Trivia: Sydney Pollack -- one of Meryl Streep's collaborators time and again -- once proclaimed her the most gifted film actress of the late 20th century. Most insiders would concur with this assessment. To avid moviegoers, she represents the essence of onscreen dramatic art. Like Hoffman (and De Niro), she demonstrates a transcendent ability to plunge into her characters and lose herself inside of them, transforming herself physically to meet the demands of her roles. A luminous blonde with nearly translucent pale skin, intelligent blue eyes, and an elegant facial bone structure, Streep sustains a fragile, fleeting beauty that allows her to travel the spectrum between earthily plain (Ironweed), and ethereally glamorous and radiant (Manhattan, Heartburn).Born June 22, 1949, in Summit, NJ, Streep took operatic voice lessons, and subsequently cultivated a fascination with acting while she attended Bernards High School. Upon graduation, Streep studied drama at Vassar, Dartmouth, and Yale, where she appeared in 30 to 40 productions with the Yale Repertory Theater. With a five-star education and years of collegiate stage work under her belt, Streep headed for the New York footlights and launched her off-Broadway career. Streep's performance in Tennessee Williams' 27 Wagons Full of Cotton, for which she received a Tony nomination, constitutes a particularly strong theatrical highlight from this period. She made her television debut in Robert Markowitz's The Deadliest Season (1977). That year she also appeared onscreen for the first time in Fred Zinnmann's Julia (1977) as Anna Marie, opposite heavyweights Jane Fonda, Vanessa Redgrave, and Hal Holbrook. The following year, Streep picked up an Emmy for her performance in Marvin J. Chomsky's miniseries Holocaust. She first teamed with De Niro in Michael Cimino's The Deer Hunter (1978).Around this time, Streep became involved with the diminutive performer John Cazale, whom she met on the set of the Cimino film. Tragically, this marriage was ill-fated from day one, Cazale's frail body ridden with bone cancer. Forty-two at the time, he passed away in March 1978, nine months prior to the premiere of The Deer Hunter. Streep later wed Don Gummer, who was not associated with Hollywood in any capacity.Streep next appeared as Woody Allen's ruthless lesbian ex-wife in his elegiac comedy drama Manhattan (1979) and Alan Alda's Southern mistress in the scathing political satire The Seduction of Joe Tynan. Her shattering interpretation of the scarred and torn Joanna Kramer opposite Dustin Hoffman in Robert Benton's heartbreaking divorce saga Kramer vs. Kramer (1979), earned her a Best Supporting Actress Oscar in 1980 -- which she famously left on top of a toilet at the festivities -- alongside a plethora of L.A. Film Critics Association, New York Film Critics Circle, and Golden Globe Awards for the Allen, Benton, and Alda films.Streep continued her ascent over the next decade by establishing herself as Hollywood's top box-office draw and a critical darling. Her double performance in the innovative Karel Reisz/Harold Pinter triumph The French Lieutenant's Woman (1981), her gut-wrenching interpretation of the titular Holocaust survivor in Alan J. Pakula's haunting adaptation Sophie's Choice (1982), and her thoughtful evocation of Karen Silkwood in Mike Nichols' drama Silkwood were highlights of the period. In the latter, she portrays a real-life victimized nuclear-plant worker who mysteriously disappears just prior to turning in crucial evidence against her employers.Streep's decision to headline Sydney Pollack's lush epic Out of Africa (1985), as Karen Blixen, sustained her reputation. She would go on over the next decade to appear in projects like but Ironweed, Heartburn, She-Devil, Postcards from the Edge, and Death Becomes Her. In 1994, she again surprised her fans when she appeared as a muscular expert whitewater rafter who must fight a raging river and two dangerous fugitives to save her family in the action thriller River Wild (1994). In interviews, she said she did the film because she wanted to have an adventure like Harrison Ford and to overcome a few of her own fears.Streep returned to the depth and multifacetedness of her early roles -- with much concomitant success -- when she took a more low-key role as a dowdy, Earthbound farm wife who finds Illicit love with an itinerant photographer (Clint Eastwood) in The Bridges of Madison County. Following the critical and commercial heights of Bridges, Streep picked up yet another Oscar nomination for her performance as a terminally ill wife and mother in Carl Franklin's One True Thing (1998).Streep then signed on to replace Madonna as the lead in 1999's Music of the Heart, tackling what outwardly appeared to be a cookbook Hollywood plot (a teacher on a mission to teach violin to a class of inner-city youth in Harlem) with absolute commitment, teaching herself to play the violin by practicing six hours a day for eight weeks. In the new millennium, Streep hit audiences with the back-to-back with lauded performances in Adaptation and The Hours, earning an Oscar nomination for the former and a Golden Globe nomination for the latter.On the heels of this success, Streep won an Emmy in 2004 for her participation in longtime friend and collaborator Mike Nichols' Angels in America mini-series. She soon afterward won even greater audience and critic approval for her biting role as a corporate and political conspirator in Jonathan Demme's remake of the 1962 thriller The Manchurian Candidate. Streepfollowed this up with a part in the lighthearted comedies Prime, A Prairie Home Companion, and The Devil Wears Prada.In 2007 Streep starred in a pair of timely dramas about the Iraq War, Lions for Lambs and Rendition, before returning to the musical comedy milieu with 2008's Mamma Mia!. The adaptation of the smash stage musical shattered box-office records, becoming the highest grossing film in the history of the United Kingdom, and the biggest American hit of her illustrious career. She followed that up with the lead role in John Patrick Shanley's adaptation of his award-winning play Doubt, a performance that earned her fifteenth acting nomination from the Academy, as well as nods from the Screen Actors Guild, and the Hollywood Foreign Press.The renowned actress was nominated yet again for the Academy Award and the Screen Actors Guild the following year for her turn as Julia Child in the comedy Julie & Julia, a role that also garnered her a win for Best Actress from the New York Film Critics as well as the Golden Globes. That same year she played the lead for Nancy Myers in the box office hit It's Complicated, only to dive directly back into the Oscar spotlight again the next year with her acclaimed performance as English Prime Minister Margaret Thatcher in 2012's The Iron Lady. The role garnered Streep her 17th Academy Award nomination -- resulting in her third win, this time for Best Actress, in addition to Best Actress wins from the New York Film Critics Circle and the Golden Globes. She was back in the Oscar race in 2014, securing yet another nomination in the Best Supporting Actress category for her work as the wicked witch in Rob Marshall's big-screen adaptation of the musical Into the Woods.

Trivia: Born October 28th, 1967, Georgia native Julia Roberts was raised in a fervently pro-theater environment. Her parents regularly hosted acting and writing workshops, and both of the Roberts children (Julia and her brother Eric) showed an interest in the performing arts at an early age. Ironically enough, Eric was the first to break into film; in 1978, one year after their father died of lung cancer at 47, Eric Roberts starred in director Frank Pierson's psychological drama King of the Gypsies. Though her older brother would go on to have a solid acting career, it was, of course, Julia Roberts who earned a spot among Hollywood's elite.After making her film debut in Blood Red -- which wouldn't be released until 1989, despite having been completed in 1986 -- and appearing in several late '80s television features, Roberts got her first real break in the 1988 made-for-cable drama Satisfaction. That role, consequently, led to her first significant supporting role -- a feisty pizza parlor waitress in 1989's Mystic Pizza with Annabeth Gish, Lili Taylor, and a then 19-year-old Matt Damon. While Mystic Pizza was not a star-making film for Roberts, it certainly helped earn her the credentials she needed to land the part of Shelby, an ill-fated would-be mother in Steel Magnolias. The 1989 tearjerker found her acting alongside Sally Field and Shirley MacLaine, and culminated in an Oscar nomination for Roberts. While the success of Steel Magnolias played no small part in launching Roberts' career, and undoubtedly secured her role in the mediocre Flatliners (1990) with former flame Kiefer Sutherland, it was director Garry Marshall's romantic comedy Pretty Woman with Richard Gere that served as her true breakthrough role. Roberts' part in Pretty Woman (a good-hearted prostitute who falls in love with a millionaire client) made the young actress a household name and cemented what would become a permanent spot in tabloid fodder. Roberts broke off her engagement with Sutherland in 1991, just three days before they were scheduled to be married, and surprised the American public in 1993, when she began her two-year marriage to country singer Lyle Lovett. Roberts' personal life kept her name in the spotlight despite a host of uneven performances throughout the early '90s (neither 1991's Dying Young or Sleeping With the Enemy garnered much acclaim), as did a reputed feud with Steven Spielberg during the filming of Hook (1991). Luckily, Roberts made decidedly less embarrassing headlines in 1993, when her role alongside future Oscar winner Denzel Washington in The Pelican Brief reaffirmed her status as a dramatic actress. Her career, however, took a turn back to the mediocre throughout the following year; both Prêt-à-Porter and I Love Trouble proved commercial flops, and Mary Reilly (1996) fizzled at the box office as well. The downward spiral reversed directions once again with 1996's Michael Collins and Conspiracy Theory with Mel Gibson, and led to several successful comic roles including Notting Hill with Hugh Grant, Runaway Bride, and most notably, My Best Friend's Wedding with Rupert Everett and a then virtually unknown Cameron Diaz. Roberts' biggest success didn't present itself until 2000, though, when she delivered an Oscar-winning performance playing the title role in Steven Soderbergh's Erin Brockovich. The film, based on the true story of Erin Brockovich, a single mother who, against all odds, won a heated battle against corporate environmental offenders, earned Roberts a staggering 20-million-dollar salary. Officially the highest paid actress in Hollywood, Roberts went on to star in 2001's America's Sweethearts with Billy Crystal, Catherine Zeta-Jones, and John Cusack, as well as The Mexican with Brad Pitt. While on the set of The Mexican, Roberts met cameraman Danny Moder, whom she would marry in 2001 almost immediately after ending a four-year relationship with fellow actor Benjamin Bratt. Indeed, 2001 was a banner year for Roberts; in addition to America's Sweethearts and The Mexican, Roberts starred in the crime caper Ocean's Eleven, in which she rejoined former co-stars Brad Pitt and Matt Damon, and acted for the first time with George Clooney and Don Cheadle. Julia Roberts worked with Soderbergh once again in 2002's Full Frontal, which, despite a solid cast including Mary McCormack and Catherine Keener, among others, did not even begin to fare as well as Erin Brockovich. Confessions of a Dangerous Mind (2002), which featured Roberts as a femme fatale alongside George Clooney, Sam Rockwell, and Drew Barrymore did much better, and preceded 2003's Mona Lisa Smile with young Hollywood's Julia Stiles, Kirsten Dunst, and Maggie Gyllenhaal. In 2004, Roberts signed on for the sequel to Ocean's Eleven -- the aptly titled Ocean's Twelve. A supporting performance in the animated 2006 feature The Ant Bully marked the glamorous Hollywood beauty's first foray into the world of animation, which she would continue for Christmas of 2006 with the role of everone's favorite selfless spider in Charlotte's Web. In the coming years, Roberts would reteam with Tom Hanks for Charlie Wilson's War in 2007, and then again for Larry Crowne in 2011. In the meantime, the A-lister would keep busy with a critically acclaimed performance in 2010's Eat, Pray, Love, in which she portrayed a divorcee on a journey of self discovery, and 2012's retelling of Snow White, Mirror, Mirror.

Trivia: An actress with a face that, like it or not, burns itself into your memory, not to be forgotten once initially exposed, feisty young actress Juliette Lewis once commented that her ability to look alternately attractive and repellant was a key element to her success, claiming that many attractive actresses simply can't be ugly if needed. Ugly she was as a viscously sadistic serial killer in Oliver Stone's notorious Natural Born Killers, in sharp contrast with her role as the virtually seductive cyberpunk-siren in the futuristic Strange Days. Born June 21, 1973, in Los Angeles, CA, Lewis had a distinct wild streak from her earliest days. Daughter of graphic artist/actor Geoffrey Lewis, Lewis realized her dreams of becoming an actress at the age of seven, turning those dreams into reality by becoming a professional actress at the age of 12. Distressed at the obstacles refraining her from fully immersing herself in her dreams (namely school and her parents), Lewis became legally emancipated at 14, gaining exemption from child-labor laws and the ability to work more than five hours a day. The final obstacle, high school, Lewis hurdled by dropping out at the age of 15, earning her equivalency exam with the aid of a tutor. That same year, she was arrested for being underage in an underground disco.Moving to Hollywood and living for a short period with actress Karen Black while seeking work, Lewis moved into an apartment with friends, finally finding the independence she had so diligently pursued. The payoff for her persistence was not far behind, as Lewis soon landed a role in the Showtime-produced Home Fires (1987). Following up with light comedic roles in the suburban extraterrestrial comedy My Stepmother Is an Alien (1988), and taking the role of Audrey in the third installment in the vacation series National Lampoon's Christmas Vacation, Lewis was well on her way to fully achieving her dreams of stardom. Her dramatic turn as Amanda Sue Bradley in Too Young to Die, the true story of the first minor to receive the death penalty, earned Lewis well-deserved praise and the recognition that would carry her forward into more challenging territory.Lewis' breakthrough role came in the form of the awkward and rebellious daughter flirting with a psychotic Robert De Niro in Martin Scorsese's Cape Fear, a role that earned her an Oscar nomination. More mature roles began to follow such as Johnny Depp's love interest in What's Eating Gilbert Grape and in her first foray into the mind of a serial killer, Kalifornia (both 1993). Her most notorious role to date, as the homicidal Mallory to Woody Harrelson's psychopathic Micky in the controversial and numbingly hyperkinetic ode to excess Natural Born Killers, displayed her remarkably enthusiastic ability for boundless exorbitance. With a few exceptions, namely 1999's The Other Sister, Lewis' post-Natural Born Killers career was filled with supporting roles and ensemble parts. She was the pregnant kidnapping victim in the noirish The Way of the Gun and played Jennifer Lopez's best friend in the domestic-violence thriller Enough. In 2003, Lewis played Luke Wilson's excessively unfaithful wife in Old School. Director Todd Phillips enjoyed working with her so much he cast her in 2004's high-profile comedic retooling of TV's Starsky and Hutch.She kept working steadily in a variety of projects including The Darwin Awards, Catch and Release, Drew Barrymore's rollerderby comedy Whip It, and she teamed up again with Todd Philips for his 2010 comedy Due Date. She appeared in the ensemble drama August: Osage County, an adaptation of the Pulitzer Prize-winning play, in 2013. Lewis then joined two television series at the same time, playing a detective in Secrets and Lies and a bartender in Wayward Pines, from executive producer M. Night Shyamalan. Both shows premiered in the spring of 2015.

Trivia: Ewan McGregor rocketed to fame over a short period of time, thanks to a brilliant turn as a heroin addict in Trainspotting and the good fortune of being selected by George Lucas and co. to portray the young Obi-Wan Kenobi in the Star Wars prequel Star Wars: Episode I -- The Phantom Menace. Because Menace arrived amid concomitant fanfare and massive prerelease expectations in early summer 1999, McGregor's appearance in the new trilogy drew a whirlwind of media attention and elicited a series of roles in additional box-office blockbusters, launching the then 28-year-old actor into megastardom. Born on March 31, 1971, in the Scottish town of Crieff, on the southern edge of the Highlands, McGregor joined the Perth Repertory Theatre after high school graduation and subsequently trained at the Guildhall School of Music and Drama. His studies at Guildhall led to a key role in Dennis Potter's 1993 Lipstick on Your Collar, a made-for-television musical comedy set during the Suez Crisis. That same year, McGregor received first billing in the British television miniseries Scarlet & Black, an adaptation of Henri Beyle Stendhal's 1830 period novel about a young social climber in post-Napoleonic, late 19th century Europe. McGregor made a well-pedigreed cinematic debut, with a bit part in Bill Forsyth's episodic American drama Being Human (1993), starring Robin Williams. The picture, however, undeservedly flopped and closed almost as soon as it opened, rendering McGregor's contribution ineffectual. The actor continued to turn up on television on both sides of the Atlantic until late 1996; some of his more notable work during this period includes his turn as a beleaguered gunman in an episode of ER and the Cold War episode of Tales From the Crypt, in which he plays a vampiric thief. McGregor landed his cinematic breakthrough role with Danny Boyle's noirish, heavily stylized Shallow Grave (1994). In that film, he essays the role of Alex, a journalist who finds himself in a horrendous position after a murder. He appeared in Carl Prechezer's little-seen British surfing parable Blue Juice (1995) and Peter Greenaway's The Pillow Book (1996) before losing almost 30 pounds and shaving his head for his turn as heroin addict Mark Renton in Trainspotting, his sophomore collaboration with Danny Boyle, which gained the attention of critics and audiences worldwide. McGregor then took a 180-degree turn (and projected unflagging versatility) by portraying Frank Churchill in the elegant historical comedy Emma (1996).McGregor continued to work at an impressive pace after Emma, with appearances in Brassed Off (1996), Nightwatch (1998), The Serpent's Kiss (1997), and yet another project with Danny Boyle, the 1997 fantasy A Life Less Ordinary. (The latter film concludes on a raffish note, with an animated puppet of Ewan McGregor dressed in a kilt that bears the McGregor family tartan). In 1998, the actor signed to appear in the Star Wars prequels. (Lucas' decision to hire McGregor for Obi-Wan in the Star Wars prequels was hardly capricious; his uncle, Denis Lawson, had appeared as Wedge Antilles, decades earlier, in the original three installments of the series.) That same year, McGregor contributed a fine performance to Todd Haynes' Velvet Goldmine, with his portrayal of an iconoclastic, Iggy Pop-like singer during the 1970s glam rock era.As the new millennium dawned, McGregor had a full slate of projects before him, including several for his own production shingle, Natural Nylon, co-founded by McGregor and fellow actors Jude Law, Sean Pertwee, Sadie Frost, and fellow Trainspotter Jonny Lee Miller. Pat Murphy's biopic Nora (2000, co-produced by Wim Wenders' banner Road Movies Filmproduktion and by Metropolitan pictures), represented one of the first films to emerge from this production house. As a dramatization of the real-life relationship between James Joyce and Nora Barnacle, Nora stars McGregor as Joyce and Susan Lynch as the eponymous Nora. The actor stayed in period costume for his other film that year, Baz Luhrmann's Moulin Rouge. Set in 1899 Paris, it stars McGregor as a young poet who becomes enmeshed in the city's sex, drugs, and cancan scene and embarks on a tumultuous relationship with a courtesan (Nicole Kidman). Following a turn in Black Hawk Down (2001), McGregor reprised his role as a young Obi-Wan Kenobi in the eagerly anticipated Star Wars: Episode II -- Attack of the Clones. 2003 saw McGregor taking advantage of an odd quirk. Years prior, a magazine had commented on the uncanny resemblance between the young Scotch actor and the legendary Albert Finney as a young man. In dire need of a twenty- or thirty-something to portray Finney's younger self for his fantasy Big Fish, Tim Burton cast McGregor in the role; he fit the bill with something close to utter perfection. In that same year's erotic drama Young Adam (directed by David Mackenzie and originally screened at the 2003 Cannes Film Festival), McGregor plays one of two barge workers unlucky enough to dredge up the nearly naked corpse of a young woman. The young actor also starred alongside Renée Zellweger, who, fresh from the success of Chicago, played the unlikely love interest of McGregor's preening, sexist Catcher Block in Down With Love, director Peyton Reed's homage to '60s romantic comedies. McGregor returned to the role of Obie-Wan Kenobi once again in 2005 for Star Wars: Episode III -- Revenge of the Sith, the final film in George Lucas' epic saga. That same year, he lent his voice to the computer-animated family film Robots and starred opposite Scarlett Johansson in Michael Bay's big-budget sci-fi actioner The Island. He also secured the lead role of Sam Foster, a psychiatrist attempting to locate a suicidal patient, in Finding Neverland director Marc Forster's follow-up to that earlier hit, the mindbender Stay. Though that picture died a quick death at the box office, McGregor returned the following year as Ian Rider, a secret agent whose assassination sparks the adventure of a lifetime for his young nephew, in Geoffrey Sax's Alex Rider: Operation Stormbreaker. The film only had a limited run in the U.S., and was panned by critics.In late 2006, McGregor once again demonstrated his crossover appeal with turns in two much artier films: Scenes of a Sexual Nature and Miss Potter. The former -- Ed Blum's directorial debut, from a script by Aschlin Ditta -- is an ensemble piece about the illusions and realities in the relationships of seven British couples over the course of an afternoon on Hampstead Heath. The latter -- director Chris Noonan's long-awaited follow-up to his 1995 hit Babe -- is a biopic on the life of the much-loved children's author Beatrix Potter (played by Renée Zellweger). McGregor portrays Norman, her editor and paramour.McGregor was next cast in Marcel Langenegger's 2007 thriller The Tourist as Jonathan, an accountant who meets his dream girl at a local strip club but immediately becomes the prime suspect when the woman vanishes, and is accused of a multimillion-dollar theft. Over the coming years, McGregor would appear in a number of successful films, like Incendiary, Cassandra's Dream, I Love You, Phillip Morris, Amelia, Beginners, and Haywire.McGregor married French-born production designer Eve Mavrakis in 1995, with whom he has three children.

Trivia: The younger sister of child thespian Spencer Breslin (Disney's the Kid, The Santa Clause 2, The Shaggy Dog), the dynamic young actress Abigail Breslin was born in Manhattan in 1996 and began shooting television commercials at the age of three. In 2001, Tamil-American director and Spielberg protégé M. Night Shyamalan discovered then five-year-old Breslin and brought about her movie debut by casting her in his sci-fi thriller Signs -- the tale of a farmer and pastor (Mel Gibson) who discovers a giant crop circle on his property as an early indicator of an extraterrestrial invasion. Breslin plays Bo Hess, Gibson's asthma-ridden, paranoiac daughter who is racked by the delusion that she must never drink water, for every glass in the house is now contaminated. The terror evident in this characterization was not unique. From an early age, the pint-sized Breslin became notorious for her preternatural ability to pour an extraordinary amount of emotional intensity into each role, which led to several challenging parts that Breslin pulled off with ease. The first of these turns, 2004's sadly overlooked Keane, is a harrowing drama about a drug- and alcohol-riddled schizophrenic named William Keane (Damian Lewis), obsessed with attempting to find his young daughter, who may never have even existed. Amy Ryan and Breslin play, respectively, Lynn Bedik and Kira Bedik, a mother and daughter who wander into William's life and concurrently raise, within him, a towering fear of himself and the capacity for emotional connection. The New York Post's V.A. Musetto called Breslin "a revelation."After light-hearted turns in Garry Marshall's terribly received Raising Helen (which marked the first onscreen pairing of Breslin and her older brother) and David S. Cass' little-seen domestic comedy Family Plan (2005), Breslin signed on as the central character in Valerie Faris and Jonathan Dayton's Little Miss Sunshine. This road comedy -- about a severely dysfunctional family that bands together and treks off to the titular children's beauty pageant in which young Olive (Breslin) is participating -- unexpectedly dazzled viewers with its acerbic wit, flashes of wild humor, exemplary characterizations, and touching insights into familial relationships, when it premiered in summer 2006. In fact, it became, hands down, one of the most significant sleeper hits of that year. Thanks in no small part to her mature evocation of sweet-natured, pure-hearted Olive (who elevates the film to new levels not only by strengthening family ties, but by performing an outrageous final dance number in the beauty pageant), Breslin became one of the youngest individuals in Hollywood history to receive a Best Supporting Actress nod when the Oscar nominations rolled around in January 2007 -- younger, by seven months, than Tatum O'Neal, during her Oscar win in early 1974. Meanwhile, Breslin signed on for several additional roles alongside her studies. These included Zoe, the niece of Catherine Zeta-Jones's character in Scott Hicks' romantic comedy No Reservations (a remake of the German film Mostly Martha); a sick child befriended by a lonely, itinerant young man (Drew Fuller) in Michael O. Sajbel's The Ultimate Gift; and the confused, inquisitive 11-year-old daughter of a political consultant (Ryan Reynolds) in Adam Brooks' romantic comedy Definitely, Maybe (2008). That same year she had the lead role in the family adventure film Nim's Island, and the title part in Kit Kittredge: An American Girl. The next year she would appear in the comedy Zombieland. In 2011 she provided one of the voices for the Oscar winning animated film Rango, and was one of many in the ensemble cast of New Year's Eve as the independent-minded daughter of Sarah Jessica Parker.

Trivia: While some may not recognize Margo Martindale's name, many recognize her face. An actress onscreen from the early '90s, Martindale's list of memorable roles is long, and the character actress found a strong niche playing mothers (Million Dollar Baby) grandmothers (Hannah Montana: The Movie), and generally maternal figures (Practical Magic). Martindale even parodied her own typecasting, playing the mother of the title character in the biopic spoof Walk Hard: The Dewey Cox Story. Martindale would continue to act at a furious pace for years to come, appearing in movies like Secretariat, and on shows like Justified and A Gifted Man.

Trivia: Having spent much of his youth on his father's Missouri cattle ranch, it is not surprising that supporting and leading actor of stage, screen, and television Chris Cooper has specialized in playing cowboys, ranchers, and other hardworking men. His rugged Everyman demeanor has best been put to use by filmmaker John Sayles, who cast him in a number of his films, beginning with 1987's Matewan.Cooper's interest in the theater began in his late teens, when he designed and constructed sets for a community group. Following high school, he studied agriculture and acting at the University of Missouri before moving to New York City in hopes of making it on the stage. It took awhile, but by 1980 he was starring in productions like Of the Fields Lately, The Ballad of Soapy Smith, and Cobb, in which he played the title role. His film debut came in 1980, in Nicholas Roeg's Bad Timing: A Sensual Obsession. He didn't get his big break until seven years later, when Sayles cast him as Joe Kenehan, a member of the coalminer's union who is sent to a tiny mountain town to organize the workers in Matewan (1987). He again worked with Sayles in City of Hope (1991) and then in Lone Star (1996), for which he won great acclaim playing the enigmatic Sam Deeds, the prodigal son of a tiny Texas town's sheriff who solves a mystery and comes to grips with his relationship with his late father. Subsequently, Cooper -- who had also made his mark on the small screen as cowboy July Johnson in Lonesome Dove (1989) -- appeared as a deputy in a A Time to Kill (1996), Robert Redford's younger brother in The Horse Whisperer (1998), and Ethan Hawke's brother-in-law in Great Expectations. In 1999, the actor again demonstrated his impressive range, first playing a coalminer in October Sky and then turning in a chilling performance as Kevin Spacey's unbalanced neighbor in American Beauty. If Cooper was somewhat lost in the shuffle of 2002's Interstate 60, his Oscar winning performance in that same years' Adaptation would find Cooper receiving lavish praise for his portrayal of a lively orchid hunter. Cast opposite Meryl Streep, Cooper's toothless performance was in turns hilarious, sad and poetic, providing the perfect showcase for his impressive range. In 2003, Cooper was nominated for Best Supporting Actor by the Screen Actors Guild for his turn as a soft-spoken horse trainer in Seabiscuit. Cooper worked steadily through the early 2000s, largely in a supporting capacity. He won no small amount of praise for his work in Syriana and Capote (both 2005), and showed demonstrated his range as an actor in 2007, when he co-starred in The Kingdom, Married Life, and Breach. Cooper lent his voice to Spike Jonze's remake of Maurice Sendak's classic children's novel Where the Wild Things Are, and joined Ben Affleck for a supporting role in The Town, a 2010 crime thriller based on author Chuck Hogan's novel Prince of Thieves. Cooper found more success, however, for his role in Amiga (2010) John Sayles' war drama, in which he played an American military colonel deeply prejudiced against Filipinos. The actor took on a decidedly less serious role as a dastardly villain extraordinaire in The Muppets (2011).

Trivia: When British actor Benedict Cumberbatch signed for his first cinematic roles in the early 2000s, he immediately unveiled a proclivity -- and a gift -- for essaying a diverse array of characterizations. Cumberbatch began with BBC television productions, notably a supporting part in the lesbian-themed period drama Tipping the Velvet (2002) and the lead role of the brilliant, physically disabled scientist Stephen Hawking in the BBC telemovie Hawking (2004). Cumberbatch landed one of his first significant international crossover roles (and his first major big-screen assignment) as one of the leads in Michael Apted's arthouse hit Amazing Grace (2006) -- portraying William Pitt, an 18th century British prime minister who crusaded against slavery. While appearing on the British stage and in British television shows, Cumberbatch slowly built up an impressive résumé of supporting film roles. He had a small (but significant) part in Joe Wright's period drama Atonement (2007), and played William Carey, Mary Boleyn's husband in The Other Boleyn Girl (2008).In 2010, Cumberbatch took on his breakout role, playing Sherlock Holmes in a BBC series reboot. His career exploded after the show took off. He played The Necromancer/Smaug in The Hobbit trilogy, Khan in Star Trek Into Darkness, a plantation owner in 12 Years a Slave and nabbed his first true starring role playing Julian Assange in The Fifth Estate. In 2014 Cumberbatch portrayed the pioneering British mathematician Alan Turing in The Imitation Game, and his work earned him a Best Actor nomination from the Academy, the first nod of his career.

Trivia: American actor Dermot Mulroney is decidedly in tune with the 1990s: his film characters are often eccentric, unpredictable, and total strangers to personal hygiene. Curiously, when called upon to appear as a scruffy street kid in Where the Day Takes You (1992), Mulroney seemed a bit too squeaky-clean. An alumnus of Northwestern University, he first made moviegoers' acquaintance in 1988 with Sunset and as part of the Brat Pack western Young Guns. In the acclaimed Longtime Companion (1990), Mulroney played a collar-and-tie type who was still essentially an outsider due to the character's homosexuality and vulnerability to AIDS. Much of Mulroney's subsequent work has gone largely unseen, including the dismal Bad Girls (1994).

Trivia: A Pulitzer Prize-winning playwright (for 1979's Buried Child), an Oscar-nominated actor, and a director and screenwriter to boot, multi-talented Sam Shepard has made a career of plumbing the darker depths of middle-American rural sensibilities and Western myths. The son of a military man, he was born Samuel Shepard Rogers on November 3, 1943, in Fort Sheridan, IL. Following a peripatetic childhood, part of which was spent on a farm, Shepard left home in late adolescence to move to New York City, where by the age of 20, he already had two plays produced. As a playwright, Shepard went on to win a number of Obies for such dramas as Curse of the Starving Class (1977), which he made into a film in 1994, and True West (aired on PBS in 1986). As an actor, the lanky and handsome Shepard made his feature film debut with a small role in Bronco Bullfrog (1969) and didn't resurface again until Bob Dylan's disastrous Renaldo and Clara (1978). The film followed Shepard's residence in London during the early '70s, where he worked on-stage as an actor and director when not playing drums for his band, The Holy Modal Rounders, which had performed as part of Dylan's Rolling Thunder Revue in 1975. Also in 1978, Shepard made a big impression playing a wealthy landowner in Terrence Malick's Days of Heaven, but it was not until he received a Best Supporting Actor Oscar nomination for playing astronaut Chuck Yeager in The Right Stuff (1983) that he became a well-known actor. Following this success, he went on to specialize in playing drifters, cowboys, con artists, and eccentric characters with only the occasional leading role. Some of his more notable work included Paris, Texas (1984), which he also wrote; Fool For Love (1985), which was adapted from his play of the same name; Baby Boom (1987), Steel Magnolias (1989), and The Pelican Brief (1993). In addition to acting and writing, Shepard has also directed: in 1988, he made his debut with Far North, a film he wrote especially for his off-screen leading lady, Jessica Lange, with whom he has acted in Frances (1982), Country (1984), and Crimes of the Heart (1986).In 1999, Shepard could be seen on both the big and small screen. He appeared in Snow Falling on Cedars and Dash and Lilly, a made-for-TV movie for which he won an Emmy nomination in the role of the titular Dashiell Hammett. In addition, he also lent his writing skills to Simpatico, a Nick Nolte vehicle about friendship and loss adapted from Shepard's play of the same name.As the new decade began, he could be seen as the ghost in a modern-set Hamlet. He appeared in Black Hawk Down, as well as in Sean Penn's The Pledge. His play True West enjoyed a highly successful revival starring John C. Riley and Philip Seymour Hoffman as feuding brothers, which was notable because the actors traded parts every third performance. In 2004 he appeared in the popular romantic drama The Notebook, and wrote Don't Come Knocking the next year. He was the legendary outlaw Frank James in 2007's The Assassination of Jesse James by the Coward Robert Ford. He was cast as Valerie Plame's father in Fair Game, and portrayed a dog-loving sheriff in Lawrnece Kasdan's Darling Companion.

Trivia: An actress based in and around Seattle, WA, for many years, screen performer Misty Upham drew heavily from her Native American ancestral background in selecting roles, which often reflected an ethnic angle; the majority of her early film projects also dealt explicitly with Native American issues. Upham first bowed onscreen in the early 2000s, in two projects helmed by the celebrated Chris Eyre (Smoke Signals): Skins and Skinwalkers (both 2002). Upham essayed one of her first leads in the 2008 Frozen River, as a Mohawk Indian who sustains herself economically by smuggling illegal immigrants over the border. She appeared in 2012's Django Unchained and had a major supporting role in August: Osage County (2013). On October 5, 2014, Upham was last seen leaving her sister's apartment on the Muckleshoot Reservation (near Auburn, WA) and was not seen again; her father reported her as missing the next day. On October 16, 2014, her body was found in the woods in Auburn, WA.

Trivia: From the catwalk to the silver screen, model-turned-actress Julianne Nicholson has a way of turning heads. A freckled starlet whose fresh-faced beauty and boundless energy have no doubt served her well in juggling multiple projects in film and television, Nicholson first made a name for herself in a trio of independent dramas before achieving recognition among the masses with a role in the 1999 Stephen King miniseries Storm of the Century. Born and raised the oldest of four siblings living in Medford, MA, Nicholson dabbled in modeling following graduation from high school. Later studies at New York's Hunter College found the aspiring actress waiting tables in the Big Apple to support herself, though it didn't take long for Nicholson to throw caution to the wind and take up acting full time. Following her appearance in Storm of the Century Nicholson returned to features for a slew of supporting roles, and in 2000, she made her first foray into weekly television as a college student with the gift of second sight in The Others. Despite the series' short lifespan, Nicholson escaped relatively unscathed, resurfacing later the same year with an Independent Spirit Award-nominated role in the indie drama Tully. Back on the small screen Nicholson offered a breath of fresh air to Ally McBeal when she joined the cast of the popular series in 2001, with a brief leap back to the big screen in I'm With Lucy preceding a stint with a stethoscope on the 2002 medical drama Presidio Med. Cast opposite Jay Mohr as the bride-to-be in the 2004 feature Seeing Other People, Nicholson proved without a doubt that she had more than enough charm to carry the small comedy before moving on to a supporting role in the wide-release romantic comedy Little Black Book and getting meatier television roles on Law & Order: Criminal Intent, Boardwalk Empire, and The Good Wife.