Trivia: After a four-year hitch with the Naval Reserve, actor Steven Hill made his first New York stage appearance in Ben Hecht's A Flag is Born (1946), which also featured a young Marlon Brando. Hill made his film debut in 1950, then returned to the Navy for two more years before settling down to acting on a permanent basis. He was particularly busy in the so-called Golden Age of live TV drama, appearing in such prestigious video offerings as The Trial of Sacco and Vanzetti (1959). In 1966, he was cast as Daniel Briggs--as in "Good morning, Mr. Briggs"--on the hit TV adventure series Mission: Impossible. He left this lucrative assignment in 1967, reportedly because his Orthodox Jewish faith prevented him from filming on weekends; his replacement was Peter Graves as "Mr. Phelps" (in 1989, Hill guest-starred on the short-lived Mission: Impossible revival). Hill remained very much in demand throughout the 1980s and 1990s playing parental and authority-figure roles in such films as Yentl (1983) Heartburn (1986) and Billy Bathgate (1991). Contemporary TV viewers are most familiar with Steven Hill for his work as Michael Steadman's father on thirtysomething (1987-91) and DA Adam Schiff on the weekly TVer Law and Order, a role he stayed with from 1990 to 2000. Hill died in 2016, at age 94.

Trivia: The younger brother of Gunsmoke star James Arness, American actor Peter Graves worked as a musician and radio actor before entering films with 1950's Rogue River. At first, it appeared that Graves would be the star of the family, since he was cast in leads while brother Jim languished in secondary roles. Then came Stalag 17 (1953), in which Graves was first-rate as a supposedly all-American POW who turned out to be a vicious Nazi spy. Trouble was, Graves played the part too well, and couldn't shake the Nazi stereotype in the eyes of most Hollywood producers. Suddenly the actor found himself in such secondary roles as Shelley Winters' doomed husband in Night of the Hunter (1955) (he was in and out of the picture after the first ten minutes), while sibling James Arness was riding high with Gunsmoke. Dissatisfied with his film career, Graves signed on in 1955 for a network kid's series about "a horse and the boy who loved him." Fury wasn't exactly Citizen Kane, but it ran five years and made Graves a wealthy man through rerun residuals--so much so that he claimed to be making more money from Fury than his brother did from Gunsmoke. In 1966, Peter Graves replaced Steven Hill as head honcho of the force on the weekly TV adventure series Mission: Impossible, a stint that lasted until 1973. Though a better than average actor, Graves gained something of a camp reputation for his stiff, straight-arrow film characters and was often cast in films that parodied his TV image. One of the best of these lampoonish appearances was in the Zucker-Abrahams comedy Airplane (1980), as a nutty airline pilot who asks outrageous questions to a young boy on the plane (a part the actor very nearly turned down, until he discovered that Leslie Nielsen was co-starring in the film). Peter Graves effortlessly maintained his reliable, authoritative movie persona into the '90s and 2000s, and hosted the Biography series on A&E, for which he won an Emmy; he also guest-starred on programs including Cold Case, House and American Dad. Graves died of natural causes in March 2010, at age 83.

Trivia: A former University of Illinois sociology major, ash-blonde leading lady Barbara Bain studied for a theatrical career at New York's Actors Studio and Neighborhood Playhouse. While attending an actor's workshop in 1956, Barbara made the acquaintance of an intense young performer named Martin Landau. It was love at first sight, and they married in 1957. Landau and Bain strove to maintain separate careers, and while her husband tended to work more often than she did, Barbara was well-represented with guest appearances on such series as Richard Diamond, Private Detective, Get Smart and The Dick Van Dyke Show. In 1964, the Landaus worked together for the first time on an episode of The Greatest Show on Earth. They didn't care much for the experience, and vowed not to co-star again -- at least, not until producer Bruce Geller made them an offer they couldn't refuse with the weekly TV suspenser Mission: Impossible. Cast as silken espionage agent Cinammon Carter, Bain won three consecutive Emmies for her work on the series (if you're wondering why Cinammon never adopted elaborate disguises, as did practically everyone else on the program, it is because Bain suffered from claustrophobia, and could not abide being hemmed in by heavy makeup). Then, after three seasons' worth of Mission: Impossible, the Landaus quit the series in 1969, citing poor scripts and insufficient creative challenges. In later years, Bain would comment ruefully that leaving the show ruined her career. The record doesn't quite bear this out: indeed, during the early 1970s she racked up an impressive list of TV movie appearances, and was offered a great deal of money to reteam with Landau in the syndicated sci-fi TV series Space: 1999 (1975-77). In 1989, Bain appeared in her very first theatrical feature, Trust Me (1989), playing a truculent, dishonest art collector. Though long-divorced from Martin Landau, Barbara Bain did not express an aversion to the possibility of playing a cameo alongside her ex-husband in the 1996 film version of Mission: Impossible, should either one of them be asked to do so (alas, they weren't).

Trivia: Saturnine character actor Martin Landau was a staff cartoonist for the New York Daily News before switching to acting. In 1955, his career got off to a promising beginning, when out of 2,000 applicants, only he and one other actor (Steve McQueen) were accepted by Lee Strasberg's Actors Studio. Extremely busy in the days of live, Manhattan-based television, Landau made his cinematic mark with his second film appearance, playing James Mason's henchman in Alfred Hitchcock's North by Northwest (1959). In 1966, Landau and his wife Barbara Bain were both cast on the TV adventure/espionage series Mission: Impossible. For three years, Landau portrayed Rollin Hand, a master of disguise with the acute ability to impersonate virtually every villain who came down the pike (banana-republic despots were a specialty). Unhappy with changes in production personnel and budget cuts, Landau and Bain left the series in 1969. Six years later, they costarred in Space: 1999 a popular syndicated sci-fi series; the performances of Landau, Bain, and third lead Barry Morse helped to gloss over the glaring gaps in continuity and logic which characterized the show's two-year run. The couple would subsequently act together several times (The Harlem Globetrotters on Gilligan's Island (1981) was one of the less distinguished occasions) before their marriage dissolved.Working steadily in various projects throughout the next few decades, Landau enjoyed a career renaissance with two consecutive Oscar nominations, the first for Francis Ford Coppola's Tucker: The Man and His Dream (1988), and the second for Woody Allen's Crimes and Misdemeanors (1989). Landau finally won an Academy Award for his portrayal of Bela Lugosi in Tim Burton's 1994 Ed Wood; his refusal to cut his acceptance speech short was one of the high points of the 1995 Oscar ceremony. He would continue to work over the next several years, appearing in movies like City of Ember and Mysteria, as well as on TV shows like Without a Trace and Entourage.

Trivia: Fans of the original action /espionage series Mission Impossible (1966-70) may recognize black actor Greg Morris for playing electronics wizard Barney Collier. Morris spent most of his career on television, appearing on such shows as Ben Casey, The Dick Van Dyck Show and The Twilight Zone. During the 1970s, Morris was a regular on Vega$ (1978-81), playing police officer Lt. David Neslon. A native of Cleveland who spent part of his childhood in New York City, his mother worked as a secretary for black labor leader A. Phillip Reynolds. Before becoming a television actor during the early '60s, Morris attended Ohio State University and the University of Iowa. Morris passed away at the age of 61 on August 27, 1996. The cause of death was unreported.

Trivia: The son of a Boston barber, Leonard Nimoy was a star at the age of 8, when he played Hansel in a children's theatre production of Hansel and Gretel. Nimoy remained with his local kiddie theater troupe until 16 (one of his directors during this period was Boris Sagal). After studying drama at Boston College and Antioch College, he took acting lessons from Jeff Corey at the Pasadena Playhouse. In films from 1950, Nimoy played the title character in the low-budget Kid Monk Baroni and essayed bits and minor roles in such productions as Zombies of the Stratosphere (1951), Rhubarb (1951) and Them! (1954). In between acting assignments, he held down a dizzying variety of jobs: soda jerk, newspaper carrier, vacuum-cleaner salesman, vending machine mechanic, pet-shop clerk, cabbie and acting coach. During his 18 months in Special Services at Fort McPherson, Georgia, he acted with Atlanta Theater Guild when he could spare the time. Back in Hollywood in 1956, he became virtually a regular at the Ziv TV studios, playing villains in programs like Highway Patrol and Sea Hunt. For a short while, he specialized in the plays of Jean Genet, appearing in both the stage and film productions of The Balcony and Deathwatch. Impressed by Nimoy's guest turn on a 1963 episode of The Lieutenant, producer Gene Roddenberry vowed to cast the saturnine, mellow-voiced actor as an extraterrestrial if ever given the chance. That chance came two years later, when Roddenberry signed Nimoy to play Vulcanian science officer Spock on Star Trek. At first pleased at the assignment, Nimoy came to resent the apparent fact that the public perceived him as Spock and nothing else: indeed, one of his many written works was the slim autobiography I Am Not Spock. After Star Trek's cancellation, Nimoy joined the cast of Mission: Impossible in the role of "master of disguise" Paris (he replaced the series' previous master of disguise Martin Landau, who ironically had originally been slated to play Spock). In the early 1970s, Nimoy began racking up directorial credits on such series as Night Gallery. He also made his first Broadway appearance in 1973's Full Circle. And, perhaps inevitably, he returned to Spock, thanks to the popular demand engendered by the then-burgeoning Star Trek cult. His initial reacquaintance with the role was as voiceover artist on the 1973 Saturday-morning cartoon version of Star Trek. Then Spock went on the back burner again as Nimoy devoted himself to his theatrical commitments (a touring production of Sherlock Holmes, his one-man show Vincent), his writing and directing activities, and his hosting chores on the long-running (1976-82) TV documentary series In Search Of.... Finally in 1978, Nimoy was back in his Enterprise uniform in the first of several Star Trek theatrical features. The Spock character was killed off in the second Trek picture The Wrath of Khan, but Nimoy stayed with the franchise as director of the next two feature-length Trek entries (PS: Spock also came back to life). He went on to direct such non-Trek filmic endeavors as 3 Men and a Baby (1987), The Good Mother (1988), Funny About Love (1990) and Holy Matrimony (1994). He also produced and acted in the 1991 TV movie Never Forget, and served as executive producer of the 1995 UPN network series Deadly Games. Perhaps because he will always have dozens of professional irons in the fire, Leonard Nimoy now seems resigned to being forever associated with the role that brought him international fame; his most recent autobiographical work was aptly titled I Am Spock. In 2009 he returned to his iconic role portraying Spock in J.J. Abrams smash-hit reboot of the Star Trek franchise. He next took on a recurring role in the sci-fi series Fringe, playing scientist William Bell. Nimoy made a final cameo appearance in Star Trek Into Darkness (2013). He died in 2015, at age 83.

Trivia: Through a cruel twist of fate, American actor Sam Elliott came to films at just the point that the sort of fare in which he should have thrived was dying at the box office. A born cowboy star if ever there was one, the stage-trained Elliot made his debut in a tiny role in the 1969 western Butch Cassidy and the Sundance Kid. Within a few years, the western market had disappeared, and Elliot had to settle for standard good-guy roles in such contemporary films as Lifeguard (1976). Never tied down to any one type, Elliot's range has embraced sexy "other men" (Sibling Rivalry [1989]) and vicious rapist/murderers (the TV movie A Death in California [1986]). Still, one yearned to see Elliot playing frontiersmen; fortunately, the western genre had not completely disappeared on television, and Elliot was well-served with such hard-riding projects as The Sacketts (1977), I Will Fight No More Forever (1981), The Shadow Riders (1982), Houston: The Legend of Texas (1986) and Conagher (1991), in which he appeared with his wife, actress Katherine Ross. When westerns began showing up on the big screen again in the 1990s, Elliot was there, prominently cast as Virgil Earp in Tombstone (1993) and the made-for-cable sagebrusher The Desperate Trail (1995). Awarded Bronze Wrangler trophies for his involvement in Conagher, The Hi-Lo Country, and You Know My Name, Elliot also made an impression on Cohen Brothers fans with a memorable performance as the laid back Stranger in the cult hit The Big Lebowski. A featured role in the 2000 made for television remake Fail Safe found Elliot hanging up his duster to revisit rising Cold War tensions, and later that same year he would finally make the leap into the new millennium with his role as a presidential aid in Rod Lurie's Oscar-nominated hit The Contender. Rewarded with a double hernia as a result of his intense training efforts to prepare for a role in the 2002 Vietnam War drama We Were Soldiers, the then fifty-seven-year-old endured the pain through the entire production and put of surgery until shooting had wrapped. Though Elliot would remain in the armed forces to portray a military general hell-bent on destroying the Hulk in 2003, his onscreen authority would weaken somewhat when he was cast as a cancer-riddled Marlboro Man in the 2005 comedy Thank You for Smoking. After traveling to the far corners of the globe to carry out a little vigilante justice in the 2006 made for television thriller Avenger, Elliot would next break a little new ground by venturing into the world of animation by lending his distinctive voice to the character of Ben the Cow in Steve Oedekerk's rural family romp Barnyard. He co-starred with Nicole Kidman and Daniel Craig in The Golden Compass (2007), a film adaptation of the first installment of the wildly successful book series from author Philip Pullman. In 2009 he took on a role in the award winning comedy drama Up in the Air, and co-starred as an eccentric billionaire in director Tony Krantz's The Big Bang in 2011. He joined Robert Redford and Julie Christie to play a supporting role in 2012's comedy drama The Company You Keep.

Trivia: Publicity notwithstanding, Lesley Ann Warren did not exactly burst fully grown into the world in 1966 to star in the Rodgers and Hammerstein TV special Cinderella. Trained at New York's Professional Children's School, Lesley Ann studied under Lee Strasberg before making her Broadway debut in 110 in the Shade, the 1964 musical version of The Rainmaker. On the strength of Cinderella, Lesley Ann was signed to a Disney contract; but after starring in The Happiest Millionaire (1966) and The One and Only Genuine Original Family Band, she rebelled against her studio-imposed sweetness-'n'-light image. Upon replacing Barbara Bain in the long-running espionage TVer Mission: Impossible in 1970, Warren publicly emphasized that her character, Dana Lambert, was a "now" person, wise in the ways of sex. She stayed with Mission for only a year, after which she established herself as a leading light in the made-for-TV movie field, frequently cast as an older woman involved romantically with a much-younger man. She earned an Academy Award nomination for her hilarious performance as bleach-blond gangster's moll Norma in Victor/Victoria (1981), then starred in a couple of intriguing Alan Rudolph-directed dramas, Choose Me (1984) and The Songwriter (1986). Her more recent roles include Molly, the homeless woman in Mel Brooks' Life Stinks(1991), who goes into a "death throes" act whenever she feels like it, and the barracuda booking agent for c-and-w star George Strait in Pure Country (1994). For nearly a decade, Lesley Ann Warren was the wife of producer/hairstylist Jon Peters.

Trivia: Actress Lynda Day George was quite busy on TV in guest-starring roles throughout the 1960s. Before she officially changed her professional name from "Day" to "Day George" -- to acknowledge her marriage to actor Christopher George -- Day George was a regular on The Silent Force, a 1970 Mission: Impossible clone. Ironically, one year later she was cast on the real Mission: Impossible as undercover operative Casey, a role she retained until the series' cancellation in 1973. While she has appeared in the occasional theatrical film, most of Day George's best work could be seen in such small-screen miniseries as Rich Man, Poor Man, Once an Eagle, and Roots. In the early '80s, Lynda Day George began turning down network roles to devote her energies to religious television, remaining active in this field long after the death of her husband in 1983.