Trivia: Red-headed, freckle-faced Martin Milner was only 15 when he made his screen debut in Life With Father (1947), and would continue to play wide-eyed high schoolers and college kids well into the next decade. His early film assignments included the teenaged Marine recruit in Lewis Milestone's The Halls of Montezuma (1951) and the obnoxious suitor of Jeanne Crain in Belles on Their Toes (1952). His first regular TV series was The Stu Erwin Show (1950-1955), in which he played the boyfriend (and later husband) of Stu's daughter Joyce. More mature roles came his way in Marjorie Morningstar (1957) as Natalie Wood's playwright sweetheart and in The Sweet Smell of Success (1957) as the jazz musician targeted for persecution by Winchell-esque columnist Burt Lancaster. Beginning in 1960, he enjoyed a four-year run as Corvette-driving Tod Stiles on TV's Route 66 (a statue of Milner and his co-star George Maharis currently stands at the Corvette Museum in Bowling Green, KY). A longtime friend and associate of producer/director/actor Jack Webb, Milner was cast as veteran L.A.P.D. patrolman Pete Malloy on the Webb-produced TV weekly Adam-12, which ran from 1968 to 1975. His later TV work included a short-lived 1970s series based on Johan Wyss' Swiss Family Robinson. Later employed as a California radio personality, Martin Milner continued to make occasional TV guest appearances; one of these was in the 1989 TV movie Nashville Beat, in which he was reunited with his Adam-12 co-star Kent McCord. He made an appearance on the short-lived series The New Adam-12 and had recurring roles on shows like Life Goes On and Murder, She Wrote. Milner died in 2015, at age 83.

Trivia: Supporting actor Kent McCord is best known for co-starring in the long-running series Adam-12 (1968-1975). McCord made his film debut in the made-for-television movie The Outsider (1967). Following the demise of Adam-12, McCord continued appearing in TV films and in low-budget features such as Unsub (1985) and Return of the Living Dead 3 (1993).

Trivia: Leo Gordon cut one of the toughest, meanest, and most memorable figures on the screen of any character actor of his generation -- and he came by some of that tough-guy image naturally, having done time in prison for armed robbery. At 6 feet 2 inches tall, and with muscles to match, Gordon was an implicitly imposing screen presence, and most often played villains, although when he did play someone on the side of the angels he was equally memorable. Early in his adult life, Gordon did, indeed, serve a term at San Quentin for armed robbery; but after his release he studied at the American Academy of Dramatic Arts, and was a working actor by the early 1950's. His first credited screen appearance (as Leo V. Gordon) was on television, in the Hallmark Hall of Fame production of "The Blue And White Lamp", with Frank Albertson and Earl Rowe, in 1952. His early feature film appearances included roles in China Venture (1953) and Gun Fury (1953), the latter marking the start of his long association with westerns, which was solidified with his villainous portrayal in the John Wayne vehicle Hondo (1953). It was in Don Siegel's Riot in Cell Block 11 (1954), which was shot at San Quentin, that a lot of mainstream filmgoers discovered precisely how fearsome Gordon could be, in the role of "Crazy Mike Carnie." One of the most intimidating members of a cast that was overflowing with tough guys (and which used real cons as extras), Gordon's career was made after that. Movie work just exploded for the actor, and he was in dozens of pictures a year over the next few years, as well as working in a lot of better television shows, and he also earned a regular spot in the series Circus Boy, as Hank Miller. More typical, however, was his work in the second episode of the western series Bonanza, "Death on Sun Mountain", in which he played a murderous profiteer in Virginia City's boomtown days. Once in a while, directors triped to tap other sides of his screen persona, as in the western Black Patch (1957). And at the start of the next decade, Gordon got one of his rare (and best) non-villain parts in a movie when Roger Corman cast him in The Intruder (1962), in the role of Sam Griffin, an onlooker who takes it upon himself to break up a race riot in a small southern town torn by court-ordered school integration. But a year later, he was back in his usual villain mold -- and as good as ever at it -- in McLintock!; in one of the most famous scenes of his career, he played the angry homesteader whose attempt to lynch a Native American leads to a head-to-head battle with John Wayne, bringing about an extended fight featuring the whole cast in a huge mud-pit. Gordon was still very busy as an actor and sometime writer well into the 1980's and early 1990's. He played General Omar Bradley in the mini-series War And Remembrance, and made his final screen appearance as Wyatt Earp in the made-for-television vehicle The Adventures of Young Indiana Jones: Hollywood Follies. He passed away in 2000 of natural causes.

Trivia: Born in a tough Los Angeles suburb, actress Lindsay Wagner quickly became accustomed to having to work hard and fight harder for the things she wanted out of life. The blonde, 5'11" Wagner supplemented her modelling and singing income by teaching theater arts to schoolchildren. In 1971, she was signed to a $162-per-week contract at Universal Pictures, under whose auspices she played supporting roles in such TV series as The Bold Ones and Owen Marshall, M.D. and co-starred in the theatrical features Two People (1972) and The Paper Chase (1973). Though she received good reviews for her work in the last-named film (in which she was cast as the daughter of imperious law professor John Houseman), Lindsay was summarily dropped by her studio in 1975. At the same time, Universal executives were looking for a tall, athletic actress to play a "bionic woman" opposite Lee Majors in a special two-part installment of the weekly TV series The Six Million Dollar Man. Lindsay's contract was extended an extra few days to permit her to play the role of Jaime Sommers -- and when the two-parter was spun off into the Bionic Woman TV series in 1976, Lindsay, still bitter over her firing, demanded a then-staggering sum of $17,500 per program, and a percentage of the merchandising profits. After the cancellation of Bionic Woman in 1978, Lindsay kept her star shining brightly such made-for-TV movies as The Incredible Journey of Dr. Meg Laurel (1979), Callie and Son (1981), I Want to Live (1983), Convicted (1986), The Taking of Flight 847: The Uli Dedrickson Story (1989), and I Want to Keep My Daughter (1995). She has also appeared in several TV-movie sequels to The Bionic Woman, including 1993's Bionic Ever After. In addition to maintaining her successful acting career, Lindsay Wagner has entered the booming instructional-video market with Lindsay Wagner's New Beauty: The Accupressure Facelift.

Trivia: A graduate of New York's American Academy of Dramatic Art, sultry brunette Lynn Cartwright made quite a splash in the early films of producer/director Roger Corman, often in tandem with her husband, actor/writer Leo Gordon. Perhaps best remembered as the tough-talking switchboard operator Maureen Reardon in The Wasp Woman (1959), Cartwright, who also acted under the name of Danielle Carver, did her fair share of television work, as well, including guest stints on Maverick, Adam-12, and Little House on the Prairie. Her last film appearance was as the older Dottie in 1992's A League of Their Own. She died January 2, 2004.