards for his work in off-Broadway theater, and in 1969, he received a Drama Desk award for his work in the drama A Cry of Players. In 1974, he made his Broadway debut in Edward Albee's Seascape, and, the following year, won another Drama Desk award as well as a Tony for his performance. Langella made his film debut in 1970 with a supporting role in Diary of a Mad Housewife, and later that same year, scored a larger part in The Twelve Chairs, written and directed by Mel Brooks. While Langella landed occasional television and film roles through much of the 1970s, he was still busiest as a stage actor. In 1977, Langella was cast in the leading role of a Broadway revival of Dracula, and his con brio performance as the bloodthirsty count earned rave reviews, turning the production into an unexpected hit. Langella was tapped to reprise his performance for a film version of Dracula released in 1979, but he was forced to tone down his unique take on the role for the screen, and what would have seemingly been the perfect screen vehicle for his talents became a critical and box-office disappointment. However, Langella maintained a busy schedule of stage work, and in the 1990s, finally scored a breakthrough screen role in the comedy Dave as the deceitful political puppet master Bob Alexander. A busy schedule of character roles in such films as Junior, Lolita, and The Ninth Gate followed, though Langella still remained a frequent and distinguished presence in the New York theatrical community. He worked steadily at the beginning of the twenty-first century in films as diverse as the romantic drama Sweet November, and David Duchovny's directorial debut House of D. He scored an artistic and critical success in 2005 playing William Paley in George Clooney's historical docudrama about Edward R. Murrow Good Night, and Good Luck. He was then tapped by Bryan Singer to embody Daily Planet editor Perry White in the 2006 summer blockbuster Superman Returns. In 2007, Langella earned strong reviews and some awards buzz for his starring role in Starting Out in the Evening, but it was actually the next year, 2008 when he captured a Best Actor Academy Award nomination, a well as a SAG nomination, for his portrayal of disgraced former president Richard Nixon in Ron Howard's big-screen adaptation of Frost/Nixon. Over the next several years, Langella would appear in many more films, includign The Box, All Good Things, Unknown, and Robot and Frank.

Trivia: Lithe, intense Swedish leading lady of Hollywood and international films, Olin's parents were both actors. Her father Stig starred in several early Ingmar Bergman films. She has long been a member of the Royal Dramatic Theater in Sweden, where she has made outstanding appearances in work ranging from Shakespeare and Strindberg to contemporary plays. While still in drama school, Olin made her Swedish film debut in Karleken (1980). Two of her next three films were made by Bergman: Fanny and Alexander (1983) and After the Rehearsal (1984); her part in the latter was created for her by Bergman. She also did a four-hour Swedish TV film, Hebriana. Her English-language film debut was in The Unbearable Lightness of Being (1988). For her second English-language role, that of a survivor of a Nazi death camp in Paul Mazursky's Enemies, A Love Story (1989), Olin received a New York Film Critics award and an Oscar nomination. She is the only Swedish actress to have made an impact in Hollywood since Ingrid Bergman.

Trivia: From her first stage appearance in Brighton in 1949, to her screen appearance in 1999's The Ninth Gate, British screen actress Barbara Jefford has often been seen in cool, "still waters run deep" roles (though she lists as her favorite characters the far from sedate Cleopatra and Saint Joan). British playgoers have long been familiar with the gifted Jefford via her work in such classics as Tiger at the Gates, Mourning Becomes Electra, Six Characters in Search of an Author, and her lengthy associations with the Old Vic and National Theater. American art-house aficionados first became aware of Jefford when she starred as the erotically lyrical Molly Bloom in the 1967 film version of James Joyce's Ulysses (1967). Barbara Jefford was honored with the Order of the British Empire in 1965 and the Jubilee Festival medal in 1977.

Trivia: Manhattan-born character actor James Russo has been showing up in hard-bitten film supporting roles since 1981. In the otherwise teen-oriented Fast Times at Ridgemont High (1982), Russo brought a welcome gust of reality as a nasty robber. His gangster characters have borne spell-it-out names like Bugsy (1982's Once Upon a Time in America) and Vince Hood (1984's Cotton Club). Even in such westerns as 1994's Bad Girls, James Russo could be counted upon to show up as a Bad Boy (in this instance, a worthy by the name of Kid Jarret).

Trivia: Rotund character actor Allen Garfield was trained at the Actors Studio. He interrupted a fruitful stage career in 1968 to appear in a string of low-budget, Manhattan-based films, among them the seminal Brian de Palma project Hi, Mom! (1970) and Woody Allen's Bananas (1971, as the Christ figure who has trouble finding a parking space for his cross). He was promoted to leading man in 1970's Cry Uncle, a raunchy R-rated detective spoof which attracted extensive press coverage thanks to the scene in which Garfield has sex with a corpse! In mainstream films like The Long Goodbye (1973) The Conversation (1974) and Nashville (1975), Garfield was generally cast as slimy executives and promoters. As MGM mogul Louis B. Mayer in Gable and Lombard, Garfield offered a fascinating amalgam of sticky sentimentality, sharp business acumen and cold-blooded ruthlessness. From 1978 through 1983, Garfield billed himself under his given name of Allen Goorwitz, and also lost a great deal of weight; but with 1984's Cotton Club onward, it was back to "Garfield" and excess poundage. In 1993, Allen Garfield played his first starring role in years in the angst-driven theatrical feature Jack and His Friends.