Trivia: Lean, effete, and sinister, Vincent Price was among the movies' greatest villains as well as one of the horror genre's most beloved and enduring stars. Born May 27, 1911, in St. Louis, MO, Price graduated from Yale University, and later studied fine arts at the University of London. He made his theatrical debut in the Gate Theatre's 1935 production of Chicago, followed by work on Broadway, in stock and with Orson Welles' famed Mercury Theater. Under contract to Universal, Price traveled to Hollywood, making his screen debut in 1938's Service de Luxe, before returning to Broadway for a revival of Outward Bound. His tenure at Universal was largely unsuccessful, and the studio kept him confined to supporting roles. Upon completing his contract, Price jumped to 20th Century Fox, starring in a pair of 1940 historical tales, Brigham Young -- Frontiersman and Hudson Bay. Still, fame eluded him, and in 1941 he began a long Broadway run (in Angel Street) that kept him out of films for three years. Price returned to the West Coast to co-star in 1943's The Song of Bernadette and became a prominent supporting player in a series of acclaimed films, including 1944's Wilson and Laura, and 1946's Leave Her to Heaven. His first starring role was in the low-budget Shock!, portraying a murderous psychiatrist. He next played a sadistic husband opposite Gene Tierney in Dragonwyck. Clearly, Price's niche was as a villain -- everything about him suggested malice, with each line reading dripping with condescension and loathing; he relished these roles, and excelled in them. Still, he was not the star Fox wanted; after 1947's The Web, his contract expired and was not renewed. Price spent the next several years freelancing with a variety of studios and by 1952 had grown so disenchanted with Hollywood that he returned to the stage, performing in a San Francisco production of The Cocktail Party before replacing Charles Laughton in the touring company of Don Juan in Hell.Price then signed on to star in 1953's House of Wax, Warners' 3-D update of their Mystery of the Wax Museum. The picture was one of the year's biggest hits, and one of the most successful horror films ever produced. Price's crazed performance as a vengeful sculptor brought him offers for any number of similar projects, and he next appeared in another 3-D feature, Dangerous Mission. He also made a triumphant return to the stage to appear in Richard III, followed by Black-Eyed Susan. The latter was Price's last theatrical performance for 14 years, however, as he began a very busy and eclectic motion picture schedule. Though he essayed many different types of characters, his forays into horror remained by far his most popular, and in 1958 he co-starred in the hit The Fly as well as William Castle's House on Haunted Hill. By the 1960s, Price was working almost exclusively in the horror genre. For producer Roger Corman, he starred in a series of cult classic adaptations of Edgar Allen Poe stories including 1960's The Fall of the House of Usher, 1963's The Raven, 1964's The Masque of the Red Death, and 1968's The Conqueror Worm. He also appeared in a number of teen movies like 1963's Beach Party, 1965's Dr. Goldfoot and the Bikini Machine, and the 1969 Elvis Presley vehicle The Trouble With Girls. Price began to cut back on his film activities during the 1970s despite hits like 1971's The Abominable Dr. Phibes and its follow-up Dr. Phibes Rises Again. Instead he frequently lectured on art, and even published several books. For disciple Tim Burton, Price co-starred in the 1990 fantasy Edward Scissorhands; apart from voice-over work, it was his last screen appearance. He died in Los Angeles on October 25, 1993.

Trivia: Rough-hewn American leading man Richard Boone was thrust into the cold cruel world when he was expelled from Stanford University, for a minor infraction. He worked as a oil-field laborer, boxer, painter and free-lance writer before settling upon acting as a profession. After serving in World War II, Boone used his GI Bill to finance his theatrical training at the Actors' Studio, making his belated Broadway debut at age 31, playing Jason in Judith Anderson's production of Medea. Signed to a 20th Century-Fox contract in 1951, Boone was given good billing in his first feature, Halls of Montezuma; among his Fox assignments was the brief but telling role of Pontius Pilate in The Robe (1953). Boone launched the TV-star phase of his career in the weekly semi-anthology Medic, playing Dr. Konrad Steiner. From 1957 through 1963, Boone portrayed Paladin, erudite western soldier of fortune, on the popular western series Have Gun, Will Travel. He directed several episodes of this series. Boone tackled a daring TV assignment in 1963, when in collaboration with playwright Clifford Odets, he appeared in the TV anthology series The Richard Boone Show. Unique among filmed dramatic programs, Boone's series featured a cast of eleven regulars (including Harry Morgan, Robert Blake, Jeanette Nolan, Bethel Leslie and Boone himself), who appeared in repertory, essaying different parts of varying sizes each week. The Richard Boone Show failed to catch on, and Boone went back to films. In 1972 he starred in another western series, this one produced by his old friend Jack Webb: Hec Ramsey, the saga of an old-fashioned sheriff coping with an increasingly industrialized West. In the last year of his life, Boone was appointed Florida's cultural ambassador. Richard Boone died at age 65 of throat cancer.

Trivia: New York-born Ursula Eileen Patricia Augustus Fraser Morison was once described by the Hollywood press as a "blond brunette," that is, a brunette with the vivacity of a blonde. She also had what, at 39 inches, was considered the longest hair in Hollywood. The daughter of a playwright/actor and a theatrical agent, Patricia Morison studied at the Art Students League in New York and also trained in dance with Martha Graham. At 19, she was working as a dress designer and thinking of a career in either art or dance, but was roped into an audition by a friend, and suddenly found herself with a stage career. Morison understudied for Helen Hayes in Victoria Regina and appeared in The Two Bouquets before being offered a screen test and a contract with Paramount in 1938, at the age of 24. Her stay in Hollywood was not a happy one, as the studio tried to alter her image and generally put her into less-than-stellar films, such as Persons in Hiding, Rangers of Fortune, and Tarzan and the Huntress. Among the few major films she did were The Fallen Sparrow starring John Garfield, Song of Bernadette, the Spencer Tracy/Katharine Hepburn romantic comedy Without Love, and Dressed to Kill, the last of the Basil Rathbone/Nigel Bruce Sherlock Holmes movies.Fortunately, she had done some singing on USO tours during the war and had taken the trouble to train her voice under the instruction of Richard Borchert. Among those who heard her sing in Hollywood was Cole Porter, who -- after being satisfied that Morison had the vivacity required for the role -- pushed her for the part of Lili Vanessi in the musical Kiss Me, Kate, over the objections of the producer and director. With further training from Constance Collier, Morison became a star in the biggest hit of Porter's career, as the shrewish actress who is tamed by Alfred Drake. Morison appeared in over 1000 performances of the show, on Broadway and later in the British production, and also reunited with Drake to do it on television on the Hallmark Hall of Fame anthology series. Since the early '50s, she has also appeared in stage productions of The King And I, Kismet, The Merry Widow, and Song of Norway. She has appeared in two movies since, one in the 1970s and one in the 1980s, and done occasional television work (most visibly an episode of Cheers in which she plays the corporate wife who engages Woody to entertain as a clown at her grandchild's birthday party), and pursued her early aspirations as a painter, her work enjoying numerous showings in Los Angeles. In 1999, Morison, along with the rest of the surviving original cast, were saluted by the cast of the successful Broadway revival of Kiss Me, Kate.

Trivia: Born in Chicago, Morey Amsterdam was raised in California, where his musician father was in charge of the San Francisco Symphony. Originally intending to be a cello player, Amsterdam instead gravitated to entertaining with words. A well-above-average student, Amsterdam was enrolled at the University of California at the age of 14, but quit after one year to go on the road with a comedy act. At 16, he was master of ceremonies at Colosimo's, a Chicago speakeasy run by Al Capone. Amsterdam got along fine with big Al, but after getting caught in the middle of a gangland shoot out, the young comic sought out safer work in California. He wrote gags and special material for such prominent laughmakers as Jimmy Durante, Fannie Brice and Will Rogers, and in 1939 made his television debut in an experimental Hollywood broadcast. He spent the war years touring with the USO, taking time out to write radio and movie scripts and to pen the popular novelty song "Rum and Coca-Cola." After the war, he was headlined on several radio and TV programs, notably NBC's Broadway Open House, the 1950 precursor to The Tonight Show. By the mid-1950s, Amsterdam was renowned far and wide as "The Human Joke Machine," able to come up with a joke on literally any topic without even pausing for breath. In 1960, his livelihood was sorely threatened when he suffered a head injury while appearing in the film Murder Inc.; for three tension-filled weeks, he completely forgot every one of the thousands of jokes he'd filed away in his memory banks. Happily, he recovered, and by 1961 he was gainfully employed as Buddy Sorrell on the long-running TV sitcom The Dick Van Dyke Show. After Van Dyke's series folded in 1966, Amsterdam continued to play nightclub dates and make TV guest-star appearances (he briefly produced and hosted a 1970 TV revival of the old radio series Can You Top This?) As funny as ever in his eighth decade, Morey Amsterdam surprised his fans by playing a villainous role on the CBS daytime drama The Young and the Restless. Amersterdam died of a heart attack on October 27, 1996.