Trivia: Ewan McGregor rocketed to fame over a short period of time, thanks to a brilliant turn as a heroin addict in Trainspotting and the good fortune of being selected by George Lucas and co. to portray the young Obi-Wan Kenobi in the Star Wars prequel Star Wars: Episode I -- The Phantom Menace. Because Menace arrived amid concomitant fanfare and massive prerelease expectations in early summer 1999, McGregor's appearance in the new trilogy drew a whirlwind of media attention and elicited a series of roles in additional box-office blockbusters, launching the then 28-year-old actor into megastardom. Born on March 31, 1971, in the Scottish town of Crieff, on the southern edge of the Highlands, McGregor joined the Perth Repertory Theatre after high school graduation and subsequently trained at the Guildhall School of Music and Drama. His studies at Guildhall led to a key role in Dennis Potter's 1993 Lipstick on Your Collar, a made-for-television musical comedy set during the Suez Crisis. That same year, McGregor received first billing in the British television miniseries Scarlet & Black, an adaptation of Henri Beyle Stendhal's 1830 period novel about a young social climber in post-Napoleonic, late 19th century Europe. McGregor made a well-pedigreed cinematic debut, with a bit part in Bill Forsyth's episodic American drama Being Human (1993), starring Robin Williams. The picture, however, undeservedly flopped and closed almost as soon as it opened, rendering McGregor's contribution ineffectual. The actor continued to turn up on television on both sides of the Atlantic until late 1996; some of his more notable work during this period includes his turn as a beleaguered gunman in an episode of ER and the Cold War episode of Tales From the Crypt, in which he plays a vampiric thief. McGregor landed his cinematic breakthrough role with Danny Boyle's noirish, heavily stylized Shallow Grave (1994). In that film, he essays the role of Alex, a journalist who finds himself in a horrendous position after a murder. He appeared in Carl Prechezer's little-seen British surfing parable Blue Juice (1995) and Peter Greenaway's The Pillow Book (1996) before losing almost 30 pounds and shaving his head for his turn as heroin addict Mark Renton in Trainspotting, his sophomore collaboration with Danny Boyle, which gained the attention of critics and audiences worldwide. McGregor then took a 180-degree turn (and projected unflagging versatility) by portraying Frank Churchill in the elegant historical comedy Emma (1996).McGregor continued to work at an impressive pace after Emma, with appearances in Brassed Off (1996), Nightwatch (1998), The Serpent's Kiss (1997), and yet another project with Danny Boyle, the 1997 fantasy A Life Less Ordinary. (The latter film concludes on a raffish note, with an animated puppet of Ewan McGregor dressed in a kilt that bears the McGregor family tartan). In 1998, the actor signed to appear in the Star Wars prequels. (Lucas' decision to hire McGregor for Obi-Wan in the Star Wars prequels was hardly capricious; his uncle, Denis Lawson, had appeared as Wedge Antilles, decades earlier, in the original three installments of the series.) That same year, McGregor contributed a fine performance to Todd Haynes' Velvet Goldmine, with his portrayal of an iconoclastic, Iggy Pop-like singer during the 1970s glam rock era.As the new millennium dawned, McGregor had a full slate of projects before him, including several for his own production shingle, Natural Nylon, co-founded by McGregor and fellow actors Jude Law, Sean Pertwee, Sadie Frost, and fellow Trainspotter Jonny Lee Miller. Pat Murphy's biopic Nora (2000, co-produced by Wim Wenders' banner Road Movies Filmproduktion and by Metropolitan pictures), represented one of the first films to emerge from this production house. As a dramatization of the real-life relationship between James Joyce and Nora Barnacle, Nora stars McGregor as Joyce and Susan Lynch as the eponymous Nora. The actor stayed in period costume for his other film that year, Baz Luhrmann's Moulin Rouge. Set in 1899 Paris, it stars McGregor as a young poet who becomes enmeshed in the city's sex, drugs, and cancan scene and embarks on a tumultuous relationship with a courtesan (Nicole Kidman). Following a turn in Black Hawk Down (2001), McGregor reprised his role as a young Obi-Wan Kenobi in the eagerly anticipated Star Wars: Episode II -- Attack of the Clones. 2003 saw McGregor taking advantage of an odd quirk. Years prior, a magazine had commented on the uncanny resemblance between the young Scotch actor and the legendary Albert Finney as a young man. In dire need of a twenty- or thirty-something to portray Finney's younger self for his fantasy Big Fish, Tim Burton cast McGregor in the role; he fit the bill with something close to utter perfection. In that same year's erotic drama Young Adam (directed by David Mackenzie and originally screened at the 2003 Cannes Film Festival), McGregor plays one of two barge workers unlucky enough to dredge up the nearly naked corpse of a young woman. The young actor also starred alongside Renée Zellweger, who, fresh from the success of Chicago, played the unlikely love interest of McGregor's preening, sexist Catcher Block in Down With Love, director Peyton Reed's homage to '60s romantic comedies. McGregor returned to the role of Obie-Wan Kenobi once again in 2005 for Star Wars: Episode III -- Revenge of the Sith, the final film in George Lucas' epic saga. That same year, he lent his voice to the computer-animated family film Robots and starred opposite Scarlett Johansson in Michael Bay's big-budget sci-fi actioner The Island. He also secured the lead role of Sam Foster, a psychiatrist attempting to locate a suicidal patient, in Finding Neverland director Marc Forster's follow-up to that earlier hit, the mindbender Stay. Though that picture died a quick death at the box office, McGregor returned the following year as Ian Rider, a secret agent whose assassination sparks the adventure of a lifetime for his young nephew, in Geoffrey Sax's Alex Rider: Operation Stormbreaker. The film only had a limited run in the U.S., and was panned by critics.In late 2006, McGregor once again demonstrated his crossover appeal with turns in two much artier films: Scenes of a Sexual Nature and Miss Potter. The former -- Ed Blum's directorial debut, from a script by Aschlin Ditta -- is an ensemble piece about the illusions and realities in the relationships of seven British couples over the course of an afternoon on Hampstead Heath. The latter -- director Chris Noonan's long-awaited follow-up to his 1995 hit Babe -- is a biopic on the life of the much-loved children's author Beatrix Potter (played by Renée Zellweger). McGregor portrays Norman, her editor and paramour.McGregor was next cast in Marcel Langenegger's 2007 thriller The Tourist as Jonathan, an accountant who meets his dream girl at a local strip club but immediately becomes the prime suspect when the woman vanishes, and is accused of a multimillion-dollar theft. Over the coming years, McGregor would appear in a number of successful films, like Incendiary, Cassandra's Dream, I Love You, Phillip Morris, Amelia, Beginners, and Haywire.McGregor married French-born production designer Eve Mavrakis in 1995, with whom he has three children.

Trivia: Naomi Watts had already been a working actress for over a decade when she earned notice as a promising newcomer in David Lynch's Cannes Film Festival prizewinner Mulholland Drive (2001).Born September 28th, 1968, Watts began acting in her teens, landing her first film role in For Love Alone (1986). Watts subsequently appeared with future Hollywood headliners Nicole Kidman and Thandie Newton in John Duigan's disarming teen romance Flirting (1991). Watts's next film with Duigan, Wide Sargasso Sea (1992), was not so well received. After her first taste of Hollywood with Joe Dante's schlock movie homage Matinee (1992), Watts nabbed a starring role as Jimmy Smits's disturbed student in George Miller's little seen courtroom drama Gross Misconduct (1993). Watts then starred as Jet Girl to Lori Petty's Tank Girl (1995), but the science fiction fantasy suffered an ignominious box office fate. After a series of TV movies and thrillers, including Sleepwalkers (1997) and Children of the Corn IV (1996), Watts appeared in Marshall Herskovitz's high-toned Venetian courtesan costumer Dangerous Beauty (1998) and successful TV docudrama The Hunt for the Unicorn Killer (1999). Watts's breakthrough finally arrived when David Lynch cast her in his ABC pilot Mulholland Drive. Though ABC canceled the project in 1999 after Lynch turned in a typically mood-drenched work, StudioCanal financed its transformation into a feature that debuted to acclaim at Cannes in 2001. A Los Angeles dreamscape akin to Lost Highway, Mulholland Drive featured Watts as the blonde half of a female duo caught in a mystery of shifting identities. Drawing attention for her not-for-network TV love scene with co-star Laura Harring, Watts also earned praise as a rising "new" actress.Though ignored for an Oscar nomination, Watts's tour-de-force dual performance earned her numerous accolades and critics' awards, igniting her career. Working steadily in the wake of Mulholland Drive, Watts scored a box-office as well as critical success a year later with The Ring (2002), the Hollywood remake of the Japanese horror blockbuster. Starring Watts as an intrepid reporter investigating the origins of a lethal videotape, The Ring overcame studio doubts to become a sleeper hit, solidifying Watts's new star status. Watts subsequently donned period dress for the Showtime western The Outsider (2002), and to co-star alongside fellow Aussie Heath Ledger in The Kelly Gang (2003). Balancing her genre work with potentially headier fare guided by notable directors, Watts also appeared with Kate Hudson, Glenn Close and Stockard Channing in the Merchant-Ivory romantic comedy Le Divorce (2003), and won a leading role opposite formidable actors Sean Penn and Benicio Del Toro in Alejandro González Iñárritu's 21 Grams (2003).In 2004, Watts worked opposite Mark Ruffalo for the independent film We Don't Live Here Anymore, and reteamed with Sean Penn for The Assassination of Richard Nixon. She landed the starring role of Ann Darrow in director Peter Jackson's remake of King Kong (2006), and starred in the 2006 remake of The Painted Veil. Watts was praised for her work as a British midwife who accidentally gets involved in the Russian mafia in director David Cronenberg's psychological thriller Eastern Promises. Watts starred along with Clive Owen in 2009's The International, for which she played the part of an assistant district attorney who participates in a plan to rob a bank, and co-starred alongside Samuel L. Jackson, Annette Benning, and Kerry Washington for the drama Mother and Child. Watts was later cast in Dream House (2011), a thriller starring Daniel Craig and Rachel Weisz, and worked with Leonardo DiCaprio in the 2011 biopic J. Edgar. In 2012 she played the mother of a family trapped in a catastrophic storm in The Impossible, garnering a Best Actress nomination for her work in the film.

Trivia: Father is Dominic Holland, a famous British comedian and novelist. Started performing as a young child when he began studying dance at Nifty Feet Dance School in London. In 2006, was noticed at a dance showcase by Lynne Page, the choreographer of Billy Elliot The Musical, who decided to train him in preparation for a role in the stage show. After training for two years and auditioning numerous times, starred in the titular role of Billy Elliot The Musical in the West End in London from 2008 until 2010. Played Lucas in the 2012 film The Impossible, a role that earned him an award for Best Breakthrough from the National Board of Review and for which he was honored at the Hollywood Spotlight Awards. Is involved with the Anthony Nolan Trust, a charity that aims to persuade people to donate bone marrow and stem cells.

Trivia: Bearing more than a passing physical resemblance to her famous father Sir Charles Chaplin, graceful, versatile Geraldine Chaplin is an internationally respected leading and character actress. The eldest daughter from Charles Chaplin's marriage to Oona O'Neill, the daughter of famed playwright Eugene O'Neill, she spent her first eight years in Hollywood, but then moved with her family to Switzerland when her father was persecuted by the U.S. government for his political beliefs. In her new home, Ms. Chaplin attended private schools and was trained in classical ballet at the Royal Ballet School in London with the English Royal Ballet. She made her film debut in the elder Chaplin's Limelight (1952) as a dancer. She also played a small role in her father's last film, Countess From Hong Kong (1964). She had her first major adult role in 1965 playing Omar Shariff's wife, Tonya, in Doctor Zhivago. Much of the film was shot in Spain and it was there that Chaplin began a long romance with director Carlos Saura, who featured her in several films. She has subsequently worked with some of Europe's finest directors. She has also worked with American directors, most notably Robert Altman, who first utilized her in Nashville (1975) as the chatty, shallow BBC reporter Opal. In addition to her busy film career, Chaplin also appeared on-stage and in television miniseries such as Gulliver's Travels (1996) and The Odyssey (1997). Though she has often played leads, the diminutive, willowy, and offbeat beauty with the haunting blue eyes claims she is more comfortable in character roles.

Trivia: Northwestern graduate David Bruce seemed a sure bet for stardom when signed by Warner Bros. in 1940. Bruce's somewhat haunted, sallow features prevented him from being cast in traditional leading man roles, though he was ideally suited for such melodramatic fare as Calling Dr. Death (1943) and The Mad Ghoul (1943), playing a scientist turned zombie in the latter. He remained a reliable supporting actor until deciding to retire from show business in 1955. Twenty-one years later, David Bruce resolved to make a film comeback, but died of a heart attack before those plans could come to fruition.

Trivia: Unlike some Englishmen who have been known to play against type (portraying Americans et al.), unconventionally attractive British actor Tom Hollander banked off of his Anglo roots and accent by building up an impressive resumé of English characterizations, Cockney and otherwise. He earned some of his first screen credits on the cult sitcom Absolutely Fabulous, then moved quickly into feature work, hitting both highs (Gosford Park, Pride & Prejudice) and lows (Paparazzi) -- though nearly always in supporting capacities. In 2007, Hollander essayed memorable roles as Sir Aymas in the Cate Blanchett period film Elizabeth: The Golden Age and Cutler Beckett in the Jerry Bruckheimer-produced farce Pirates of the Caribbean: At World's End.